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Shakespeare's historical plays
Delays in hamlet
Essay on william shakespeare's famous works
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Taking revenge against his enemy can be a difficult task for young Hamlet, especially when the circumstances and conditions he is under require him to reevaluate his morals of life and soul. The delay in Hamlet’s revenge of his father’s death is caused by three main reasons: he is under strict and almost impossible guidelines laid out by the ghost of his father, King Hamlet, he is afraid of death either suffering it or inflicting it on someone else, and his lack of reasoning in committing a murder that he did not witness himself.
When the ghost of King Hamlet first appears to young Hamlet, he injunctions three requirements he needs Hamlet to act upon. Revenge his father’s death, do not emotionally affect his mother, Gertrude, with the killing of her new husband, Claudius, and to not let himself go insane by trying to accomplish these vital tasks. Hamlet is bewildered, overwhelmed, and shocked with what the ghost of his father told him, and responds with “ haste me to know’t, that I, with wings as swift as mediation or the thoughts of love, may sweep to my revenge” (1.5.29-31). This response from young Hamlet makes the audience believe that the plot against Claudius will be very swift. Yet on the other hand you get this sensitive side from the response because Hamlet compares the quickness of taking revenge, to the pace two people falling in love with each other. Eventually the revenge of his father’s death takes place, but not until the very end of the play, and the way Hamlet took revenge against Claudius is not how he had planned on doing it. Hamlet wanted the revenge of Claudius to be a very quick and a secret like task, yet his own emotions and conscience caused the murder to be a complete massacre and tragedy. The inj...
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...us, be shipped off to England, and be known has a crazed man throughout Denmark. These causes are all the effects of the delay Hamlet had.
Works Cited
Shakespeare, William. The Tragedy of hamlet Prince of Demark. The new Folger Library. New York, NY: Washington Square Press, 1992. 57-58. Print.
Haigh, Christopher. “Anticlericalism and the English Reformation.” The English Reformation Revised. Ed. Cambridge GB: Cambridge University Press, 1987. 56-74
The Works of William Shakespeare, ed. Samuel Johnson, 8 vols. (London, 1765).
Gibinska, Marta. “‘The play’s the thing’: The Play Scene in Hamlet.” Shakespeare and His Contemporaries: Eastern and Central European Studies. Newark: U of Delaware P, 1993. 175-88.
Shakespeare, William. "Hamlet." The Norton Shakespeare. Stephen Greenblatt, Ed. New York: W.W. Norton & Company, 1996. 1668-1756
...nts itself. Hamlet is so determined to do something he does not wish to think about the consequences anymore.
Shakespeare, William. "Hamlet." Madden, Frank. Exploring Literature. 4th ed. New York: Pearson Longman, 2009. Print 539-663
Hamlet wishes to avenge the murder of his father and rectify this great injustice. The conflict between his desire to seek revenge and his own thoughts of incompetence is the cause of his initial unrest. "Haste me to know't , that I , with wings as swift / As meditation or thoughts of love , / may sweep to my revenge (1.5.29-31). Here Hamlet pleads to the Ghost of King Hamlet to reveal the name of his murderer.
Boklund, Gunnar. "Hamlet." Essays on Shakespeare. Ed. Gerald Chapman. Princeton, NJ: Princeton University Press, 1965.
Shakespeare, William, Marilyn Eisenstat, and Ken Roy. Hamlet. 2nd ed. Toronto: Harcourt Canada, 2003. Print.
Goldman, Michael. "Hamlet and Our Problems." Critical Essays on Shakespeare's Hamlet. Ed. David Scott Kaston. New York City: Prentice Hall International. 1995. 43-55
Shakespeare, William. The Three-Text Hamlet. Eds. Paul Bertram and Bernice Kliman. New York: AMS Press, 1991.
Shakespeare, William. The New Cambridge Shakespeare: Hamlet, Prince of Denmark. Ed. Philip Edwards. Cambridge: Cambridge U P, 1985.
Shakespeare, William. "The Tragedy of Hamlet, Prince of Denmark." The Complete Signet Classic Shakespeare. Ed. Edward Hubler. Gen. Ed. Sylvan Barnet. New York: Harcourt Brace Jovanovich, 1972.
Shakespeare, William. Hamlet. The Norton Anthology of World Literature. 2nd ed. Vol. C. Ed. Sarah Lawall. New York: Norton, 2005. Print.
Shakespeare, William. The Norton Shakespeare. Edited Stephen Greenblatt et al. New York: W. W. Norton & Company, 1997.
With his thinking mind Hamlet does not become a typical vengeful character. Unlike most erratic behavior of individuals seeking revenge out of rage, Hamlet considers the consequences of his actions. What would the people think of their prince if he were to murder the king? What kind of effect would it have on his beloved mother? Hamlet considers questions of this type which in effect hasten his descision. After all, once his mother is dead and her feelings out of the picture , Hamlet is quick and aggressive in forcing poison into Claudius' mouth. Once Hamlet is certain that Claudius is the killer it is only after he himself is and and his empire falling that he can finally act.
Shakespeare, William. “The Tragedy of Hamlet, Prince of Denmark” Literature: An Introduction to Reading and Writing. Ed. Edgar V. Roberts. 9th Ed. New York: Pearson Longman, 2009. Print
Once Hamlet has learned of his father’s death, he is faced with a difficult question: should he succumb to the social influence of avenging his father’s death? The Ghost tells Hamlet to “revenge his foul and most unnatural murder” (1.5.31) upon which Hamlet swears to “remember” (1.5.118). Hamlet’s immediate response to this command of avenging his father’s death is reluctance. Hamlet displays his reluctance by deciding to test the validity of what the Ghost has told him by setting up a “play something like the murder of (his) father’s” (2.2.624) for Claudius. Hamlet will then “observe his looks” (2.2.625) and “if he do blench” (2.2.626) Hamlet will know that he must avenge his father’s death. In the course of Hamlet avenging his father’s death, he is very hesitant, “thinking too precisely on the event” (4.4.43). “Now might I do it…and he goes to heaven…No” (3.3.77-79) and Hamlet decides to kill Claudius while “he is drunk asleep, or in his rage, or in th’ incestuous pleasure of his bed” (3.3.94-95). As seen here, Hamlet’s contradicting thought that Claudius “goes to heaven” (3.3.79) influences him to change his plans for revenge. Hamlet eventually realizes that he must avenge his father’s death and states “from this time forth my thoughts be bloody or be nothing worth” (4.4.69). From this, Hamlet has succumbed to the social influence and has vowed to avenge his father’s death.
Corum, Richard. Understanding Hamlet: A Student Casebook to Issues, Sources, and Historical Documents. Westport, CT: Greenwood, 1998. Print.