Shaping the Future king
In The Once and Future King, Experience is Everything. T.H. White shows that education depends on ones owns personal experiences. Wart’s tutor, Merlyn, uses this exact learning method on Wart. Merlyn uses magic to transform Wart into various animals to show him important life lessons. The Wart is transformed into a fish, goose, and a badger in order to experience different forms of power each being a part of how he should rule as king. Wart learns from Mr. P that mind power is nothing, from the wild goose he learns freedom, and the badger teaches him to accept what you have.
When Wart is transformed into a fish he meets the master of the moat, Mr. P. When Wart accosted Mr. P he sensed a great deal of danger because of his massive size and strength. Mr. P Began to share his view on life, “There is only power. Power is of the individual mind, but the mind’s power is not enough” (52). With this comment, Mr. P is showing Wart the importance of physical power over the minds. Wart is so amazed by what Mr. P has stated that he becomes speechless and motionless....
1. In the book Good Kings Bad Kings, Susan Nusbaum, the author, shows the lives of many different characters that live and interact with each other within a center for disabilities. She does this by narrating the story through the perspectives of both the workers and the people living within the center. Although this book is a work of fiction there is a sense of realism due to the fact the Nusbaum has been living with a disability since she was 24 and has the unique perspective of both an abled bodied person and a person with a disability. Throughout the book Nusbaum does a good job at showing the problems that many people with disabilities face on a day to day basis while also focusing on the way that society perceives and interacts with them.
Princes rescue princesses, they fall in love, conquer all evil and live happily ever after. While perhaps this is the sort of story the literary public likes to read, according to Robert Penn Warren it is not reality. Penn Warren wrote his 1946 novel, All the King’s Men as a realistic and satiric play on the life of the real historical politician, Huey Long. Among his other achievements of being an author, poet, and scholar, Penn Warren can also be considered something of a political philosopher. In forming one of his theories, he directly contradicts the ideas of philosopher Jean Jacques Rousseau who believed that human nature was good and it was a corrupt society that made an evil person. In contrast, Penn Warren uses his writing to suggest that the only reason society is corrupt is that it was developed by an inherently evil mankind. The idea of a carnal man is illustrated in All the King’s Men through theories presented by Penn Warren’s colorful cast of principle characters.
Many people wish to be an animal if only for a day, just to see what it is like to be that animal. The obvious problem is that nobody knows how to turn himself into an animal. However, in T.H. White's Once and Future King, Wart has the opportunity to experience life as an animal because his tutor, Merlyn the magician, transforms him into many different animals. Of all the adventures, the most significant transformation to Wart's kingship occurs when he becomes a badger because the badger teaches Wart valuable lessons about human behavior.
T.H. White's novel The Once and Future King presents a code of chivalry that outlines the expected knightly behavior of the time. This particular code stresses loyalty to one's liege, love and respect toward women, and absolute devotion to justice. At the height of Arthur's kingdom, this code was widely accepted by all. However, as Arthur's kingdom begins to decline, the code of chivalry begins to hold less importance among the people. The fall of Arthur's kingdom is directly related to the absence of the code of chivalry in the behavior of the Knights of the Round Table. Sir Lancelot betrays Arthur when he has an adulteress affair with Guenever. Sir Lancelot also disrespects women when he leaves Elaine to be with Guenever in Camelot. King Arthur himself is disloyal to justice when he allows Guenever to be rescued by Lancelot.
A Critique of Three Kings Three Kings (1999) shows the use of various genres such as war,
While reflecting on all of the lessons learned during the first semester of seminary, I have come to the conclusion that the whole time has been an exercise in lectio divina. Never before have I read as many scholarly texts, spent so many hours meditating, praying, and pondering the words placed before me than in the past 3 months. Alas, II Kings 2 is the most challenging text with which I have had to grapple thus far. The idea of a prophet cursing children in the name of the Lord and then those same children, forty-two of them, being mauled by a she-bear required deep and intense prayer. Furthermore, after spending a considerable amount of time praying through II Kings, the text consumed my thoughts as I attempted to find God in the massacre of these precious, albeit mischievous, little ones. So the most beneficial aspect of lectio divina concerning 2 Kings is the reading component.
The book Hamlet focuses on Prince Hamlet who is depressed. He was told to go home to Denmark from his school in Germany to be present at his father 's funeral but was shocked to find his mother Gertrude already remarried to his Uncle Claudius, the dead king 's brother. To Hamlet, the marriage is "foul incest." Worse still, Claudius has had himself crowned King despite the fact that Hamlet was his father 's heir to the throne. Various major characters such as Ophelia, King Claudius, Polonius, Prince Hamlet, Laertes, Horatio, and Gertrude, Ghost of Hamlet’s father, Fortinbras, Yorick, Guildenstern, and Rosencrants featured in the book but in this essay, I would be critically analyzing just one major character, “King Claudius”. I would analyze
One of the most famous scenes in Henry IV: Part I is the scene in which Prince Hal and Falstaff put on a play extempore. This is often cited as the most famous scene because it is Hal’s turning point in the play. However, the scene is much more than that. The play extempore is a moment of prophecy, not epiphany because is cues the reader in to the play’s major themes, and allows readers to explore the possibilities of the play’s continuance.
its own we will see a slight change in history’s value of warfare and hardship as war turns into a
This event takes place in chapter 8. It takes place on a rainy day and Wart can not stand his boredom so he asks Merlyn to turn him into an animal. Merlyn finally agrees and turns him into a Merlin. While in the mews he was first confronted by the peregrine falcon who asked him to speak for himself. Wart introduced himself as a merlin. The two continued a conversation over what branch of Merlins he had come from. After that they proceeded to question Wart and he got ninety percent of the questions correct which meant he could be sworn in. Since the priest did not have any ordeals on him they decided to swear Wart in the next day. The decided to do the ordeal part that night because they had figured out that Wart was not caged. His task had been to stand next to Colonel Cully who was an estranged bird who had no control over his actions. Wart protests but then agrees to stand next Colonel Cully. Wart thinks this over in his head knowing that there is something wrong with Cully and the fact he has been told by all means do not stand near him. Wart ended up standing by Cully knowing the chances that of him getting eaten were very
Throughout the novel, All the King's Men by Robert Penn Warren, the characters are constantly feeling the effects of their action later in the book. Every one of their sinister, sketchy actions were dealt with again later in the book and not in pleasant circumstance. As Cass Mastern had figured out:
LOGLINE: Exploration of the life of the elusive blues singer Robert Johnson whose exceptional talent has been shrouded in the Faustian myth that he sold his soul to the devil at a crossroad in Rosedale, MS in exchange for success. The man, the myth and the legend has inspired and influenced numerous musicians including the likes of Bob Dylan & Eric Clapton.
As the day of the knighting ceremony draws near, the Wart sulks more and more. Sir Ector sends him to Merlyn to be cheered up. Merlyn tells him that the best thing for sadness is to learn something. He turns the Wart into a badger and tells him that this is the last time he will be able to turn him into an animal. The Wart finds himself in front of the entrance to the badger's home, but he is in a foul mood and decides to be contrary. He walks away from the entrance and comes across a hedgehog. The Wart is in a desperate mood, and he threatens to eat the hedgehog, which has rolled itself into a tight, spiky ball. The hedgehog begs him not to eat him and the Wart relents, but the hedgehog does not trust him enough to uncurl. The Wart returns to the badger's home and talks to the badger, who tells him a story about how man got dominion over the animals: In the beginning, all animals looked like shapeless embryos. God offered to alter each of them in three ways. The animals choose things like claws for digging, large teeth for cutting, etc. Man was the last embryo to choose, and he chose to stay just as God had made him. God therefore gave him dominion over the animals and the ability to use any tool he wanted.
Shakespeare's King Lear is a play which shows the consequences of one man's decisions. The audience follows the main character, Lear, as he makes decisions that disrupt order in his Kingdom. When Lear surrenders all his power and land to his daughters as a reward for their demonstration of love towards him, the breakdown on order in evident. Lear's first mistake is to divide his Kingdom into three parts. A Kingdom is run best under one ruler as only one decision is made without contradiction. Another indication that order is disrupted is the separation of Lear's family. Lear's inability to control his anger causes him to banish his youngest daughter, Cordelia, and loyal servant, Kent. This foolish act causes Lear to become vulnerable to his other two daughters as they conspire against him. Lastly, the transfer of power from Lear to his eldest and middle daughter, Goneril and Regan, reveals disorder as a result of the division of the Kingdom. A Kingdom without order is a Kingdom in chaos. When order is disrupted in King Lear, the audience witnesses chaotic events that Lear endures, eventually learning who truly loves him.
The tone of The Little Prince is often lonely and fragile-sounding, much like the little prince himself, when he ventures into the world of adults in an attempt to understand them. The writer emphasizes, throughout the story, that loneliness is what isolates the adults rather than children because they are unable to see things with their minds, hearts, and imagination. Both the protagonist (the little prince) and secondary protagonist (the narrator) lead lonely lives because of this isolation due to the differences between the minds of children and adults. "So I lived my life alone, without anyone that I could really talk to," writes the narrator, before his plane crashes in the middle of the Sahara. He explains this in the first few chapters - living his life alone - because this 'world of grownups' does not understand him and wishes for him to talk of their idea of 'sensible' and 'practical' things. This made him very lonely, not so much in a physical sense, but so that he could never really find anyone to relate to. The narrator explains that after flat responses to his imaginative observations to things, "'Then I would never talk to that person about boa constrictors, or primeval forests, or stars. I would bring myself down to his level. I would talk to him about bridge, and gold, and politics, and neckties. And the grown-up would be greatly pleased to have met such a sensible man.'" In one of my magazines is an article called, "Popularity Truths & Lies," where popular girls talk about their social status. In large, red print, it says, "Lie: Popular girls are never left out or lonely." The girls then go on to explain how sometimes, they feel as if they are making so many friends only because of their popularity. They say that it's great to be popular, but difficult to find someone that really wants to befriend them for true qualities rather than social status. The situations between the narrator of The Little Prince and these popular students is that it seems that they would never be isolated (popular students from their admiring peers and the supposedly sensible-minded narrator from the adult world) - physically, at least - but inside the kind of friend they are really longing for is someone to understand and honestly talk to in order to end the abstract barriers between these worlds of people.