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Social class and society
Social class and society
Into the wild character analysis
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The Last Night of Ballyhoo is an interesting play with many intertwined facets that require understanding of the time period to be fully understood. The acting is entertaining because of the different voice tones of the actors and actresses. The clothing of the actors and the way the stage is set, really makes the audience feel the emotion and passion of each character. The overarching theme of the play is all about social status. The only thing Lala cares about is getting an acceptable date to Ballyhoo. Because of the time period the play was written in; every character has to act very superficial. Family does not seem to matter, relationships do not seem to matter like they do nowadays, but the only thing that seems to matter is reputation. …show more content…
The way he carries himself and his voice inflections really make the viewer feel like they are in the time period and can envision themselves in the scene of the play. The actor himself really seemed to believe in the play. The way he stormed out of the Ballyhoo scene, it was obvious that he was passionate about the play and really bought into the role. At other times, he spoke to everyone like a true gentleman. The kissing scene was a soft spot in the play, and he did a great job of the whole kiss and the speaking leading up to it. In addition, the actor did a great job of using a different voice in the play. Eastern European Jews were known for speaking differently that German Jews, and his voice was unique and correct for the time …show more content…
That is quickly addressed in the first scene of the play with Lala. The set shows the viewers how the family lives, with so many people under one roof. Right off the bat, it is evident to the viewer that the family is not strict in their religion. Social status is important but the actual religion is not. It ultimately confused the audience because the family talks about caring about religion, but it ends up being very artificial. The characters in the scene also talk about Christians that live by them in the beginning of the play, so that creates a picture of the street in the reader’s mind and this establishes the fact that Jews are not treated as equals compared to Christians. In the 1930’s, German Jews were known for adapting to non-Jewish cultures. This is why there is a Christmas tree in the living room that Lala is so excited to put the star on. At the beginning of the play, all the characters seem to be wearing typical clothing for the time period. Adolph and Joe are wearing suits after coming home from work. The ladies are wearing dresses. When Lala bought the expensive dress to wear to Ballyhoo, that’s when it was very apparent that the family is wealthy and will do anything to raise their social capital. At the end, when Lala wore her dress to the dance, it showed that she was the character that did not have many friends but would have nice things given to
It was good setting to get the attention from the audience and also a way to move around or change settings of the play. Although I love this play my small critic for this play was the players. Some others actors had understandable accents but others didn’t. For example, the brother of the servant his accent was confusing because he kept switching his accent from different country languages. This play was really nice it had a little of bit of everything drama, comedy, romance, betrayal. What like about this play it was how they used the dramatic structure the inciting incident and the climax. The inciting incident for this play of musical comedy murders of 1940 was guessing who the killer of the play was because there was tension building up not knowing who the murder was. The climax for this play would be for me finding out who was the murder and just being in shock how everything had change into a new scenario. Overall it was amazing show how it developed and how well an organized transition the play
I could see how Harold Hill’s tactic changed from something along the lines of ‘to deceive’ to ‘to woo’ around the song “The sadder but wiser girl”. Marian Paroo’s tactic also changes from ‘to avoid’ to ‘to love’ around “My white Knight”. These actors also projected extremely well, as I could hear everything being said. They articulated well too, which I believe must be hard for them as every character had a southern accent. The actors easily incorporated their character’s goals into their acting and onstage
1. The title "Strictly Ballroom" gives us the idea & impression of very stern & rules in a very rigid & strict environment with many expectations & restrictions. It also implies the concept of very orthodox textbook ballroom dancing which is very stiff & done exactly in a specific way which it's expected to be done.
My mother went and viewed the performance of The Last Night of Ballyhoo the night before I did. She acquainted me with the meaning of Ballyhoo and the plot of the play. She stated that the play was well done and I would enjoy it. I don’t believe I have seen I better play this year. It was wonderfully put together and very funny and I’m not just saying that because the director is my theatre instructor. I wish I hadn’t seen the play on the last night of the performance, because I would have loved to see it again.
In conclusion I think that the stage directions and dramatic irony are significant to the play, and without them there would be no need for a lot of the events that happen in the play.
The use of vernacular speech, in this play, lends to the overall feeling of life in the early 20th century. This definitely aids in establishing a link with this play’s key audience, women. And also helps to establish the play’s surroundings and setting. The use of language provides a backdrop for the play, illustrating the differences between men and women. More so, the purpose of this play was to illustrate the common bond between women, even in the face of the law. It proves that in hard times people of a common bond usually stick together, and written in the face of the up and coming women’s suffrage movement, it provides the reader with a real understanding of the motivation and the dedication these women put into their work.
Since this is a review and its based on my opinion, I would have to say this was one of the worst plays I've ever seen in my life. I wasn't entertained by the play at all. The only good parts were the good-looking girls in the play. I like the main character Marisol based only on her looks. She played on ok job of acting. I realize she had a lot of lines to memorize which she had down, but she just didn't get to me. I think the costumes were ok. They had nothing special, or out of the ordinary except for the angel's wings, which were pretty nice. I didn't like the lighting or the scenery. I didn't know where the scene was supposed to be at some points.
The character, which includes the physiological and psychological makeup of each person in the play, properly incorporated the greed and oppression of the time. Ben and Oscar are brothers who are possessive, scheming, and greedy individuals. These two characters make the play very interesting. Both brothers’ physiological makeup fit the play perfectly. This is because Ben tires to look like a nice guy on the outside but has only one motive that drives his character. This motive is money. He will do anything to get his cotton mill deal to go through. Then there is Oscar. He is also a lot like Ben, but on the surface not as nice. Because of these two characters, the rest of the characters feed of their hatred and ulterior motives. Another character is Leo who is a weak unprincipled son of Oscar and Birdie. This character is not emotionally strong compared to Ben or Oscar, but still has a very well written part. Birdie is then obviously Oscar’s wife. Birdie has one of the most complex characters in the whole play. Her psychological make up is very complex. Her character has very quick mood changes and subsequently does not seem like she has much power in the physiological makeup of the whole group. Next, there is Regina, who is married to Horace and a sister of Oscar and Ben. She undoubtedly has the most devious psychological makeup of all the other characters put together. She has a very cold heart towards her husband. This was the most thoroughly created character in the whole play although it was also the most troubled character. Every line that she said was written for a specific purpose and was usually only to help herself. Married to Regina is Horace. Horace’s character was a very weak and sick old man. Although his part was written beautifully, he should have been a bit wiser to what Regina was planing. He was almos...
Urgency is a major factor driving the show and also important, but the fast acting is chaotic and hard to understand. I could trace less scenes and details. When two elders were talking on the house, I questioned all the times for the conversation. Also, one beautiful girl expressed her feeling of love through embarrassed speaking that was super-fast. The only understandable time is when the actors sang a music and dancing. Moreover, the directing of the play is complicated to follow the show exactly. The show started without telling anything. All actors just came out on the stage to talk and dance individually like a practicing so that they wanted to remind the audiences get ready to watch the show. However, I lost some points at the beginning that was basically the background of the whole story. I also observed the theatre has no out of stage. The actors would have a seat two side of the stage and then come out on the stage when they have a role. It was so strange. To let actors being audience, it was interesting, but I was confused this kind of the production. I would also comment on the point of the actors on the stage that was invisible. They should stand at the middle rather close to the audiences because not everybody can see behind people in
To gain my attention in the beginning of the opera was a vocal fight over a dream of having a boat between Matt Morgan's character and Matthew Shaw's character. This was a most pleasant display of range and delivery. Shaw obviously used techniques studied while he was at the Manhattan school of music and opera theatre, where he acquired his master of music degree. I felt Matt Morgan was a bit over acted on some of the vocal parts and had trouble following the music played at points, but an overall performance was adequate. Also, The knock off of the titanic when the two are pushing around on a janitors cart was a bit out of place. With Shaw being a Bass-Baritone, he really brought out the low range of voice integers, which made the difference in the first half of the opera.
As Oskar Schindler, Liam Neeson does an outstanding job of portraying a savy buisness man and a caring human being. Ben Kingsley plays his part with heart and cleverness. Ralph Fiennes is so completely believable as Amon Goeth. I would have never wanted to cross the path of that man. The people who played the jews were so convincing in their parts. This film truly has the feel of a documentary.
In the play, all the characters understand their parts. This did a nice job of portraying their characters. For example, Monica who played Ella know her character well that she could put herself in the role of Ella. During the show, she always kept a good pace. Next is Nathan who played Topher have a good character body
It was fascinating to know that the actors were Loyola Marymount University students doing their final dress rehearsal. After taking this class throughout the semester, I realize how hard it might be to memorize script and be ready to perform in front of hundreds of people and I thought that they did an excellent job in their final dress rehearsal and I’m pretty sure they did just fine in their real performance. My favorite character in the play was Tartuffe because I felt that the actor embodied the characteristics of Tartuffe so well. He made the audience laugh while at the same time hate the character of Tartuffe. Overall, the transitions and lighting were really well done made the play flow really
It was elegantly performed by the actor/actress knowing their lines memorized and that their ability to have a wide range of emotional output and of singing ability- from the highest note to regular conversation. In addition, to it the performance by the music department was pretty good too by creating additional suspense, building on any other emotions, and them not having any serious clerical errors with either off tune instruments or off synchronized musical notes. Another thing that I really like was the creativity that was put into the sets and of the actors/actress costumes. This additional layer of dedication helps develop more of the plot of a more opulent society of consumerism, a simplistic understanding of the context in hand, and of an almost fairytale storyline between the two lovers. The last one that got me was the emotional aspects of it.
There were so many scenes I favored, but some I enjoyed more than others. For instance, when He stepped toward the man, and said in a loud, strong powerful manner, “Leave Him!” It was then that chills went down my spine. He cast out demons from a possessed man. Jesus raised Lazarus from the dead. He said Lazarus, come forth! I recalled the scene when He told the soldier, “Go home, your son is well.” I loved the scene when Jesus was in the pool and healed the blind man with the clay. I felt Anne Bancroft, who portrayed; Mary Magdalene played a vital part in this film when she washed Jesus’ feet with her hair. In some of the other scenes, we saw His wrath. He became angry at the "den of thieves," and His tears of suffering in the garden. In many words, He was in control of His feelings and emotions, and he wanted us to be in control of our emotions as well. During the scene, where Jesus suffered on the cross, Laurence Olivier, who portrayed Nicodemus recited these scriptures according to Isaiah