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Feminist theory introduction
Feminist theory introduction
Feminist theory introduction
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In comparing the work of Luis Negron and Audre Lorde, one becomes able to unveil the often unrecognized distinction between the erotic and the pornographic aspects of sexuality. Moreover, the main character of The Chosen One, displays the very contrast that Lorde refers to in The uses of the Erotic. Although, the character representing these sexual variances happens to be male in The Chosen One. The need for the distinction between pornographic and erotic allows for Lorde to display the importance of feminine power within sexuality. After defining the importance of living instead of existing within an erotic culture, it can be presumed that the encounters of the boy in The Chosen One are seen as pornographic acts of oppression and not real …show more content…
As Lorde defines relentlessly, the use of the erotic stems from a source of power that one possesses over thy self in connection to emotional sensuality with another. Initially, comparing Lorde’s definition of what it means to be erotic, one might argue that the boy does not possess that sense of security. Though, through deeper comparison, one might find that the boy displays his power in his sexuality. Namingly, representing the “chosen one” from birth, his family associated this gift with the assumption that “every step he took would be toward Jehovah”. (Negron 9). Though, the boy developed his own meaning of his power. He began to interpret it as being a sexual magnet that could draw the attraction of any man that he came across. All while the boy is growing and changing physically, his mentality towards the use of the erotic is constant and does not develop as he grows into adulthood. Arguable, this may be why he is constantly referred to as boy throughout the novel and there is no transition into his manhood besides his frequent sexual encounters and growing appearance. This coincides with Lordes interpretation of suppression, because the boys disconnecting relationship with his father and his brothers causes for him to seek the balance of dominance and affection from those whom he …show more content…
This is demonstrated throughout Lordes expressed interpretation of “our erotic knowledge becoming a lens in which we scrutinize all aspects of our existence” (Lorde 57). This expression causes for women to carefully evaluate the meaning of these expressions and the importance that they bred within our lives. Lorde makes a point to break down the importance of having emotional connections and developing relations in order to take full usage of the capacity of the erotic. This differentiates from the boy’s interpretation of love and his act of indulging sexually with whomever is sexually drawn to him. Through the interpretation of the boys daily struggle as the “chosen one” he interpretes love from a pornographic standpoint. This yields little to no emotion when deciding who he will allow to take advantage of him sexually. The way in which the boy longs for affirmation through each sexual encounter he has from adolescence. As the novel of The Chosen One comes to a close, the appears to have found a sense of love as he is parting with one last lover who he vows to love forever. Though, in this moment, he reveals that he wants to be left alone and that his thoughts of the pornographic encounters mean nothing more when he says, “And why not see besides if I might find some guy
"They turn casually to look at you, distracted, and get a mild distracted surprise, you're gone. Their blank look tells you that the girl they were fucking is not there anymore. You seem to have disappeared.(pg.263)" In Minot's story Lust you are play by play given the sequential events of a fifteen year old girls sex life. As portrayed by her thoughts after sex in this passage the girl is overly casual about the act of sex and years ahead of her time in her awareness of her actions. Minot's unique way of revealing to the reader the wild excursions done by this young promiscuous adolescent proves that she devalues the sacred act of sex. Furthermore, the manner in which the author illustrates to the reader these acts symbolizes the likeness of a list. Whether it's a list of things to do on the weekend or perhaps items of groceries which need to be picked up, her lust for each one of the boys in the story is about as well thought out and meaningful as each item which has carelessly and spontaneously been thrown on to a sheet of paper as is done in making a list. This symbolistic writing style is used to show how meaningless these relationships were but the deeper meaning of why she acted the way she did is revealed throughout the story. Minot cleverly displayed these catalysts in between the listings of her relationships.
by analyzing the case of Sarah Baartman as the quintessential Black female erotic body. The viewing of black women’s bodies as animalistic explorative and subsequent centuries of colonialism but also connects all hegemonic movements to surveillance and defining/redefining of the black female body.
This poem dramatizes the conflict between love and lust, particularly as this conflict relates to what the speaker seems to say about last night. In the poem “Last Night” by Sharon Olds, the narrator uses symbolism and sexual innuendo to reflect on her lust for her partner from the night before. The narrator refers to her night by stating, “Love? It was more like dragonflies in the sun, 100 degrees at noon.” (2, 3) She describes it as being not as great as she imagined it to be and not being love, but lust. Olds uses lust, sex and symbolism as the themes in the story about “Last night”.
One’s sexuality is undeniably a major part of who they are as an individual. The sexuality of characters plays a major role throughout the book and this is used to show how society
In this paper, I plan to explore and gain some insight on Audre Lorde’s personal background and what motivated her to compose a number of empowering and highly respected literary works such as “Poetry is Not a Luxury”. In “Poetry is Not a Luxury”, Lorde not only gives voice to people especially women who are underrepresented, but also strongly encourages one to step out of their comfort zone and utilize writing or poetry to express and free oneself of repressed emotions. I am greatly interested in broadening my knowledge and understanding of the themes that are most prominent in Lorde’s works such as feminism, sexism and racism. It is my hope that after knowing more about her that I would also be inspired to translate my thoughts and feelings
In “Sex without Love”, from the beginning the reader can see that Olds is not very fond sex without love, but looking closer into the poem the reader can see that it intrigues her. She even seems to tip her hat to those who can have sex without love. Though she shows fascination in those who have sex without love, she still makes it clear that she just would not be able to do it and does not usually like when others are involved in this act. In a short poem, Olds finds a way to use metaphors, similes, and much more to show how she
In Toni Morrison’s Beloved, love proves to be a dangerous and destructive force. Upon learning that Sethe killed her daughter, Beloved, Paul D warns Sethe “Your love is too thick” (193). Morrison proved this statement to be true, as Sethe’s intense passion for her children lead to the loss of her grasp on reality. Each word Morrison chose is deliberate, and each sentence is structured with meaning, which is especially evident in Paul D’s warning to Sethe. Morrison’s use of the phrase “too thick”, along with her short yet powerful sentence structure make this sentence the most prevalent and important in her novel. This sentence supports Paul D’s side on the bitter debate between Sethe and he regarding the theme of love. While Sethe asserts that the only way to love is to do so passionately, Paul D cites the danger in slaves loving too much. Morrison uses a metaphor comparing Paul D’s capacity to love to a tobacco tin rusted shut. This metaphor demonstrates how Paul D views love in a descriptive manner, its imagery allowing the reader to visualize and thus understand Paul D’s point of view. In this debate, Paul D proves to be right in that Sethe’s strong love eventually hurts her, yet Paul D ends up unable to survive alone. Thus, Morrison argues that love is necessary to the human condition, yet it is destructive and consuming in nature. She does so through the powerful diction and short syntax in Paul D’s warning, her use of the theme love, and a metaphor for Paul D’s heart.
demonstrates how the characters of the book are reckless and view love as something that can
In the Victorian society, love, sex and desire were the unspeakable subjects, especially for a young, unmarried woman in care of two young children. The governess herself can not imagine thinking about or mentioning her sexual needs. Her desire for love is so strong that she immediately falls in love with the man she hardly...
Donna Freitas in The End of Sex gives her thoughts on how hookup culture is affecting specifically college students. Her judgment comes out of a space where she wants, “to empower them (participants in hookups) to seek the kinds of relationships they want…” (16). Though her perspective comes from a good place, her argument has points that are shaming, archaic, dismissive, and one sided. Her argument seems to be that of a pro-woman stance at times, neglecting one of the key feminism ideals of choice. Freitas uses patriarchal arguments to back up her ideas, tarnishing her perspectives that come off as woman empowering. The book, The End of Sex, neglects to be conscious of female independence
In the story of “Desiree’s Baby” by Kate Chopin, there are many literary themes that can be analyzed such as love, racism, gender inequality, and miscegenation. What this analysis will focus on is primarily on the central male character, Armand Aubigny, and on his views towards racism. More specifically, what this essay will aim to prove is that Armand Aubigny looked down upon the African race to the point where he hated them. One of the biggest driving points to aid this idea is how his family name shaped his behavior and actions according to the societal normalities of his time period. Another important aspect that will be considered is his very relationship towards his slaves in how he treated them cruelly even to the point where he is described as “having the spirit of Satan” (Chopin 3). In addition to this, the reader will also see Armand’s negative reaction to being aware of the implications of his son and wife having mixed blood in where he practically disowns them. With all this culminating to Armand finding out the ugly truth that the race he had treated so horribly is actually a part of his very own blood as well.
Unlike sex, the history of sexuality is dependant upon society and limited by its language in order to be defined and understood.
What is it about sex that makes everyone so uncomfortable? Upon reading Randa Jarrar’s A Map of Home, one of the major themes that the novel goes in depth about is Nidali’s sexual awakening. Many students would argue that this novel is littered with too much sexual activity, i.e. masturbation. However, A Map of Home is a novel about finding your place in this world; the search for your identity and purpose. Sexual identity plays a significant part of that continuum. You may question, “Well, could you have figure out a way to describe her story without all the sex stuff?” This statement would demolish the novel’s relatable and sheer honest tone, as well as disintegrate the genuineness behind the narrative if Jarrar would omit Nidali’s sexual experiences. The complete fact that young teenagers do think about sex so often makes one grasp the true relatability this novel showcases through the main character’s sexual experiences. In this essay, I plan to explore the importance of sexual awakening, Nidali’s own reasons for experimenting with her sexuality, and what we can ultimately learn from being open with what we want in that context.
In his A Midsummer Night’s Dream, Shakespeare contrasts the love existing in the relationships of friends and of lovers. Love here does not refer to romantic emotion exclusively; “love” means connection and empathy with another being. The female relationships in the poem, between Hermia and Helena, and Titania and her fairies, exist with a love based on connections between the females. However, the lovers’ relationships arise from a love produced by desire for another’s differences. The females produce a strong bond with each other that exists to provide the other person with a better version of themselves and protection from destruction. Love can only exist in this relationship because it exists away from outside forces, such as sight. True love does not originate from desire but connection. This connection cannot exist romantically because lust and perception interfere. Shakespeare contrasts the love existing between the same sex versus opposite sexes to reveal the female friendship’s importance in love and virginity: the love between two females in friendship exists independent of outside forces, without domination or penetration, therefore providing the sole form of true love.
In "The Demon Lover," by Elizabeth Bowen, Kathleen Drover returns to London from her house in the country in order to gather some things that she and her husband had abandoned during the bombings of the war. It is a humid, rainy day in late August and her once familiar street is now mostly deserted. The caretaker of her house is supposed to be out of town for a week and her arrival is assumed unknown. Mrs. Drover enters the old musty house and discovers a letter addressed to herself and it is marked with the present date. Curious to know if the caretaker is back in town and a little annoyed by the letter seeming to have no urgency in being mailed to her, she proceeds upstairs to her old bedroom to read it. In utter shock and complete horror, Mrs, Drover realizes that the letter is from her dead fiancé from twenty-five years ago. The letter is written in a threatening tone and is very vague but refers to a promise that she made to him and it is apparent that he plans to meet with her at the "agreed upon hour" to fulfill the promise. She can not remember what promise she had made was nor had any idea of what time he intended to meet, but she, in a panic of terror, flees the house. She proceeds to go to the town square where she might be safe and hails a cab. Mrs. Drover gets into the cab that almost seems to be waiting for her and as the driver turns to look back through the partition her jaw drops open and she proceeds to scream and helplessly beat on the glass. The driver then speeds off onto the deserted street and takes her away. We are led to believe that the driver is indeed the demonic lover that has captured her and going to force the promise to be fulfilled. Through this bone chilling suspenseful story, Bo...