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Greek gods Roman gods comparison
Aphrodite in popular culture today
Differences and similarities of greek and roman gods
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Today we look at Aphrodite as a goddess of love, desire, and beauty, but in ancient Greece she was an Olympian who was worshipped on many other occasions for a great array of reasons. Her powers carried weight in the many realms of love, protection, desire, and even war.
Aphrodite was said to be born of the sea from the severed genitals of Ouranos. While the myth says she washed upon the shores of Cyprus in the foam of the ocean, her actual origins are more unclear. She does not seem to be native to early Greek religion and considering the location of Cyprus it is very likely that centuries of cultural interaction led to the formation of the goddess we now know as Aphrodite. Evidence to support this claim is found in knowing that she is very reminiscent of the Arkadian goddess Ishtar and Phoenician Astarte, both goddesses of power, fertility and war who, like Aphrodite, were known for their fierce jealousy and sexuality.
The Birth of Venus. Sandro Botticelli, 1485. In this painting we see Venus (the Roman name for Aphrodite) emerging from the sea. In art Aphrodite is often shown being transported by a giant sea shell as a reference to her birth from the sea onto the island of Cyprus.
Aphrodite was more than just a beauty in ancient Greece. The Greeks believed she could be useful in many situations. This is most likely why she typically has multiple shrines within one city. The themes are mostly sexual, but could also pertain to marriage and fertility. Her shrines in Korinthos were known centers for “sacred prostitution” where young priestesses would worship Aphrodite by offering their bodies to men, who pay by leaving sacrifices to the goddess. Sometimes these men would “pay” by leaving her more women. This act of “sacred pros...
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... her own anger and ultimately became one of her greatest joys and her deepest sorrow. (Martin, 94-95)
I. After reading these myths about Aphrodite, I am having trouble deciding if she was simply a selfish and malicious god who used her powers to take revenge on those who did not serve her (ex. Symrna), or was she mischievous and not fully aware of what problems her meddling would create (ex. Trojan War)?
Translated from German the title of this work is Aphrodite and Eros. Painted in 1785 by Daniel Nikolaus Chodowieki. It depicts Aphrodite with her almost constant companion Eros, also known as Love or Cupid. This painting is different from the norm in representations of Aphrodite because she is clothed. For the most part in art, Aphrodite is shown either completely naked with her hand covering her genitals (like above) or wrapped with a silk cloth around her hips.
The age of the figurine has been changed several times. Originally, when found, the date was estimated to be 15,000 to 10,000 BCE. During the 1970’s the time period was adjusted to 25,000 to 20,000 BCE; the date was again recalculated in the 1980’s to 30,000 to 25,000 BCE; the most recent estimate of age was in the 1990’s and was placed at 24,000 to 22,000 BCE after scientific research was performed on the rock stratification. This statuette was discovered by Josef Szombathy in 1908 near the town of Willendorf, Austria, in an Aurignacian loess deposit, which loosely defined is a yellow brown loamy geological deposit dating to the Paleolithic period. The name Venus was first associated with the figurine as a joke.
Athena is the goddess of several different categories including wisdom, war, and crafts. She is one of the most well-known Olympian goddesses. Athena had a strange birth, followed by an odd life. Athena combines several personalities of different gods into one goddess with her traits of wisdom, power, and craftiness.
Aphrodite is one of the most famous figures of Greek mythology, because Aphrodite was the Greek goddess of love, beauty, and sexual rapture. She was desired by nearly all of the Greek gods. Aphrodite was one of the twelve main gods on Mt. Olympus, and she was the most powerful goddess when it came to members of the opposite sex. There are many origins to Aphrodite's birth. Some of them are: She arose full-grown out of the foam of the sea, She is the daughter of Zeus and Dionne, She is the daughter of Uranus and Gaia, which would make her a Titaness, or She is the daughter of Titans Oceanus and Tethys, making her an Oceanid. (Dittus 34-35) “The most common origin of her birth is her being foam-born, which is what her name means” (Parin 45). This origin says that Aphrodite arose nude and full-grown out of the foam of the sea and riding into the shore of Cythera on a scallop shell. She found Cythera to be too small of an island, so she went to live in Paphos, in Cyprus, which is still the principal seat of her worship.
Ancient Greek mythology has made its way into public conscience and knowledge. So much so that any person on the street would be able to name at least one deity from their pantheon. From this public knowledge, much is known about the religions including its stories and mythologies. But less is known about a person’s role in Ancient Greek religion and even less about a woman roles in their religion. What roles the Ancient Greek people did play can be gathered from the Greek stories and myths. But more specifically what roles did Ancient Greek women play in their religion. The Ancient Greek myths and stories tell of priestess and women who remained virgins as a way of worshipping their gods. But more questions come from these, why did these women become priestess and what rituals did they perform? Both the reasons behind these motives and the process one goes through to become a priestess must be explored to better a woman’s role in Ancient Greek religion.
She is the daughter of Uranus and Gaia, which would make her a Titaness, or a Titaness. 4) She is the daughter of Titans Oceanus and Tethys, making her an Oceanid. The most common origin of her birth is her being foam-born, which is what her name means. This origin says that Aphrodite arose nude and full-grown out of the foam. of the sea and riding into the shore of Cythera on a scallop shell.
Aphrodite was one of the nine that were known as the Great Goddesses, “an awful and lovely goddess,” according to Hesiod (Theogony), born of the foam that ensued when Kronos cut off Uranos’ genitals and they fell into the sea. She first walked ashore in Cyprus, and was welcomed by the Seasons (Hours):
She places in people the desire to have sexual relations and causes fear in men of the power of seduction by women. Her marriage to her husband was ignored as she had affairs with immortal and mortal men. Her infidelity in her marriage places her on the side with Greek men, rather than Greek women because only Greek men were able to cheat on their wives; not the other way around. In conclusion, the three important rules discussed in this paper that Greek women were required to obey, can be seen in the myths of the goddesses Hera, Athena, and Aphrodite. Whether or not the Greek goddesses obeyed or did not obey these rules, their importance to the Greek culture is ever strong.
What makes the depiction between Athena and Aphrodite interesting is the different ways they are portrayed even sharing the similarity of being born strictly from male only. Athena from the all-powerful king of the gods Zeus and Aphrodite from Ouronos. Though they were both born from man alone, the content of these births caused Athena to be expressed in a more dignified, respected, and superior way. Hesiod’s recount of the births of Athena and Aphrodite in his Theogony reveals the source of Athena’s superiority. According to the Theogony, Ouranos’ genitals are thrown into the sea where they mix with the sea foam to result in Aphrodite (Hesiod 180-192). Aphrodite is said to be called, by Hesiod, “Philommedes, fond of a man’s genitals” ( Hesiod, 200-201). In contrast, Hesiod writes that Athena is born from Zeus’ head (Hesiod 924) after Zeus consumes her mother Metis, the goddess whose name means wisdom, for fear of her giving birth to someone who was destined to be his match in wisdom (Hesiod 894-900).
The position of women in Classical Athens has often been described as subordinate in comparison to men. Women were categorized in very particular ways: Athenian women were wives, while those who migrated to Athens from other city-states were slaves or prostitutes. Countless literature, from tragedy to comedy and political texts, reinforces the notion that citizen women were meant to serve their husbands within the confines of the oikos and produce legitimate sons in order to further the glory of men while non-Athenian women served their purpose towards men through sexual pleasure. While there may be partial truth to these views, Athenian women played a crucial role in the religious sphere. Religion was directly linked to civic identity and was a fundamental and sacred element of not only a city-state, but to Greece as a whole during the Classical period. Surviving documentation has demonstrated that Athenian women played a vital part to specific religious traditions, such as the participation in the festivals of Thesmophoria and Adonia. Furthermore, there exists evidence that proves women could also acquire the position of priestess for particular cults, a position that increased their reputation and status in a culture that considered them inferior. These marginalized women used religion as a way to carve out a sacred and protect space for themselves, using it to create a sense of freedom in their lives and to bridge the gap in equality between them and the dominant men.
The most universal version of her birth explains how she was born from sea-foam from Uranus genitals. Apparently they were floating in the sea after Uranus son, Cronus, castrated him (Martin). She rose out of the foam. Her name literally means out of foam. She was carried towards Cyprus by the West Wind and was clothed by the Seasons when she then reached the shore. Cyprus was sacred to her after that (Aphrodite History). In another translation of her birth, the poet Homer, states in his book “THE ILIAD”, that Aphrodite was the daughter of Zeus and the goddess Dione (Buxton). This version is less common.
The Birth of Venus by Sandro Botticelli depicts a moment from Venus birth when she stepping, almost floating, off the seashell that was blown ashore by Zephyors along with Chloris. Horae awaits Venus arrival to shore with a large red cloak to cover her naked body .Venus is the Roman goddess of love, sex, beauty, fertility, and prostitution. Venus is the Roman Aphrodite. Born of seafoam from a singled drop of blood in to the sea from the castration of her farther Uranus by his son Saturn.
The speech by Pausanius in Plato’s Symposium divides the goddess Aphrodite into two beings, each responsible for a different aspect of love. To prove the existence of her double life he cites her creation. There are two versions of the birth of Aphrodite, one coming from Hesiod’s work, Theogony, where she is borne out of Uranus’ castrated genitals as they splash into the sea; the other is from Homer’s work, the Illiad, where she is said to be the daughter of Zeus and Dione. (Notes on Plato’s Symposium 180e) From these two vastly different creations she takes on two vastly different forms. Pausanius describes one of her forms as “Celestial” love. This type of love springs out of the Aphrodite created from Uranus’ genitals. This form is “wholly male” (Symposium 180c) which inspires men to be a...
One of the best summarizes of Greeks’ gods attitude toward human is the claim of Aphrodite in Euripides’ Hippolytus that she will treat well the people who revere her power, but will “trip up” those who are proud towards her, and this pri...
Aphrodite is depicted in her persona as a perfect, breathtaking woman, characterized by her potent sexual attractiveness. While Artemis is similar in her gender and her eternal youth, her appearance is not characterized with sexual attraction as much as it is fruitfulness and purity, as she is the goddess of chastity and natural environments. Aphrodite’s main symbol is a girdle that has magical powers to compel love, while Artemis contains a bow that is used for hunting flesh, and is very physically strong. And of course, because Artemis is a virgin god, she lacks a husband or any children for herself, while Aphrodite is in the complete opposite realm: she not only has a husband (Hephaestus), but an illicit lover too (Ares, the god of...
Conclusively, Botticelli’s painting the Birth of Venus, was one of the most insightful paintings of the Renaissance. It gave amazing painting techniques and depictions of the ideal women. It portrayed parts of Greek mythology beliefs and showed just why Venus was the main focus of the painting due to her beauty and grace. This masterpiece represents the birth of love and that spiritual beauty is a main force of life. After 500 years, colors may fade and paint may chip but the breathtaking message Botticelli was trying to perceive about Greek mythology and beauty will always stay.