Amy Tan's narratives serve as Asian American mythology because each story represents a typical conflict which many Asian Americans experience the conflict of living in one society and being influenced by it while the expectations of another society intrude with cultural demands and obligations. Also, these stories depict how Asian Americans daughters, can overcome this cultural conflict by accepting both their Asian and American heritage. Across cultures, human beings have always exhibited, and attempted to fulfill, a need for mythologies which reflect their ideologies and traditions. Moreover, mythology represents the need to establish identity through answering questions that have no obvious answers. The individuals who look into myths for …show more content…
These stories not only express a cultural ideology (particularly in terms of patriarchal attitudes) and contain references to deities and the supernatural; they also work on an internal level by reaffirming those cultural values. Tan's fiction presents these myths and deconstructs them in order to question the values that the original myths are supporting. In addition, her works contain a personal mythology, one that embodies the mothers' life histories and experiences. Although these stories are not myths or folktales in the traditional sense, their function in the novels and in terms of the characters' lives parallels the way a culture uses myths. In other words, the mothers attempt to share wisdom, folk knowledge (and this includes superstitions and the supernatural), and ideology with their daughters, and they use personal stories to accomplish this. The storytelling invoked by the mothers in these novels also parallels oral tradition and storytelling in preliterate cultures when the myths and folktales were told, rather than read. The daughters in the novels are hearing these tales from their mothers and incorporating them into a personal mythology of their own an Asian- American …show more content…
However, the themes and struggles presented in her fiction as well as her characters represent the experiences of many Asian-American writers and individuals experience and do address their need to construct an identity that includes both Asian and American cultural ideals. Tan's mothers and daughters experience and strive to attain what Asian- Americans such as myself work hard to achieve. Rather than simply presenting situations involving cultural tension. Amy Tan, through oral and mythical connections to the Chinese and American cultures, gives readers a glimpse into an Asian-American mythology, a culture comprised of two separate, often opposing ideals. This is not to say that anyone not of Asian descent can enjoy her fiction. Rather, the mythical element of Tan's novels allows anyone of any culture to connect to her characters, to notice real-life situations in her novels and see how the characters resolve cultural and familial conflicts. In The Joy Luck Club and The Kitchen God’s Wife, Amy Tan uses stories from her own history and myth to explore the voices of mothers and daughters of Chinese ancestry. Each woman tells a story indicative of the uniqueness of her voice. In Tan’s fiction, the daughters’ sense of self is intricately linked to an ability to speak and be heard by their mothers. Similarly, the mothers experience
Amy Tan 's novel, The Joy Luck Club, explores the relationships and experiences of four Chinese mothers with that of their four Chinese-American daughters. The differences in the upbringing of those women born around the 1920’s in China, and their daughters born in California in the 80’s, is undeniable. The relationships between the two are difficult due to lack of understanding and the considerable amount of barriers that exist between them.
Selling Out the Asian-American Community in The Joy Luck Club. & nbsp; i wish i could join in the universal praise for amy tan and her best-selling novel "the joy luck club. " i wish i could find the latest chinese-american literary dish as appetizing as the rest of the american public does. but i can't. before amy tan entered the scene, public images of asian america had not developed since the middle of the century. the asian american male did not exist except as a barbaric japanese or vietcong soldier. the asian american female remained the adolescent suzy wong pipe dream, toyed with for a while and then deserted. & nbsp; Amy Tan, a gifted writer, had the chance to change those images, to dispel the public's misconceptions and to forge a new Asian American identity.
Traditions, heritage and culture are three of the most important aspects of Chinese culture. Passed down from mother to daughter, these traditions are expected to carry on for years to come. In Amy Tan’s The Joy Luck Club, daughters Waverly, Lena, Rose and June thoughts about their culture are congested by Americanization while on their quests towards self-actualization. Each daughter struggles to find balance between Chinese heritage and American values through marriage and professional careers.
Many women find that their mothers have the greatest influence on their lives and the way their strengths and weaknesses come together. In Amy Tan’s The Joy Luck Club, the lives of four Chinese mothers and their Chinese-American daughters are followed through vignettes about their upbringings and interactions. One of the mothers, An-Mei Hsu, grows up away from her mother who has become the 4th wife of a rich man; An-Mei is forced to live with her grandmother once her mother is banned from the house, but eventually reunites and goes to live in the man’s house with her mother. Her daughter, Rose, has married an American man, Ted, but their marriage begins to end as he files for divorce; Rose becomes depressed and unsure what to do, despite her mother’s advice. An-Mei has strengths and weaknesses that shape her own courageous actions, and ultimately have an influence on her daughter.
The Amy tan story focused on her mother and how she looked down because of her limited English language and how people disrespected her mother or ignored her. In fact that people in department stores, at banks, and at restaurants did not take her mother seriously, they did not give her good service and they pretended not to understand her, or even acted as if they did not hear her. She uses Logos, Pathos, and Ethos she does this well by giving examples and having emotional appeal and makes herself relevant. She was able to use her personal example...
For example, in the story ‘The Twenty-Six Malignant Gates’ The daughter ignores her mother’s paranoia driven by a Chinese book. This ignorance later leads to the daughter’s downfall. In this section, the daughters struggle to see the true meanings of their mother words and actions and the mothers struggle to protect their daughters from all harm.
Amy Tan, the author of The Joy Luck Club, displays life lessons mothers pass down to their daughters through the character An-mei, while Janice Mirikitani mirrors the morales presented in Tan’s novel through her own work, “For a Daughter Who Leaves”. The Joy Luck Club follows a series of mothers and their daughters and how they perceive and react to the cultural gap between them. An-mei’s story follows her through her life in China and her new life in America. In China, she witnesses the abuse her mother goes through and eventually her mother’s suicide. She does not want her daughter, Rose, to repeat the same mistakes her mother and herself made, so she tries to teach Rose how to live a happy and full life without regrets.
Growing up in California, Tan continued to embrace the typical values of Americans. She had taken on American values as her own identity, completely ignoring most of her Chinese heritage. In fact, young Amy Tan would answer her mother’s Chinese questions in English (Miller 1162). Teenage Amy Tan lost both her father and sixteen-year-old brother to brain tumors. Soon after that, she learned that she had two half-sisters in China from her mother’s first marriage (“Amy Tan Biography”). In 1987, Tan made a trip to China to meet those very same ...
Amy Tan’s novel, The Joy Luck Club describes the lives of first and second generation Chinese families, particularly mothers and daughters. Surprisingly The Joy Luck Club and, The Woman Warrior: Memoirs of a Girlhood Among Ghosts are very similar. They both talk of mothers and daughters in these books and try to find themselves culturally. Among the barriers that must be overcome are those of language, beliefs and customs.
Amy Tan is a Chinese-American author. She had become Americanized, according to her mother, who still held traditional Chinese values. They fought sometimes, just as the women and daughters of The Joy Luck Club, over who was right and who was wrong regarding many problems they encountered. Tan most likely modeled The Joy Luck Club after her relationship with her mother. She even dedicated the novel “To my mother and the memory of her mother. You asked me once what I wo...
In The Joy Luck Club, Amy Tan explores mother-daughter relationships, and at a lower level, relationships between friends, lovers, and even enemies. The mother-daughter relationships are most likely different aspects of Tan's relationship with her mother, and perhaps some parts are entirely figments of her imagination. In this book, she presents the conflicting views and the stories of both sides, providing the reader--and ultimately, the characters--with an understanding of the mentalities of both mother and daughter, and why each one is the way she is.
When analyzing the Joy Luck club it is important to consider the life of the author. It is apparent after studying both The Joy Luck Club and Amy Tan that there are some incredible similarities among the two, particularly the story of mother Suyuan-Woo and her daughter Jing-Mei Woo. Suyuan is a main character and plays an extremely important role in the novel even though she passed away. She created the Joy Luck club years ago and is the main reason why this tight kit family exists today. Suyuan decided to create the Joy Luck club during a ve...
7). It also deals with the problems her mother has faced with communication herself. Within this, Tan addresses the problems when being Asian American and growing up with the so-called lack of ‘proper’ English in the home. Teachers are prone to guiding Asian students away from writing and English language studies towards maths because of the way they communicate verbally. Completely disregarding the level of competency they may have with reading and understanding. This has allowed a very stereotypical image to be created. Tan broke the stereotypical mould, and wrote a story using all of the different Englishes she used to capture her mother’s “intent, her passion, her imagery, the rhythms of her speech, and the nature of her thoughts” (1990, para. 21). This is what language is
Rather than producing unoriginal, basic mystery or fantasy novels at the time, Tan was compelled to write from a realist perspective with balanced structure (Amy). She wanted to show what real life was like for Asian characters while simultaneously demonstrating the importance of family (Amy). This can be greatly seen in some of her novels, including The Joy Luck Club and The Kitchen God's Wife, in which the lives of her and her mom are blatantly expressed (Amy). Unexpectedly this intimate connection to her work increased in importance upon her mother's diagnosis with alzheimer's (Krug). Stepping away from the national spotlight she gained after the success of the Joy Luck Club, Tan dedicated most of her time to caring for her mom during the last few years of her life (Krug).
In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised. The four daughters: Waverly, Lena, Rose, and Jing-Mei are all Americans. Even though they absorb some of the traditions of Chinese culture they are raised in America and American ideals and values. This inability to communicate and the clash between cultures create rifts between mothers and daughters.