In order to transition “Who Framed Roger Rabbit” to a horror film genre, cinematography such as lighting, shot types, and angles, can be used. Due to the fact that “Who Framed Roger Rabbit” consists mainly of High-key lighting, it can be noted that it is not the highest-key of lighting being used, because the shadows of the toons as they walk around are extremely prominent. In order to contrast between lights and darks, as well as intensify shadows to give a horror effect, Low-key lighting must be used to remove the fill light from the three-point lighting system and give the overall deep shadow and gloomy effect. Furthermore, the use of long shots throughout the film can be used to emphasise the horroristic architecture, weather, and other …show more content…
The various show tunes from actual “toons” are all comedic and aimed at children while other elements, such as sexual innuendos, are aimed at adults. To properly transition “Who Framed Roger Rabbit” into the horror genre, the sound must be completely overhauled. The music should be more grim and ominous to give the viewer the sense that no location in the film is safe from any horror elements such as jump scares, suspense, and loudness. The music in the beginning of the film should also be altered to set the tone of horror in the film. The next sound aspect to be changed is the film’s dialogue. The dialogue is very comedic in “Who Framed Roger Rabbit” so it must be slightly changed to give a more suspenseful type of feeling to set up the viewer for a scare. The ambience in the film’s various scenes must have an echoic, ghastly feeling for the viewer to hear the terrifying atmosphere. Sound effects like these will give the full horror effect to completely alter the comedic and dramatic nature of “Who Framed Roger Rabbit.” Finally, the last key element to be added is silence. The film has many scenes where sound is heard, but almost no scene depicts complete silence. Silence can bring a certain feeling of helplessness to the viewer because they won’t know what is going to happen next. Sound is a key aspect of “Who Framed Roger Rabbit” …show more content…
Their uses of eye line match, 180 degree line rule, and ellipsis help tell a grand and comedic adventure. One central form of editing is the rift between live action and animation. This movie seamlessly puts two different movies together and tells a tale of what life would look like if our beloved “toons” were brought to life. This movie used a variety of techniques to provide the audience information about the characters and setting. Eye line match was used constantly throughout the film. One of the first examples of this editing technique was evident within just two minutes of playtime. A baby escaped his crib to reach a stockpile of cookies that are placed upon the fridge. Our first view is looking from the top of the fridge down to the baby, then the camera shifts to what the baby’s perspective is of the cookies. This perspective allows the audience to become a part of the movie and join in on the comedic action taking place within the household. In order to fit into our horror genre, we could make the fridge appear to be hundreds of stories tall and have lightning, ominous clouds, and a foreboding environment of where the cookies are stored. Our second example of eye line match takes place at the thirty-one minute mark when Eddie is bending down to pick up a gag gift dropped by the deceased Marvin Acme. We see him picking up the buzzer then our view traces his view as he
It hints of danger when Peg sees a man standing in a dark corner of the room looking like it was a bad guy, so Peg got scared when she first saw him standing there. It also made the audience have a scary feeling. Tim also uses low-key lighting in the movie Bettlejuice, there was a moment when Adam and Barbra made this secret door inside their attic and it had a low-key lighting effect, so it made it look like it was dangerous because it was a mysterious door. Now I have listed some examples when Tim Burton uses low-key lighting in his
The sound effects grabbed my attention and continued to make me yearn for what could come next. The sounds bring me to a place where I can’t help but believe in the situation that’s happening. The music heightens my mood and helps create illusion. For example, the first extraordinary sound technique I noticed that the filmmaker used was the echo effect. It was not only used to support the mood the characters were at, but also to express that idea of the ‘emptiness’ in them. This technique dominated the audio when I was taken to a story in the film of a boy who was 18 and poisoned by his own sister. Those are some of the dominant examples of sound usage throughout the movie The Poisoners Handbook. The entirety of the soundtrack is a solid cocoon for the film to stretch and grow
Indisputably, Tim Burton has one of the world’s most distinct styles when regarding film directing. His tone, mood, diction, imagery, organization, syntax, and point of view within his films sets him apart from other renowned directors. Burton’s style can be easily depicted in two of his most highly esteemed and critically acclaimed films, Edward Scissorhands and Charlie and the Chocolate Factory. Burton ingeniously incorporates effective cinematic techniques to convey a poignant underlying message to the audience. Such cinematic techniques are in the lighting and editing technique categories. High key and low key relationships plus editing variations evinces the director’s elaborate style. He utilizes these cinematic techniques to establish tone mood, and imagery in the films.
Another technique used throughout The Rabbit Proof Fence, is the use of music. Music can create many different moods, atmospheres and can set the scene for any type of movie. This movie had a variety of different songs and sound in it: many were traditional Aboriginal songs. Some of the music is a bit unsettling but since it is combined with other sounds it becomes less noticeable. There isn’t a very obvious tune to the music that was played. Instead it’s more of a sequence of synthesised sounds that don’t really have a climax. In my opinion most of the Aboriginal music sound a bit supernatural, like ancestral voices. The repetition of the dideridoo is present in most of the sounds. The most powerful song used was titled “Long Walk Home” by
In Edward Scissorhands, a close-up is used on both Edward and Kim’s faces after Edward mistakenly drops a steak in Kim’s lap. This close-up allows for facial expressions to be seen clearly, in turn adding to the emotion of the scene. (In this case Edward’s apologetic embarrassment, and Kim’s annoyance.) As the characters display an obvious emotion, the mood syncs up with the emotions they feel. Similarly, in The Corpse Bride the camera tilts, sways, and bounces as Victor runs from Emily in the world of the dead. This creates a chaotic feel to the scene as tilted shots put the audience in Victor’s shoes as he panics. Finally, in Charlie and the Chocolate Factory a view is used to show Wonka and his tour group, as well as dancing Oompa Loompas while Augustus is stuck in the chocolate tube. Being able to see several different events taking place from above creates a chaotic atmosphere. Juxtaposed, however, by the “unprepared” order of the dance routine taking place below. These aspects work together to help create a suspicious, and chaotic mood to the
One of the techniques used to promote fear and suspense into the audience is the use of the music. This technique makes the audience afraid of the shark, whenever the theme song is played the audience is to expect another horrific attack from the deadly shark, which adds a lot of suspense and build-up to the scences following. Spielberg uses this particular sound to build-up the scene, such as in the beginning when the shark attacks the girl swimming. Spielberg uses this non-diegetic sound which is only heard by the audience, not by any of the characters in the film. A non-diegetic sound defined by film sound says, a sound neither visible on the screen nor has been implied to be prese...
These have been adapted from the early twentieth century, and have developed a whole series of genre conventions into a familiar variety of scary settings, iconography, and stereotyped characterisation. Audiences have a clear understanding of this, and they use it to their advantage. They can keep putting the audience through the jolts that horror conventions continue to give. An effective way of keeping the horror fresh would be to break the cycle, by breaking certain conventions. The isolated setting in the two films is a key device used to establish a threatening atmosphere.
In any film, lighting and colour are very important, as film is mainly a visual form of media. In film A (By Dustin Hoffmann), the colours are very naturalistic. They make use of pastel colours and scenic shots. It has a sort of fantasy world quality.
Statement of intent: This formal report was written with the intent of discussing the mise-en-scene element of film which is used in two of Wes Anderson’s most popular films. Both films The Grand Budapest Hotel (2014) and Moonrise Kingdom (2012) showcase the limited colour palette and costume aspects of mise-en-scene.
use of the camera the sound and the mise en scene. I will analyze the
In brief, the audience can see how this 1931 sound film could be shaped by sound in a number of ways. Considering that sound at this time was a new phenomenon it is understood why mostly diegetic sound was used over nondiegetic sound. This director also showed the audience how the story could be affected by sound with examples like the clock becoming a character and storyline of its own and also the murderer being identified with his whistling. With the lack of sound and the collage of images during specific times, the director was able to create a mood without music or sound. Apparently this was a technique that was learned throughout his many years of silent films. These details were what brought the story together and would not have been done so precisely without the technique of sound.
...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
Scream is no exception. From the very beginning of the movie, sound is present. The movie starts out right away with creepy music in the background as Dimension Films slowly comes out of the darkness. It is followed by a rumble, as if several doors are being shut. While the eerie music is still going the title of the movie is stretched out and comes back together with a loud crash. This is followed by a phone ringing, a heart beating rapidly, a terrifying scream, a knife slicing into something, and finally followed by more screams. The ringing phone ties it into the first scene. The caller picks up the phone and the music, the beating heart, and the screams vanish. This is all done within twenty seconds of the film. Craven has already played on the viewer's senses. There's the apprehension that something bad is going to happen. Another example of sound is in the beginning, when Drew Barrymore's character hangs up the phone for a second time from the mysterious caller. The scene changes to the outside of the house where the camera is focused on some tree branches. There's the sound of some crickets, frogs, etc. In those noises, a creaking sound is heart. The camera travels downward and the viewer sees that it's a swing swaying back and forth that's making the noise. The rope is rubbing against the branch. It creates a feeling of tension because amongst these peaceful night noises is this odd creaking noise. It also leaves the viewer wondering perhaps, is there someone in the tree? Wes Craven is setting these small elements up to scare the viewer. Yet another example of sound being used is when Drew Barrymore (Casey, as her character is known) is talking to the mysterious caller. The caller had already threatened her. She tells him that her boyfriend is coming over and that basically, he'll beat him up. The caller responds with, "His name wouldn't be Steve, would it?" Casey stands stunned as a loud boom
Therefore, it is possible to notice how the cinematography, the mise-en-scene and the editing are used to resemble the peculiarities of the space in which the actions are taking place. For instance, the first part is characterized by long pan or tilt shots, the camera is steady but still manages to follow the characters actions. The editing points to the linear occurring of the events. Also, the characters and the objects are usually methodically placed in the scene. All of the elements are used to convey the rigid organization, efficiency and control typical of the military environment. On the other hand, in the second part, there are usually shorter shots and steadicam shots. The camera is free to investigate the space of action. Here, the editing is used to create a dynamic perception of the events. In this way Kubrick is able to bring in the spectators’ minds the chaotic reality of the war. Moreover, colors become another tool to communicate to the audience this sort of split within the film. In fact, after Pyle’s death the viewer can notice how those metallic and cold colors, that are present at the beginning of the film, shift into wormer colors. It is actually through Pyle’s suicide that the the spectator gets this switch. In that scene the dark red blood stains, and ideologically violates, the cold white tiles of the bathroom. This film is also different on
Sound is an extremely important element to a film. Music, the sound chosen in this scene, is categorized as non-diegetic, which means that the music is not in the story world. The directors use deep, dramatic, intense music when Nick is interrogating Judy about her speech. The music in the scene helps the audience feel the anxiousness that Judy is feeling towards predators, particularly Nick. As the music plays in the background, the intensity of the scene grows immensely. The directors use the music to help heighten the emotion during this encounter and reveal Judy’s inner fear of predators that gets the best of her in this