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Art during the Renaissance
Art during the Renaissance
Reflection about the art of the renaissance period
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The Birth of Venus The Birth of Venus is a beautiful Renaissance canvas masterpiece created by Sandro Botticello. The picture illustrates the birth of Venus in a very mystical way. Venus has emerged from sea on a shell which is being driven to shore by flying wind-gods. She is surrounded by beautiful roses which are painted in a truly remarkable color. As she is about to step to land, one of the Hours hands her a purple cloak. The back drop includes the sea and a forest. The overall effect of this painting are almost overwhelming, color and beauty meet the eye in every angle. Venus in Botticelli's painting is a Renaissance beauty. During the Renaissance women were believed to look more attractive if they had some weight to them. It was believed that this weight make them more prepared for child birth, and basically healthier. Venus has weight in the painting. Without this weight I do not feel that she would have such a strong impact on her viewers. Another strong point of Venus's presence is her wonderful long and flowing red-orange hair. It flows around her body keeping her pose modest, yet revealing. In all of this beauty it can be easy to overlook the unnatural length of Venus's neck, and the steep fall of her shoulders. Venus's outline is wonderfully graceful, and it is the grace that makes the print so wholesome and beautiful. If Botticelli would have chosen a slimmer or less natural Venus the harmony of the picture would have been destroyed. The picture has many wholesome elements to it. Venus is only one example. The next wholesome element to the portrait is seen in the upper left corner of the picture. It is in this corner that Zephar and Chloris fly. Zephyr and Chloris are the wind-gods and they are actively blo... ... middle of paper ... ...t they look ill to me. The sad past of this matter is that this seems to be the look that sells and that guys find attractive. All of this causes the indirect weight struggle that almost all females face from a very young age through out most of their lives. To see that beauty can come in all sizes make me for once feel comfortable when I look at another women's body. There is more to Venus though then her weight. She also has so much color to her. Her skin is of a healthy and natural glow, which makes her seem more human to me. Color is also displayed in the hair that has been given a wonderful color that is in fact too much for words. Looking at Venus makes me respect the beauty and dignity that women pose. This is the first painting that has ever given me this feeling. As I mentioned before I believe that this is caused by the way that Botticelli paints Venus.
When that room is entered all voices are hushed, and all merriment silenced. The place is as holy as a church. In the centre of the canvas is the Virgin Mother with a young, almost girlish face or surpassing loveliness. In her eyes affection and wonder are blended, and the features and the figure are the most spiritual and beautiful in the world's art.
“Mars and Venus United by Love” by Paolo Veronese is done in the Renaissance style of painting. This is done in this style, because Poalo Veroneses was a Renaissance painter as well as his teacher Titan.
This Starry night painting was created on a medium sized canvas, being 2′ 5″ x 3′ 0″. This oil painting is dominated by a moon and a star-filled night sky. This part of the artwork takes up three-quarters of the picture and appears turbulent, even distressed, with intense swirling patterns that seem to roll across the surface like waves. It is filled with bright orbs, including the crescent moon to the far right, and Venus, the morning star, to the left of center—surrounded by many circles of bright white and yellow light.
Knowing Venus of Willendorf is a sculpture, she has very nice defined lines. She has a nice combination of vertical, horizontal and curved lines. The artist has given her a nice horizontal line crossing across her breast that her arms create that draw you in. From the horizontal line to the vertical line that draws your eye down to look at her genitalia. She also has nice curved lines that form all around her. From the top of her head, to her breast, to the middle of her stomach, that bring your eye to her behind and back to the front of her legs. The artist has created a nice curved lines that surrounds her breast, as well as her stomach and rear hind. Another way to view her is from the side, which gives you a nice sense of her curved lines that you eye follows down in a flow.
Paleolithic Venuses are prehistoric sculptures that are traditionally thought, by experts to be images that adore and glorify female fertility. There are three reasons why most historians who study the Paleolithic era support this traditional idea. One, most analysts only use a sampling of the 188 figurines and most of them are pregnant. Secondly, the name Venus itself conjures up the notion of fertility. Thirdly, most analysts assume that during the Paleolithic era that childbearing was something that was sacred and thus needing to be glorified with a statue. Rice offers an alternative point of view of the motivation for the creation of the Paleolithic Venuses. Rice's position on Paleolithic Venuses is that they do not solely represent women's fertility, but instead symbolize womanhood.
The piece is so small that one can fit it in just the palm of their hand. It’s lack of facial features and detailed body parts can imply to someone that it is meant to represent fertility. On the contrary Aphrodite is not a fertility symbol but rather a representation of goddess like beauty. In the Paleolithic time Venus’s image was the one idealized by the starving. The Venus of Willendorf has a lot of extra weight while Aphrodite does not. It is also important to note that Paleolithic art included almost all female figures and no males. In Aphrodite’s time the first sculpture of a naked woman came as a shock for them.
Peter Taylor’s short story Venus, Cupid, Folly and Time tells the tale of an odd brother-sister duo, Alfred and Louisa Dorset, who reside in the small, presumably southern, town of Mero. From the very beginning, readers are led to believe that the Dorsets are more than just brother and sister – they are lovers. Several occurrences throughout the story hint at a depraved relationship, however the story offers no firm confirmation of an incestuous relationship actually occurring. Despite their peculiarities, Mr. and Miss Dorset seem to have a great deal of influence on the social traditions of the town, the most important one being the annual party they host for the young children in the community. These parties are exclusive events that
The Venus of Willendorf and the Venus de Milo are two ancient day venus sculptures representing two different views on beauty. The Venus of Willendorf is a small 4.5 inch limestone figure of a Goddess which is believed to be used as a fertility symbol, while the Venus de Milo is a tall ancient Greek statue of a Goddess which is said to represent love and beauty. The Venus of Willendorf’s body structure is very different than that of Venus de Milo. The venus of Willendorf appears to be a short lady with a large emphasis on her reproductive organs, breasts and stomach area whereas the Venus de Milo appears to be very tall with smaller breasts, and a really athletic build. She appears to have abs and looks as if she has not had children before, while the Venus of Willendorf looks like she has had children due to her huge breasts and stretched out belly button. The Venus
Peter Paul Rubens’ masterpiece, Venus and Adonis, is not only a significant artwork of the baroque-period in Europe during the 17th century, but it also tells the mythological story that begins with love, and ends in tragedy. Displayed in the Metropolitan Museum of Art, this painting is admired for representing the unique baroque-style of this era, as well as Rubens’ particular use of the medium and how it reaches those who are viewing it. His attention to detail and crafty use of symbolism within the painting assist viewers in deciphering the story, along with the values of the time period in which Rubens was living. In studying the composition of the work and noting the historical context from which it came, one can ultimately understand Rubens’ point-of-view and thus, connect to the painting in a way he or she has never imagined.
I choose to look at the painting “The Toilet of Venus” or more commonly referred to as “The Rokeby Venus” by Diego Velalazquez. The “Rokeby” part came into effect, because the painting was originally displayed in the Morritt Collection at Rokeby Hall in Yorkshire, before being moved to its current home in the National Gallery. Diego Velazquez was born in Seville in 1599, and went on to become one of the most brilliant and influential painters ever to come from Spain. He lived in Madrid for most of his adult life, and was employed as a court painter. Throughout his career, he tackled a wide variety of subjects, such as landscapes, scenes from real life, and mythological/religious figures. He was a master realist who excelled at capturing essential features upon the canvas. He painted “The Rokeby Venus” between 1647 and 1651, and was his only nude portrait, as well as the first one in Spain, at that time. Initially the painting met with some disapproval, especially from the Church, since it was a nude, but eventually the work received great praise, and became known, as being one of the most beautiful and significant portrayals of Venus in the history of Western Art.
The Venus of Willendorf is one of the earliest sculptures of the body made by humans during the Paleolithic era. She was made from limestone native to her location and covered with red orche. Despite standing only 4.4 inches, the purpose of the Venus of Willendorf is widely debated. Some will say the exaggerated breasts, navel, and vulva connects her to fertility as a representation of a mother goddess. Others, such as those in my class, believe her to be a figure of body image. The stumpy female figure features hanging breasts, an obese middle and belly, and distinct buttocks in all, represents a realistic form of a severely overweight woman. Due to the hash ice-age environment of where she’s from leads one to believe fatness and fertility would have been highly desirable. Whether the sculpture was based on a fantasy or a real life model the infatuations with the idea of self-acceptance through body
Botticelli depicts Venus standing a relaxing pose with long golden wavy hair that falls to her knees skin blemish free and pale as the seafoam she’s born from with one hand (right) gently placed over her right breast she uses the other (left) grasping for
Primavera is a 2.03m x 3.1m tempera panel painting by the famous Italian Early Renaissance painter, Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli and is currently housed by the Uffizi Gallery of Florence, Italy. D’Ancona suggests that the painting was produced around 1482, and was commissioned for a member of the Medici family, a powerful political and banking house in Florence. . Such large format paintings were not unusual in private residences of affluent families. Primavera was part of a decoration in Pierfrancesco’s house in Florence, where it was hung or fixed above a lettuccio, which is a kind of settle that stood and fixed against the wall in the chamber next to Lorenzo’s bedroom. Moreover, D’Ancona supported this idea by stating that the painting was framed in a white frame, and white is an appropriate colour for weddings. Likewise, Venus e...
“The Birth of Venus” was painted on canvas instead of the traditional wood. This complies with the humanist need to break from the typical way of doing things. The theme of the Birth of Venus was taken from the writings of the ancient poet, Homer. According to the traditional account, after Venus was born, she rode on a seashell and sea foam to the island of Cythera. In the painting , Venus is depicted in the center, born out of the foam as she rides to shore. Venus is slightly to the right of center, and she is isolated against the background so no other figures overlap her. She has a slight tilt of the head, and she leans in an awkward stance. Her body is both realistic in proportion but glorified in her unblemished
The form does take on specific significance when viewed in the context of history and culture. The Venus of Willendorf is the earliest officially dated sculpture know to the modern western world yet she is...