Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Contrast character,activities and influence of Artemis and aphrodite
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Born from the remains of the castration of Uranus, Aphrodite arose from the foam in the sea and became known as the goddess of love to those who worshipped her, described by Hesoid. We see another version of her this goddess’s birth as well, from the gods Zeus and Dione, leaving a double tradition of Aphrodite’s birth and a basic duality in her character. Artemis, the Greek goddess of wild things, was born to Zeus and Leto, and remained a virgin goddess who roamed the forests with her female companions. These two goddesses disagreeing viewpoints on sexual relationships naturally set them up to have a conflicting relationship, yet their well-known trait of revenge in their myths bring a similarity to both the goddess of love and of hunting. Their personalities are compared through their primary functions in Greek mythology and physical characteristics, their behavior in myths that they are involved in, their portrayal in Greek art and literature, and if and how they are worshipped in Greek religion.
Aphrodite is depicted in her persona as a perfect, breathtaking woman, characterized by her potent sexual attractiveness. While Artemis is similar in her gender and her eternal youth, her appearance is not characterized with sexual attraction as much as it is fruitfulness and purity, as she is the goddess of chastity and natural environments. Aphrodite’s main symbol is a girdle that has magical powers to compel love, while Artemis contains a bow that is used for hunting flesh, and is very physically strong. And of course, because Artemis is a virgin god, she lacks a husband or any children for herself, while Aphrodite is in the complete opposite realm: she not only has a husband (Hephaestus), but an illicit lover too (Ares, the god of...
... middle of paper ...
...als. In this sense, divinities like Aphrodite and Artemis possess a power rather like that of Zeus; and in this sense, too, these apparently contrasting divinities have something in common. Joseph Dial summarizes the relationship between Aphrodite and Artemis quite well in Instructure article, claiming “While we often think of both of these goddesses in rather benign terms—Aphrodite as the charming “goddess of love” or Artemis as the spunky huntress—the fact is that they can mete out punishment with the best of them, in the process demonstrating that their power may often be as extensive and as potentially lethal as that wielded by ‘the father of the gods.’”
Works Cited
http://gogreece.about.com/cs/mythology/a/mythaphrodite.htm http://gogreece.about.com/cs/mythology/a/mythartemis.htm https://uw.instructure.com/courses/862997/wiki/artemis-aphrodite-and-revenge
archetypal figures: smacked the bronze backside (libido) of Aphrodite (Greek Water Goddess of love and beauty – vain and unfaithful like Neddy)
For the Greeks, Homer's Odyssey was much more than just an entertaining tale of gods, monsters, and men, it served as cultural paradigm from which every important role and relationship could be defined. This book, much more so than its counter part The Iliad, gives an eclectic view of the Achean's peacetime civilization. Through Odyssey, we gain an understanding of what is proper or improper in relationships between father and son, god and mortal, servant and master, guest and host, and--importantly--man and woman. Women play a vital role in the movement of this narrative. Unlike in The Iliad, where they are chiefly prizes to be won, bereft of identity, the women of Odyssey are unique in their personality, intentions, and relationship towards men. Yet, despite the fact that no two women in this epic are alike, each--through her vices or virtues-- helps to delineate the role of the ideal woman. Below, we will show the importance of Circe, Calypso, Nausicaa, Clytaemestra, and Penelope in terms of the movement of the narrative and in defining social roles for the Ancient Greeks.
Calypso feels that her sexuality makes her susceptible to unfair treatment by the gods. This further proves the point that women were objectified, sexually and otherwise, in Greek culture. It is important to note that Odysseus’ relationship with most goddesses throughout The Odyssey involves the act of sex. Athena, on the other hand, personifies both feministic and non-feministic traits, although they are not necessarily masculine traits. This is quite strange, however, as most women are represented as solely feminine and completely inferior to men. Athena is the goddess of wisdom and war. According to Homer, in the Iliad, Athena is portrayed as a fierce and ruthless warrior, characteristics that women were not generally assigned during this time period. At the same time, Athena is illustrated as being emotional, acting on her emotions. She has a
Athena was the Greek Goddess of many ideas, but she was famous mostly for her superior wisdom, her cunning skills in times of war, and her implausible talent for household tasks, such as weaving and pottery. She was celebrated more than any other God in ancient mythology, was the supposed inventor of countless innovations, and her figure gave reason for Greek woman to gain rights long before others of their time. The goddess of war, the guardian of Athens, and the defender of Heroes; Athena’s impact on the lives of Ancient Greeks is outstanding.
The gender roles in Vergil’s Aeneid are a complex composition that can be read differently from varying contextual views. Particularly nuanced is his representation of female characters, both goddess and mortal. The intricacy of this representation stems from the dichotomy of a modern reading compared to the contemporary values of the time. Current values and norms have socialized the modern viewer to view Vergil’s female representations through culturally constructed roles, or tropes. Juno and Venus both exemplify traits that a modern viewer may identify as that of a woman scorned. Similarly, Dido and Amata reflect the typical characterization of the hysterical woman. It is these culturally constructed concepts that are subliminally framing the work for the modern reader that can cause a discrepancy in representation. Therefore, readers can interpret that Vergil is depicting the female characters as irrational, and are a stark contrast to the males of the epic, particularly Aeneas. However, contemporary values revealed that the motivations of the female characters were in fact normal. Pietas, the Roman value that called for devotion to the state, gods, and family, can be seen as the catalyst of action for all of the female characters. Consequently, the female characters actually embody many of the same values of Aeneas. For this reason, modern viewers can be faced with difficulty determining the representation of women in the Aeneid. Throughout the epic, Vergil seems to portray women as irrational and meddlesome from a modern point of view. However, their motivations are driven by virtues of devotion that were typically accepted by contemporary standards and associated with men as represented in the epic, such as Aeneas.
She tempted many, even Zeus: “she beguiles even his wise heart . . . mates him with mortal women, unknown to Hera” (Hesiod). The goddess of love, “she was a particular favourite with the city’s many prostitutes but also supervised the sexual life of married women” (Blundell, 1998). To curb her promiscuity, Aphrodite was married to Hephaistos (god of the forge), who cared deeply for her, and made he...
She places in people the desire to have sexual relations and causes fear in men of the power of seduction by women. Her marriage to her husband was ignored as she had affairs with immortal and mortal men. Her infidelity in her marriage places her on the side with Greek men, rather than Greek women because only Greek men were able to cheat on their wives; not the other way around. In conclusion, the three important rules discussed in this paper that Greek women were required to obey, can be seen in the myths of the goddesses Hera, Athena, and Aphrodite. Whether or not the Greek goddesses obeyed or did not obey these rules, their importance to the Greek culture is ever strong.
Aphrodite and Athena were both great powerful women who were revered as goddesses in greek mythology. They both were greatly worshipped, however due to their distinct personality traits they were worshipped and spoken about and very different ways. Both goddesses are immortal and female, and both seem to distinguish the incongruous gender roles between men and women throughout ancient Greece. What makes these two goddesses interesting, however, is their differences, which will determine how they will be reflected in myth. On one hand you have Athena, the androgynous goddess of war and wisdom. On the other you have Aphrodite, the goddess of love and sexuality. During this time, even among the immortals, women were seen as inferior and less
In modern day society, female gender roles are defined in several of forms; ranging from the stereotypical concept of women being primary caretakers to women being the dominant sex. After analyzing two sources of past literature, two iconic women represent personas of both social standings. In the literary works “Genesis” of The Hebrew Bible; along with, “Lysistrata” by Aristophanes, impactful phenomenons take place in the era of these women.
The Role of Women in Greek Mythology In learning about the feminist movement, we studied the three articles, discussed and reviewed the different authors perspectives on the topic, and learned how important the role of woman in Greek mythology is. In presenting the feminist theory to the class, we analyzed the three articles, Women in Ancient Greece; Women in Antiquity: New Assessments; and Women in Greek Myth, and discussed how although the three articles provided different views on Feminism in mythology, they all essentially are aiming to teach the same basic concept. In order to understand the feminist theory, we have to understand the notion that although myths are invented and that they involve fantasy, the concept of mythology does not necessarily imply that there is no truth of history in them. Some of the humans may have lived while some of the events may have taken place. Most importantly, the social customs and the way of life depicted in the myths are a valuable representation of Greek society.
Both Goddesses stand nude, slightly covering their genitalia; It’s as if Botticelli took on the modest look Praxiteles put forth. The only difference in the modesty shown is Venus’ long flowing locks some how managed to cover her slight indecent moment in time. Both men set forth a type of admiration for the women pictured in their pieces considering they gave them some kind of covering. When looking at the goddess’s facial expressions, we can see a very apparent deviance in their half smiles, as if they were caught. The Aphrodite represents a quite symmetrical body with even the softest features easily recognizable but, Botticelli was quite close to mimicking such. The Venus’ elongated neck with shoulders slightly sloped still can be compared to the soft features of Aphrodite. Aside from the standing contrapposto, the softness featured in both pieces is what simply draws them
Walcot, P. “Greek Attitudes towards Women: The Mythological Evidence.” Greece & Rome 2nd ser. 31.1 (Apr., 1984): 37-47. Cambridge University Press on Behalf of The Classical Association Article Stable. Web.
One of the best summarizes of Greeks’ gods attitude toward human is the claim of Aphrodite in Euripides’ Hippolytus that she will treat well the people who revere her power, but will “trip up” those who are proud towards her, and this pri...
Within the writings of Greek mythology women commonly display certain attributes that the Greek society associated with women or femininity back in the day. A common quality demonstrated amongst the women in Greek society, and more specifically in Greek mythology, is deception. Throughout the Greek literature discussed in class, women have commonly showed their deception and trickery in different ways and for numerous different reasons. The Odyssey, Theogony, and Homeric Hymm all displayed Greek women showing some form of deception within the stories and poems. These stories show various ways and reasons for Greek women being deceiving and disingenuous, reasons for which there needs to be more discussion.
Goddesses play important roles protectors and guardians of men and are demonstrated as being wise and knowledgeable in Homer’s Odyssey. Circe knows the directions to the underworld, and Eidothea, Proteus’ daughter knew where Odysseus was and was able to outmaneuver her father by telling men of how he will try to shift his shape and sh