Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Reading habits essay
The use of symbolism in the novel
Reading habits essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
It was a cold winter's night. The wind was whistling through the bare
branches of the trees. The dead leaves were dancing noisily across
pavements and all was still.
That night I was walking down Old St.Paul's Road when the clouds
started to build. I looked around as I huddled under a large, dead oak
tree. I had noticed that almost all of the houses on this abandoned
street were too badly damaged for us to take shelter in, except for
one. Lightning split the night sky without a sound, illuminating the
skeletal trees outside. The old Victorian house shook to its very
foundations as the peal of thunder rumbled hatefully across the
shimmering, tempestuous lake.
Should I stay under the tree and risk getting hit by lightning or
should I go into that old house, not knowing who, or what, might be in
there? The storm had decided for me. Lightning hit the tree, filling
the air with the scent of scorched sap. I dashed onto the porch and
pounded on the door to find it was open. As I went into the corridor,
suddenly the door had smashed shut. What was that? I felt, my heart in
my mouth. I slowly turned around. I didn't see anyone, but that didn't
mean that there couldn't be someone else in the house with me. I
hesitated. I approached the closest room to my right that happened to
be the living room. I heard a crash. I jumped and almost dropped the
lantern. My heart stopped as I listened for another sound. The silence
throbbed in my ears. I stood at the bottom of the staircase. The
sounds had come from upstairs. I swallowed my fears and climbed the
stairs.
The creaky floorboards spoke eerily for each and every step that I
took. The t...
... middle of paper ...
...he harsh light highlighted a wide
mouth with vermilion lips, glowing canines, a nose, red curly hair and
stern eyebrows. He was hung. I saw a small puddle of blood, which
seeped through the floorboards. The man's eyes were open and staring
at me. I slowly moved back towards the door.
There was a sudden explosion when lightning hit the roof above me. I
was blown out of the window and into the front garden. Until I heard
the piercing wail of a siren, which cut through the crackle of the
house as it started to burn. I just lay there as the siren got closer
and louder and at that second; a flash of the bright vivid images went
through my mind of what I had seen. As I opened my eyes I saw people
running towards me for aid. The next thing I knew I found myself in
the hospital surrounded by nurses trying to help me to heal.
Every day the safety and well-being of many children are threatened by neglect. Each child deserves the comfort of having parents whom provide for their children. Throughout the memoir, The Glass Castle, Jeannette Walls explains the childhood from being born into the hands of parent who neglect their children. Many may argue that children need to grow with their parents; however, the removal of children is necessary if the parents disregard the kid’s needs and cannot provide a stable life for their children.
In Allende’s The House of the Spirits, Esteban Trueba is the principal male character. During the course of the novel, Trueba increases his power in the world as he progresses in status from a conservative landowner to a powerful senator. He is tyrannical, treating his family members and the tenants on his family hacienda, Tres Marías, like subjects rather than intimate community. The basis for most of Trueba's actions is the desire for power, control, and wealth, and he pursues these things at any cost, disregarding his emotional decline and the effects of his actions upon the people in his life.
I felt terrible. My head wouldn't let up, every broken bone or bruise in my body seemed to be on fire, and I was extremely dizzy, even though I was just sitting. And I really, really wanted some water, but the kitchen was too far away.
Excitement was felt in the air as the doors were opened and everything came into view,
In her famous The House of the Spirits, Isabel Allende documents the life of several characters during the Chilean reality in the 1930s. Her notorious feminist ideology is, at times, extremely obvious. Elements such as the clash of social classes and the social, political and economical conditions of Chile during this period of high turmoil are also well portrayed. Isabel Allende achieves to give us a good image of what life in Chile was like during those years. Some particular characters specially exemplify all of these elements very clearly.
sat down to rest and then heard sirens in the distance. We saw a blue and white
In concluding her series of stories about the Small family, Virginia Hamilton compliments the original plot perfectly in The Mystery of Drear House. The books dark secrets begin to slowly unveil and are brought to end with a surprising friendship.
I escaped and rushed downstairs. I took refuge in the courtyard belonging to the house which I
A. I am a strong believer that the tools individuals create, express who they are. In this case, Jodi Picoult writes an intriguing book.
In the story “The Fall of the House of Usher”, Poe presents the history of the end of an illustrious family. As with many of Poe’s stories, setting and mood contribute greatly to the overall tale. Poe’s descriptions of the house itself as well as the inhabitants thereof invoke in the reader a feeling of gloom and terror. This can best be seen first by considering Poe’s description of the house and then comparing it to his description of its inhabitants, Roderick and Madeline Usher.
I was drawn to this house, it looked like any other house really but I had a feeling, there was something different about it.
a dull grey colour as if it had lost the will to live and stopped
Eugene O'Neill's Mourning Becomes Electra is a play of revenge, sacrifice, and murder conveyed through visible references to Aeschylus' House of Atreus. O'Neill alludes to The House of Atreus in order to ground the play; attaching the plot to well-known aspects of history. As well, it brings a certain significance that otherwise would be neglected if their underlying manifestations went unnoticed. The most prominent of these allusions is that to Aeschylus' House of Atreus. O'Neill specifically modeled Mourning around Aeschylus' work, modernizing it, applying it to a new generation of readers. Agamemnon, a general in the Trojan War, becomes Ezra Mannon, a Civil War soldier of the same rank. Ezra "was a great man he was a power for good" (323). He was well respected within the community he was a Mannon. "They've been top dog around here for near on two hundred years and don't let folks ferget it" (265). A renowned man with a name that connotes wealth and power, comes home physically drained from battle, yet emotionally in touch with himself, to his wife, Christine, who shadows Aeschylus' Clytemnestra. The town perceived Christine negatively; "she ain't the Mannon kind" (265). She would come to conspire with Brant (Aegisthus), further tainting the Mannon name, in order to "bring you (Brant) my share of the Mannon estate" (294). Christine poisons her husband, both literally and figuratively, by not only disclosing her relationship with Adam Brant, but by administering poison in place of heart medicine to her enraged husband, thus killing him. Lavinia (Electra), rushes in when she hears her father's cries, only to have him say to her, "She's guilty not medicine," (316) as he falls limply back onto the bed. It is at this juncture in the story that Lavinia hereby begins a vendetta with her mother, by saying "You murdered him just the same by telling him! I suppose you think you'll be free to marry Adam now! But you wont'! Not while I'm alive! I'll make you pay for your crime! I'll find a way to punish you!" (317). Following the storyline of The House of Atreus, Orin, (Aeschylus' Orestes) arrives home from battle, finding a cold, dark house, one that he is not familiar with. In conversation with Peter, he asks, "Did the house always look so ghostly and dead?" (327), and continues to contrast it with a "tomb" (327).
A few minutes later, my mom woke me up and we went into a room. There