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Recommended: Morality in literature
The Complexities of Morality and Perception in Tom Jones by Henry Fielding
When Henry Fielding's Tom Jones was published, it was considered by many critics to be an entirely immoral, and thus, quite offensive piece of writing. Even the back cover of our Oxford World's Classics edition makes reference to the work as "A motley history of bastardism, fornication and adultery." Inside this same edition, John Bender's introduction describes the negative response to the work by Fielding's own peers and predecessors in Samuel Johnson and Samuel Richardson (xvii-xx). While the public was somewhat more enticed by the story's seedy details and wild characters, the book was generally considered with at least a little skepticism regarding the seeming lack of a moral center. This opinion, however, seems to be slightly off the mark. Perhaps more severely villainized for its form (the then new and lowly novel) in conjunction with its content, Tom Jones, is upon close inspection, a tale that does in fact include a certain kind of moralism. In Book III, Chapter VII, Fielding includes a kind of direct statement about the complexities of virtue and goodness. His ideas on the subject are quite realistically multi faceted, and presented as such, with his method of delivery supporting his opinion.
Chapter VII of Book III begins with a description of the way in which Mr. Allworthy views both Tom and Master Blifil. It is mentioned that Mrs. Blifil's adoration for Tom had had the effect of souring Mr. Allworthy's opinion of the boy. Further, Mrs. Blifil's less pleasant impression of her own son had created the opposite effect, endearing Master Blifil to Mr. Allworthy in a way completely out of sync with any objective sizing up of cha...
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..., originally criticized for lacking a sense of morals, contains what seems like an entirely realistic treatment of human nature. Fielding recognizes the complexity of goodness, and its relationship to the perception of others. The characters in his novel find themselves in any number of situations which support this idea. And, as we have seen in chapter VII of Book III, Fielding goes as far as to outright state his impression of morality. It is almost ironic, really, that a work which points to the complications involved with goodness and perception of goodness should be so thoroughly criticized for vulgarity and immorality. Tom Jones is quite like Tom Jones in that sense, for its outward appearance belies its more soundly moral interior
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Works Cited
Fielding, Henry, Tom Jones (Oxford, England: Oxford University Press, 1996).
" Uncle Tom's Cabin: A Norton Critical Edition. Ed. Elizabeth Ammons. New York: Norton, 1994. 523-542.
Edward Bloor takes on a challenge when he attempts to make the reader empathize with people that he had intentionally tried to make the reader dislike earlier in the story. This is a challenge because i...
In the penultimate chapter of Nathaniel Hawthorne’s The Blithedale Romance, Coverdale offers a “moral” at the end of the narrative that specifically addresses Hollingsworth’s philanthropic and personal failures:
Tom Shiflet’s sinful nature is highlighted by both the Christian symbols present in the story and in the changing weather that accompanies his immoral act. A quiet life with Lucynell was not meant to be for Tom Shiflet, much to the dismay of Mrs. Crater. While Tom’s actions are by no means justified, one cannot overlook the fact that both these women were forcing Tom to change into something he was not. Tom was never meant to live the quiet married life, he was a drifter, a backcountry traveler who stopped to admire the sunset, and left under a cloud.
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
...was the hardness of his terms. He accumulated bonds and mortgages; gradually squeezed his customers closer and closer; and sent them at length, dry as a sponge from his door"( ).The local problem is a stepping stone to present the universal; one, which is the subject of greed, science everyone is tempted by greed. Moreover, the narrator remains in omniscient point of view to make readers know what others think about Tom: "Her voice was often heard in wordy warfare with her husband; and his face sometimes showed signs that their conflicts were not confined to words. No one ventured, however, to interfere between them; the lonely wayfarer shrunk within himself at the horrid clamor and clapper clawing; eyed the den of discord askance, and hurried on his way, rejoicing, if a bachelor, in his celibacy. After reading this passage, readers gain a bad impression of Tom.
Later approaching the tragedy of of the book, Tom displays another act of sub-human behavior, nonchalantly brushing off his affairs, “And what’s more I love Daisy too. Once in a while I go off on a spree and make a fool of myself, but I always come back, and in my heart I love her all the time.”(201). Tom in a sense...
*Abrams, M.H., ed., et al. The Norton Anthology of English Literature. Sixth Edition. Vol.I. New York: W.W. Norton & Company, 1993.
narrative focuses on a father and son, Grange and Brownfield Copeland, and illustrates how their respective demons and destructive tendencies affect the people around them. In the opening chapter of the novel, the reader is introduced to Grange as he exhibits abusive tendencies towards his wife, Margaret, while he is in a drunken state. ?Late Saturday night Grange would come home lurching drunk, threatening to kill his wife and Brownfield, he threatened Margaret and she ran and hid in the woods with Brownfield huddled at her feet? (Walker 14). Grange?s prolific consumption of alcohol seems to be a conscious effort to blunt the feeling inferiority he feels as marginalized citizen in southern society. Grange Copeland?s fits of violent anger seems to be misdirected at his family instead of the person whom he truly hates: Shipley.
...sner, Mary. "'A Total Subversion of Character': Dr. Jekyll's Moral Insanity." Victorian Newsletter Spring 1998: 27-31. Rpt. in Nineteenth-Century Literature Criticism. Ed. Kathy D. Darrow. Vol. 228. Detroit: Gale, 2010. Artemis Literary Sources. Web. 27 Apr. 2014.
the essence of man - that Jane Austen portrays in her novel “Pride and Prejudice”. Through a
The novel centers around a pious slave, Uncle Tom, and how he is sold over and over again. It shows the different attitudes that Tom’s masters share about slavery, and how their slaves should be treat. It also teaches Christian values as well as family values. At the time of its publication, Uncle Tom’s Cabin was an immediate success and one of biggest sellers of all time. Despite the fact that Stowe induces her own personal opinions, with the very little experience she has had with slaves, she delivers a magnificent novel which is still enjoyed by many modern readers today. The time of her novel’s publication was very important. It was published at the peak of the abolitionist movement, in the 1850’s. It proved to be very effective propaganda for the abolitionist cause, which Stowe openly supported.
113- The Norton Anthology of English Literature. 6th ed. of the book. Vol.
The Norton Anthology of English Literature. Ed. Christ Carol T., Catherine Robson, and Stephen Greenblatt. New York: W. W. Norton, 2006. Print.
Over the course of the semester, this British Literature course has adequately exposed me to a variety of works of differing styles coming from a millennium of English authors and poets. With this literary immersion, some works have proved more memorable than others. Out of these select few, I hope to choose the literary work which demonstrates the greatest combination of entertainment and morals for future readers to take away from the text. After some deliberation, I found the solution obvious, as I had to write about Geoffrey Chaucer’s The Canterbury Tales.