The End of Sex: Ignorance of the Female Empowerment
Donna Freitas in The End of Sex gives her thoughts on how hookup culture is affecting specifically college students. Her judgment comes out of a space where she wants, “to empower them (participants in hookups) to seek the kinds of relationships they want…” (16). Though her perspective comes from a good place, her argument has points that are shaming, archaic, dismissive, and one sided. Her argument seems to be that of a pro-woman stance at times, neglecting one of the key feminism ideals of choice. Freitas uses patriarchal arguments to back up her ideas, tarnishing her perspectives that come off as woman empowering. The book, The End of Sex, neglects to be conscious of female independence
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and liberation through today’s sex positive society, through perpetuating archaic views on female sexuality. One of the causes of so many tribulations Freitas and the students interviewed comes out of lack of education or awareness. There is also a continuation of social shaming that occurs throughout the text. Freitas speaks to one student about her “gender regulating” other girls because of their chosen sexual promiscuity. “’Well, I wonder why? You just slept with him, and you do that a lot. ‘” (23). Throughout history women have been shamed because of their sexuality, which has been continued by the patriarchal views of the devaluing of one through sex. If women shame other women, it is out of a lack of education on being a decent human being to begin with; second, it’s out of the social ideal that we must police one another because a woman shouldn’t be overtly sexual in society. There is a lack of education on the hypocrisy of double standards. There is also a lack of understanding that virginity is a social construct that is used to regulate one’s sexuality till marriage. Virginity is divisive and creates unnecessary expectations and shame. “Despite so much confusion about what virginity is and what is means to lose it, teens and young adults care deeply about how it is defined and who they are in relation to it…” (120). There is a continuation of anxiety designed around this imaginative concept. A lack of education on the idea of virginity as a concept can create much unneeded hostility towards sex, which can be detrimental to people’s future intimate relationships. There is also a lack of awareness between consenting participants in hookup culture and emotional, intellectual, and physical abuse. She uses a statistic, “Yet, most common of all among the respondents were the 41 percent of students who expressed sadness and even despair about hooking up.” (12). This seems like more of a peer pressure/ emotional abuse issue that could arise in any form of intimacy. The idea of hookup culture should become separated from a string of forced interactions, to a consenting sexual movement. Peer pressure should be taken into consideration, but is another issue at hand. One’s lack of education to be aware of social practices and to possibly opt out of engaging in them should be considered. Education and awareness should be considered in sharing one’s opinion on a social issue. Another issue is the difference between indifference versus choice.
One of the points Freitas makes in the beginning of the book is, “The rise and “progress” of hookup culture rests in the fact that young adults are simply getting better at being uncaring.” (13). Is it “uncaring” of the active independence of choice to engage in hookups without the shame? Women for centuries have been sexually repressed by societal pressures, so when they choose to become liberated from the shame, they are met with the idea that they are ambivalent to sex. She says that hookup culture hinders people from becoming successful in her terms, “ We cannot encourage our students and children to become whole, integrated, empowered, and virtuous people if we fail to adequately address hookup culture and to articulate how it works against these goals.” (15). So, not only does it make people “uncaring” to Freitas, it also somehow discredits your capability to be successful. Those ideas sound very much like the rhetoric used on women for centuries to defuse their empowerment. She also includes, “Ultimately, we need to empower them to seek the kinds of relationships they want…”(16). Freitas neglects to acknowledge that some women might want to engage in hookups and not desire a relationship in the traditional sense. There is constant ignorance of choice behind sexuality and expression, confused with a lack of
caring. A chapter in the book addresses porn and porn inspired parties. She goes into the dynamics in porn describing women as, “powerless, submissive, and, most of all, dependent on him for something.” (79). What is seemingly a “male sexual fantasy”, is actually a fictional situation between two consenting adults in an occupation driven by choice. Freitas doesn’t acknowledge that behind this fictional scene, is a woman that had the choice to go into that industry and make money. There are woman that enjoy being in the porn industry and feel empowered because, those that seem to be in a “submissive” situation are actually the ones that are in control of what happens. There are extensive porn shooting etiquette that is followed because of guidelines and laws. She neglects to see how being in one of the biggest money making industries could be empowering to women. She also addresses the porn inspired parties that are held on many campuses. Freitas seems to be coming from a somewhat feminist perspective, but ultimately tells the women that them feeling empowered by being confident in showing their bodies off is wrong of them. “Even if the women throw the parties, their roles remain the subservient ones, with the themes, depending on porn scenarios that cater to men.” (82). Though for some that may be true, but there is no recognition to the women that may have that as their sexual fantasy as well. “Theme parties provide an oasis of shame-free and guilt-free activity…” (85). To put it in sardonic terms, God forbid someone especially a woman feel guilt free about acting on their sexual desires. Despite Freita’s effort to give a somewhat feminist argument against hookup culture, she neglects to think about some of the biggest aspects of feminism, ending institutionalized shame in regards to sex, and the freedom of choice. Her argument against sex culture uses the exact rhetoric used to shame women for centuries in regards to their sexual exploration. There is a complete disregard to the positive aspects of choice, lack of shame, liberation, and empowerment through hookup culture. Her argument sounds like it is straight out of opposition to the sexual revolution in the 1960’s and the second wave of feminism, which occurred concurrently during the 60’s and into the 70’s. The lack of regard to the empowerment of female liberation through this new age of sex positivity is ignorance to education, sex politics, and feminist ideals. The book, The End of Sex, neglects to be conscious of female independence and liberation through today’s sex positive society, through perpetuating archaic views on female sexuality.
Donna Freitas “Time to Stop Hooking Up. (You Know You Want to.)” First appeared as an editorial in the Washington Post in 2013. In this essay Freitas aims to convince her readers that hooking up may seem easy and less stress than a real relationship, but in reality they become unhappy, confused, and unfulfilled in their sex life. “Hookups are all about throwing off the bonds of relationships and dating for carefree sex” personal experience, compare and contrast are a few techniques Freitas skillfully uses to strong convincing essay.
In "Fraternities and Collegiate Rape Culture" Ayres Boswell and Joan Z. Spade analyze the social perspective of the gendered relations in male fraternities that add to the high rate of violence against women on many college campuses. They list a host of factors that distinguish higher-risk from lower-risk atmospheres discussing the rates of rape in colleges and state how "1 out of 4 college women say they were raped or experienced an attempted rape" (217). Additionally, "1 out of 12 college men say they forced a woman to have sexual intercourse against her will" (Boswell, Spade 217). In other words Boswell and Spade indicated that the rates were high when it came down to women getting raped in colleges by men who also attended those colleges. In addition, Boswell and Spade specify in how most people are aware of rape but know very little about rape culture (Boswell, Spade 217).
The values and rules of traditional community add great pressure on an individual 's shoulder while choosing their identity. While women 's have relatively more freedom then before but however values of traditional communities creates an invisible fence between their choices. It put the young women in a disconcerting situation about their sexual freedom. Bell demonstrates the how the contradiction messages are delivered to the young woman 's, she writes that “Their peers, television shows such as Sex and the City, and movies seem to encourage sexual experimentation... But at the same time, books, such as Unhooked and A Return to Modesty advise them to return to courtship practices from the early 1900s”(27).
Conor Kelly argues in her article, “Sexism in Practice: Feminist Ethics Evaluating the Hookup Culture” that the hookup culture is sexist and disempowers women. Although, he mentions it is difficult to define “hooking up” but majority of the students will agree that it involves “some level of sexual activity without the constraints and expectations of a relationship” (Kelly 65). In other words, when two people have casual sex with no strings attached, when they both finish they both can go on with their lives without
In reaction to the media’s numerous stigmas around college hookup culture in recent years, sociologists and psychologists have begun to investigate adolescent and young adult hookups more systematically. In “Is Hooking Up Bad for Young Women?” by Elizabeth A. Armstrong, Laura Hamilton and Paula England, this issue is addressed through a reaction to previous articles from sources on opposite sides. One side of the argument over sexual activity for young women places them at risk of “low self esteem, depression, alcoholism, and eating disorders,” while the other side argues that the underlying issue is the “moral panic over casual sex.” This issue has been seen by many as a “sudden and alarming change in youth sexual culture,” but systematic research has shown that experiences of young women in college
As stated in the book, “college students have much to teach about sex” (8). That is because the values, ideologies, and worldviews of the students are representative of greater American culture. Although flawed, hookup culture on American campuses hold the possibility of accepting a culture of inclusivity, care, pleasure, and freedom while also rejecting predatory behavior, racism, classism, and abuse. Dismissing hookup culture all together is blind to the reality that young adults are going to have sex, and since sex is non-negotiable, one’s aim should be to foster open dialogue and critical thought onto a future where everyone enjoys the ability to freely explore sexuality, sex, and gender on their own
An extremely interesting, but ever-contradictory sociological study of sexual relationsis presented in the Kathy Peiss book Cheap Amusements . The reason I say that it is ever-contradictory is that the arguments are presented for both the benefit of cheap amusements for a woman s place in society and for the reinforcement of her place. In one breath, Peiss says that mixed-sex fun could be a source of autonomy and pleasure as well as a cause of [a woman s] continuing oppression. The following arguments will show that, based on the events and circumstances described in Cheap Amusements , the changes in the
Wendy Doniger and Sudir Kakar call the sexually violent Kama Sutra ‘bright and shiny,’ but when people hear the words ‘bright and shiny’ sexual violence is not usually paired together with those terms. This idea of ‘bright and shiny’ contrasts the idea of intercourse being ‘dark and heavy.’ Sexual violence can be relatively cheerful though it lacks emotional eroticism. Emotional eroticism is not so constrained and is more focused around the idea of love. The violence used during intercourse helps one to obtain continuity through physical eroticism. Bataille said, “Physical eroticism has in any case a heavy, sinister quality. It holds on to the separateness of the individual in a rather selfish and cynical
...ve begins generating rumors for male peers who do not qualify as a stereotypical male. For instance, Olive pretends to have sex with a male peer during a popular house party (Gluck, 2010). This imaginary hook-up benefits the male peer’s bullying dilemma. Again, gender policing occurs between men when masculinity is questioned (Kimmel, 2008). “One survey found that most Americans boys would be rather be punched in the face than called gay” (Kimmel, 2000, p.77). The gender police govern Olive’s and the male peer’s status in social standings. America’s obsession with sex disregards if a girl truly sleeps around.
In Brave New World’s World State, relationships are extremely insignificant. Long-term relationships are basically laughable, and the words “Mother” and “Father” are seen as obscene. This futuristic society revolves around short-term relationships that are exist for the sole purpose of pleasure. It is purely sexual. One of the main characters, Lenina, is questioned after telling her friend she is going on multiple dates with the same man. Fanny asks, “I suppose you’re going out? Who with?” A cautious Lenina replies, “Henry Foster.” Fanny asks, “Do you mean to tell me you’re still going out with Henry Foster?”(40). Lenina’s friend is basically confused why she would go on more than a single date with one guy. This is very reflective of the relationships that can flourish in a society wit...
When comparing the works of Charlotte Perkins Gilman, Betty Friedan, and Bell Hooks, I assert that both Gilman and Friedan stress that college educated, white upper- and middle-class women should have the incentive to fight against and alter the rigid boundaries of marriage; however, Hooks in her piece From Margin to Center argues that Friedan and other feminist writers during the second wave had written or spoke shortsightedly, failing to regard women of other races and classes who face the most sexist oppression.
In today’s heterosexual and patriarchal society sex and sexual desires revolve around men, and Hoagland sets out seven patterns showing how this is the case. Sex is thought of as a “powerful and uncontrollable urge” and male sexuality therefore is a basic component to male health, sexual acts show male conquest and domination, sexual freedom gives men total access to and over women, rape is, by this logic, natural and women who resist a man’s advances are “‘frigid’”, sex involves losing control and sexual desire, when described as erotic, “involves a death wish (eros)”. The bottom line is that in today’s heterosexual and patriarchal society sex is all about men having a natural power over women; sex involves a total loss of control which creates a split between reason and emotion since being in control is a matter of reason controlling emotions, “we tend to believe that to be safe we must be rational and in control but to...
In the Ghost Road, one of the main characters, Billy Prior, is the one who crossing multiple boundaries in this novel. He is born in working class but, with his effort, he services as an officer. He has a complicated view toward the war: He thinks the war is “bullshit”, but he still willing to go back to the front. Also, he is engaged with Sarah Lumb, but at the same time, he is highly promiscuous. Besides, he is a bisexual. Therefore, sex scene seems appear frequently in the Ghost Road. When speaking of sex, it is common accompany with love, connection and passion. However, in the Ghost Road, sex is rarely related to those characteristics. What Pat Barker presents us in the Ghost Road is sex is like a function, with no emotional tie between both parties involved. Meanwhile, the background of the Ghost Road is the World War I. The cruelty of the war is presented to us by the end of the book when Billy Prior dies at the several days before the World War I ends. In the Ghost Road, Pat Barker shows us that sex with no connection can be seemed as a metaphor of war: there is no emotion in it; it is a link with death; but during the process, that unemotional excitement and satisfaction within Billy Prior is all he is looking for.
The Broke Female The 60’s was certainly a time of women’s curiosity and venture outside of the norm “homemaker” role. Women not only found pleasure in the world, but in themselves as a whole and as a woman. Sex and the Single Girl by Helen Gurley Brown played an important role here as her intent was to guide women - or more specifically the single woman - in her pursuit of independence and pleasure. Sex and the Single Girl most definitely lead the readers on to believe that it was to empower women; even to break away from the norm and advocate the unattached female. My response will focus on the contradictory nature the guidebook, and other literature like Cosmopolitan, create when advising a woman to do and be something on the one hand while having an underlying message on the other.
Paul, E. L., & Hayes, K. A. (2002). The casualties of “casual” sex: A qualitative exploration of the phenomenology of college students’ hookups. Journal of personal and Social Relationships, 19, 639-661.