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Character analysis of sir lancelot from the first knight
Character analysis of sir lancelot from the first knight
Character analysis of sir lancelot from the first knight
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The legendary figure of King Arthur, the Once and Future King, started his rise to literary prominence through Geoffrey of Monmouth and his work, The History of the Kings of Britain. Monmouth introduced readers to a heroic and noble king who defeated the Saxons and reclaimed Britain, creating a period which set the stage for the Arthurian era and the glories of King Arthur and his Knights of the Round Table. Over time additional authors added their voice to the telling of the Arthurian legend; adding events and characters, ultimately changing the story forever. Perhaps the most notable of these additions came in the form of Sir Lancelot. The creation of Lancelot, a knight introduced by Chrétien de Troyes in The Knight of the Cart, produced an underlying futile battle for top billing between Arthur and his top knight. The inclusion of Sir Lancelot in works such as, The Vulgate Cycle and Le Morte d’Arthur show further proof that once the character of Lancelot was created, King Arthur was no longer needed to save Camelot and bring it back to peace. Between Lancelot’s courtly love for King Arthur’s wife Guinevere and his renown for being “Sought after by all men and loved by all women more than any other knight” (Vulgate 102), one can see how King Arthur stood no chance against such a chivalric man, leaving him all but helpless to watch as Camelot and his round table crumbled as Lancelot’s prominence rose.
Before the inclusion of Lancelot in the Arthurian legend, Arthur was originally “Depicted first as a powerful warlord in the Welsh and Latin traditions” but after Lancelot became a part of the folklore, “he becomes a passive and often weak character in Chrétien's romances, abandoning the thrill of the battlefield in favor of his...
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...2002): 7-30. MLA International Bibliography. Web. 20 Apr. 2012.
Geoffrey of Monmouth. The History of the Kings of Britain. The Romance of Arthur: An Anthology of Medieval Texts in Translation. Ed. James J. Wilhelm. New York: Garland Pub., 1994. 63-93.
Ingram, Amy L. "Psychology Of A King: Arthur In The Lancelot-Graal Cycle." Philological Quarterly 82.4 (2003): 349-365. MLA International Bibliography. Web. 21 Apr. 2012.
Lacy, Norris J. The Lancelot-Grail Reader: Selections from the Medieval French Arthurian Cycle. New York: Garland Pub., 2000. Print.
Malory, Thomas, and Dorsey Armstrong. Sir Thomas Malory's Morte Darthur: A New Modern English Translation Based on the Winchester Manuscript. West Lafayette, IN: Parlor, 2009. Print.
Painter, Sidney. French Chivalry: Chivalric Ideas and Practices in Mediaeval France. Baltimore: Johns Hopkins P, 1940.
In The Once and Future King, Experience is Everything. T.H. White shows that education depends on ones owns personal experiences. Wart’s tutor, Merlyn, uses this exact learning method on Wart. Merlyn uses magic to transform Wart into various animals to show him important life lessons. The Wart is transformed into a fish, goose, and a badger in order to experience different forms of power each being a part of how he should rule as king. Wart learns from Mr. P that mind power is nothing, from the wild goose he learns freedom, and the badger teaches him to accept what you have.
The love triangle of Arthur, Lancelot, and Guenever is a constant theme throughout every account of the Arthurian legend. Geoffrey Ashe's The Arthurian Handbook states that "We may say that these knights are expected to serve their King..."(81). The revelation of the affair finally comes when Sir Agravaine shouts, "'Traitor Knight! Sir Lancelot, now art thou taken'"(White 569). Lancelot was summoned to Queen Guenever's bedroom, and Sir Agravaine is finally exposing the affair and gaining revenge on Lancelot for unhorsing him many times in the past. The two people that Arthur trusts most are Guenever and Lancelot. Arthur is well aware of the affair between the two, but chooses to pretend that nothing is going on. Due to this naivety, Arthur earns the disrespect (and even hatred) of Agravaine and Mordred, who eventual...
Loyalty is what the the knights demonstrated to their king by being willing to go to battle for him and die protecting his kingdom. The knights are ready to drop everything and go to fight someone they’ve never met, the second King Arthur tells them to. This loyalty is so extreme and powerful, that Lancelot refuses to fight Arthur even after King Arthur Invaded his lands, he chose to wait until he could claim self defense in order to keep his honor as a knight intact. Launcelot is a perfect example of extreme loyalty, because he does not allow his love life to get in the way of the loyalty he has towards his King. This balance that Launcelot has between his love life and loyalty to the King is why Launcelot has the greatest reputation
Who was King Arthur? Most people would tell of a great King; a devoted circle of heroic knights; mighty castles and mightier deeds; a time of chivalry and courtly love; of Lancelot and Guinevere; of triumph and death. Historians and archaeologists, especially Leslie Alcock, point to shadowy evidence of a man who is not a king, but a commander of an army, who lived during the late fifth to early sixth century who may perhaps be the basis for Arthur. By looking at the context in which the stories of King Arthur survived, and the evidence pertaining to his castle Camelot and the Battle of Badon Hill, we can begin to see that Arthur is probably not a king as the legend holds.
Numerous sources, such as Layamon's "Arthur's Dream", Marie de France's "Lanval" and Sir Thomas Malory's Morte Darthur, portray Guinevere as a unfaithful wife and the primary cause of the fall of King Arthur and The Round Table. In all of the three works, Guinevere is seen approaching various men such as Lanval and Sir Lancelot, knights of her husband. And, yet, she remains virtuous and appealing in the eyes of King Arthur, who loves her dearly. Such blindness or possibly Arthur's unconditional love of Guinevere and Lancelot, Arthur's best knight, lead to the fall of Arthur's Britain and of the Round Table.
The Court of King Arthur in the Tales of Lanval and Sir Gawain the Green Knight
However, in the tale of John Steinbeck "From the acts of King Arthur and his noble knights" he describes Sir Lancelot as a very accomplished and famous knight."...the monotony of his victories continued for many hours. Lancelot’s immaculate fame had grown so great that men took pride in being unhorsed by him -even this
The integrity and honor of a man is based on many aspects in life. One may look at the actions of a person to determine how they react to certain situations. Deceitfulness and loyalty are common attributes of a person from which judgments can be obtained. Friendships are also a reliable source to ascertain one's self-morals and principles. In T.H. White's, The Once and Future King, the reader is presented with the lives of two very different men and their actions allow the reader to formulate different opinions about these men. Either one of them could be seen as the hero of Camelot or the down-bringer of it. Camelot is a place of deceit and sin and while many people think that the most honorable people in Camelot are Arthur, the king, and Lancelot, Arthur's best knight, these men have many of their own problems. So, who characterizes the lesser of the two evils? Arthur is able to accomplish many positive things such as using might for right and staying loyal to his friends, where Lancelot is a disloyal man whose only loyalty is to the code of knights, which he eventually breaks, showing that he is the more flawed man.
Sir Gawain and the Green Knight. Trans. Brian Stone. The Middle Ages, Volume 1A. Eds. Christopher Baswell and Anne Howland Schotter. The Longman Anthology of British Literature. Fourth ed. Gen.eds David Damrosch, and Kevin J. H. Dettmar. New York: Pearson-Longman, 2010. 222-77. Print.
In the Medieval Period, knights dedicated their lives to following the code of chivalry. In Sir Thomas Malory’s Le Morte d’Arthur, a number of characters performed chivalrous acts to achieve the status of an ideal knight. Their characteristics of respect for women and courtesy for all, helpfulness to the weak, honor, and skill in battle made the characters King Arthur, King Pellinore, and Sir Gryfflette examples of a what knights strove to be like in Medieval society. Because of the examples ofchivalry, Le Morte d’Arthur showed what a knight desired to be, so he could improve theworld in which he lived.
Lancelot is portrayed mostly as a love-struck man and not a very logical knight. From the first moment he is introduced, he is seen as someone sick from love. He will do anything to save his love, Gweneviere; even if that meant dishonor. When Lancelot rode on the cart, he was immediately labeled as someone bad. He pushed aside reason for love. “Because love ordered it, and wished it, he jumped in; since Love ruled his action, the disgrace did not matter.” (212) There seemed to have been nothing that could stand in the path of Lancelot.
When Chretien de Troyes began his first Arthurian Romance, Erec et Enid, around 1170, the Arthurian legend had already spread throughout Western Europe, told by crusading armies in the Middle East. It is important to note that not only was the popularity of the Arthurian complex already a pan-European phenomenon, but the lines of communication between its courtly Franco-Norman audiences and its native Welsh sources were already well-established (Parker). Chretien is described as a poet, with an inferred clerical background, whose Arthurian projects were sponsored by the Houses of Champagne and Flanders, nominal vassals of the king of France. Hi...
Sir Lancelot, from the stories of King Arthur and the Knights of the Round Table, has become by far the most popular and well-remembered knight. Through Malory's rendition of traditional materials, we have inherited a character that has become the image of the quintessential knight. How is it that "the outsider, the foreigner, the 'upstart' who wins Arthur's heart and Guinevere's body and soul" (Walters xiv) has taken the place that, prior to Malory, was reserved for Sir Gawain? Malory has made this character larger than life. Of the grandeur of Lancelot, Derek Brewer says, "In the portrayal of Lancelot we generally recognize a vein of extravagance. He is the most obsessive of lovers, as he is the most beloved of ladies, and the greatest of fighters" (8). To achieve this feat, Malory has molded Lancelot to fit the idea of the perfect knight and the perfect lover.
If the name of King Arthur is mentioned, I suppose what comes to mind is not so much one person as a whole array of characters and themes, a montage so to speak. Of course we do think first of the King, the magnificent monarch of a glorified or idealized medieval realm. But we think also of his Queen, of the fair and wayward Guinevere, we think of his enchanter, Merlin, who presided over his birth, who set him on the throne, who established him there in the early and traveled days of his reign. There were the knights of the Round Table, vowed to the highest ideals of chivalry, and the greatest of them, Sir Lancelot, who, of course, has a tragic love affair with the Queen. There is another great love story, that of Tristan and Isolde, the theme of Wagner's Opera.
How would you describe Sir Lancelot? Most people would say he is the strongest, bravest, and kindest knight of the round table. Some might say he is the biggest Benedict Arnold of all time because of the adultery he committed with Queen Guinevere. However, his chivalry and code of honor make him the epitome of a true gentleman. These contrasting qualities set Sir Lancelot apart from all the other knights and characters in the “Morte D’Arthur.” Lancelot’s gallant, courageous, and conflicting personality make him a complex character in this dramatic tale of love and betrayal.