Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Role of fate in greek mythology
Greek mythology reseach essay
Final essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Role of fate in greek mythology
Prompt for the Final Essay PHI118 Examined Life 1. At the end of the final play of his trilogy (The Eumenides), Aeschylus has Athena make the following two points to Orestes, the Furies, and the people of Athens: a. “I open on this rock [the Areopagus opposite the Acropolis] the pure springs of my laws. Do not taint them by an expedient shift for advantages. Protect this court which will protect you all from the headstrong license of any man’s will and from slavery. Above all, remember the power of fear and cherish it in your ministry of the laws… I give you this court and I bless it— Like heaven, not to be violated. Like heaven, holy.” b. In response to the Furies outcry against the verdict she says, “You call for justice. But God speaks through me. Only I, Pallas Athene, possess the key that unlocks the thunderbolt of Zeus. But the time for brute …show more content…
Sartre, in his play, the Flies, has this confrontation between Zeus and Orestes: Zeus: “Orestes, I created you, and I created all things…. For the world is good; I made it according to my will, and I am Goodness… Return to Nature, Nature’s thankless son. Know your sin, abhor it, and tear it from you as one tears out a rotten noisome tooth…. Come back to the fold. Think of your loneliness; even your sister is forsaking you. Your eyes are big with anguish, your face pale and drawn. The disease you’re suffering from is inhuman, foreign to my nature, foreign to yourself. Come back. I am forgiveness, I am peace.” Orestes, however, responds as follows: “Foreign to myself—I know it. Outside nature, against nature, without excuse, beyond remedy, except what remedy I find within myself. But I shall not return under your law; I am doomed to have no other law but mine. Nor shall I come back to nature, the nature you found good; in it are a thousand beaten paths all leading up to you—but I must blaze my trail. For I, Zeus, am a man, and every man must find out his own way. Nature abhors man, and you too, god of gods, abhor
As Zeus saw this he was enraged at what Poseidon was doing. So Zeus said “ that if he will not come up to olemps, he will fight him for the city.”
At first glance, the picture of justice found in the Oresteia appears very different from that found in Heraclitus. And indeed, at the surface level there are a number of things which are distinctly un-Heraclitean. However, I believe that a close reading reveals more similarities than differences; and that there is a deep undercurrent of the Heraclitean world view running throughout the trilogy. In order to demonstrate this, I will first describe those ways in which the views of justice in Aeschylus' Oresteia and in Heraclitus appear dissimilar. Then I will examine how these dissimilarities are problematized by other information in the Oresteia; information which expresses views of justice very akin to Heraclitus. Of course, how similar or dissimilar they are will depend not only on one's reading of the Oresteia, but also on how one interprets Heraclitus. Therefore, when I identify a way in which justice in the Oresteia seems different from that in Heraclitus, I will also identify the interpretation of Heraclitus with which I am contrasting it. Defending my interpretation of Heraclitean justice as such is beyond the scope of this essay. However I will always refer to the particular fragments on which I am basing my interpretation, and I think that the views I will attribute to him are fairly non-controversial. It will be my contention that, after a thorough examination of both the apparent discrepancies and the similarities, the nature of justice portrayed in the Oresteia will appear more deeply Heraclitean than otherwise. I will not argue, however, that there are therefore no differences at all between Aeschylus and Heraclitus on the issue of justice. Clearly there are some real ones and I will point out any differences which I feel remain despite the many deep similarities.
Justice is generally thought to be part of one system; equally affecting all involved. We define justice as being fair or reasonable. The complications fall into the mix when an act of heroism occurs or morals are written or when fear becomes to great a force. These complications lead to the division of justice onto levels. In Aeschylus’ Oresteia and Plato’s Republic and Apology, both Plato and Aeschylus examine the views of justice and the morality of the justice system on two levels: in the city-state and the individual.
Lord of the Flies is a novel written by William Golding in 1954 about a group of young British boys who have been stranded alone together on an island with no adults. During the novel the diverse group of boys struggle to create structure within a society that they constructed by themselves. Golding uses many unique literary devices including characterization, imagery, symbolism and many more. The three main characters, Ralph, Piggy, and Jack are each representative of the three main literary devices, ethos, logos, and pathos. Beyond the characterization the novel stands out because of Golding’s dramatic use of objective symbolism, throughout the novel he uses symbols like the conch, fire, and Piggy’s glasses to represent how power has evolved and to show how civilized or uncivilized the boys are acting. It is almost inarguable that the entire novel is one big allegory in itself, the way that Golding portrays the development of savagery among the boys is a clear representation of how society was changing during the time the novel was published. Golding is writing during
“Oh for shame, how the mortals put the blame on us gods, for they say evils come from us, but it is they, rather, who by their own recklessness win sorrow beyond what is given,” (1.32-34) is a simple quote reminding us the entities in charge of all characters in the poem The Odyssey – the gods. Hubris, or excessive human pride, is most detested by the gods and likewise is most punishable by them. The Odyssey is a story about Odysseus and Telemachus, two heroes who throughout their adventures meet new people and face death many times. Telemachus goes to find his father after he learns from Athena that he is still alive. The two meet, and Odysseus attempts to go back to Ithaca after he was lost at sea, and on his way there becomes one of the most heroic characters in literature as we know it. Like all heroic characters, Odysseus began to display hubris as he learned how true of a hero he was. James Wyatt Cook, a historian and an expert on The Odyssey, wrote about how hubris can affect the characters that display it. He says, “Because Homer’s Odyssey is essentially comic, that episode [opened wind bag destroys ship] is only one of a series of setbacks Odysseus experiences before reaching his home in Ithaca and recovering his former kingdom and his family. Such, however, is not the case for those who display hubris with tragic outcomes.” (Cook 1) Initially, Odysseus learns about Aias who died as a cause of the excessive pride he portrays. Proteus warns Odysseus when he says, “…and Aias would have escaped doom, though Athena hated him, had he not gone widely mad and tossed outa word of defiance; for he said that in despite of the gods he escaped the great gulf of the sea, and Poseidon heard him…...
The myths which prove the contradictory behavior of the gods, acting as both benefactors and tormentors of man, can readily be explained when viewed in light of the prime directive for man, to worship the gods and not “overstep,” and the ensuing “Deus ex Mahina” which served to coerce man to fulfill his destiny as evidenced by the myths: “Pandora,” “Arachne, and “Odysseus.” Humankind and it’s range of vision over the gods beauty and power portrayed them to be benefactors but unseemingly it depicted their affliction towards humans.
Orestes’ revenge is the first important example of the gods’ revenge in the poem. In Book 1, Hermes told Aegisthus, “’Don’t murder the man,’ he said, ‘don’t court his wife. Beware, revenge will come from Orestes…” (Homer 260). King Nestor delivers the story of Orestes’ revenge to Odysseus’ son Telemachus, while Telemachus is visiting Nestor to discover answers about his fathers’ whereabouts. In Book 3 of The Odyssey, King Nestor tells this of Agamemnon, “…Aegisthus hatched the kings’ horrendous death” (Homer, 285). King Nestor continues on telling of the revenge Agamemnon’s son Orestes has on Aegisthus, “Orestes took revenge, he killed that cunning, murderous Aegisthus…”(Homer, 285). This example of Orestes’ revenge shows that the gods should be listened to or they will give horrific revenges to those who disobey.
In Sophocles’ Oedipus The King, King Oedipus of Thebes is confronted. and strangely obsessed with the mystery of who killed Laios. former king of Thebes, for a great plague has overtaken the city of. Thebes because of this murder. During his quest for the truth, he begins to discover that the answer to his query is also the answer to another disturbing mystery about himself, who am I?
“Men! Do not listen to Eurylochus! Did you not hear what Odysseus warned us against? This is a God we are talking about, the ‘Cattle of the Sun God,’ and we are no match for him. I will not listen to this any longer!
We have now examined Thucydides' strongest arguments for Athenian rule. It is clear that Athens had a stronger claim to rule than the Melians had to remain sovereign. We also know that Athens' claims hold up when we examine them for validity. Thucydides beliefs in Athens' claims were therefore well founded.
People are privileged to live in an advanced stage of development known as civilization. In a civilization, one’s life is bound by rules that are meant to tame its savage natures. A humans possesses better qualities because the laws that we must follow instill order and stability within society. This observation, made by William Golding, dictates itself as one of the most important themes of Lord of the Flies. The novel demonstrates the great need for civilization ion in life because without it, people revert back to animalistic natures.
In Greek tragedy the natural forces are destructive. These forces might be nature, gods or fate. Man is helpless in facing these powers.
Sophocles, a Greek author and philosopher, created a magnificent work of literature, Oedipus Rex. Oedipus Rex describes the legendary tales that King Oedipus of Thebes took in order to confirm that his biological parents were King Polybus of Corinth and his wife Merope. This tragedy of fate explores the depths of modern psychoanalysis as Oedipus unwittingly kills his father and marries his mother in an attempt to avoid the very prophecy he ultimately fulfills. The play was created by Sophocles, an intellectual philosopher that was born in 495 B.C. about a mile northwest of Athens. Sophocles has become one of the most prominent playwrights of the golden age. He was a son of a wealthy merchant, therefore, he enjoyed all the benefits of a thriving Greek empire. As an accomplished actor, Sophocles performed in many of his own plays, such as Oedipus Rex. The famous Sophocles is known as one of the greatest innovators of the theatre. The Theatre of Dionysus is where the greatest playwrights performed their infamous tales, it was a major open-air theatre build in Athens, the theatre was dedicated to the god of wine and fertility, it hosted the City Dionysia festival. The Theatre of Dionysus is where Oedipus Rex is first acknowledged to the world. Oedipus Rex embodies the nature of life and society in ancient Greece.
To begin with, the ancient Greeks explained the creation of the universe, in particular the Earth and its elements, by a system of anthropomorphism in which their gods are human-like and are representatives of these elements. For example, Zeus is the god of heaven while Hades is the underworld lord (Hesiod, p.145). Unlike the Christians’ god who is “flawless”, the ancient Greeks’ divinities are portrayed as humans and are far from perfect. Their gods behave like ordinary people except they are immortal and have supernatural powers. Like any human being, the Greeks’ gods have love, jealousy, sadness, etc. For instance, in Euripides’ Bacchae, Zeus falls in love with Semele, which makes Hera becomes jealous and tries to kill Semele and Dionysus (Euripides, p.209). The Greeks even have a physically imperfect god, Hephaestus. This is to say that the gods’ attitude toward mortals is affected by how people treat them as the Greeks’ gods have emotions like humans.
Heroes of Greek Tragedy tend to encounter situations that call their leadership and morals into question in their plights; for instance, Sophocles’ Philoctetes revolves around Greek leaders utilizing their talents and strategies to get Philoctetes to Troy to help fulfill one of the requirements to end the war. Philoctetes has the bow of Herakles, which is needed for Troy to fall, but the Greeks left him on the island of Lemnos on the initial journey to Troy because he has an infected foot that smells terribly. Correspondingly, the heroes have an issue to work into their approaches to convince Philoctetes, which is that Philoctetes detests the Greeks, especially Odysseus. As the play quickly becomes political, the Greeks make their cases to