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The role of media in influencing gender
Effects of mass shootings in america essay
Effects of mass shootings in america essay
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In today’s American society there seems to be an ever-growing pressure for young males to adopt the “tough guy” persona. The want to adopt such an identity can be rooted to the way media portrays male masculinity to young boys and pre-adolescent males. With an ever-increasing message of violence, hegemonic masculinity, and inferential sexism, being rooted in Television and films it seems young males are being wired to be view these characteristics as normal because of the cultivation theory. As Jackson Katz from “Tough Guise 2” argues, our epidemic of male violence is rooted in our inability as a society to break from an outmoded ideology of manhood. “Tough Guise 2” is narrated by cultural theorist Jackson Katz who argues that the influx of violence, particularly male violence, is embedded within our society’s view of masculinity. Katz analyzes various points of interests that range from mass shooting, of which the majority are perpetrated by males, violence against women, and gay-bashing. What Katz empathizes in these key points is the fact these acts of what is known as masculinity can be linked back to all the violent, sexist, and homophobic messages adolescent males receive on a routinely basis from all aspects of virtual culture. From television, movies, video games, …show more content…
Katz views this form as the reason why men perpetrate 90% of the violence in society. Katz believes the way manhood is shown on television invokes the idea that a man must be some cold, strong, and violent individual to asset their dominance as a man. One key point Katz mentioned in his documentary is that whenever a male is the perpetrator in a crime, the media tends to use gender neutral words to identify the perpetrator while in the case of a female, the media will identify her using feminine nouns. This further reiterates the point of how sexism is tied to hegemonic
Tough Guise 2 began by illustrating the issues of de-gendering in news stories, articles and headlines regarding violent crimes. This would include stating “The shooter” or using some other generic phrase to describe the person who was the main cause of these crimes when, in fact, men are the leading cause of most of these crimes. De-gendering brings the issue away from just one gender and instead places it as a crime of a specific group, usually of age or race. The fact that we are constantly glossing over that most violent crimes are played out by men is probably one of the most important things touched on in this video.
Criminal justice institutions in Oakland challenge masculinity as a means of rehabilitation. For instance, from a boy’s perspective, being a man involves standing up to peers who challenge self-confidence. This results in law breaking and violent fights, which can create opportunities for arrests. On the other hand, probation officers believe that being a man involves obtaining an education to support your family. However, by living in a poor neighborhood where punitive social control is ratified, the boys can hardly find employment. Thus, it generates hypermasculinity, which “often influenced the young men to perpetrate defiance, crime, and violence, sanctioning police to brutalize or arrest them” (p. 138). To reiterate, probation officers tell the boys to “get a job, do well in school and stay out of trouble” (p. 139). But the odds of succeeding are low, because “most avenues of legitimate success were out of reach” (p.
Jackson Katz is the founder of Mentors in Violence Prevention which is an education program that has been focused on military and sporting organizations in attempts to put a halt on gender violence. Other than being an educator, Katz is also an author and filmmaker. In 2013, he produced the film Tough Guise 2. In this film, Katz reviews the normalization of male jurisdiction in America. The film looks at the messages of gun violence, sexism, and bullying that are sent to men throughout their entire life. Tough Guise 2 argues the statement that male brutality is a rooted back to our cultural standards of manhood. A pivotal point of the film is that a male’s masculinity is not just handed to them, it must be earned. During the course of the film, this point is supported by examples such as gun violence, homophobic messages and mass shootings.
As described in the film “Tough Guise 2”, the U.S. is both obsessed with and is a victim of its own culture. On one hand, movies and video games that glamorize violence and books that argue that violence. Additionally, many other films and books highlight that violence is a core aspect of male masculinity and argues that men are losing it through the empowerment of women and the loss of employment. At the same time, the United States has suffered through countless gun-related deaths and the mainstreaming of media such as Bum Fights, where actual homeless people are assaulted on camera. But due to the politicization of the issue of violence and the news media to properly explain the issue to the U.S., many people are taught that violence stems from the youth, which is only part of the broader picture. Instead of identifying and preventing the largest source of violence in the country, young white males, the focus is instead shifted toward the potential of violence of young men of color in poor urban
Society influences the socioeconomic inequalities between people, which usually results in differing social and cultural norms surrounding violence. These norms might include male dominance over women, while certain cultural norms might support violence and claim it to be a reasonable method to resolve conflicts in neighborhoods. We see this shown in the film because they talk about how violence is a two step process. The first part is the thought that, ‘I have a grievance with someone’, and the second part is that the grievance justifies violence (James et al.,
"Violence against women-it's a men's issue." Jackson Katz:. N.p., n.d. Web. 15 Apr. 2014. .
The part exhibited the patterns of gender authorization as well as gave a basic comprehension of the impacts of gender brutality. Expositions like Kristin Anderson and Debra Umberson 's "Gendering Viciousness: Manliness and Power in Men 's Records of Aggressive behavior at home" strengths men to investigate how they are performing gender and the impacts this has, on the ladies they cherish as well as all alone comprehension of themselves and the part that sexism plays in keeping up patterns of sexual
We’re all familiar with the stereotypes and myths about what it means to “be a man.” The victorious leader gets what he wants using aggression and does not accept failure; he is smooth with the ladies, and he is often good with a gun. He is usually rich and in control, especially in control of women, like a father who loves his daughter dearly but will be damned if she’s going to go out dressed like that. The list could go on and on with the stereotypes. But the Coen Brothers’ cult-classic film, The Big Lebowsk (1998), with its hero “The Dude,” contradicts these notions of masculinity. The Coen brothers offer several familiar stereotypes of masculinity (the Vietnam vet, the successful capitalist, an oversexed bowler, some aggressive German nihilists), yet it is these characters that throughout the film are shown to be absurd, insecure, and even impotent. It is these stereotype men that the Coen brothers criticize. “Sometimes there’s a man,” says the narrator over and over again, pointing out the Dude’s non-stereotypical masculinity as the true representation of what it means to be a man. The brothers then illustrate that the men who give no thought to their identity, who ignore the pressure to conform to cultural expectations, are to be regarded as “real men.”
McMahan’s article “Heartland: Symbolic Displays of Aggression and Male Masculinity in Rural America” stated “how masculinity is understood, defined displayed, identified, and positioned within a social system is created by and reflected within the interactions of social group members.” This indicates that masculinity started and created by the number of people interact in the environment. Masculinity can also lead to judgements when it is performed successfully or not. Despite of masculinity being judgmental, men must play the act of their “culturally specific, symbolic behaviors if they wish to construct a masculine identity in a given culture”. In this article, it gives a study to observe masculinity in a rural setting and how the community members view masculinity. The author who works as a bartender/bouncer found that there is violence that occurred, in which “it is impossible to avoid problematic interactions with bar customers, who might well be drink or under the influence of drugs, and it became to just sit there and observe” (Heartland, qtd: pg. 543), according to Winlow, Hobbs, Lister, and Handfield (2001). This indicates that violence can lead to dramatic problems when handling masculinity in
George Orwell quotes, “He wears a mask, and his face grows to fit it.” The documentary, “The Mask You Live In”, directed by Jennifer Siebel Newsom, shows different ages of males who struggle to be themselves while battling America’s limited meaning of manliness. George Orwell quotes, “He wears a mask, and his face grows to fit it.” Influenced by the media, among their age group, and the grown-ups in their lives, adolescents dissociate their emotions, disrespect women, and are aggressive. Society gender stereotypes affect young males to change to fit into the societal norm as they characterize “real” men.
98 percent of mass murderers are men. According to Time in 2014, almost all rampage killers are men.This statistic startled me as I read "Toxic Masculinity and Murder" by James Hamblin of The Atlantic. In essence, this one figure demonstrates that masculinity is "a more common feature than any of the elements that tend to dominate discourse—religion, race, nationality, political affiliation, or any history of mental illness."
The social world of these youths is characterized by violence, internalized street codes, limited opportunities, and the availability of firearms. Violent events are public social performances. These performances often have serious consequences for social identity and personal safety. Wilkinson shows how violence is a resource for gaining/maintaining social identity (masculinity) and status on the street. The dynamic of moving from victim to victimizer is clearly understood in the socio-cultural context of the street.
Tough Guys is a narrative about the "intense person" model in American society. Discharged in 1999 by hostile to sexism lobbyist and social commentator Jackson Katz, the narrative interleaves film footage, news footage and chronicled photos with article editorial by Katz himself.
The Bro Code breaks down the establishment and encouragement of sexism into four “steps” that society uses to form sexist men (Keith). These steps are: “1. Train Men to Womanize, 2. Immerse Men in Porn, 3. Make Rape Jokes 4. Obey the Masculinity Cops”(Keith). Thomas Keith begins by addressing the fact that he grew up in this “bro culture” and that men today are continually taught to have the same mentality that Keith had when he was younger. However, he claims that “bro culture” has changed and has become a more “dangerous sexist” (Keith). Our culture continually promotes this behavior through music, television and media, all which tell men that in order to be successful and true men they must be rich, strong and surrounded by women.
We live in a society that often sends many confusing and contradicting messages to males. These young people that are taking in large amounts of media experience a contradiction between their own reality and media’s messages. These young men are bombarded with advertisements and media based ideas that can harm and alter the way young men operate. Our young men of o...