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The evolution of the horror genre
The evolution of the horror genre
Evolution of horror movies
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If someone is trying to find the point in time when horror movies started to shift into what they are today, the best place to start is the 70s. Some of the most popular horror movies came out in the 70s, most being ones that critics and fans alike refer to as “good horror films”. Those include Halloween, Carrie, The Omen, Amityville Horror and the focus of this paper - The Exorcist. The Exorcist was a ground-breaking film that is the foundation for modern possession films, and to understand why this movie is so important to modern times, it starts with looking at it in it’s own time. The most important thing to do before getting really into how this movie helped make it possible for modern horror movies is explaining how this is a horror film, and where it fits into the genre. Horror, whether films or stories have two sides - horror and terror. Horror is horrifying and disgusting, and terror keeps the audience on the edge of their seat with subtle creaks and banging doors. The Exorcist has very obvious elements of both. Look at Regan the longer she is possessed, she looks (with no better way to put) absolutely revolting. She looks almost like a …show more content…
The Exorcist is one of those films that laid the foundation for horror movies to build upon. It showed how to take what was going on in the world and find one specific fear to prey upon. For them, it was what happens when you break the mold against religion. It built upon that with impressive special effects and disturbing scenes and dialogues so that the audience constantly felt in a state of panic that this could happen to them or someone they loved. Without this film, we would not have the disturbing possession films we have today that makes up a large portion of horror films (think The Exorcism of Emily Rose, The Conjuring, or any film with an ouija board) that people very much
Overall this movie was exciting. It had lots of important information about the Salem Witch Trails. The director of this movie knew exactly who his audience would be and hit it out of the park by adding things that the audience would understand. The writer also had made this appeal to a very special audience. He knew who would most likely see the film and tried to stay true to that.
The exorcism of Roland Doe was an unusual and frightening experience. The movie, The Exorcism, is a movie about a little girl that became possessed by a demonic spirit and was exorcised by a catholic priest (Leonard). This movie is based on the real life exorcism that took place in 1949, located in Rainer, WA on a boy between the age of 13 and 14 named Roland Doe (Berger). Although, many sources say the name of the boy has varied and no one is sure of the boy’s real name.
Finally, horror became ‘Slasher.’ The 1970’s became obsessed with realistic news stories and characters and films became more stylize and followed similar storyline conventions. Texas Chainsaw Massacre (1974), Halloween (1978) and Night Mare On Elm Street (1984) where full of psycho villains, teens in danger and the sole survivor leading to plenty of sequels. The only other horror genre or thriller genre focused on suspense, movie...
To begin with, some people would say they enjoy a horror movie that gets them scared out of their wits. They go see these movies once a month on average, for fun, each time choosing a newer sequel like “Final Destination” or “The evil Dead”. King says “When we pay our four or five bucks and seat ourselves at tenth-row center in a theater showing a horror movie we are daring the nightmare” (405). As a writer of best-sel...
The genre of horror films is one that is vast and continually growing. So many different elements have been known to appear in horror films that it is often times difficult to define what is explicitly a horror film and what is not. Due to this ambiguous definition of horror the genre is often times divided into subgenres. Each subgenre of horror has a more readily identifiable list of classifications that make it easier to cast a film to a subgenre, rather than the entire horror genre. One such subgenre that is particularly interesting is that of the stalker film. The stalker film can be categorized as a member of the horror genre in two ways. First, the stalker film can be identified within the horror genre due to its connection with the easily recognizable subgenre of horror, the slasher film. Though many elements of the stalker film differ from those of the slasher film, the use of non-mechanical weapons and obvious sexual plot points can be used to categorize the stalker film as a subgenre of the slasher film. Secondly, the stalker film can be considered a member of the horror genre using Robin Wood’s discussion regarding horror as that which society represses. The films Fatal Attraction, The Fan, and The Crush will be discussed in support of this argument. (Need some connector sentence here to finish out the intro)
Suspense embodied this film and luckily during the late 1960's Hollywood was at a time where filmmakers were able to push the limits. Many religious groups were outraged with the movie but if it weren't for the work of Polanski in Rosemary's Baby, classic horror films, such as The Exorcist, and other suspense films would cease to exist.
One aspect of American horror movies is the fact that everything is rationalized in the movies. There is a need in American culture to explain why things happen. This is also shown in the endings. Conflicts are always resolved at the end of movies and everything is explained because as the audience, we want to know that the conflict is over and we want all the unexplained details to be explained. The antagonists of horror movies are usually malicious monsters that are there to cause havoc. They may or may not have a grudge against a specific
Film scholars around the world agree that all genres of film are part of the “genre cycle”. This cycle contains four different stages that a specific genre goes through. These stages are: primitive, classic, revisionist, and parody. Each stage that the genre goes through brings something different to that genre’s meaning and what the audience expects. I believe that looking at the horror genre will be the most beneficial since it has clearly gone through each stage.
How the Opening Sequence of Halloween Captures the Attention of the Audience ' 'Halloween' was made in 1978 and is a good example of the 'Slasher' movies from that time and this is an interesting piece of cinema as it can be related to the German expressionism of the late 1920's which used jerky camera shots and high contrast lighting to enthrall the viewer .In this essay I will discuss how the opening to Halloween captures the audiences attention and how codes and conventions create suspense and tension for the audience.
Horror films are designed to frighten the audience and engage them in their worst fears, while captivating and entertaining at the same time. Horror films often center on the darker side of life, on what is forbidden and strange. These films play with society’s fears, its nightmare’s and vulnerability, the terror of the unknown, the fear of death, the loss of identity, and the fear of sexuality. Horror films are generally set in spooky old mansions, fog-ridden areas, or dark locales with unknown human, supernatural or grotesque creatures lurking about. These creatures can range from vampires, madmen, devils, unfriendly ghosts, monsters, mad scientists, demons, zombies, evil spirits, satanic villains, the possessed, werewolves and freaks to the unseen and even the mere presence of evil.
Throughout the whole movie these elements help each other out to make the movie a great movie and fall in the horror genre. Each element helps each other by making the next scene better than the one before. It has the storyline come to live, and having people thinking what can happen next or who has the power in the movie. By seeing this movie it can make someone feel complete and satisfied for a long
People are addicted to the synthetic feeling of being terrified. Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned.
Horror movies have been part of mainstream cinema since the early 1930s when films such as Dracula and Frankenstein were created. As the horror genre evolved, so did the stories in the films. Friday the 13th (Marcus Nipsel, 2009) is a very good example of this evolution. Even though it is a remake, Friday the 13th changed the way horror movies were seen by the audience. The ideas and theory behind this slasher sub-genre of horror films can be summed up in a book. Carol Clover, an American professor of film studies, wrote a book in 1992 entitled Men, Women, and Chainsaws: Gender in the Modern Horror Film in which she described the horror film genre. In a chapter entitled “Her Body, Himself”, Clover describes how weapons play a very important role in horror movies as well as explaining her Final Girl theory. Her book’s ideas changed not only academic notions but also popular beliefs on horror films. The 2009 remake of Friday the 13th implies that Carol Clover’s ideas about 80s slasher films, including male tormentors, the importance of weapons, and the Final Girl, have stayed the same through the years.
When it comes to classic horror films, what is a conversation without The Shining? 1980’s The Shining directed by legendary filmmaker Stanley Kubrick is a chilling movie with themes of isolation, the supernatural, and twisted time. Kubrick’s use of unique and complex visual styles along with many subtle details often confuses the viewer at a subconscious level. The various techniques and plot used by Kubrick in The Shining often puzzles the viewer into thinking, maybe there is a deeper message. What really happened in infamous room number 217? How does Danny get his physic ability? Is Jack the Previous over taker of the hotel? All these questions and many more are never truly answered throughout the story, but thanks
The antagonist provides the reason for most of the protagonist’s actions throughout the This part of the horror film is where most of the action occurs. Without the escape aspect of a horror film there would not be much of climax in any horror film. The escape or an escape attempt in a horror film provides the suspense that keeps the attention of the audience. Many horror films provide a special character, who is almost a hero in essence, at this point in the film to help the protagonist escape the antagonist, or escape a situation the antagonist put the protagonist in.