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The love song of j. alfred prufrock explained
The love song of j. alfred prufrock explained
T. S. Eliot's language and imagery
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T.S. Eliot’s impact on poetry is unrivaled in the 20th century. Although his work was criticized because it was unlike the others of his time, his differences are seen as the beginning of what is called “modern poetry.” His distinct style was influenced from his American heritage, mental breakdown, and his readings of the Italian Renaissance, and French Symbolists. His unique views of society and literature gave him a fresh perspective, causing him to become a very influential poet and critic as he pioneered the modern poetry movement. Thomas Stearns Eliot was born in St. Louis, Missouri, to an old New England family. Eliot attended Harvard as an undergraduate in the year 1906 and soon after completed his graduate work in philosophy. He then after settled in England, where he was, for a period of time, a schoolmaster, bank clerk, and then eventually a literary editor for the publishing house Faber & Faber -- which he later became a director. He founded and edited the exclusive and influential literary journal Criterion during the seventeen years of its publication (1922-1939). In 1927, Eliot became a British citizen and consequently entered the Anglican Church (Frenz, 1969). Eliot considers his transition from America to England as having great influence upon himself and making him unique in situation compared to other poets. He says of his poetry “it wouldn't be what it is if I'd been born in England, and it wouldn't be what it is if I'd stayed in America” (Hall, 1959). Another one of Eliot’s influences was his relationship with Ezra Pound, the man who “discovered” Eliot and brought him into fame. Eliot grew not only from their shared ideologies, but also from Pound’s demands that he stay in England. So adamant, Pound was, that ... ... middle of paper ... ...rieved from http://www.theparisreview.org/interviews/4738/the-art-of-poetry-no-1-t-s-eliot Keely, E. (1970) George Seferis, The Art of Poetry No. 13. The Paris Review, Fall 1970 (50) Retrieved from http://www.theparisreview.org/interviews/4112/the-art-of-poetry-no-13-george-seferis Low, A. (6 Jun 2009) T.S. Eliot [Television documentary episode]. BBC (Producer), Arena. UK: Illuminations Films Gonzalez, A. (2005) T.S. Eliot and the Modern Movement. Retrieved from http://lordyal3ks-tseliot.tripod.com/id11.html Matthiessen, F. O. (1976). The Achievement of T.S. Eliot: An Essay on the Nature of Poetry. New York, NY: Oxford University Press. Trivedi, R. (2010, April 20). Eliot- The Portrait of a Lady (Part-2) . . Retrieved May 6, 2014, from http://englishliteratureviewsreviews.blogspot.com/ Eliot, T. S. (1920). Prufrock and Other Observations. New York: A.A. Knopf.
Despite the similarities between these two poems, Corso and Eliot shared little in common. Corso spent much of his early life between foster parents and prison, the latter being where he was introduced to poetry. Now credited as a key member of the “Beat Generation”, a group of poets who were opposed to social conformity and the traditional forms of poetry, Corso typically wrote poetry “on serious philosophical issues” (Olson 53). On the other hand Eliot’s upbringing was more traditional where he attended Harvard and went on to become a figure of immense influence in the literary world. Eliot’s first major poetic publication: The Love Song of J. Alfred Prufrock bares many resemblances to Corso’s postmodern poem Marriage, a poem written to criticize the philosophical issues associated with marriage.
The poetry written by Thomas Stearns Eliot, Portrait of a Lady has a strong connection with the novel by Henry James. Both deal with almost the same issues. In the poem Eliot talks about how a person will live his or her life during the 19th century. How they would always do exactly what was considered right during that era in society.
Form often follows function in poetry, and in this case, Eliot uses this notion whe...
T.S. Eliot, The Love Song of J. Alfred Prufrock. The Norton Anthology of English Literature. 6th ed. Vol. 2. ed. M. H. Abrams New York, London: Norton, 1993.
The Modernist era of poetry, like all reactionary movements, was directed, influenced, and determined by the events preceding it. The gradual shift away from the romanticized writing of the Victorian Era served as a litmus test for the values, and the shape of poetry to come. Adopting this same idea, William Carlos Williams concentrated his poetry in redirecting the course of Modernist writing, continuing a break from the past in more ways than he saw being done, particularly by T.S. Eliot, an American born poet living abroad. Eliot’s monumental poem, The Waste Land, was a historically rooted, worldly conscious work that was brought on by the effects of World War One. The implementation of literary allusions versus imagination was one point that Williams attacked Eliot over, but was Williams completely in stride with his own guidelines? Looking closely at Williams’s reactionary poem to The Waste Land, Spring and All, we can question whether or not he followed the expectations he anticipated of Modernist work; the attempts to construct new art in the midst of a world undergoing sweeping changes.
T.S. Eliot has been one of the most daring innovators of twentieth-century poetry. His poem“The Love Song of J. Alfred Prufrock”, is different and unusual. He rejects the logic connection, thus, his poems lack logic interpretation. He himself justifies himself by saying: he wrote it to want it to be difficult. The dissociation of sensibility, on the contrary, arouses the emotion of readers immediately. This poem contains Prufrock’ s love affairs. But it is more than that. It is actually only the narration of Prufrock, a middle-aged man, and a romantic aesthete , who is bored with his meaningless life and driven to despair because he wished but
In conclusion, after exploring the theme of this poem and reading it for myself, Eliot has created this persona, in industrialised England or somewhere else. A man of low self-esteem, you embark his journey as he struggles with a rational fear of being rejected by a woman. Which gives the reader sympathy to Prufrock, as he lives within his own personal
In order to accomplish this goal Eliot incorporated allusions into his work. These references added historical context and depth to his poetry. On the other hand Wallace Stevens opposed Eliot’s large reliance on allusion, calling it overly intellectual and a hindrance to the sound and rhythm of the poem. While Stevens’s portrayal of the desolate present was similar to Eliot’s imaginings, Stevens chose to focus on an American future rather than a European past.
"T.S. Eliot: Childhood & Young Scholar." Shmoop.com. Shmoop University, Inc., 11 Nov. 2008. Web. 30 Jan. 2014.
...s, Colleen. The love song of T.S. Eliot: elegiac homoeroticism in the early poetry. Gender, Desire, and Sexuality in T. S. Eliot. Ed. Cassandra Laity. Cambridge: Cambridge UP, 2004. p. 20
Both Browning and Eliot seek to improve upon the nature of the dramatic monologue. Browning emphasizes structure and a separation between the poet and the character which is reiterated by Eliot’s poem. Browning’s influence on Eliot can be seen by the form and structure of “The Love Song of J. Alfred Prufrock” adding working intrinsically with the theme and subject of the work. However, Eliot deviates slightly from Browning by the portrayal of his characters, and the amount of information that he is willing to share with the reader. The intended message of Browning’s poem is much more apparent than Eliot’s who creates an open ended poem that can be interpreted differently by each reader.
Southam, B.C. A guide to the Selected Poems of T. S. Eliot. New York: Harcourt, Brace & Co., 1994.
Williamson, George. A Reader's Guide to T.S. Eliot; a Poem by Poem Analysis. New York:
Faced with a world lacking variety, viewpoints, vibrancy, and virtue- a world without life- a fearful and insecure T.S. Eliot found himself the only one who realized all of civilization had been reduced to a single stereotype. Eliot (1888-1965) grew up as an outsider. Born with a double hernia, he was always distinguished from his peers, but translated his disability into a love of nature. He developed a respect for religion as well as an importance for the well-being of others from his grandfather at a young age, which reflected in his poetry later in life. After studying literature and philosophy at Harvard, Eliot took a trip to Paris, absorbing their vivid culture and art. After, he moved on to Oxford and married Vivien Haigh-Wood. Her compulsivity brought an immense amount of stress into his life, resulting in their abrupt separation. A series of writing-related jobs led Eliot to a career in banking and temporarily putting aside his poetry, but the publication of “The Waste Land” brought him a position at the publishing house of Faber and Gwyer. His next poem, called “The Hollow Men” reflected the same tone of desolation and grief as “The Waste Land.” Soon after, he made a momentous shift to Anglicanism that heavily influenced the rest of his work in a positive manner. Eliot went on to marry Valerie Fletcher, whom he was with until the end of his life, and win a Nobel Prize in literature. T.S. Eliot articulates his vast dissatisfaction with the intellectual desolation of society through narrators that share his firm cultural beliefs and quest to reinvigorate a barren civilization in order to overcome his own uncertainties and inspire a revolution of thought.
T.S Eliot, widely considered to be one of the fathers of modern poetry, has written many great poems. Among the most well known of these are “The Waste Land, and “The Love Song of J. Alfred Prufrock”, which share similar messages, but are also quite different. In both poems, Eliot uses various poetic techniques to convey themes of repression, alienation, and a general breakdown in western society. Some of the best techniques to examine are ones such as theme, structure, imagery and language, which all figure prominently in his poetry. These techniques in particular are used by Eliot to both enhance and support the purpose of his poems.