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Literature to movie adaptation proces
Movie versus literature
Similarities and differences between a novel and movie
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Literary works have been adapted into feature films since the beginning of the industry. By giving the written work sound and movement, film adaptation lets the story to be told in a more engaging way. It gives the audience’s senses a more powerful experience. However, the film usually differs from the original story due to the director’s ideas, actors, and many other factors. Ronald Wright’s decisions made in his adaptation of Hanif Kureishi’s short story The Dogs, illustrates the positives and negatives on film adaptation. We are able to see the good and bad sides on both the original literary work and the film adaptation.
After reading Kureishi’s short story The Dogs, I am left frightened with the image of this nightmare stuck in my head.
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As the horrifying mood scares me while I read through, the violent actions of the dogs frightens me even more. In my understanding, dogs are normally cute, loyal and obedient animals. However, Kureishi overthrows my understanding in his depiction of the dogs in the story. Kureishi depicts the dogs as dangerous and furious monsters attacking the boy, “The dog had already knocked down her son and began not so much to bite him as to eat him, furiously.” This monstrous depiction does not fit with my image of dogs, which horrifies me. This also makes me wonder if this is reality, or just a nightmare. While questioning the dangerous behaviours of the dogs, I found a quality on them that still matches my image of dogs - obedience. I believe the only dialogue in the whole story “chase me”, represents an order to the dogs. Due to the dogs’ obedient nature, they follow the son’s order and start to chase him. Thus the dog is bewildered after the mom gives it a wild blow because it does not understand why it is being attacked, when it is only following orders. This also explains why only the son is being attacked. Since the son said …show more content…
With sounds and movements, the film told the story in a more engaging way. I was able to hear the mother and son talk, see their emotions, and their struggles to escape. Wright used this advantage of film and made the audience experience the horror far more earlier.The alarm sound and and dark skylines hints the city is in some state of emergency.The spooky sound effects when the beer bottle suddenly moves makes the audience aware that something is moving. This build up of tension using sounds and movements brings us closer to the horror genre much faster than the short story. However, I think Wright’s way of creating this quick build of horror is very cliche. Scenes where bobby drops his toy and when they hear the scream of some unknown man is very common in the horror genre. These classic scenes are obviously telling us somethings is going to happen. This clearness is very different from the short story where we do not know that we are reading the horror genre till the last half of the story. Nethertheless, Wright is still successful in creating this scary and engaging mood. Wright’s film also gives us lots more details on the background of the story. Inferencing from the cars, cloths, and buildings in the film, we know the story is set in an urban area. From the accents of the mother and son, we can guess this area is somewhere in England. The film also gives us
Many time in our lives, we have seen the transformation of novels into movies. Some of them are equal to the novel, few are superior, and most are inferior. Why is this? Why is it that a story that was surely to be one of the best written stories ever, could turn out to be Hollywood flops? One reason is that in many transformations, the main characters are changed, some the way they look, others the way they act. On top of this, scenes are cut out and plot is even changed. In this essay, I will discuss some of the changes made to the characters of the Maltese Falcon as they make their transformation to the ?big screen.?
The film Wendy and Lucy, directed by Kelly Reichardt, presents a sparse narrative. The film has been criticised for its lack of background story, and as a short film, much of the story is left to the viewer to infer from what is presented in the plot. However, Wendy and Lucy is able to depict the intimate relationship between Wendy and her dog as well as reflecting more broadly on the everyday, and commenting on the current economic state of the film’s setting in America. This essay will examine how film form contributes to the viewer’s awareness of the story in Wendy and Lucy and allows a deeper understanding of the themes presented. The aspects of mise-en-scene, shot and editing and sound in the film will be explored.
The Hound of the Baskervilles written by Sir Arthur Conan Doyle and the movie The Hound of the Baskervilles directed by Jeremy Bret are two works of art that are mainly telling the same story. There are, however, many differences about the book and the movie. Those differences don’t affect the outcome of the story, but they give less impact to the story. Along with the differences there are many similarities, and those similarities give you confidence that it is the same story.
When novels are adapted for the cinema, directors and writers frequently make changes in the plot, setting, characterization and themes of the novel. Sometimes the changes are made in adaptations due to the distinctive interpretations of the novel, which involve personal views of the book and choices of elements to retain, reproduce, change or leave out. On the contrary, a film is not just an illustrated version of the novel; it is a totally different medium. When adapting the novel, the director has to leave out a number of things for the simple reason of time difference. Furthermore, other structures and techniques must be added to the film to enhance the beauty and impressions of it. Like a translator, the director wants to do some sort of fidelity to the original work and also create a new work of art in a different medium. Regardless of the differences in the two media, they also share a number of elements: they each tell stories about characters.
It is quiet rare to watch a film that trumps its novel origins. Film version of movies are often less detailed, give poor representation of true characters, and are frequently just plain laughable in comparison to “the real deal.” However, the best selling memoir, “Wild: A Journey from Lost to Found” offers a framework that simply begs to be put into motion picture.
Film and literature are two media forms that are so closely related, that we often forget there is a distinction between them. We often just view the movie as an extension of the book because most movies are based on novels or short stories. Because we are accustomed to this sequence of production, first the novel, then the motion picture, we often find ourselves making value judgments about a movie, based upon our feelings on the novel. It is this overlapping of the creative processes that prevents us from seeing movies as distinct and separate art forms from the novels they are based on.
Whenever books are adapted for film, changes inevitably have to be made. The medium of film offers several advantages and disadvantages over the book: it is not as adept at exploring the inner workings of people - it cannot explore their minds so easily; however, the added visual and audio capabilities of film open whole new areas of the imagination which, in the hands of a competent writer-director, can more than compensate.
The first chapter of George Bluestone’s book Novels into Film starts to point out the basic differences that exist between the written word and the visual picture. It is in the chapter "Limits of the Novel and Limits of the Film," that Bluestone attempts to theorize on the things that shape the movie/film from a work of literature. Film and literature appear to share so much, but in the process of changing a work into film, he states important changes are unavoidable. It is the reasoning behind these changes that Bluestone directs his focus, which is the basis behind the change. He starts to look at the nature of film and literature, as a crucial part in the breakdown of this problem. It is only through a discussion into nature of each of these, that Bluestone can discover where film and literature seperate, and also develop a close to accurate theory on the laws that direct the course of change from novel to film.
I have never considered that a book about a dog could be so appealing and full of deep thoughts. But I changed my viewpoint after reading the autobiographical novel “Marley & Me” written by John Grogan which depicts an astonishing story about the neurotic and loyal, clumsy and loving dog named Marley. In fact, as the author mentioned in some interviews, he intended to write the “dog story”, but soon after he realized that it was impossible to do so without including the family life [2]. That is why the title “Marley & Me” encapsulates the main topic of the book such as the relationship between a human and a pet. To start with let me introduce main characters: John, Jenny, and Marley.
A dreadful thing had happened — a dog, come goodness knows whence, had appeared in the yard. It came bounding among us with a loud volley of barks, and leapt round us wagging its whole body, wild with glee at finding so many human beings together. It was a large woolly dog, half Airedale, half pariah. For a moment it pranced round us, and then, before anyone could stop it, it had made a dash for the prisoner, and jumping up tried to lick his face. Everyone stood aghast, too taken aback even to grab at the dog.
What comes to mind when one thinks of the word ‘puppy’? It is probable describe a puppy as a lovable, adorable, and cuddly companion. However, one might also identify the animal as a menace and a liability or even as a delicious source of food. Why does this single word hold so many meanings? One’s past experiences and biases influences these conflicting views and attitudes. For instance, an individual’s fond view of puppies may exist because they were raised with puppies and consequently grew affectionate toward the animals. On the contrary, if another individual has not bonded with puppies as pets, then they will share the latter point of view. In the short story “Puppy” by George Saunders, the multiple characters view single events and objects with contrasting perceptions. Therefore, instead of painting a precise picture of the characters and the plot, the story expresses several views regarding the morals of the characters, the motivations of their actions, and the meaning of the events that take place. In “Puppy”, George Saunders explores the theory that perception is not an elementary, universal definition of an object or idea, but a complex interpretation that is influenced by one’s unique and varying past experiences and opinions. The complexity of perception is evident in one the story’s narrator’s, Marie’s, vantage point.
The novel The Curious Incident of the Dog in the Nighttime by Mark Haddon comprises of, a mentally unbalanced juvenile named Christopher who is determined to find the person who murdered his neighbor's dog. The investigation drives him down some startling paths and eventually brings him eye to eye with the dissolution of his mother and father's marriage. As he tries to cope with the craziness of his family, we are drawn into the workings of Christopher's mind. Furthermore, thus leads the way to the brilliance of Mark Haddon's decision of storytelling: The most emotional moments are brought to us by a kid who can't understand feelings. The impact is stunning, making for a novel that is profoundly entertaining, strong, and interesting in its
Not too long ago, Ms. Morris’s beloved dog, Hattie, had 5 puppies. Everyone in town thought the puppies were boring and ugly. Their eyes were closed, made a little movement, and didn’t make any noise. Nobody thought the dogs were cute, and nobody wanted them.
Ones take of this story can be many of sorts. The dog essential may have saved this young child, his father may have chosen to throw him out the window. If the dog wasn’t there to take his place, who is to say what could had happened? It also shows how the dogs undeniable, love, devotion and eagerness to please his master. Eventually these traits, sadly left him resting lifeless in his young master’s arms. The relationships between these characters, is one of who’s pulling the strings. The abuse has been passed down from father to son. This story leaves an emptiness, with the unsettling turn of events.
Adaptation of any kind has been a debate for many years. The debate on cinematic adaptations of literary works was for many years dominated by the questions of fidelity to the source and by the tendencies to prioritize the literary originals over their film versions (Whelehan, 2006). In the transference of a story from one form to another, there is the basic question of adherence to the source, of what can be lost (Stibetiu, 2001). There is also the question of what the filmmakers are being faithful to or is it the novel’s plot in every detail or the spirit of the original (Smith, 2016). These are only few query on the issue of fidelity in the film adaptation.