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Portrayal of women in movies
How media represents women and men
How media contructs our understanding of gender
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Recommended: Portrayal of women in movies
Films are very culturally significant, and because of this, they impact how masculinity is portrayed, showing it was apathetic, power driven, and violent in nature. Julia T. Wood, a humanities professor and a director of the Department of Communications at the University of North Carolina at Chapel Hill, brings up the point that “the ways [media] misrepresents genders may distort how we see ourselves and what we perceive as normal” (1). Wood states that media--specifically films--influences how humans see themselves. Thus, they also influence how masculinity is perceived by society. To expand upon this, Wood notes, “Highly popular films such as Lethal Weapon, Predator, Days of Thunder, Total Recall, Robocop Die Hard, and Die Harder star men who embody the stereotype of extreme masculinity Media, then reinforce long-standing cultural …show more content…
Take Indiana Jones for example. The franchise may seem innocent on the surface, but if his relationships with various women in the series are assessed, one can see that under his romantic cover lies a very forceful and sexually aggressive man. For example, in Indiana Jones and the Temple of Doom, Jones forces himself upon Willie Scott, his romantic interest. He forced her to kiss him even though she had displace discontentment with the situation and had physically stopped him from touching her by pushing him off, showing clear signs that she did not want his romantic attention. This did not stop Jones, as he forced her to kiss him, which Willie Scott reacted positively to. Not only does this reinforce the fact that movies display masculinity as focused upon power, it also normalises men forcing themselves upon women (Spielberg). It is important to note that this film is rated PG. Furthermore, As the hero in this movie, Indiana Jones is a role model, which is worrisome due to his horrible behaviour towards women and his unhealthy obsession with
Movies are a new edition in today’s culture. They are a new form of art medium that has arrived in the late 1900s and were a new way to express ideas and viewpoints of the time. A good example of this is the movie The Manchurian Candidate. The movie had a simple plot a man is kidnapped after the Korean war and is hypnotized to work for the communists and take down the U.S. This movie showed the American public’s fear of communism at the time. If a movie like this can easily portray the fears of the American people at the time then it can easily portray stereotypes of gender. There have been thousands of movies where the male protagonist is a rough tough dude but there is one movie that has that stereotype is broken. That movie is none other than Napoleon Dynamite.
Men are looked at as brave, selfless people and are perceived as heroes all throughout society. Johnson addresses this point saying, “The idea of heroism, for example, has been appropriated almost entirely by patriarchal manhood. From movies and television to literature to the nightly news, our ideas of who and what is heroic focus almost entirely on men and what they do” (548). Since men have power in this world, they have generated a society that pleases them. Superhero movies are a huge money maker in today’s world. But, the most popular superheroes are exclusively men such as Batman, Superman, Captain America, The Flash and The Hulk. This media only feeds into the ideology that men are the heroes in the world and they are the ones making sacrifices for others. They see a world that appeals to them and do not see a reason to mess with the system. Kilbourne writes, “When power is unequal, when one group is oppressed and discriminated against as a group, when there is a context of systematic and historical oppression, stereotypes and prejudice have different weight and meaning” (499). Men now see patriarchy as natural and how life should be. They can look back at previous generations and see that they succeeded with patriarchy and feel they should do the same. Men see absolutely no reason as to why they should relinquish their position of
According to Schrock and Schwalbe understanding a man is being able to clearly identify that they have traits of hegemonic masculinity. Masculinity is defined by Schrock and Schwalbe as “a set of conventional signifying practices through which the identity ‘man’ is established and upheld in interaction.” (131) However, Bird defines a man, through the three different acts of hegemonic masculinity, which includes emotional detachment, competiveness, and sexual objectification of women. Women in many different films are known for being subjugated by men. Some women are able to overcome being subjugated and are able to have control and dominance when it comes gaining power. Women are able to achieve this through both manhood acts and their own actions. In
We’re all familiar with the stereotypes and myths about what it means to “be a man.” The victorious leader gets what he wants using aggression and does not accept failure; he is smooth with the ladies, and he is often good with a gun. He is usually rich and in control, especially in control of women, like a father who loves his daughter dearly but will be damned if she’s going to go out dressed like that. The list could go on and on with the stereotypes. But the Coen Brothers’ cult-classic film, The Big Lebowsk (1998), with its hero “The Dude,” contradicts these notions of masculinity. The Coen brothers offer several familiar stereotypes of masculinity (the Vietnam vet, the successful capitalist, an oversexed bowler, some aggressive German nihilists), yet it is these characters that throughout the film are shown to be absurd, insecure, and even impotent. It is these stereotype men that the Coen brothers criticize. “Sometimes there’s a man,” says the narrator over and over again, pointing out the Dude’s non-stereotypical masculinity as the true representation of what it means to be a man. The brothers then illustrate that the men who give no thought to their identity, who ignore the pressure to conform to cultural expectations, are to be regarded as “real men.”
Mainstream movies are about men’s lives, and the few movies about women’s lives, at their core, still also revolve around men (Newsom, 2011). These female leads often have male love interests, looking to get married or get pregnant. Strong independent female leads are still exist for the male view, as they are hypersexualized, or the “fighting fuck toy,” (Newsom, 2011). This depiction has created a culture where women are insecure and waiting for a knight on a horse to come rescue and provide for her as well as the acceptance of women
For centuries, the ideal masculinity has been seen as the provider, the macho man, the cowboy and the emotional rock, but new representations of manliness in the media have been challenging this idea (Watson 2015, p. 270). Within these new depictions, there lies a hierarchy where one form of masculinity is more accepted than the rest (Kluch 2015). Macho masculinity has been seen as being dominant in the hierarchy for generations, however, in recent years, there have been an influx of new representations of masculinity that disrupt traditional hierarchal ideas. The masculinity of the twenty first century includes emotions, sensitivity, discipline, and intelligence. These new aspects of the hierarchy have been introduced by movies such as Brokeback Mountain, 22 Jump Street, The
Guante’s use of analogy in his sixth response to the phrase “man up” puts an emphasis on how American society’s image of a man holds them to a standard that forces men to conform to, or risk losing, their masculinity. Guante describes the phrase “man up” as an assault on men’s self-esteem because American society’s view on masculinity is that of a male actor in a movie. Guante irritably explains, “[Any] man who doesn’t eat steak, / drive a pick-up truck, have lots of sex with women…are nothing more than, background characters…the strong, stoic, REAL man is the hero” (lines 20-23). Guante uses the movie analogy to reference what society believes to be masculine: that being
modern media is objectified and put on the screen for male viewers. Films are a
According to Human Sexuality in a World of Diversity 's gender role is a “learned role by observing behaviors of their parents, peers and media” (Rathus, Nevid, & Fichner-Rathus, 2014, p. 25). Research shows how gender roles in America have evolved and have changed over the last centuries, although there could be many reasons for this change I will examine some causes for the change in gender stereotypes. The following topics were studied during my research: Increased technology and access to internet, violence and explicit content in video games, movies and television shows resulting in gender stereotypes. In addition, the media can have a large influence on societies perception on how women and men are should look like which are sometimes
Tough Guise: Violence, Media, and the Crisis in Masculinity. Dir. Sut Jhally. Media Education Foundation, 1999.
One movie that stands out in particular to me is the Disney movie, The Beauty and the Beast. I watched this movie as a child and loved it. However, looking at it today it sends me a different message. In the story the main character Belle is taken prisoner by the Beast, who is very aggressive, temperamental, and controlling. Belle ends up falling love with the Beast, but I did some research on this and there are many theories that say Belle shows similar symptoms to Stockholm Syndrome. This is where a victim starts to have feelings and affection for their captor. My problem with The Beauty and the Beast, is it targets young girls and teaches them that it’s okay to stay with someone and put up with their temper and aggression as long as you love them. This again is promoting a culture where domestic violence and abuse are okay. Another popular movie today that serves as a good example would be The Twilight Saga. In the movies the main character Bella falls in love with a vampire and because of this many awful life threatening things happen to her. Bella is so obsessed over Edward, the vampire, that when he leaves her, she shuts down into a spiral of depression. This also targets young girls and makes them think they have to have a man in their life. This is a huge problem because women in abusive relationships often find it very hard to leave their partner. So if women take the advice given to us
Others often use masculinity, most often associated with strength, confidence and self-sufficiency to define a man’s identity. The narrator perceives Tyler Durden as a fearless young man who is independent and living life by his own rules. So is Tyler Durden masculine because of his no nonsense attitude or are his law breaking antics and unusual lifestyle seen as a failure because he is a man with neither family, money nor a well respected job? These typical aspirations are commonly defined as the male American dream, but does following life by the rulebook placed on males by society really make a male masculine? Fight Club specifically debunks the male American dream. It challenges’ the idea that the masculine identity is defined by material items and instead embraces the idea that masculine identity can be found in liberation from conformity and the ability to endure pain.
Is it possible that media outlets today no longer play out stereotypical roles when it comes to genders? Many people may have different views on this, Julia Wood is one of them. Julia Wood is a gender communication leader and loves to teach and educate those on the topics of masculinity and femininity in our society. One way she teaches this is in her article, “Gendered Media”, which talks about how many different media outlets presents impractical and stereotypical views on gender roles. It breaks down the different ways in which media constantly play a role in distorting people’s perception. A movie in which has a connection to the idea of gendered media is “Crazy Stupid Love”. The main character, Carl, is a middle aged man who has the perfect
Everyone has been judged or has judged others based on their appearances or actions before. People tend to base these judgments on male or female characteristics, labeling each person as they pass by. Many think that these characteristics have been long defined to match genders, and are not the cause of society’s influence. In Jean Kilbourne’s article, “’Two Ways a Woman Can Get Hurt’: Advertising and Violence,” and Michael Kimmel’s “’Bros Before Hos’: The Guy Code,” both authors effectively assess society’s influence on these specific gender roles and characteristics that each sex is to exhibit, using various rhetorical strategies.
If gender is a social construct, and by extension so is masculinity, how unnatural and constricting is masculinity if it is unable to change even as a social construct? Rebuttals to the notion that masculinity is biological is states as Kimmel explains how if masculinity were, “biological, it would be as natural as breathing or blinking,” and yet contemporary masculinity is as unnatural as gender (Kimmel 51). With the idea of masculinity being so narrow, it is fitting to say that, “masculinity is socially constructed and highly constrained in our society,” (Kirk and Okazawa-Rey 11). Kimmel describes the “Guy Code,” as fitting, “as comfortably as a straightjacket,” because not every man can fit into the contemporary version of masculinity (Kimmel 51). Kimmel explains how men fear not being thought of as “real men” by other men, and how so much of male culture is about men being scared of other men not thinking that they are masculine enough (Kimmel 47). And herein lies the heart of the issue. This notion must be thrown out. Men, as a result, learn from other men that they need to act and be a certain way (not feminine) in order for their masculinity to be validated by men. Masculinity is often seen as being the opposite of femininity in