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More handpicked essays just for you.
Subjective reader response theory
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Most times when a reader truly gets into a story they will imagine everything that is happening in their head. They will watch the story unfold in their mind's eye and some will stop to examine what they have read. Reader-response criticism is used when a reader decided to stop and try to explain what is going through their mind at certain intervals throughout a story. Jorge Luis Borges story, “The Garden of Forking Paths”, is a complex short story about a military man who travels on a mission that only he knows about. While reading this story many readers must stop and try to unravel the secrecy that is slowly revealed by the main character, Yu Tsun. Reader-response criticism is one literary element that can be used throughout this story and …show more content…
In the middle of the book, Tsun is searching and leaving the city to try and stay ahead of Madden. He reaches a town called “Ashgrove”, and soon after arriving enters into a labyrinth. Borges shows, “The instructions to turn always to the left reminded me that such was the common procedure for discovering the central point of certain labyrinth”(57). Here the characterization of Tsun can be narrowed down to the fact that he has has previous work with labyrinths. To have knowledge, no matter how basic, show he had, at one point in his life, an interest in labyrinths. The reader is now able to connect that he is indeed searching for something. On a last minute before he could be caught by Madden or be killed, he his searching for something. Borge continues with, “Something stirred in my memory and I uttered . . . 'The garden of my ancestor Ts' ui Pen”(58). Now the reader can make the connection with the mission having do to with his lineage. A peak at his history shows that this last trip was to find something that belonged to one of his ancestors. Readers at this point are wound up and trying to figure out what is so important about this thing his ancestor …show more content…
Yu Tsun is a mysterious character that readers are left with trying to figure out just who is is, what his role was in the end, and how he benefited from killing Albert. Madden is pictured as the hero of the story, following this wanted man, gearing towards capturing him and bringing him back to be tried. Madden does so, but only after witnessing Tsun killing Albert does he finally catch him and drag him to jail. With the plot picking up speed at the end everything happens quickly and readers are left
The Cone Gatherers written by Robin Jenkins covers many topics. The two topics I shall mainly focus on are the eventual insanity of Duror the gamekeeper and also his evil towards Calum and Neil, the two cone gatherers. As I read the book, I discovered that Duror was an evil and disturbed human being who was driven to insanity by his hate towards the cone-gatherers.
Joyce Carol Oates' message of life and transitions is best understood when the reader brings his or her interpretation to meet with the author's intention at a middle ground. This type of literary analysis is known as Reader Response. In Reader-Response, the emphasis is placed on "the idea that various readers respond in various ways, and therefore [the] readers as well as authors 'create' meaning" (Barnet, et. al. 1997). In this story of life passages and crucial events, it is imperative that the reader has a solid response to Oates' efforts in order to fully comprehend the message. Literature is a combined meeting between the intentions of the author and the reaction of the reader.
Beauty can be defined in many ways. Though, regardless of its definition, beauty is confined by four characteristics: symmetry, health, vibrancy and complexity. Michael Pollan, in the book The Botany of Desire, examines our role in nature. Pollan sets out to discovery why the most beautiful flowers have manipulated animals into propagating its genes. Most people believe that humans are the sole domesticators of nature, although, beauty in some sense has domesticated us by making us select what we perceive as beautiful. In flowers, for example, the most attractive ones insure their survival and reproductive success; therefore the tulip has domesticated us in the same way by insuring its reproduction. Whether it is beauty or instinct humans have toward flowers they have nevertheless domesticated us.
he doesn't he even own one. This where you can see how he is different
Roald Barthes’s 1967 critical essay “The Death of the Author” addresses the influence of the author in reading and in analyzing his or her writing, the power of the reader, and the option to ignore the work’s background and focus solely on the work. When critically looking at writing, the author is forced to take sole responsibility for the work. Whether the audience loves or hates, whether critics think it is genius or failure. With this idea the creator’s work has a direct correlation to the creator himself or herself, which according to Barthes seems to take away from the text. In other words, the information not stated within the work defines the work. The historical and biographical elements culminate into a limitation of interpreting the text. Barthes goes on to discuss the text itself appearing as derivative, saying that all texts from a certain era will be read the same due to the cultivation of a culture. The direct intent of the author may be muddled due to the translation from author to text to reader, with the text becoming more of a dictionary than anything else. This point ultimately leads to Barthes’s main point: the reader holds more responsibility to the text than does the author. The complexity of different experiences that come from the author into the text is flattened when it is read. The reader comes blindly and has no personal connection to the text. So much information is condensed and made inaccessible to the viewer. Barthes makes the point that a work may begin with the author, but its last stop is with the reader.
While there may be some debate as to whether the Argentinian Jorge Luis Borges was technically a Magical Realist, some may feel that his works definitely do have some of the characteristics of what is considered Magical Realistic literature. Among his various types of works are poetry, essays, fantasies, and short fictions. Often referred to in essays that discuss the history and theory of Magical Realism, "The Garden of Forking Paths" is probably Borges' most popular short story. Published in 1964 in a collection of Borges works entitled Labyrinths: Selected Stories & Other Writings, his short story "The Garden of Forking Paths" appears to have several of the elements of Magical Realism.
This short story was published during the aftermath of the women’s rights movement and during WW2. John Steinbeck cared about the political and societal malpractices and portrayed his views in his writings. This short story belongs in a collection called The Long Valley.
A successful writer is he who is able to transmit ideas, emotions, and wisdom on to his readers. He is cable of stirring emotions and capturing the reader's attention with vivid descriptions and clever dialogues. The writer can even play with the meanings of words and fuse reality with fiction to achieve his goal of taking the reader on a wonderful journey. His tools are but words, yet the art of writing is found in the use of the language to create though-provoking pieces that defy the changing times. Between the lines, voices and images emerge. Not everyone can write effectively and invoke these voices. It is those few who can create certain psychological effects on the reader who can seize him (or her) with inspiring teachings, frightening thoughts, and playful games with the language. These people are true writers…
In Literary Critism: An Introduction of Theory and Practice, Bressler explained that “Deconstructionalists hope to ask a set of questions that will continually challenge the ideological positions of power and authority that dominate literary criticism. Furthermore, in the process of discovering meaning in a text, deconstructionalists declare that criticism of a text is just as valuable as the text being read, thereby inverting the text/criticism hierarchy” (118).
“Make them laugh, make them cry, make them wait.” These are three demands for the writing of fiction. By following these demands, an author sparks interest in his/her work. “Make them wait” is a signifigant in creating the interest in the novels The Catcher in the Rye and Lord of the Flies. This essay will explain how making the reader wait creates interest in the two novels stated earlier.
In life it is necessary to have fantasy, because without it, life would be dull and meaningless. Life would be so different without dreams, since they are what motivate humans to keep on moving forward in order to achieve their goals. This is what Jorge Luis Borges is trying to explain to the reader in the book Ficciones which is very confusing, but also very deep in meaning. These stories demonstrate a theme of reality vs. fiction which is fascinating because in many of the readings fantasy is required at some point to accomplish a purpose or goal. Each unique story hides a meaning in the text which is a lesson to be learned. The confusion that is caused is similar to a labyrinth in which the reader gets lost. The message is hidden within the story so; it causes confusion to the reader. Events in the story suggest that the story is fiction, because most of the stories have existent scenery. The timing in some stories is from an event or tragedy that has occurred around that date. The reader realizes later on in the stories that unrealistic events began to occur which are impossible to take place in real life. This is when our minds become entangled with facts from our world and others form the impossible.
In the very first line of the book, “You are about to begin reading …” the use of second person to directly address the reader and use of self-reflexitivity to prompt the reader to engage with the impending ‘novel proper’ creates an initial intimate bond between the composer and reader. However, the use of second person is quickly discarded and ‘you’ is revealed to be a fictionalized character. Reflecting Baudrillard’s ‘Simulacra and Simulation’, The multiple layers of reality also serve to deceive the reader into believing that there is an impending “novel proper”, until our perception of what is real and fictional are indiscernable. This deceptive fabrication is shown in the first incipit: the focal character is no longer “you”, but is instead “someone looking through befogged glass.” Hence, ‘If on a winter’s night a traveller’ scrutinises literature in a metatextual manner often blurring reality and fiction, transforming the modern novel and through doing so surprises and delights
...the readers to understand the different viewpoints on the philosophy of time. The structure of the story is constructed to be complex and unpredictable. Borges incorporates labyrinths; and one labyrinth that becomes an allegory for time. Borges states that “The Garden of Forking Paths” is about “A crime whose purpose will not be unknown to them [readers], but which they will not understand…until the last paragraph” (Borges 15). Through the analysis of the story it is evident that there is a vast amount of information that is revealed at the very end of the story, information that becomes interconnected to every detail of the story which mimics the labyrinth of The Garden of Forking Paths. Borges’ brilliance in his use of the labyrinth and idea of time, which are used within his developed framework, demonstrates the complexity of his mind and unique narrative skills.
John Milton’s Paradise Lost is a religious work, and is in many ways an autobiography of Milton’s own life. John Milton was raised catholic and converted to Protestantism. Later in life he became a Calvinist. His strong Calvinists beliefs can be seen throughout Paradise Lost. It was Milton’s desire to be a great poet, but he did not believe that was his purpose in life. He believed that he had been put here to serve God, and that any thing that he wrote should be in one way or another related to that purpose. In this way Milton felt that in writing Paradise Lost not only was he writing the epic poem he had always wanted to, but also fulfilling his godly purpose here on earth.
Utopia as a text is a clear reflection and representation of More’s passion for ideas and art. Through the character of Raphael, More projects and presents his ideas, concepts and beliefs of politics and society. More’s Utopia aims to create a statement on the operations and effectiveness of the society of England. This text is a general reflection of More’s idea of a perfectly balanced and harmonious society. His ideas and concepts of society somewhat contrast to the rest of 16th century England and indicate a mind that was far ahead of its time. A number of issues and themes are raised throughout the text to which More provides varying views and opinions. These are transmitted and projected through the perspectives of the fictional Raphael, More and Giles.