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Women in English literature
Representation of women in literature
Representation of women in literature
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The Chrysanthemums Summery This short story was published during the aftermath of the women’s rights movement and during WW2. John Steinbeck cared about the political and societal malpractices and portrayed his views in his writings. This short story belongs in a collection called The Long Valley. Elisa Allen is working on her garden and she sees her husband, Henry, speaking with two men about selling his steers. The garden bed and the house are called to attention and it is pointed out that they are very clean and organized. Once the strangers leave, Henry comes over to her and politely praises her on how lovely the garden looks and then wishes that she would attend to the orchards in the same way. She at first is egger to help but realizes that he was joking. Henry says they should celebrate by going to town and jokingly suggests seeing a fight, to which Elisa turns down. Henry leaves and a wagon pulls up with a charming, yet uneducated, tinker. They joke about the ferocity of the dogs. He asks for work to pay to feed his self and Elisa denies that there is work for him to do. He notices the chrysanthemums and tells her that he has a client that wants to raise some. She suddenly is excited and begins to ready some plants for him to take with him, and she instructs him on how to take care of them. She expresses her passion and her connection to the flowers in a seductive manner, even to the point of wanting to have physical contact with the tinker. She refrains from touching. The tinker points out that it’s hard to feel that way when hungry. Elisa gives in and finds something for him to work on. As the tinker works, Elisa expresses her opinion that women can do that same kind of work he does, to which he says it would be to lo... ... middle of paper ... ...chilly or frigid. This description of the weather in the valley applies to Elisa. This lyrical description of the valley is a symbol of Elisa’s oppressive, unhappy, inner life. The author wanted to provide a realistic view of life in this era and also wanted to bring to life what everyday women felt like then. The subject and writing style could be seen as plain but that is to let you (the reader) be able to feel yourself in the time and place and thus be able to feel the emotional context of the events that happen to the charcters. Bibliography Barnet, Sylvan, William Burto and William E. Cain. Literature for Composition. Upper Saddle River, New Jersey: Pearson, 2014. Editors, SparkNotes. SparkNote on The Chrysanthemums. 9 April 2007. SparkNotes LLC. 25 April 2014. McMahan, Elizabeth. The Chrysanthemums: A Sudy of Women's Sexuality. Modern Fiction Studies, 1964.
The two short stories have different characters, plot and setting and yet they have a common ground in which human beings are deeply involved. In short, the setting of each work powerfully suggests a rather calm, dull and peaceful mood at a superficial level; however, the main characters are struggling from the uncontrollable passions and exploding desire at heart. First of all, in "The Chrysanthemums" the Salinas Valley is depicted as somewhat dull, like "a closed pot." In addition, its geographical setting represents an isolated atmosphere, and, furthermore, Elisa's actions of handling chrysanthemums can be translated into a static, inactive one. However, when it comes to her concealed passion, the whole picture in this piece can be interpreted in a different way. In fact, Elisa is portrayed as "over-eager, over-powerful" in a sharp contrast to the unanimated space in which she lives. On top of that, Elisa expresses her volition to explore uncharted worlds like the peddler who happens to visit her farm house. Also, it must be noted that, even though Elisa does not reveal her desire openly largely due to the authoritative patriarchal system, Elisa's interior motive is directed toward the violent, bloody prizefights. In other words, the imbalance between the relatively restricted setting and Elisa's vaulting desire to wander into the unknown territory is chiefly designed to strengthen the overall imagery of Elisa, whose drive to experience the violent outer world. At the same time, it can be inferred that appearance (setting) and reality (Elisa's human nature) are hard to understand.
Updike, John. “A&P.” Literature Craft and Voice. Ed. Nicholas Delbanco and Alan Cheuse. 2nd ed. New York: McGraw, 2013. 141-145. Print.
Within Steinbeck's story, "Chrysanthemums," the main character, Elisa Allen, is confronted with many instances of conflict. Steinbeck uses chrysanthemums to symbolize this conflict and Elisa's self-worth. By examining these points of conflict and the symbolism presented by the chrysanthemums, the meaning of the story can be better determined.
The "Revelation" of the. Literature for the Composition of the. Ed. Sylvan Barnet, et al. 7th edition, New York: Pearson Longman, 2005.
Elisa is a trapped woman. She is trapped in her “closed off” (Steinbeck 459) location of the Salinas Valley; trapped in her “blocked and heavy” “gardening costume” (Steinbeck 460); trapped behind her “wire fence” (Steinbeck 460). Elisa is trapped woman, however all of the things that keep her trapped are ultimately hers: “her wire fence” or her constricting clothing (Steinbeck 460). Elisa's inability to step beyond her boundaries ultimately leads to her continued unhappiness and feeling of entrapment in her feminine role.
How does one compare the life of women to men in late nineteenth century to mid-twentieth century America? In this time the rights of women were progressing in the United States and there were two important authors, Kate Chopin and John Steinbeck. These authors may have shown the readers a glimpse of the inner sentiments of women in that time. They both wrote a fictitious story about women’s restraints by a masculine driven society that may have some realism to what women’s inequities may have been. The trials of the protagonists in both narratives are distinctive in many ways, only similar when it totals the macho goaded culture of that time. Even so, In Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing we hold two unlike fictional characters in two very different short stories similar to Elisa Allen in the “Chrysanthemums” and Mrs. Louise Mallard in “The Story of an Hour”, that have unusual struggles that came from the same sort of antagonist.
Lazarus, Arnold, ed. A Glossary of Literature and Composition. Illinois: National Council of Teachers of English, 1984. Print.
Elisa Allen is a thirty-five-year-old woman who lives on a ranch in the Salinas Valley with her husband Henry. She is "lean and strong," and wears shapeless, functional clothes (Steinbeck 203). The couple has no children, no pets, no near neighbors, and Henry is busy doing chores on the ranch throughout the day. Elisa fills her hours by vigorously cleaning the ''hard-swept looking little house, with hard-polished windows,'' and by tending her flower garden (204). She has ''a gift'' for growing things, especially her chrysanthemums, and she is proud of it (204).
This short story was written in 1892, at that time, there was only one women's suffrage law. Now, because of many determinant feminists, speakers, teachers, and writers, the women’s rights movement has grown increasingly large and is still in progress today. This quite recent movement took over more than a century to grant women the rights they deserve to allow them to be seen as equals to men. This story was a creative and moving way to really show how life may have been as a woman in the nineteenth century. Works Cited Eichelberger, Clayton.
Barnet, Sylvan, William Burto, and William E. Cain. Literature for Composition. Boston: Pearson, 2014. Print
Elisa Allen embodies the image of a simple woman eager to escape the confines of a gender defined role in society. Readers are introduced to Elisa as a 35 year old, strong woman living with her husband, Henry, on a ranch in Salinas Valley (Steinbeck 460). Elisa’s masculinity is highlighted from the attire she is wearing to the strength in her hands. Henry affirms that Elisa is capable in her endeavors when he states, “you’ve got a gift with things,” in regards to her garden (Steinbeck 460). Even though Elisa is delighted at Henry’s suggestion that she work in the orchard, the idea does not seem to get a second thought (Steinbeck 460). The idea of a woman working in the orchard is dismissed on the premise that the orchard is not a woman’s place. In Elisa’s account with the man in the wagon, her sexuality exudes in her graphic explanation of picking off the flower buds and being under the stars, to the point that she almost physically touches the man (Steinbeck 463). Her desire would go unsatisfied, as it would not be appropriate for her to act on her impulse. Elisa is searching for fulfillment in life but finds her role to be trivial. Intrigued by the idea of traveling, as the gentleman in the wagon does, she states, “It must be very nice. I wish women could do such things.” She is shot down as the man replies, “It ain’t the right kind of a life for a woman” (Steinbeck 464). This conversation clearly depicts the prevalent inequality of the sexes. Furthermore, once the man leaves in the caravan Elisa cements her urge for something more, looking out at the horizon whispering, “That’s a bright direction. There’s a glowing there” (Steinbeck 464-465).
This frustration is evident when Elisa is first introduced. Her figure is described as "blocked and heavy" because she is wearing heavy gloves, heavy shoes, a "man's black hat," and a big apron that hides her printed dress (Steinbeck 330). Her home has the masculine qualities of being "hard-swept" and hard-polished" (Steinbeck 330). Elisa is bored with her husband and with her life (McMahan 455). Obviously, Elisa is unhappy with the traditional female role and is attempti...
Elisa is at her strongest and most proud in the garden and becomes weak when placed in feminine positions such as going out to dinner with her husband. Steinbeck carefully narrates this woman’s frequent shifts between femininity and masculinity over a short period of time. In the opening of the story, Elisa is emasculated by the description of her clothing. She wears "a man’s black hat pulled low down over her eyes, clodhopper shoes, a figure print dress almost completely covered by a big corduroy apron." (paragraph 5).
...s, Edgar V. Writing about Literature. 11th ed. Upper Saddle River: Pearson/Prentice Hall, 2006. Print.
...a wanted was to receive the kind of love and attention that she put into her chrysanthemums. She was a hard worker and a good woman; although, this did not compare to the fact that she wanted to be a desirable woman. Her brief experience of feeling sexually aroused made her feel pretty and desirable. After she realized that she had been used by the tinker, the emotion that was stirred within her went silently and tearfully away. The devastation she was experiencing will no doubt cause her to become more masculine and even less desirable to her husband. Resulting in the fact that she will never reach the ecstasy of her desires, and she will never know the joy of having a child to give all of her love and attention to.