The Disaster Artist is a memoir of Greg Sestero that depicts his friendship story with Tommy Wiseau. Greg is an ordinary high school graduate in his 20’s who dreams to become an actor. He has attempted numerous ways from attending acting schools to modelling. One time when Greg was attending his acting class, he met a person who would change his life. That’s Tommy Wiseau. The first impression that Greg had on Tommy is that he is a weird person. Tommy does not seem to be a person that can be friend with, and he is full of mystery. Greg resumes his story of meeting and partnering with Tommy in The Disaster Artist. His memoir continues all the way to the end of production of the movie The Room, which immensely influenced Greg to write …show more content…
the memoir.
The Room is Tommy Wiseau’s project to fulfill his own movie dream. Nevertheless, it is considered one of the worst movies ever produced. The movie’s plot does not make sense, and it is inconsistent. It seems as if the movie is based on the rough draft version of the script. Greg at that time was Tommy’s close friend, and he participated in the production of the film to lend Tommy a hand. Although Greg stares in the movie and serve as the line producer, he, same as most The Room audience, is concerned about the making of the movie. Thus, Greg writes The Disaster Artist to provide the audience a context of the making of The Room. Moreover, it answers the question: How is this atrocious movie is made possible? Tommy’s ridiculous decisions have amazed and frustrated Greg, but it seems like Greg supports Tommy nevertheless. From getting to know Tommy in the beginning to the ending of The Room production in The Disaster Artist, Greg’s attitude towards Tommy shifts. Tommy’s impression on the audience changes from being creepy, mysterious alien to a person that have unique personalities. Greg Sestero’s tone shift throughout his memoir depicts his friendship with Tommy Wiseau, specifically …show more content…
their friendship progress. When Greg Sestero first met Tommy Wiseau for the first time in his acting class, Tommy leaves a negative impression on Greg. Greg states “This guy had a rather piratical face and presence, with a sour expression and long, messy black hair” (Sestero and Bissell 23). Normally a pirate is conceived as dirty, messy, or maybe an old guy who seems uneducated and ill-tempered. A pirate’s face would be that of a hundred-year-old person, which is full of wrinkles, and also full of facial hair. Furthermore, the words sour and messy all have a rather negative connotation towards describing a person. From Greg’s first impression of Tommy, Tommy is a weird and unusual classmate. Nevertheless, Tommy’s mystery endures. According to Greg, “ We drove back to his place. Why Tommy didn’t tell me his address and have me meet him there, I have no idea. He also didn’t know how to use his windshield wipers” (Sestero and Bissell 53). As Greg began to rehearse with Tommy for their acting class project, he puzzles over the fact that Tommy refuse to give him his address. Greg’s concern depicts Tommy as an eccentric person as Tommy would spend the effort to pick up Greg elsewhere and drive him to his place rather than to have Greg meet him there. Greg also add on to his description of Tommy’s peculiarity by stating that he does not know how to operate the windshield wipers on his expensive Mercedes. Usually Mercedes is driven by wealthy individuals who are knowledgeable and well educated. Although Greg portrays Tommy’s peculiarity considerably through the description of his appearance and actions, he states in this quote directly that he does not understand Tommy as well. Greg’s narration shows that Tommy is still an unfamiliar, strange classmate that he does not understand, and this indicates that they are just classmates teaming up for an assignment. Later on in the story, Greg is be heading to the Los Angeles area to pursue his actor dream.
By that time, Tommy is more sociable towards Greg. They eat and play together, and Tommy even reveals his occupation to Greg. Greg then received an important aid from Tommy, and that is Tommy lets him to live in his apartment for an incredibly affordable price. Greg confesses, “I trusted Tommy. He was secretive and moody but also giving and supportive… I got the sense that h’d been judged his whole life. When it came to friendship, at least, I suspected that almost no one had given Tommy a chance. I was willing to take that leap of faith” (Sestero and Bissell 80). Although Tommy is still a mysterious person, Greg is thankful for Tommy’s supports. Similarly, Greg is showing sympathy towards Tommy as no one has ever given Tommy a chance to be a friend because of his unique personality. Thus, at this point Greg’s attitude towards Tommy is sympathetic and understanding. When The Room premieres in the theaters, Greg states, “He was a movie star whether the world saw it or not… but how could I--how could anyone--not be moved by Tommy, who’d fought so hard against the unforgiving confines of his star-crossed life?” (Sestero and Bissell 268). Tommy’s effort in carrying out the production of The Room is clearly understood by Greg. As Tommy’s friend, Greg shows support for Tommy and he is truly sympathetic towards Tommy’s achievement. Greg’s contrasting attitudes toward Tommy
depict that Greg sees Tommy as his friend despite all the creepiness of Tommy that Greg describes when they first met.
The climax of the story is when Miles is shot by the Bonewoman. The reader comes to realize that Miles’ choice to live life on the safe side was a mistake:
Darryl’s life is worth fighting for. “You can’t buy what I’ve got.” ‘The Castle’ directed by Rob Sitch, about one man, his family and neighbours on the verge of being homeless. Darryl Kerrigan, the “backbone of the family” won’t stand for that. Of course no one can buy what he has. He’s spent almost his entire lifetime building what he has, why should he give it up? Darryl’s way of life is simple yet filled with family values. 3 Highview Crescent is the home to Darryl, his wife Sal and their 3 children: Wayne, Steve, Tracy and Dale. (Wayne currently being in jail.) The house is made up of love, and simple family values. Darryl’s also added bits and pieces to it. He’s added on so much to the house, his own personal touch. His neighbours, also in the same bout are almost family to the Kerrigans. Jack and Farouk are another reason why Darryl’s ready to take matters into his own hands.
Alexander Stowe is a twin, his brother is Aaron Stowe. Alex is an Unwanted, Aaron is a Wanted, and their parents are Necessaries. Alex is creative in a world where you can’t even see the entire sky, and military is the dream job for everyone and anyone. He should have been eliminated, just like all the unwanteds should have been. He instead comes upon Artimè, where he trains as a magical warrior- after a while. When he was still in basic training, and his friends were not, he got upset, he wants to be the leader, the one everyone looks up to.
I chose the book, The Child Called “It” because one of my friends told me about the book. The whole story line caught my attention. I was amazed at what was going on in this boy’s life. This book, a true story, is very emotional. The title relates to the book because his mother calls the boy, David Pelzer, “It”. She does not call him by his real name. His mother treats him like he is nothing but an object. Also, I think the title fits well because it catches people’s attention and gives a clue what the book is about.
The room describes the narrator. The room was once a nursery so it reminds her that she has a baby which she is not able to see or hold. The room was also a playroom so it reminds her once again that she cannot play with or watch her baby play. The room has two windows which she looks out of and sees all the beautiful places she cannot go because of her husband. The bars on the windows represent a prison which her husband has put her in to heal from her illness.
In the essay “Everything Now” Signs of Life in the USA: Readings on Popular Culture for Writers, author Steve McKevitt blames our unhappiness on having everything we need and want, given to us now. While his writing is compelling, he changes his main point as his conclusion doesn’t match his introduction. He uses “want versus need” (145) as a main point, but doesn’t agree what needs or wants are, and uses a psychological theory that is criticized for being simplistic and incomplete. McKevitt’s use of humor later in the essay doesn’t fit with the subject of the article and comes across almost satirical. Ultimately, this essay is ineffective because the author’s main point is inconsistent and poorly conveyed.
The bedroom is an overvalued fetish object that nevertheless threatens to reveal what it covers over. John's time is spent formulating the bedroom in a way that conceals his associations of anxiety and desire with the female body, but also re-introduces them. The bedroom's exterior, its surface, and its outer system of locks, mask a hidden interior that presumably contains a mystery--and a dangerous one. The bedroom in "The Yellow Wallpaper" generates this tension between the desire to know and the fear of knowing: on one hand, the enigma of the bedroom invites curiosity and beckons us towards discovery; on the other hand, its over- determined organization is seated within a firm resolution to build up the bedroom, so that what it hides remains unrealized. Mulvey writes, "Out of this series of turning away, of covering over, not the eyes but understanding, of looking fixidly at any object that holds the gaze, female sexuality is bound to remain a mystery" ("Pandora" 70).
A Child Called It was about the struggles of a young boy named Dave Pelzer. Dave was put through hard times and at some point lost hope in his dreams and doubted the humanity of mankind, but in the end because of his strong will he was able to overcome his problems and make a better life for himself.
As this short drama goes on the reader can witness how they change the room and furniture around trying to get it arranged perfectly to keep their guests visiting as long as possible.
who were there but learn them in such a way that we are allowed to
The Room itself represents the author’s unconscious protective cell that has encased her mind, represented by the woman, for a very long time. This cell is slowly deteriorating and losing control of her thoughts. I believe that this room is set up as a self-defense mechanism when the author herself is put into the asylum. She sets this false wall up to protect her from actually becoming insane and the longer she is in there the more the wall paper begins to deteriorate. This finally leads to her defense weakening until she is left with just madness and insanity. All of the characters throughout the story represent real life people with altered roles in her mind. While she is in the mental institute she blends reality with her subconscious, forming this story from events that are happening all around here in the real world.
The story that Jess Walter tells, much like any other novel, is one of joy and sorrow. Lives intersect and separate, people fall into and out of love, and dreams are made and broken. What Walter does with his plot though is quite different. He writes it in a way where the whole book itself relies on the reader’s ability to realize that though some people meet for only a brief amount of time, their dreams and hopes, can hinge on even the briefest moments. Sometimes the characters in the novel have their stories intersect, some in very interesting ways, and other times you see their story as it is and was, just them. Walter does a wonderful job of bringing together many different lives, many stories, and showing how just because you feel alone, does not mean you are, your life and story can at any moment intersect with another and create a whole different story. Perhaps, Alvis Bender puts the idea that Walter is trying to convey into the best words, “Stories are people. I’m a story, you’re a story . . . your father is a story. Our stories go in every direction, but sometimes, if we’re lucky, our stories join into one, and for a while, we’re less alone.”
middle of paper ... ... The room was not just a place for Jack; it was his life for the first five years. It was a place where something happened, something that will change the rest of his and Ma’s life. Emma Donoghue does a fantastic job of giving the audience the point-of-view through the perspective of a child who survived life in a shed and is now experiencing life for the first time.
Aristotle once said, “The ultimate value of life depends upon awareness and the power of contemplation rather than upon mere survival.” The value of life isn’t something that cannot not be priced. In his novel, Unwind, Neal Shusterman showcases how the characters, Connor, Risa, and Lev, are trying to escape their unwinding after their lives being deemed invaluable. Life isn’t something that can be decided for another person whether they are storked, “bad teenagers,” or clappers as shown through Connor, Risa, and Lev in Neal Shusterman’s novel Unwind.
What should our goals be in life? Bill Strickland makes the point that no matter who you are you can do anything you put your mind too. In his book “Making the impossible possible” he explains his own struggle and how he made it through life to be able to help others. He explains his young childhood. He talks about how he had to live through riots and the racism. He talks about how he wanted to help people make their lives better. He explains his struggles with trying to maintain these buildings and how he made great connections. He tells about his love for pottery and his want to help others. His book was truly an inspiration and turned out to be more than I took his book for in the first few pages. His book made me think about my life and how I can relate to him.