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Recommended: Racism in comedy
The Colored Museum was a very forward, driven, and provocative play that used themes of race, representation, and history to create an insightful and entertaining display of African American history and struggles. The play was a collection of vignettes and characters that did not necessarily create a narrative for one particular character. This instead created and conveyed the narrative of an entire people that we are able to gather through these various episodes. Each episode or exhibit displays a differing moment and aspect of African American culture in time. These exhibits are often played in a comedic way and through that the viewer gains a sense of the underlying absurdity and cruelty of the history being presented. It was a highly successful and thought provoking experience to sit through. The subtext of the play was expertly brought forward through the performances. While reading the play one can gather a sense of this, but it is through the act of watching that the small beats and notes take true meaning. The body language of Ms. Roj is an example of this that struck me. It visually clued me into the character more than any line of text could. The Colored Museum production was successful because it took a strong script and premise and used the …show more content…
The subtext of the play upon reading it and upon viewing it carried through in similar ways; however the play was able to add additional meaning through the actions of the character. The gesturing and motions of the actor’s was able to add additional meaning and emphasis to the script. Reading the scene with the wigs does not carry the same weight as watching it performed by actors who can add layers of physicality to the scene. The play felt like a biting but humorous bite at bigotry and hatred and it was successful in portraying itself as so. The performances and the production all felt cohesive and as though they were part of a strong
It was very nice to read something that had a lot of drama and suspense. This story has a mix of everything. It has a bit of suspense, drama, and comedy; therefore, it led it to be a very nice play. The people that would most like this play, has to be people who like suspense, drama, and thriller. These people would like it, because this story has a mix of everything, so the people who like to have a mix in their stories, they will love this story. It will suit them, and will give them a pleasure of reading a nice
In this case the participants were not quite as seasoned as those mentioned above. The play itself was quite clever and entertaining. Varying degrees of acting and vocal ability made for a very diverse cast. Meshing an 1879 play with Millennium type humor is no small feat. The scenes were concise; costumes were extrem...
It is imperative to understand the significance of the profound effects these elements have on the audience’s response to the play. Without effective and accurate embodiments of the central themes, seeing a play becomes an aimless experience and the meaning of the message is lost. Forgiveness and redemption stand as the central themes of the message in The Spitfire Grill. Actors communicate character development through both nonverbal and verbal cues; their costumes serve as a visual representation of this development by reflecting the personal transformation of each character. In the case of The Spitfire Grill, set design is cut back to allow for the audience’s primary focus to be on the actors and their story. Different from set design, the use of sound and lights in The Spitfire Grill, establishes the mood for the play. In other words, every theatrical element in a play has a purpose; when befittingly manipulated, these elements become the director’s strongest means of expressing central themes, and therefore a means of achieving set objectives. Here again, The Spitfire Grill is no exception. With the support of these theatrical elements, the play’s themes of forgiveness and redemption shine as bright as the moon on
Throughout the piece, we see the use of audience as active participants to amplify the didactic message of the play. In the literature we see many instances where the author uses this cognitive distancing as a way to disrupt the stage illusion and make the audience active members of the play. Forcing the audience into an analytical standpoint as opposed to passively accepting whats happening in their conscious minds. This occurs time and time again in the fourth act of the play. The characters repeatedly break down the fourth wall and engage the audience with open participation. We see this in the quotation from the end of the fourth Act of the play:
Throughout the play, there is a level of intensity that can be seen. Sound effects, lighting and props help make the story seem intensely realistic. It helped engage the audience's attention and emotions throughout the entire play. It is as though we are living vicariously through these characters. With these characters, there is a life lesson to be learned.
Shakespeare’s Twelfth Night is a comedy that has been interpreted in different ways, enabling one to receive multiple experiences of the same story. Due to the content and themes of the play, it can be creatively challenging to producers and their casting strategies. Instead of being a hindrance, I find the ability for one to experiment exciting as people try to discover strategies that best represent entertainment for the audience, as well as the best ways to interpret Shakespeare’s work.
Conflict with reality and appearance brings to surface the elements of the traditional commedia dell’arte in the form of mistaken identity, which enriches the farcical plot-lines that occur in the play. The very embodiment of mistaken identity establishes that what may be seem real could be quite the opposite, however the characters in the play are unable to distinguish this as their vision becomes distorted by their fall into the deception of appearance. It is this very comedic device that enables the conflict between Roscoe (Rachel) and Alan, or Charlie and Alan’s father to occur which is a significant part of the comedic nature of the play as the unproportional situation is what sparks laughter from the audience, and so it is the presence of mistaken identity alone that conveys the play into a light-hearted comedy. Furthermore, Peter O'Neill quotes that ‘using humour can provide a degree of safety for expressing difficult ideas or opinions which could be particularly effective…’. In the circumstances of the quotation Richard Bean effectively c...
George C.Wolfe uses plot, character, and dialogue in his play Colored Museum’s exhibit “Git on Board” to implicate the audience in order to force them to realize how they are simply being a part of the racial issues that have been existing. Throughout the play, using a sense of humor and satire, Wolfe continuously makes the audience feel uncomfortable. For example, Wolfe sets up the story in a “Celebrity Slaveship” that takes place into an airplane in order to give the audiences a taste of slavery in a familiar but unpleasant setting; Wolfe intentionally does so to forcefully implicate the audience to make them feel guilty for just being a part of the issue and not taking any action to stop it. To elaborate, Wolfe shows how our society has
...f the audience enjoyed the cow the most and how the characters movements were amusing and different. For example like the wolf, how the audience could tell what he was thinking just by his gestures and movements. I thought the play over all was ironic and interesting. The way the audience reacted with the characters and Into the Woods itself, they agreed with my opinions.
The way he carries himself and his voice inflections really make the viewer feel like they are in the time period and can envision themselves in the scene of the play. The actor himself really seemed to believe in the play. The way he stormed out of the Ballyhoo scene, it was obvious that he was passionate about the play and really bought into the role. At other times, he spoke to everyone like a true gentleman. The kissing scene was a soft spot in the play, and he did a great job of the whole kiss and the speaking leading up to it. In addition, the actor did a great job of using a different voice in the play. Eastern European Jews were known for speaking differently that German Jews, and his voice was unique and correct for the time
I think this play is a lot about what does race mean, and to what extent do we perform race either onstage or in life:
Throughout the constant dialogue between the two wigs, unlike “Git on Board,” this play does not directly address the audience. Instead, the personification of the two wigs is pulling the audience into the conversation. The wigs come to life and analyze the cultural connotations they each represent,and argue over which wig should be worm. The Afro wig, Janine, and the long flowing wig, Lawanda, draw on common stereotypes of black women to discourage the Woman from picking the other. For example, Lawanda says, “I am quality. She is kink. I am exotic. She is common. I am class and she is trash. That’s right. T.R.A.S.H.” and Janine replies, You think you cute. She thinks she’s cute just ‘cause that synthetic mop of hers blow in the wind. She looks like a fool and you look like an even bigger fool when you wear her.” (23) The Woman feels torn in both directions, and her indecision reflects a conflict many black women face. Each wig represents a different political stance and they both seem to dislike each other because of the connotation each one brings to the
Some say that this play is racial in that the family is black, and what the family is going through could only happen to people of that race. One prominent racial is...
Reading the play than watching the movie. The audience was shocked to see how the emotions came acrossed in the movie compared to the play. As in the play, it is hard to see how emotions are coming across. In the play where Walter and Bobo are crying. Trying to figure out what's next in the future for their families without the money.
When you read this play, take special care to remember the difference between the work of a playwright and that of a novelist. Novelists may imagine their audience as an individual with book in band, but a playwright writes with a theater full of people in mind. Playwrights know that the script is just the blueprint from which actors, producers, stagehands, musicians, scenic designers, make-up artists, and costumers begin. You will need to use an extra measure of imagination to evaluate this play before you see the Goodman production.