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Film literary analysis
Roland Barthes’ essay ‘The Death of the Author’
Critical analysis of the finished part of Visual Pleasure and Narrative Cinema
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Recommended: Film literary analysis
“The Death of the Auteur”
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The concept of ‘author’ is originally derived from the Latin word for
authority. From the theoretician’s standpoint, the author carries power over the
text only to the extent that the ideas and scenarios within it are originally those of
the author. French literary theorist Roland Barthes argues that the function of an
author is to provide the semblance of originality and meaning in The Death of the
Author.
“Writing is the destruction of every voice, of every origin. Writing is
the neutral, composite, oblique space where our subject slips away,
the negative where all identity is lost, starting with the very identity
of the body writing.” (Barthes 1466)
The basis for Barthes’ argument is the writing of Ferdinand de Saussure,
particularly the discourse on signification and authorship in Course in General
Linguistics. Within the scope of Saussurean theory, a viewpoint can be
ascertained that is conceptualized for applicability to The Death of the
Author. Saussure begins his introduction to this topic by defining language
in a way that concurs with Barthes’ use of it. Language is the “social side of
speech, outside the individual who can never create or modify it by
himself.” This is concomitant with Barthes’ work, particularly in his concept
of the author as the subject of a text. Barthes stresses the impersonality of
any work, due to the essence of language, that it is the quintessence of the
performance and not the author’s subjectivity. In one of his most poignant
assignations of profound semiological characterization, Saussure posits the
nature of the linguistic sign as the unity of a concept and a sound-image.
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For this assumption to be relevant, it follows that language mus...
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... Leitch. New York, NY: W.W. Norton & Company,
2001. 1822-1830.
Foucault, Michel. "What is an Author?" The Norton Anthology of Theory and
Criticism. Ed. Vincent B. Leitch. New York, NY: W.W. Norton & Company,
2001. pp. 1623-1636.
Mulvey, Laura. "Visual Pleasure and Narrative Cinema." Film Theory and
Criticism. 5th Edition. Leo Braudy and Marshall Cohen. New York: Oxford
University Press. 1975. pp. 833-844.
Saussure, Ferdinand de. “Course in General Linguistics.” The Norton Anthology
of Theory and Criticism. Ed. Vincent B. Leitch. New York, NY: W.W.
Norton & Company, 2001. 960-977.
Spiegel, Alan. “Fiction and the Camera Eye: Visual Consciousness in Film and
the Modern Novel.” Charlottesville: University Press of Virginia. 1976.
Vertov, Dziga “Kino-eye: The Writings of Dziga Vertov.” Ed. Annette Michelson.
Berkeley, CA: University of California Press, 1984.
Death is a theme that has been used in literature since literature has been written from
Koch, Edward. “Professional Writing.” Death and Justice. Ed. Jewell, Leah. New Jersey: Upper Saddle River, 2000. 449-54.
By writing As I Lay Dying through the thoughts of a variety of narrators, William
Forever remembered as the day the United States lost a great leader and man in the passing of John F. Kennedy. As seen through these different writers, some like Barbarese will question the type of the man the martyr was, some like Dove will always remember how deeply saddened they were the news of his death broke out, and some like Ball will analyze how he impacted the country through life and death. Even each author used this topic of JFK’s assassination, all three of them approached the subject with drastically different elements such as the point of view they each wrote from, the voice used in each of their writings, and the overall purpose for their writing. By using three dissimilar styles to three literary elements, each author brought a new argument to the assassination of
Gass, William H. "More Deaths Than One: 'Chronicle of a Death Foretold,'." in New York 16.15 (1983): 83-84. Rpt. in Works for Students. Ed. Michael L. LaBlanc and Ira Mark Milne. Vol. 10. Detroit: Gale, 2001. Literature Resource Center. Web. 12 Jan. 2013.
When talking about Billy Wilder as a director a popular, controversial topic is whether or not he is considered an auteur. There have been many critics who have attempted to prove that Wilder is not an auteur but many have fallen short on providing a strong and convincing argument. Billy Wilder is an auteur for many reasons; the most obvious reason though is by comparing his four most famous movies. Wilder was very involved in the process of making the film and was often the writer, producer and director of the film. By being so involved he was able to make scenes his own, especially since Wilder wanted every detail of the scene written out in the script. He also has similar themes of cynicism towards different elements of human nature but would lighten the mood of the film by adding a comedic element to the scene. Wilder also enjoyed pushing the boundaries of screenwriting and to be able to get an approval from the Production Code Administration, he had to add comedy to the script. Another reason that proves Wilder as an auteur is through his work with famous actors and actress. Wilder had a knack for dealing with difficult actors and was often able to make them who he wanted. Finally Billy Wilder stuck to very traditional uses of camera angles and movements that set him aside from other directors. Billy Wilder was not only an influential director but also an auteur through his involvement in writing, directing, and producing the film, the cynicism mixed with comedy shown through the characters, and his traditional use of camera movement and angles compared to other directors during the 1950’s.
In literature, themes shape and characterize an author’s writing making each work unique as different points of view are expressed within a writing’s words and sentences. This is the case, for example, of Edgar Allan Poe’s poem “Annabel Lee” and Emily Dickinson’s poem “Because I could not stop for Death.” Both poems focus on the same theme of death, but while Poe’s poem reflects that death is an atrocious event because of the suffering and struggle that it provokes, Dickinson’s poem reflects that death is humane and that it should not be feared as it is inevitable. The two poems have both similarities and differences, and the themes and characteristics of each poem can be explained by the author’s influences and lives.
Myers, D.G. “In Praise of Prose.” Commentary Magazine May 2010: n. pag. Web. 27 Jan. 2011. .
“Death, the end of life: the time when someone or something dies” (Merriam-Webster, 2014). The definition of death is quite simple, the end of life is inescapable. I chose to write about death and impermanence because it is something we all must inevitably face. People often deal with death in a number of different ways. Although it is something that we must eventually face, it can be hard to come to terms with because the idea can be hard to grasp. Some of us fear it, others are able to accept it, either way we all must eventually face it. In this essay I will look at two different literary works about death and impermanence and compare and contrast the different elements of the point of view, theme, setting, and symbolism. The comparison of these particular works will offer a deeper look into words written by the authors and the feelings that they experiencing at that particular time.
Think about your favorite movie. When watching that movie, was there anything about the style of the movie that makes it your favorite? Have you ever thought about why that movie is just so darn good? The answer is because of the the Auteur. An Auteur is the artists behind the movie. They have and individual style and control over all elements of production, which make their movies exclusively unique. If you could put a finger on who the director of a movie is without even seeing the whole film, then the person that made the movie is most likely an auteur director. They have a unique stamp on each of their movies. This essay will be covering Martin Scorsese, you will soon find out that he is one of the best auteur directors in the film industry. This paper will include, but is not limited to two of his movies, Good Fellas, and The Wolf of Wall Street. We will also cover the details on what makes Martin Scorsese's movies unique, such as the common themes, recurring motifs, and filming practices found in their work. Then on
Death is a reality that can be interpreted in many ways. Some people fear the possibility of no longer living and others welcome the opportunity for a new life in the afterlife. Many poets have been inspired by death, be it by the approaching death of loved ones or a battle for immortality. Just as each poet is inspired differently, each poem casts a different hue of light on the topic of death giving readers a unique way to look at death.
...has in common, it creates new beginnings, new meanings, for so many different things. As Michael North stated, “Language exists and grows by inclusion” (Nicholls 281).
Oftentimes, the life of an author is reflected in his works. This is due to the fact that the experiences of the writer can serve as the foundation of his story line. Some of the famous authors who are known to have utilized this technique, which is also dubbed as Roman Clef, include Charles Dickens and Fyodor Dostoyevsky. Even in an unconscious manner, the author’s life is an inspiration to his writings and hence having a big impact on the entire work.
is one of resignation rather then grief. Another of his greatest works in the large
No poem of John Donne's is more widely read or more directly associated with Donne than the tenth of the Holy Sonnets,"Death, be not proud." Donne's reputation as a morbid preacher was well-known. He had a portrait of himself made while posed in a winding-sheet so that he could contemplate a personalized memento of death. Donne draws upon a popular subject in medieval and Renaissance art, Le roi mort or King Death. His fascination with death reaches another plateau with this poem. He almost welcomes it and denounces the process as being neither horrifying nor the "end-all be-all." In a contextual point of view, he works to rupture habitual thinking and bring attention to the intensity and depth of a situation by creating doubt or offering a new aspect of his subject. Donne takes this poem and pours forth an array of visions that directly connects to the contextualist in a look at death, the pa...