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Theories for the impact of mass media on american culture
Theories for the impact of mass media on american culture
Mass media influence on culture and behavior
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The documentary Tough Guise reveals that the cause of violence traces back to cultural codes on masculinity and societal expectations rooted from such codes. Prior to watching the documentary, it was difficult to understand how culture played a part in men’s violence—it was thought to be more of a natural phenomenon linked to men’s biological traits. The documentary, however, disproves this: men’s violence in America is “made” by the society, not “given”, and thus cultural implications should be explored to understand where the violence really comes from. The documentary demonstrates the connection between violence and social standards of masculinity by showing how masculinity is portrayed in the media. The media, as stated in the documentary, …show more content…
This change is particularly notable in the representations of men’s bodies. For example, the documentary mentions how the male protagonists in popular movies like “Superman” and “Batman”, as well as pro-wrestlers, were flabbier in 1960’s. By 1980s-1990s, however, the same characters were portrayed to be more muscular and bigger in sizes. The change was even evident in toys: male “Star Wars” figurines grew bigger plastic biceps over the …show more content…
The media fail to acknowledge and educate the public about the relationship between the two, which in turn fails to stop the men from engaging in violent activities. For example, after a series of school shooting at Jonesboro, Pearl, and Columbine in late 1990’s (whom the perpetrators were all young schoolboys), media de-gendered the gendered nature of the events; the documentary shows newspaper headlines speaking of “youth violence,” and of “kids killing kids,” not “boys killing girls and boys”. By refusing to see violence as a gender-related issue, the media reinforce the existing norm of “boys=violence”. It is also important to note how the perpetrators of the shootings saw themselves bullied by the popular Jock Culture that celebrated toughness and muscularity, and shot the guns as the means of heightening their social status. (The perpetrator of Pearl Shooting stated that “I killed people because they were mean to me… murder is gutsy and daring.”) Not only the media reinforces the violent masculinity image, it creates a dominant peer culture that pressures the boys to use violence to assert their manliness. Media, hence, both creates a subset of and reinforces the existing violent masculinity
1.. Introduction: Question #3 Katz argues that violence is about violent masculinity rather than about violent males, and that there is a significant difference between the two. Males are not innately violent. Instead, they are taught through the media and through their own interpersonal relationships what “real” masculinity is. Katz outlines video games, movies, pornography, and sports as a few of the platforms that masculinity is taught on.
This also leads into the fact that people interpret male violence and aggression as natural. They’ll pin it as something hardwired from ‘the hunter-gatherer days’. Often times they’ll also blame it on media violence, such as graphic video games, movies and TV shows. This is something much broader than that.
In today’s American society there seems to be an ever-growing pressure for young males to adopt the “tough guy” persona. The want to adopt such an identity can be rooted to the way media portrays male masculinity to young boys and pre-adolescent males. With an ever-increasing message of violence, hegemonic masculinity, and inferential sexism, being rooted in Television and films it seems young males are being wired to be view these characteristics as normal because of the cultivation theory. As Jackson Katz from “Tough Guise 2” argues, our epidemic of male violence is rooted in our inability as a society to break from an outmoded ideology of manhood.
Jackson Katz is the founder of Mentors in Violence Prevention which is an education program that has been focused on military and sporting organizations in attempts to put a halt on gender violence. Other than being an educator, Katz is also an author and filmmaker. In 2013, he produced the film Tough Guise 2. In this film, Katz reviews the normalization of male jurisdiction in America. The film looks at the messages of gun violence, sexism, and bullying that are sent to men throughout their entire life. Tough Guise 2 argues the statement that male brutality is a rooted back to our cultural standards of manhood. A pivotal point of the film is that a male’s masculinity is not just handed to them, it must be earned. During the course of the film, this point is supported by examples such as gun violence, homophobic messages and mass shootings.
As described in the film “Tough Guise 2”, the U.S. is both obsessed with and is a victim of its own culture. On one hand, movies and video games that glamorize violence and books that argue that violence. Additionally, many other films and books highlight that violence is a core aspect of male masculinity and argues that men are losing it through the empowerment of women and the loss of employment. At the same time, the United States has suffered through countless gun-related deaths and the mainstreaming of media such as Bum Fights, where actual homeless people are assaulted on camera. But due to the politicization of the issue of violence and the news media to properly explain the issue to the U.S., many people are taught that violence stems from the youth, which is only part of the broader picture. Instead of identifying and preventing the largest source of violence in the country, young white males, the focus is instead shifted toward the potential of violence of young men of color in poor urban
Society influences the socioeconomic inequalities between people, which usually results in differing social and cultural norms surrounding violence. These norms might include male dominance over women, while certain cultural norms might support violence and claim it to be a reasonable method to resolve conflicts in neighborhoods. We see this shown in the film because they talk about how violence is a two step process. The first part is the thought that, ‘I have a grievance with someone’, and the second part is that the grievance justifies violence (James et al.,
In the Macho Paradox Katz explores the issue of violence against women, but emphasizes the importance of men taking this issue personally and understanding its relevance for themselves and the women in their lives. Katz creates a personal connection to violence against women for the male audience of his book by emphasizing the statistical likelihood of them each knowing a survivor of violence. Katz uses the idea of knowing a survivor to make the issue of violence both personally relatable and relevant for men, with the intention of using this relatability as a catalyst for action and as a means of creating pathways for men to understand their importance as allies in the fight against gendered violence.
In the article ‘Masculinity In Movies’ the author Kenneth Mackinnon elucidates about masculinity, feminism and the technological advances that occur in masculinity in movies. He also talks about hard bodies and soft bodies and masculinity in tradition and culture. Apart from this the article also tells about the variety of movie genres, movies, film stars and mainly the tension between hyper-masculinity and feminism.
In the past century, America has made great leaps in terms of equality. With the efforts made by the civil rights and suffrage movements, all people gained the right to vote. We are even moving forward with marriage equality, and currently fifteen states recognize same-sex marriage. But regardless of all of our progressive institutional movements forward, we continue to socially oppress women. Men’s violence against women has grown to be an internationally recognized epidemic, and will continue to grow unless measures be made to stop it. Domestic violence continues to be prevalent in the lives of many families, and is the primary cause of homelessness in half of cases for women in children. Many women have been forced to alter their behaviors out of fear of being sexually or physically assaulted. One out of every three women is sexually or physically abused in their lifetimes. The first thing that comes to mind is, there are a lot of people abusing women out there. Many people with opposing ideas may claim that men can be victims of violence perpetrated by women, but in instances not used for self-defense, it is rarely part of a systematic pattern of power and control through force or threat of force. In fact, 99% of rape is perpetrated by men, but when confronting men about the issue of violence against women, it is often combated with denial. Jackson Katz writes in his book, The Macho Paradox, “We take comfort in the idea of the aforementioned child-rapist murderer as a horrible aberration. A monster. We’re nothing like him.”(Katz 30). The sad truth is that most women who are raped are raped by men they know, or even men they love. Many men have a hard time believing that saying that most violence is perpetuated by men does not...
98 percent of mass murderers are men. According to Time in 2014, almost all rampage killers are men.This statistic startled me as I read "Toxic Masculinity and Murder" by James Hamblin of The Atlantic. In essence, this one figure demonstrates that masculinity is "a more common feature than any of the elements that tend to dominate discourse—religion, race, nationality, political affiliation, or any history of mental illness."
The social world of these youths is characterized by violence, internalized street codes, limited opportunities, and the availability of firearms. Violent events are public social performances. These performances often have serious consequences for social identity and personal safety. Wilkinson shows how violence is a resource for gaining/maintaining social identity (masculinity) and status on the street. The dynamic of moving from victim to victimizer is clearly understood in the socio-cultural context of the street.
Family environment and the press are two major influences resulting in the recent tragic school shootings. As much as society continues to focus the killing rampages on factors such as television and music, what children are exposed to in reality contributes to the violence. The most recent school shooting in Michigan involved a six-year-old first grader who killed a classmate with a .22 caliber pistol. The news coverage had vanished after two or three days, and I was left wondering what had happened. Considering the fact that the media wore the Columbine incident out, I wanted to know why they did not pay more attention to this school shooting. As evidence did arrive, it was discovered that the child lived in a household where cocaine, heroin, and many other illegal drugs were commonplace. Also in this “home” guns were easily accessible to the child. Children growing up in this type of environment certainly are likely to be held accountable for future violence. Even though I am against the news media presenting too much school violence, Americans should have been deeply disturbed by this shooting because of the child’s young age. The Michigan shooting should have enlightened Americans to the dilemma we face in this country. Two weeks after the Columbine High School shooting, information on the mass murder was still being broadcast on television. The press was feeding young viewers ideas on how to kill their classmates. News was reported how the teenage murderers acquired information regarding building bombs, obtaining guns, smuggling guns into the school, and proceeding to kill their classmates. A mentally unstable teenager could simply watch these news reports and write a book entitled, “How to Slay Your Classmates”. This onslaught was ridiculous and the news coverage should not have been permitted to continue for countless weeks. Society has determined three reasons on which to blame the shootings. First, the nation blamed it on television’s violent programs. Following that, Americans gave the music recording companies the evil eye as well as attacking the gun manufacturers. All of these reasons involve material objects that are unable to think for themselves. Televisions and CD players do not control themselves, people control them. Finally, boundaries controlling the television programs children view should be set by the parents. The same explanation applies to firearms. How can it be a gun’s fault that a person killed another human being?
Social forces tell the American male hat he live in a way that rejects everything seen as feminine. As outlined in In Social Inequality: Forms, Causes, and Consequences, Hurst asserts that media often portrays American women as emotional and affectionate (Hurst, p. 126-127). Thus, men who show emotion and affection often receive both physical and verbal attacks from other men due to not rejecting these feminine actions. These conceptions of masculinity damage American males because they repress emotion and simultaneously bolster aggression. The Representation Project is combating this damaging narrative by calling on society to change the overarching stereotypes. In their documentary The Mask You Live In, the Representation Project shows American males engaging in conversations about emotions and harmful masculinity in order to peel away the dangerous mask that harms all persons. Overall, The Representation Project strives to “re-humanize” men by drawing society away from the current
...ate the violence depicted in the media and they do recognize the difference between media and real life. Society blames the media for youth violence in order to avoid the real issues. No one knows the true answer to why youth commit crimes and suicides (Sternheimer 2003).
Films are very culturally significant, and because of this, they impact how masculinity is portrayed, showing it was apathetic, power driven, and violent in nature. Julia T. Wood, a humanities professor and a director of the Department of Communications at the University of North Carolina at Chapel Hill, brings up the point that “the ways [media] misrepresents genders may distort how we see ourselves and what we perceive as normal” (1). Wood states that media--specifically films--influences how humans see themselves. Thus, they also influence how masculinity is perceived by society. To expand upon this, Wood notes, “Highly popular films such as Lethal Weapon, Predator, Days of Thunder, Total Recall, Robocop Die Hard, and Die Harder star men who embody the stereotype of extreme masculinity Media, then reinforce long-standing cultural