Even though Troy may seem like a real city, it may or may not be because of many reasons such as scholars agree that Troy really existed, the real method of Troy’s destruction is unknown, and Troy may not have even been desTroyed by the greeks according to “Is Troy True? The Evidence Behind Movie Myth” by Stefan Lovgren. Troy is the legendary city where the book, The Iliad, by Homer takes place.To begin, scholars agree that Troy really existed.In the text, it states, “But most scholars agree that Troy itself was no imaginary Shangri-la but a real city, and that the Trojan War indeed happened” (Lovgren 1). This shows that Troy really existed because of the archaeological evidence.Furthermore, the real method of Troy's destruction is unknown.In
Homer’s Iliad has been a European myth for many millennia , the long poetic narrative written in the 8th century B.C. recounts a fearsome war fought over a beautiful woman. The reliability of Homers Iliad as a true historical document has been challenged for hundreds of years and only through archaeological studies can the truth be deciphered. The Iliad was written five centuries after the war, where the stories had been passed down through the oral tradition, therefore the type of society reflected within the poems resemble much more the time of Homer . The fact and fiction of the Iliad has been uncovered through archaeology. Archaeologist found a site in which they thought to have been ‘Troy’ destroyed by the powerful country of Mycenae in the late Bronze Age. They found large amount of material culture from where they could reconstruct the society, this included pottery, engravings, murals and clay tablets. A reason for the Trojan War has always inspired great controversy. The Trojan War according to Homer was fought over the abduction of a beautiful women but this theory appears improbable. Other causes which could have sparked a war is Troy’s geographical positioning. This made it extremely opulent, where other countries of the Aegean would trade there goods and use its harbour. The Mycenaean’s being an extremely imperial, violent and militaristic country would have seen Troy as a great opportunity to gain territory and wealth, on this motive the war took place.
Most people are likely to relate Hollywood with money. If a person lives in the Hollywood area, people assume she or he is probably rich. If she or he is a Hollywood movie star, the person probably makes a lot of money. Therefore, to follow that line of thought, when Hollywood producers make a movie, they make it just for money. And some filmmakers do seem to make films only for the money the movies will earn. The action movie "Die Hard", the fantasy movie "Star Wars", and the adventure movie "Jurassic Park" are examples of exciting movies that were made just for the money by satisfying the audiences' appetite for escapism.
Describe some ways in which business values and artistic values in Hollywood contend with one another.
Perhaps a more suitable question would be “Has archaeology proved the historicity of the Iliad?”, or even “Did the version of events Heroditus describes have any foundation in truth?”. If the existence of Troy itself is uncertain, then the historicity of the war can only be more so. Bibliography Ancient Sources:.. Homer, the Aeneid, translated by Samuel Butler, taken from www.patroclos.de. Homer, the Aeneid, translated by T.E. Lawrence (Wordsworth, 1995).
The Iliad by Homer is an epic poem separated in different books or chapters that shows a fictionalized account of the Trojan War. Book 6: Hector Returns to Troy is the specific portion of the poem that is being covered in this essay. Hector from the Iliad shows a very clear aspect of his personality, a strong sense of loyalty and tenderness for his loved ones and also his people by being on the front lines during the war and showing his people he is willing to fight with them and essentially sacrificing himself for his family. Hector even knows his forgiveness towards his brother, Paris even though Paris is the main reason the Trojan War is in existence.
(show boats arriving) this change in distance is mostly down to economical budgets however the director has used this to create increased suspense when the thousands of ships can be seen on the horizon, filled with 100000 Greek warriors. Another element of this scene that doesn’t match up to the Iliad is the huge number of ships sailing towards Troy. Homer claims that 1000 ships sailed to Troy and even this number doesn’t match up with evidence of historians. The massive walls seen during this scene are also not accurate as historical tales suggest that these walls did not exceed 3m. The walls bordering Troy that are seen as nearly 12m high in the film were just not plausible for these times. This massive height gap was used to emphasise the division between the two armies. There is really no other reason the director has made these changes in the film Troy apart from budget, and as all the differences are observed it becomes clear that the film was moulded and catered to appeal to a modern day
In the end Troy died living behind a trail of animosity between him and his family. In my opinion his story is that of a tragic hero. He began being loved and praised by his family but eventually and gradually, he began to succumb to the weight of racism. It can be said that the effects of racism finally took the better of Troy, and consequentially it ruled his life. Like his fictional stories, death finally took him.
Filmmakers engage the past as a historian but not specifically in a way actual historians are doing. Historians use archived facts ranging from documents, photos, or objects from a specific time era to understand history. Contrastingly filmmakers as a historian can only bring to life a certain part of history without altering the past by focusing specifically on an aspect of the subject at hand. Scholars Marita Sturken and Barbie Zelizer argue how well-known filmmakers use film techniques or credibility in order to portray what happened in the past. Filmmakers as a historian is limited to only details they can use based on documents and archived history to re-tell a history through mise-en-scene to become a faux “historian”. Sturken and Zelizer would argue that filmmakers are not real historians; specifically how film can be made to manipulate the past towards the vision to get a narrative through that appeals to the film viewer and director. Filmmakers are not real historians since they can be biased to specific details of what occurred in the past.
In conclusion, although the Iliad is based upon Troy, it is not really fair to compare the two. A book and a movie are two entirely different things. It is almost like comparing apples to oranges. Homer’s Iliad is a classic tale, and even though many people might agree that such a masterpiece should not be tampered with, it is important to keep it alive and spread it to all those around.
Hollywood is known for changing details of historical events in movies. Sometimes preserving historical accuracy is simply too complicated, unimportant, or confusing to replicate. The Eagle is a prime example of this, as there are many examples of details that had to be changed due to the aforementioned constraints. However, there are also many facets of the movie that do abide to the events in history – or at least do so well enough to not be an issue. In The Eagle, the events that exemplify such accuracies and inaccuracies are: the purpose of the Hadrian’s Wall, the utilization of the Roman Salute, and the notion of a “thumbs down” signifying death for a Roman gladiator.
Homer, Iliad is the narration of the Trojan war. The Trojan war was one of the most important and significant wars of Greek mythology, Homer described how the war was triggered by the abduction of the most beautiful women known as Helen. This paper will argue how the traditional view of this poem is accurate because it indeed was Helens beauty and her selfishness that sparked the Trojan war. Although Helen was not happy about the outcomes of her mistakes. This paper will present how Helen faced many forms of self judgment, how she created many relationships with significant characters, such as Paris, Priam and Aphrodite. Homers portrayal of this significant women was remarkable as we were able to feel her pain and anguish, the readers were
...den tone, and despite all the fame and greatness Hektor has acquired, all is lost in Troy, as a result of his death. Homer must be portraying an anti-war attitude here, otherwise he would surely end the play with the triumph of Achilleus, or the victory of the Argives over Troy. If he had positive or even neutral thoughts about war, he would end with and upbeat triumph, but he does not. The final book makes the Iliad out to be a tragedy, which is exactly what Homer thought war was, an unnecessary tragedy. The point that Homer wants to get across with his final book is that all the action and all the fighting that went on for all those years is not something to be proud of, for it ruined multitudes of lives. The extreme agony and woe only help to show that Homer believes that the positives of war could never encompass all the sorrow and negative consequences of war.
Though we do see some similarities between the Iliad and Troy, these similarities are very loosely based. I think the movie made the characters seem less barbaric and some of the sets, especially the city of Troy, seemed a bit too elaborate. The movie, though enjoyable, was definitely not a factual representation of Homers classic Iliad.
Pyramid Head, and Maria (also functioning as Maria’s confirmation); and the final confrontation where James defeats Pyramid Head. While these narrative points are applicable to Carroll’s theory, they are more immersive in video games because they require the player to actively fight the monster. In Silent Hill 2, the horror of the confrontations is amplified by the developers designing stiff combat mechanics to make the player feel weak in comparison to the monster, and the use of strange third-person camera angles to restrict the player’s view and create the feeling of uneasiness.
The critics of the film, Troy (2004) by Wolfgang Peterson, were too mythologically correct. They had assumed that Peterson had gotten the myth wrong and completely disrespected the original stories. However, the inherent nature of Greek epic poetry in itself is that they are dynamic, always changing. The word “Myth” comes from the Greek word mythos which means “word”, “speech”, “tale” or “story”. Myths are traditional stories of collective importance that were shared, usually passed down through oral tradition. Having them passed down through generations orally is similar to a very long game of telephone, as the story gets passed on some parts may change as the performer forgets what happens or they may change some details of the story to their