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Fate destiny and free will
Fate destiny and free will
Fate VS. Free Will
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2BRO2B
Things that are bound to happen will eventually happen and that is what we humans tend to call “fate”. However, what if we lived in a world where we were able to control our own fate and attain our own destiny? Where we were able to set a limit for our own lives? Yet the question also remains whether this alternate world, too, has its own exceptions. This exception that has been perceived as the ideal balance within the society appears to be the equilibrium between life and death: where the life of one being is equivalent to the death of another. This alternate world has become a reality in the short story, “2BRO2B”, written by Kurt Vonnegut from 1962, which shows us the grotesque reality behind this so-called “flawless world”. In the
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The painter is quite an interesting character since he plays an important role in the story, however he is not the main character. The painter’s name was never mentioned in the story, but rather only his age. The subsequent quotation shows the painters profile:
“A sardonic old man, about two hundred years old, sat on a stepladder, painting a mural he did not like.”
Here we also get to know that he is immortal and how he is not pleased with the painting he is obligated to paint. The painter also responds sorrowfully to the title of the mural, “The Happy Garden Of Life”, this shows us how the painter is also aware of the fact that it does not resemble the world they live in, so it is a metaphor for the world they live in. During the story we could also see how the painter does not share the same mindset as the others, for instance the meaning of life. This could be substantiated through the following quotation:
“The painter's face curdled with scorn. "You think I'm proud of this daub?" he said. "You think this is my idea of what life really looks like?"”
The painter has his own set of beliefs. He believes that the world is in need of mess rather than this “order” that is created by the
Wayne, transforms this painting into a three dimensional abstract piece of art. The focal point of the painting are the figures that look like letters and numbers that are in the front of the piece of art. This is where your eyes expend more time, also sometimes forgiving the background. The way the artist is trying to present this piece is showing happiness, excitement, and dreams. Happiness because he transmits with the bright colours. After probably 15 minutes on front of the painting I can feel that the artist tries to show his happiness, but in serene calm. The excitement that he presents with the letters, numbers and figures is a signal that he feels anxious about what the future is going to bring. Also in the way that the colors in the background are present he is showing that no matter how dark our day can be always will be light to
Free will, the ability of organisms to make choices without being influenced by divine intervention, is one of history’s most debated philosophical topics. Kurt Vonnegut discusses this matter in his two novels Cat’s Cradle and Slaughterhouse-Five. In the first novel, he writes about a religion based on the idea that God puts us in groups to carry out His will. The second novel talks about a group of aliens from the planet Tralfamadore who say that out of the thirty-one inhabited planets in the universe, “Only on Earth is there any talk of free will.” In both novels, the protagonists Jonah and Billy accept their unavoidable fate, and so they don’t worry about life or death. Through his two novels, Vonnegut portrays the futility of believing in free will in a universe controlled by fate.
The ,Adoption of the Human Race, induce an intense feeling of sadness ,despair and possibly a glimmer of optimism. The pain of a nation radiates from the painting but the belief that a supreme spirit continues to keep his nation safe from the perils of the world. The great spirit chief desperately tries to keep his great nation from suffering ,but the people are becoming disconnected. The disconnection can be interred because the chief fingers aren't interlaced .
Many people in this world today have done things they thought were great ideas but then immediately regretted it. This thought is the message Kurt Vonnegut tries to tell us in his stories. He is trying to tell us to think before we do something and think of all the possible outcomes of the event. Kurt Vonnegut uses contrast and symbolism in the story ‘2BRO2B’ to develop the theme good things can have unforeseen consequences.
Death is one of life’s most mysterious occurrences. It is sometimes difficult to comprehend why an innocent young child has to die, and a murderer is released from prison and gets a second chance at life. There is no simple explanation for this. Though, perhaps the best, would be the theological perspective that God has a prewritten destiny for every man and woman. In J.D. Salinger’s
The composition of this painting forces the eye to the woman, and specifically to her face. Although the white wedding dress is large and takes up most of the woman’s figure, the white contrasts with her face and dark hair, forcing the viewer to look more closely into the woman’s face. She smokes a cigarette and rests her chin on her hands. She does not appear to be a very young woman and her eyes are cast down and seem sad. In general, her face appears to show a sense of disillusionment with life and specifically with her own life. Although this is apparently her wedding day, she does not seem to be happy.
The content of this painting represents a Christian worldview because of all the symbolism inside the piece. The most predominant image in this painting is the light house, which is also the focal point of the piece. The viewers eyes are first drawn t the clouds in the top right corner of the painter before following the ocean waves to the shore that lead to the light house. A light house has always been a symbol of guidance as it is a beacon that guides sailors safely back to shore. Kinkade uses the light house in this painting to symbolize the love of God. The light house is shining brightly in his picture even though it’s not dark yet. In the same way God will always be a light to those to wish to follow Him. God will always lead us back to him and be a guide for our live. He will make sure that we always survive temptations. As the light house guides the ships out of the storm, God will always guide his people to the promise land.
Is it not on the normal we hear about PTSD (post-traumatic stress disorder) from former veterans go through. They struggle to keep calm and collected visiting through flashbacks from war and maybe other memories that may not be true. Facing trying to have a normal life after being a prisoner of war (POW). Kurt Vonnegut writes using the setting he seen in his life, making a war drama from a first person experience making it fictional at the same time an autobiography. Being free from war is just illusive according to Kurt Vonnegut. Even though I never been to war I see him trying to show that war hinders us mentally through encounters in war.
...s face. Masaccio's extrodinary focus on colors adds a new fundamental component to the painting.
We are all condemned to death; it is inescapable. Even if a person doesn’t believe in the concept of destiny, it is undeniable that every person is fated to die at some point. Most people, however, are not aware of when exactly the inevitable will approach. Often in works of fiction, the reader, or sometimes even the character, is aware of their fate. There are many different understandings of destiny, which is one of the reasons why it has played such a large role in so many different literary works throughout the world and history. Fate is one of the principal literary devices used in Homer’s epic poem, The Iliad, Shakespeare’s tragic play, Antony and Cleopatra, and Tolstoy’s pedagogical novella, The Death of Ivan Ilych.
world, what he thought it was to him, himself. And in these paintings, he was able to convey to
“[He] was the finest painter of them all: Certainly the most popular great painter of all time, the most beloved, his command of color the most magnificent. He transformed the pain of his tormented life into ecstatic beauty. Pain is easy to portray, but to use your passion and pain to portray the ecstasy and joy and magnificence of our world—No one had ever done it before. Perhaps no one ever will again. …That strange, wild man who roamed the fields
Perspective is based on Jesus in this painting due to his outward “radiant glow of divine light” (1) extending to the other people in the painting. The main focus is on Jesus and the rest of the figures are diffused in an outward fashion from Jesus himself. The artist himself expresses an emphasis on individualism by implementing himself within the painting by appearing “twice in the Last Judgement: in the flayed skin which Saint Bartholomew is carrying in his left hand, and the figure… who is looking encouragingly at those rising from their graves” (2). This is an action that only a Renaissance painter would do, which is displaying individuality through a self-portrait because of the possibility of being judged for selfishness. Light and shadowing is prominent within the art which is shown in the painting when the lighter, more brighter colors are focused in the middle and then fade into darker tones while moving outward into the
...s of the people that cared about Jesus and also to see the anger that God had for what the people had done to his son by showing the stormy clouds and gloomy surroundings. But he also wanted us to see that even among the gloom that good can come because Jesus has died on the cross for our sins so that we may join him in Heave with our father. I believe he shows this by the light surrounding Jesus. I think this is a great master piece. Tintoretto has so much going on throughout the painting that you can go back and look again and find something going on in the picture that you missed before.
A couple of times throughout my life I heard that art will speak to you even though it doesn’t talk. Not having a real knowledgeable understanding of art or being a big appreciator of it, Berthold Woltze’s ‘The Irritating Gentleman’ (1874) is an oil painting that depicts realism that really draws me into everything in the painting because of the attention to detail he put into it. This particular work is the first time that anything in the art category has made me feel a special way about it and it truly does speak to me.