In her famous The House of the Spirits, Isabel Allende documents the life of several characters during the Chilean reality in the 1930s. Her notorious feminist ideology is, at times, extremely obvious. Elements such as the clash of social classes and the social, political and economical conditions of Chile during this period of high turmoil are also well portrayed. Isabel Allende achieves to give us a good image of what life in Chile was like during those years. Some particular characters specially exemplify all of these elements very clearly. Allende’s character Esteban Trueba has a very intricate life. Through his triumphs and defeats and through the different places of this novel, Allende portrays several elements that clearly exemplify historical, political and economic events in Chile. Esteban’s life is that of the low class in Chile. He usually longs for power and money to make good things happen. After leaving, his mother and sister, and starting a new and independent life, Esteban’s ideology changes dramatically. For the first time he directly experiments success and wealth. He feels as if he has no problems, mainly because he does not have a family to weigh him down. Trueba's move to Three Marias seems to appease his hunger temporarily, before his monstrous, demanding, and ever growing needs overwhelms him. The type of lifestyle achieved by Esteban Trueba in Three Marias far surpassed that of living with his mother and sister, however only brief moments of satisfaction are incurred. These, previously mentioned, moments created a hunger for perfection and greed that would continue perpetuate at any cost. Only when Trueba receives a letter from Ferula does he remember his life with her and his mother, which forces him to endure his memories of poverty and pain. He even remembers the smell of medicine, which had encompassed their home. These memories force Esteban to reflect on the reasons and ideas that made him leave his origins. He reminisces on that portion of his life, occupied by the deterioration of his family. Esteban’s case represents that of the oppressed, poor class that is constantly struggling to survive. This struggle for survival becomes so pressing that they start thinking how, if they got the chance, could make things better. They usually fight a lot, but finally, when they reach the position of helping, power becomes their obsession... ... middle of paper ... ...rayal of Nivea and her funeral is in direct contrast with that of Nana and Ferula. Nana is said to have: "...been born to cradle other people's children, wear their hand-me-down clothing, eat their left overs, live on borrowed happiness and grief, grow old beneath other people's roofs die one day in her miserable little room in the far courtyard in a bed that did not belong to her, and be buried in a common grave in a public cemetery."(P 57) The fact that: "None of the many children she had raised with so much love attended her funeral."(P 178) Allende reflects sadly on the women who meekly accept their defined role in society of the time. Ferula is portrayed similarly. Ferula: "...had sacrificed her life to care for the mother, and that she had become a spinster for that reason. Ferula had turned down two suitors on the pretext of her mothers illness"(P 178) When Esteban forces her to leave she is not seen in person until her death when she is found: "Festooned like an Austrian queen..." "She was magnificent in her queenly desolation, and on her face was an expression of sweetness and serenity she never had in her grievous life."
The themes explored in the novel illustrate a life of a peasant in Mexico during the post-revolution, important themes in the story are: lack of a father’s role model, death and revenge. Additionally, the author Juan Rulfo became an orphan after he lost
Enrique grows up pretty much an orphan living with his grandmother while his sister is put in a nice caring home. He is constantly being switched around from family to family and due to his drug problems, he is finally kicked out by his aunt for stealing her jewelry to pay off a dealer. The rich get richer and the poor stay the same is something that Enrique came to understand. He knew that in order to get out of this corrupt society he ...
Trueba also desires control over his wife, daughter, and granddaughter. He wants “control over that undefined and luminous material that lay with her [Clara] and that escaped him”. In addition, when Clara stated, “You can’t keep the world from changing, Esteban. If it’s not Pedro Tercero García, someone else will bring new ideas to Tres Marías,” Trueba ...
Esperanza, the most liberated of the sisters, devoted her life to make other people’s lives better. She became a reporter and later on died while covering the Gulf Crisis. She returned home, to her family as a spirit. At first, she spoke through La Llorona, a messenger who informed La Loca that her sister has died. All her family members saw her. She appeared to her mother as a little girl who had a nightmare and went near to her mother for comfort. Caridad had conversations with her about politics and La Loca talked to her by the river behind their home.
Junot Diaz's short story “Fiesta, 1980” gives an insight into the everyday life of a lower class family, a family with a troubled young boy, Yunior and a strong, abusive father, Papi. The conflict, man vs. man is one of the central themes of this story. This theme is portrayed through the conflicts between Papi and his son. Papi asserts his dominance in what can be considered unfashionable ways. Unconsciously, every action Papi makes yields negative reactions for his family. Yunior simply yearns for a tighter bond with his father, but knows-just like many other members of his family-Papi’s outlandish ways hurts him. As the story unfolds it becomes obvious that the conflicts between Papi and himself-along with conflicts between Yunior and himself-affect not only them as individuals, but their family as a whole.
His execution of imagery, diction, and dialogue throughout the text were very prominent regarding these three factors. The authors use of pathos, sickly diction, and humanistic dialogue were very important agents to bring this piece altogether and alive. Especially with the subject of poverty and how it effects not only Flavio’s family, but as the text says “Pockets of poverty in New York's Harlem, on Chicago's south side, in Puerto Rico's infamous El Fungito seemed pale by comparison. None of them had prepared me for this one in the favela o[ Catacumba.” Poverty effects a lot of people, and awareness needs to be brought up through messages like
him. He tries to go back to raping peasants, but he can’t lift them up
Overall, Esperanza experienced multiple events that shaped her into the person she is. The experiences she had built the foundation for what she values by exposing her to the world around her. By moving to the house on Mango Street and experiencing the traumatic events along with the social norms Esperanza became the person she wanted to be even when the circumstances weren’t in her
Poverty on social conditions affects everyone in every part of the world, no matter if they are rich or poor. First of all, everyone is divided into some sort of social class. The most known classes are the economic classes- the lower class, the middle class, and the higher class. The lower class goes through arduous labor all day and night to earn decent amounts of money to provide for themselves and their families. Most likely, they are the only source of income for the entire family. The higher class works hard to keep up or raise their high social status. They also work hard so they don’t loss their social rank, which permits them to hold a higher power over the middle and lower classes. Similarities of decisions made by characters in these two literary works will analyzed to understand the meaning behind the actions and influences of the social classes on each other.
Ken informs us that of the fifteen-hundred children that were studied, ninety-eight percent had a capacity for divergent thinking. Five years later the same children were retested, of the original fifteen-hundred, this time only fifty percent had a capacity for divergent thinking(Robinson). This argument helps Ken to prove that instead of stimulating the creativity, somehow we create a sense of assimilation, as in there is only one way to think or there is only one solution to every problem. This becomes problematic, because it creates a sense of linear thinking, in a world that rarely only has one right solution, and sometimes the one solution that people can come up with isn’t always the best solution. In making this argument Ken tries to further his appeal to the logos of the speech, which he does very well, because it’s a logical thought that we should nourish the creativity of our youth, rather than squash
Isabel Allende’s novel, Eva Luna, amalgamates many of the techniques and conventions associated with the picaresque tradition, magical realism and bildungsroman in order to present a critique of dominant Eurocentric ideologies of the patriarchy and oligarchy in 20th century Latin America and to valorize the voices and experiences of the marginalized and oppressed. A prominent aspect of Eva Luna which acts as a vehicle for the novels critique of the patriarchal oligarchy are the numerous motifs and symbols utilized throughout the novel. The manner in which Allende introduces and develops symbols and motifs throughout the novel functions to set up a number of oppositions which portray a sense of loss of freedom and expression under the oppression of the colonizing oligarchy, illustrate the superficiality of oligarchic power and align the reader with expression over silence and transgression above oppression.
Also recycling as spoiled societies in well developed regions. I Believe we consume way more then we need because we know it 's will be reused for a good cause but all that waste is generating more working for recyclers which in way is counterbalancing the environmental benefit. In Junkyard Planet by Adam Minter he spoke on a study that was done at the university where they observed the paper towel usage in a men 's restroom over a period of time. First with just a trash can and then the second time the recycling bin included the study found that that people used about half a hand towel more where there was a recycling bin (pg 266). “The increasing consumption found is partially due to the fact that consumers are well aware that recycling is beneficial for the environment: however the costs of recycling are less salient”(Minter 267). I believe the reason why recycling isn 't technically working is because we consumer see recycling as a first option when it 's actually should be sacred process that should be used in rarity. We as consumers need to think conserve instead of
The most apparent symbol in the story is the title, "Sweat". It is also mentioned in the story, "Looka heah, Sykes, you done gone too fur. Ah been married to you fur fifteen years, and Ah been takin' in washin' fur fifteen years. Sweat, sweat, sweat! Work and sweat, cry and sweat, pray and sweat" (Hurston 679). The "Sweat" is the product of Delia's hard work supporting them. It stands for her work ethic and how she has tried to make her work as best as she can, it is a big part of her life.
To implement a recycling program requires a collection process that includes the containers to gather the materials, the trucks to transport them to the processing site, and the manpower to manage the program. Unfortunately, recycling is more of a business than an attempt to save the environment. The value of the material being recycled overshadows the negative impact of dumping items into the landfill. At a point in time, the demand for recycled paper declined, so recyclers stored the material in hopes that values would increase. “The hope is that eventually the markets turn around and that the materials is sold, but I have heard of instances where it gets landfilled, because a community doesn’t have the demand or the space or the company to deal with it, “ says Gene Jones, the executive director of Southern Waste Information Exchange (Westervelt,
a dull grey colour as if it had lost the will to live and stopped