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Interpretations of the yellow wallpaper
“The Yellow Wallpaper” explores into different roles of women
Interpretations of the yellow wallpaper
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In everyday day life we go through changes and sometimes we even break down to the point we do not know what to do with ourselves, but in Charlotte Perkins Gilman’s short story” The Yellow Wallpaper” the narrator is an obsessive person. The story focuses on a woman who is going through postpartum depression and has had a nervous breakdown. Her husband John moves her into a home where he wants her to rest in isolation to recover from her disorder. Throughout her time in the room the narrator discovers new things and finally understands life. The narrator is trying to get better from her illness but her husband “He laughs at me so about this wallpaper” (515). He puts her down and her insecurities do not make it any better. She is treated like a child. John says to his wife “What is it little girl” (518)? Since he is taking care of her she must obey him “There comes John, and I must put this away, he hates to have me write a word”. The narrator thinks John is the reason why she cannot get better because he wants her to stay in a room instead of communicating with the world and working outside the house. The room describes the narrator. The room was once a nursery so it reminds her that she has a baby which she is not able to see or hold. The room was also a playroom so it reminds her once again that she cannot play with or watch her baby play. The room has two windows which she looks out of and sees all the beautiful places she cannot go because of her husband. The bars on the windows represent a prison which her husband has put her in to heal from her illness. Throughout her time in the room she notices the wallpaper “a smouldering unclean yellow, strangely faded by the slow-turning sunlight” (514). After a couple of days in her opinion the wallpaper is starting to change. She sees “a women stooping down and creeping about behind that pattern” (518). In the daytime she sees the women outside the house “I see her in that long shaded lane, creeping up and down. I see her in those dark grapes arbors, creeping all around the garden“(521). The places where the women is creeping is where the narrator can’t go so she he creeps in the daytime “I always lock the door when I creep by daylight” (520).
The narrator begins the story by recounting how she speculates there may be something wrong with the mansion they will be living in for three months. According to her the price of rent was way too cheap and she even goes on to describe it as “queer”. However she is quickly laughed at and dismissed by her husband who as she puts it “is practical in the extreme.” As the story continues the reader learns that the narrator is thought to be sick by her husband John yet she is not as convinced as him. According
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
In most narratives there is usually a protagonist, antagonist and plot line in which we follow and either believe the speaker or disagree with them; no matter the case, we form a solid opinion based on the progression of the plot. However, in “The Yellow Wallpaper”, by Charlotte Perkins Gilman, there is an automatic problem with the plot line of the story. Is it believable and can we trust the speaker? What is the true nature of why the author wrote the story? The point of the plot line is to understand the progression of mental illness, not to read a narrative about moving wallpapers; it isn’t to try and tell whether the woman is stable enough to be trusted with a possible plot line. From the beginning of the short story she claims that she
At first the woman seems to be living in a fantasy as she characterizes her husband and caretaker as kind and concerned with her well being, when in reality they are suppressive and limiting. To begin with, the woman of the story explains how, “[her husband was] very careful and loving, and hardly lets [her] stir without special direction” (Gilman 239). This quote shows the woman’s inconsistency with reality as she does not recognize that her husband had brought her to an asylum in order to “cure” her illness. Her husband explicitly explains to the woman that the place he is taking her only has “one window and not room for two beds” further displaying how he will isolate her from society and the family. Her unwillingness to realize her husbands intentions, displays her blindness to her own repression in her marriage. In addition, the woman explains how much she enjoys writing in order to explain her own thoughts and feelings because she is not allowed to say them out loud. She goes on to say that her husband,” hates to have [her] write a word” and hurriedly tries to hide away her notebook (Gilman ___). This
The “Yellow Wall Paper “ by Charlotte Perkins Gilman, is a chilling study and experiment of mental disorder in nineteenth century. This is a story of a miserable wife, a young woman in anguish, stress surrounding her in the walls of her bedroom and under the control of her husband doctor, who had given her the treatment of isolation and rest. This short story vividly reflects both a woman in torment and oppression as well as a woman struggling for self expression.
Jane’s husband does not allow her to write because he feels that with her imaginative power and nervous condition it would lead to fancy. “John has cautioned me not to give way to fancy in the least. He says that with my imaginative power and habit of story-making a nervous weakness like mine is sure to lead to all manner of excited fancies” (Gilman 649) without her outlet of writing Jane begins to see women in the wall-paper creeping around from the inside of the wall-paper to the outside in the gardens. She also feels that the women are trapped behind the first layer of design on the paper as if it was bars keeping them trapped. “The faint figure behind seemed to shake the pattern, just as is she wanted to get out. I got up softly and went to feel and see if the paper did move.” (Gilman 652) Jane also begins to believe that the wall-paper know what it was doing to her “This paper looks to me as if it knew what a vicious influence it had!” (Gilman 653) Jane starts to relate to the women being trapped in the paper and like she is trapped with-in the bedroom. Jane becomes one with the women in the wallpaper and referrers to the women as I. Jane begins creeping along the baseboards trying to release the women from their prison of wall-paper, which will release her from her
"If a physician of high standing, and one's own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression -- a slight hysterical tendency -- what is one to do?" (Gilman 1). Many women in the 1800's and 1900's faced hardship when it came to standing up for themselves to their fathers, brothers and then husbands. Charlotte Perkins Gilman, the narrator of the story, "The Yellow Wallpaper", is married to a physician, who rented a colonial house for the summer to nurse her back to health after her husband thinks she has neurasthenia, but actually suffers from postpartum depression. He suggested the 'rest cure'. She should not be doing any sort of mental or major physical activity, her only job was to relax and not worry about anything. Charlotte was a writer and missed writing. "The Yellow Wallpaper" is significant to literature in the sense that, the author addresses the issues of the rest cure that Dr. S. Weir Mitchell prescribed for his patients, especially to women with neurasthenia, is ineffective and leads to severe depression. This paper includes the life of Charlotte Perkins Gilman in relation to women rights and her contribution to literature as one of her best short story writings.
She first sees a confusing pattern and as she follows the pattern she sees a woman behind the wallpaper. The narrator describes the woman in the wallpaper as a ‘creeper’ and also admits that she has same habit of creeping as well. “I see her on that long road under the trees, creeping along, and when a carriage comes she hides under the blackberry vines. I don 't blame her a bit. It must be very humiliating to be caught creeping by daylight ! I always lock the door when I creep by daylight” (Stetson 654). Throughout the story, ‘creep’ becomes the narrator’s favored adjective for describing how she feels and how she personifies the woman behind the wallpaper. Apart from creeping the other characteristics of women behind the wallpaper such as being plain, trapped and insane are also very likewise to the characteristics of the narrator. In Freud 's understanding the concept of the ‘double’ is that the self becomes confounded, or the foreign self is substituted for his own in other words, by doubling, dividing and interchanging the self (Freud 9). To get away from feeling imprisoned the narrator invented the “creeping women” in her mind and pictured it in the wallpaper to cope with her anxiety and
...man controlling the life of the woman who must accept it, until the very end. At the end of the story, the narrator says, “I have escaped in spite of you and Jane, and I’ve pulled of most of the paper so you can’t put me back!” (Gilman, 1892, p.193). At this point the narrator made the connection between her and the woman she sees in the wallpaper and explains how she has finally escaped, suggesting her breaking out of the bars that controlled her. She shows rebellion against John when she does not open the door and makes her own choices, which not only makes her free it destroys the sense of the gender roles in the relationship, as she pretty much emasculates her husband.
The relationship of the narrator and her husband, John, is one that of the time period. The narrator has no other choice but to be obedient to her husband and the things he asked of her, though that isn’t much at the time, due to the recent birth of a child and the “mental state” of the narrator. Though the house seems to intrigue her to an extent, John has her in a room she doesn’t really like and has her isolated for most everything and everyone. He treats the narrator as though she is a child and dismisses her thoughts and ideas, even of her own health and what may help her get better. He “hardly lets me stir without special direction” (Gilman).
It is just up to an individual to recognize and do something about it before it is too late. The narrator reached her breaking point at the end of the story, but at that point her condition turned into something more severe than it started out to be. No one should be left alone when going through a tough time in their life. Creating the imagines of the woman in the wallpaper was a desperate attempt for help. Representing how trapped the narrator felt in the room. Not sleeping all night and locking herself in the room to finally do something about the wallpaper the narrator hated so much. By doing this the narrator was not only freeing the woman but also freeing herself from that room. John would finally know the extent of her illness and maybe would pay his wife some attention. At that point it was kind of too late to help, but only time could tell if the damage could be
He isolated her, moved her to a confined room and took away her dairy, which in fact, is what you're not supposed to do with someone with a mental health problem. In the story, Perkins Gilman explores that subject of patriarchy's oppression of women through the symbols of the diary and the wallpaper. John restricts his wife of her social life by imposing the rest cure which prevents her from any creativity. Furthermore, her sanity was taken away from her when John wouldn't let her write in her journal. Writing was a way for her to cope with her mental health but since her husband made all the decisions for her, she was no longer allowed to write. She begins to feel discouraged, expressing that "It is so discouraging not to have any advice and companionship about my work." (649). In fact, the author uses the wallpaper to portray the narrator's mental degradation. As a result of feeling trapped in the room and in her thoughts, the wallpaper
He seems to make all of the decisions for her and makes her feel belittled and irritated. Being her physician gives him the ability and power to tell her that nothing is wrong with her, and he basically does not take her seriously, which only makes her mental health get worse. John prescribes rest for her and places her into a room which is covered in yellow wallpaper that she finds repulsive. One thing that is very important is how the room used to be a nursery. This is ironic because she is almost treated as a child, and she is not allowed to see her own baby....
The narrator has been oppressed and subordinated by the men in her life and the doctor that prescribes the “rest cure” and her husband, John, who advocates this cure. The narrator is not allowed to make any decisions for herself. In fact, when the narrator attempts to stand up for what she wants John immediately curbs her desires and pushes her back into submission. For example, the narrator would like a different room downstairs but “John would not hear of it. He said there was only one window and not room for two beds, and no near room for him if he took another” (p. 843). The narrator is kept from social activities due to her mental state yet John feels the need to remain in close proximity to her. This illustrates John’s need to keep the narrator under his thumb. As the story progresses, the narrator turns her attention more to the yellow wallpaper in the room that she is confined in. The wallpapers with its strangling patterns and bulbous eyes mimic the narrator’s own life. She is constrained and constantly watched over. The narrator starts to see a woman trying to escape from behind the bars in the abhorrent wallpaper. The narrator decides to peel off the yellow wallpaper. Once she succeeds “there are so many of those creeping women and they all creep so fast. I wonder if they all come out of that wallpaper as I did” (p. 843). The narrator comes to the
The story unfolds in a rickety colonial mansion described by the narrator plainly as “a haunted house” (Gilman 1) with barred windows and rings bolted to the walls (Gilman 2). These features along with the “horrid” (Gilman 6) yellow wallpaper entrap the narrator and swaddle her in her own madness. As the “woman” (Gilman 6) in the wallpaper takes hold of the narrator’s psyche she grows sinisterly corporal, depicted through the unintelligible sporadic entries. The purpose of the narrator’s journal warps from entries assuring herself of the pettiness of her sickness to entries that confirm and act as horrendous safe haven’s for her unhinged mental condition. Entries like “I see her in that long shaded lane, creeping up and down. I see her in hose dark grape 'arbors, creeping all around the garden” (Gilman 8) juxtapose nonchalant writing style with dark subject matter in a way that creates a disturbing tone that must be uncomfortably ingested by