It is quiet rare to watch a film that trumps its novel origins. Film version of movies are often less detailed, give poor representation of true characters, and are frequently just plain laughable in comparison to “the real deal.” However, the best selling memoir, “Wild: A Journey from Lost to Found” offers a framework that simply begs to be put into motion picture.
The story recaps a troubled woman’s 1,000-mile backpacking journey through the Pacific Crest Trail. After her mother’s death, Cheryl Strayed found herself in a concerning drug addiction, a less than perfect marriage, and immersed in sexual promiscuity. Revaluating her decisions into self-ruin, Strayed made an impulse decision to hike the Western edge of the United States, from the Mexican border to the Canadian Border. She then recorded her journey from mid-life crisis to self-awareness.
Reese Witherspoon plays Cheryl
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Strayed in the film. After her mother’s heartbreaking death, she takes on a life of lead by grief. She partakes in promiscuity whenever and with whomever she can find. She shoots up heroin with strange men and kisses her marriage goodbye with husband Paul (Thomas Sadoski). While the book dramatizes a very detailed time in Strayed’s life and spends a little too long on the negative, director Jean-Marc Vallée with the help of screenwriter, Nick Hornby, tear the narrative apart to tell a much greater story, rather than a tragic tale of (almost) self-destruction. The film duo, weave together a visual montage of the hike and Cheryl’s backstory instead of simply narrating the events in chronological order. Using the events from the book as a guideline, “Wild” alternates scenes between the Strayed’s brutal experiences on the trail, and the flashbacks that lead her to the footpaths. Unlike the book, everything that is redundant is tossed out and replaced with music, personal dialogue, or literature references that cue a flashback. This less traditional approach still allows its audience to see Strayed’s downward spiral. This also allows the film to satisfyingly leave out the overly melodramatic details compiled in the 500-page novel into one two-hour filmic journey. Haunting memories from Strayed past are all triggered by strategically placed images and sounds throughout the journey. One minute Strayed would appear on screen wiping sweat from her sun kissed forehead with a red plaid shirt, lost somewhere in Oregon. The next minute the film would switch to a scene of Strayed, instead, wiping tears from tired eyes in a florescent hospital room, holding her mother’s frail hand. The movie tones down much explicit sexual narration that Strayed includes in her memoir. However, numerous flashback scenes still include a surprising amount of skin on skin from her past hookups. Negative recurrences of hostile quarrels with Paul and sloppy scenes with heroin needles also aid in the emotion of the movie. Well-known 2001 blonde bombshell character, Elle Woods, first appears as an unlikely candidate to take on such a powerful role with hard-hitting issues such as drug addiction, sexual promiscuity, and child abuse.
After winning an Oscar in 2005 for her glorious portrayal of June Carter Cash in Walk the Line, actress Reese Witherspoon is better known for her meaningless roles that simply muddle her career such as popular teen comedy, Legally Blonde. Nonetheless, Witherspoon impresses her audience, in Wild, in her ability take on such a powerful and emotional role.
While Witherspoon remarkably portrays Cheryl Strayed’s character in her ability to develop a wide range of intense emotions that the storyline calls for, this is not the case for other characters. Like all film remakes, some characters are left in the dust (no pun intended). Cheryl’s sister is not seen once in the movie and many hiking companions Strayed meets along the way are left out. There is also very little time to get to know Strayed’s mother, or why the two shared the bond they did, before she
dies. Vallee also chops out many hardships Strayed faces on the trails, but that can be expected for a 1,000 mile walking journey. The film remake of the emotional narrative retraces Strayed’s path from the Mojave Desert to the Bridge of Gods in Washington. For the scenes it does depict, Ii is surprisingly vivid and rich in visual representation of the entire journey. It allows its audience to view the same sights that brought Strayed to a nature catharsis. The film focuses on small visual moments. This is evident in scenes such as Strayed’s first encounter with a starving red fox whose eyes pierce through her soul. Or even the scene where Strayed awakens to a pack of chirping and sticky frogs in her royal blue amateur hiker’s sleeping bag. The color palate of seemingly neutral tones, such as brown and green, are surprisingly vibrant and almost serve to publicize the Pacific Crest Trail’s beauty. The shots of the PCT’s landscapes alone make the movie well worth the watch.
Wild: From Lost to Found on the Pacific Crest Trail by Cheryl Strayed is a book about several events that took place in her life after her mom died and how she lost everything including herself and made the impulsive decision to walk the Pacific Crest Trail, alone. This book was possibly intended for people who have been in the same situation as she has been: going through the loss of a loved one or just feeling like you have nothing left. I will conduct a rhetorical analysis of Strayed’s memoir, Wild, and critique her use of rhetorical appeals in order to show that her memoir was written
Strayed portrayed the negative figure of herself representing things she did not like and would like to eliminate. Being with a large amount of men affected her, she wanted to supposedly not sleep with men, but she still did. There were countless occasions she had sexual relationships with men she met on the Pacific Crest Trail. Strayed says, “We spent most of the summer having adventurous sex and doing heroin” (Strayed 53). Although she finally got over her shadow. Cheryl states, “For once I didn’t ache for a companion. For once the phrase, it didn't even live for me anymore” (Strayed 299). She was heartbroken with the divorce of Paul and still liking him, but she eventually gained maturity to be a better person. Sometimes when you are becoming dangerous to one’s self there are people than can see it and change for the
When Jon Krakauer published a story about the death of a young man trekking into the Alaskan frontier in the January 1993 issue of Outside magazine, the audience’s response to Christopher McCandless’s story was overwhelming. Thousand of letters came flooding in as a response to the article. Despite the claims, especially from the native Alaskans, questioning McCandless’s mental stability and judgement, it soon becomes clear that McCandless was not just "another delusional visitor to the Alaskan frontier" (4). As Krakauer retells the life of Christopher McCandless and gives his own take on the controversy around McCandless’s death in Into The Wild, the reader also creates his own opinion on both McCandless and Krakauer’s argument. Krakauer
In 1990, when he was 22 years old, Christopher McCandless ventured out into the Alaska wilderness in search for true happiness, and 2 years later he suffered a tragic death. An aspiring writer, Jon Krakauer, found McCandless’ story fascinating and chose to dedicate 3 years of his life to write a novel about him. The book entitled “Into the Wild” tells the tale of Christopher McCandless, an ill prepared transcendentalist longing for philosophical enrichment, who naïvely, failed to consider the dangers of isolating himself from human society for such a long period of time. Though Christopher McCandless made a courageous attempt to separate himself from society, in order to achieve self-fulfillment, the stubborn nature of this reckless greenhorn led him to his unfortunate demise.
Into the Wild, written by John Krakauer tells of a young man named Chris McCandless who 1deserted his college degree and all his worldly possessions in favor of a primitive transient life in the wilderness. Krakauer first told the story of Chris in an article in Outside Magazine, but went on to write a thorough book, which encompasses his life in the hopes to explain what caused him to venture off alone into the wild. McCandless’ story soon became a national phenomenon, and had many people questioning why a “young man from a well-to-do East Coast family [would] hitchhike to Alaska” (Krakauer i). Chris comes from an affluent household and has parents that strived to create a desirable life for him and his sister. As Chris grows up, he becomes more and more disturbed by society’s ideals and the control they have on everyday life. He made a point of spiting his parents and the lifestyle they lived. This sense of unhappiness continues to build until after Chris has graduated college and decided to leave everything behind for the Alaskan wilderness. Knowing very little about how to survive in the wild, Chris ventures off on his adventure in a state of naïveté. It is obvious that he possessed monumental potential that was wasted on romanticized ideals and a lack of wisdom. Christopher McCandless is a unique and talented young man, but his selfish and ultimately complacent attitude towards life and his successes led to his demise.
“I now walk into the wild” (3). It was April 1992 a young man from a rather wealthy family hitchhiked to Alaska and walked alone into the wilderness. His name was Christopher McCandless. He gave all of his savings to a charity, abandoned his car in the desert, left all his possessions, burned his money and wallet, and invented an alter ego all to shun society. Four months after his adventure, his decomposing body was found in bus 142 by a moose hunter. Into the Wild is a riveting novel about one man’s journey to find himself and live as an individual. Although, Chris McCandless may come as an ill-prepared idiot, his reasons for leaving society are rational. He wanted to leave the conformist society and blossom into his own person, he wanted to create his own story not have his story written for him, and he wanted to be happy not the world’s form of happiness.
Have you ever wanted to explore the world, or even “start a new life” in the country? In the novel, Into the Wild, by Jon Krakauer, the author emphasizes about a historical young man, Chris McCandless, who is trying to begin a new life in a series based on factual evidence. Throughout the novel, Krakauer guides us to have many questions and concerns about Chris McCandless, his past life and what he had set out to do. Although McCandless was a man that many readers misunderstood, readers were still able to figure his personality out by continuously scrutinizing and taking notes. Jon Krakauer allows us to examine Chris McCandless by providing actual text and dialogue from his family and peers that he had known and ran into while living in the wild.
The book Into The Wild, written by Jon Krakauer, tells the story of Chris McCandless a young man who abandoned his life in search of something more meaningful than a materialistic society. In 1992 Chris gave his $ 25,000 savings to charity, abandoned his car and most of his possessions, and burned all of his money to chase his dream. Chris’s legacy was to live in simplicity, to find his purpose, and to chase his dreams. Chris McCandless’s decision to uproot his life and hitchhike to Alaska has encouraged other young adults to chase their dreams. Neal Karlinksy illustrates the love Chris had for nature in the passage, “He was intoxicated by the nature and the idea of a great Alasican adventure-to survive in the bush totally alone.”
“Into The Wild” by John Krakauer is a non-fiction biographical novel which is based on the life of a young man, Christopher McCandless. Many readers view Christopher’s journey as an escape from his family and his old life. The setting of a book often has a significant impact on the story itself. The various settings in the book contribute to the main characters’ actions and to the theme as a whole. This can be proven by examining the impact the setting has on the theme of young manhood, the theme of survival and the theme of independent happiness.
Strayed, Cheryl. Wild: From Lost to Found On the Pacific Crest Trail. New York: Alfred A.
The gripping tale of a young man who leaves all that he has and goes to live amidst the natural world, Into the Wild by Jon Krakauer showcases the two years Christopher McCandless had spent journeying throughout the United States before his unfortunate death. After graduating from Emory University in 1990, McCandless disconnected with all of his past relations and abandoned the majority of his possessions. McCandless’ decisions either seem extremely unwise or extremely courageous. He had a comfortable life with few worries yet he still chose to toss it all away and venture into unknown territories. What many wonder is why he would do such an irrational thing. Maybe, McCandless’ was simply trying to run away from his perception of reality. Through deserting his family, friends, and material possessions, Christopher McCandless was attempting to escape the unavoidable condition of the world along with the mundane life ahead of him. He was escaping from the impending dreariness of his future and the idea of decisions impacting him and the people around him. Christopher McCandless appeared to believe that by going off into the wild, his life would no longer be surrounded by a shroud of uncertainty and despair.
“Film is more than the instrument of a representation; it is also the object of representation. It is not a reflection or a refraction of the ‘real’; instead, it is like a photograph of the mirrored reflection of a painted image.” (Kilpatrick) Although films have found a place in society for about a century, the labels they possess, such as stereotypes which Native Americans are recognized for, have their roots from many centuries ago (Kilpatrick). The Searchers, a movie directed by John Ford and starring John Wayne, tells the story of a veteran of the American Civil War and how after his return home he would go after the maligned Indians who killed his family and kidnapped his younger niece.
Spirituals: African American spirituals are a key contribution to the creation of the initial genre of jazz. African Americans used spirituals during the earliest turmoil of slavery. These spirituals were used as songs to sing during labor and an initial way of communication for the Underground Railroad. These African American folk sounds mixed with gospel hymns were sun fused with instruments such as the harmonicas, banjos, and other instruments that could primarily be found. This initial form of the music started to separate itself from the gospel rendition. This mixture of different styles of music fused and gave birth to such things as minstrel shows, ragtime, and other forms of music. The most important that spirituals truly helped develop, was Jazz. Spirituals were the first true form of Negro expression in the form of music. Marshall W. Steams, Professor of English Literature at Hunter College states that “The spiritual was created out of nowhere by a sort of spontaneous combustion of Negro’s genius” (125). This mixture of hymns and instrumental instruction took form into one of the most versatile genres known to date, Jazz.
Neill, Alex. “Empathy and (Film) Fiction.” Philosophy of film and motion pictures : an anthology. Ed. Noel Carrol and Jinhee Choi. Malden, MA: Blackwell Publishing, 2006. 247-259. Print.
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.