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Vincent van Gogh and his
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Vincent van Gogh and his
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This painting may not look like much at first, but it is full of meaning and emotion whether it’s you who are feeling it or the artist who made it. That artist happens to be the Dutch painter, Vincent Van Gogh. Vincent actually made three different versions of this painting, that are currently residing in the Chicago, Art Institute of Chicago, Amsterdam, Van Gogh Museum, and Paris, Musée d'Orsay museums. He also made two sketches of this peace that are in the Amsterdam, Van Gogh Museum, and Paris, Private collection, he included those sketches in his letters to friends and family. This one specifically is one of the copies that is being help at the Chicago, Art Institute of Chicago. [redundant, you already specified this paintings location in the first part of the paper] A lot is known about this series of paintings since he wrote an abundance of letters about it in detail to his loved ones, he wrote about 13 letters to be exact (Brooks, The Paintings). Looking at the piece at first you will see a bedroom and you might think ‘oh what a simple and modest accommodation’ it’s not much of a room but it is nice. You get the sense that the person who sleeps in this room doesn’t have a lot of money to spare, and might even be on the brink of going bankrupt. The walls might be decorated with paintings but if you assume that the artist is painting his own room, which he was, then you would think that he hung up his own paintings. With the exception of two Japanese prints he did just put up his own paintings (Brooks, The Paintings). When you look around you notice that there’s hardly any furniture in the room. There’s a nightstand, two chairs, and the bed, but other than that you don’t see much else besides a few things on the nightstand... ... middle of paper ... ...he imagination. … This by way of revenge for the enforced rest I was obliged to take.” (Harrison) Works Cited Brooks, David. Biography. 1996-2014. . —. The Paintings. 1996-2014. . Ella Hendriks, Leo Jansen, Johanna Salvant, Élisabeth Ravaud, Myriam Eveno, Michel Menu, Inge Fiedler, Muriel Geldof, Luc Megens, Maarten van Bommel, C. Richard Johnson Jr, Don. H. Johnson. "A comparative study of Vincent van Gogh’s Bedroom series." . Harrison, R. G. "Letter 554." 2001. . Overview: Van Gogh's The Bedroom. 2014. . Vincent van Goghs: The Bedroom. 2002-2013. Templeton Reid, LLC. .
Wayne, transforms this painting into a three dimensional abstract piece of art. The focal point of the painting are the figures that look like letters and numbers that are in the front of the piece of art. This is where your eyes expend more time, also sometimes forgiving the background. The way the artist is trying to present this piece is showing happiness, excitement, and dreams. Happiness because he transmits with the bright colours. After probably 15 minutes on front of the painting I can feel that the artist tries to show his happiness, but in serene calm. The excitement that he presents with the letters, numbers and figures is a signal that he feels anxious about what the future is going to bring. Also in the way that the colors in the background are present he is showing that no matter how dark our day can be always will be light to
... the visitor. Conspicuous consumption is exemplified through this painting and the museum because it was basically all created by overbuying and greed. It can be said that the single very reason anybody sees that painting hung on the wall of a misfit room in a disorganized museum is only because of one man’s extreme case of money flaunting in an age where everything needed to be big and flashy. Also this painting was created smack dab in the middle of the Gilded Age. The painting itself has no direct connection to this era but it makes an argument for why the piece is hung in the museum.
The room was set up by having paintings on the walls with a sculpture directly in the center. This was the focal point of the room, Soundsuit, by Nick Cave. This piece was rich in color and character and I was immediately drawn to it. When I rounded the corner of the gallery there were many extravagant pieces such as Untitled #8 (2014) by Mickalene Thomas and Woman Under Willow (2014). Both pieces are inspired by Matisse, rich in color, and represent woman. The American gallery does a good job transitioning from one piece to another because each work is similar in some aspects. This gallery was less organized and different mediums were presented all throughout. There was a traditional quilt, Tar Beach 2 (1990) displayed in the same area as mediums such as wooden panels, oil pastel, and the metal hood of a car. This gallery and collection inspired by Matisse displayed many breathtaking works that I enjoyed seeing.
In this piece Benny has depicted himself in the artwork creating another piece of artwork. He is standing at a 45° angle as if he has been interrupted by us, the viewer. This is how Benny engages us, the viewer into his painting. As if we are just as much a part of it as he is. When looking at his painting from a distance it seems as if it is just another oil painting but upon closer observation you can clearly see the different fabrics that he uses to create the collage and which gives the painting its textures. He shows space in the painting by leaving the wall on which the canvas hangs, bare, as is the floor with the exception of the box of rags that he uses in his collage.
The painting caught my attention due to the message I received when I first laid eyes upon it. It illustrates a wise old man teaching an eager to learn young boy. I have been fortunate enough to have my very own replica of this painting in my bedroom and I have spent countless hours
Music has played an important part in my life. My love for music comes from my dad. Growing up I remember him having a room full of CDs and instruments that he played daily. The songs varied in genres and the instruments ranged from pianos, violins to drums. I grew up loving almost every style of music so, it is very difficult for me to dislike a song unless, it is vulgar or “dark”.
One of the most famous Post-Impressionists was the Dutch artist, Vincent van Gogh. Van Gogh believed that art was a form of expression. Painting was an emotional and spiritual experience for him. He painted not only how he interpreted his surroundings, but his sensations and feelings on his subjects. One of his most famous paintings, Starry Night, is a perfect representation of this Post-Impressionistic style of painting.
Lauren Soth is working throughout his entire article to express and prove Van Gogh’s intentions and therefore Van Gogh’s agony as the meaning behind his masterpiece, Starry Night. Soth’s thesis claims the painting was intended to console, but also another attempt at a failed painting “Agony in the Garden” which was meant to be imaginative, but based on conceptual history. At first his thesis seemed too bold, although arguable. By hiding his opinions and focusing on tangible evidence such as a solid visual analysis, powerful biographical details, and letters written by Van Gogh himself, Soth’s seemingly exaggerated opinion transforms into an insightful and well-supported thesis.
Daru, the schoolteacher in a remote area of Algeria, is torn between duty and what he believes is the right thing to do when he is suddenly forced in the middle of a situation he does not expect. He must escort an Arabic prisoner to the nearest town. It is not that Daru has much sympathy for the man; in fact, he does not, and actually finds himself disliking the Arab for disrupting so many lives. "Daru felt a sudden wrath against the man, against all men with their rotten spite, their tireless hates, their blood lust." Unfortunately, Daru loves his homeland, and cannot bear to think of leaving, despite the chaos that is raging around him between France and the Algerian natives. I believe that Daru makes the right choice in letting the prisoner choose his own fate. Daru has reaso...
Humanity has faced the challenge of placing a definition on the ever so abstract concept of art since the beginning of the Renaissance. The ongoing dispute between art critics and aesthetic philosophers has generated the creation of numerous textual and pictorial compositions in regards to varying views on the idea of art. To translate a scene of a room and a bed onto a large canvas should not be considered true art. Early art philosophers struggled between perceiving art as an inspiration or a true knowledge. Andrew Wyeth’s watercolor, Master Bedroom, seems to just be an imitation of a real master bedroom instead of a true work of art. The piece deserves the least amount of appreciation because of its lack of originality, creativity, and
The colours used in the artwork are earthy tones with various browns, greens, yellows, blues and some violet. These colours create a sense of harmony on the...
Ella Hendriks, Leo Jansen, Johanna Salvant, Élisabeth Ravaud, Myriam Eveno, Michel Menu, Inge Fiedler, Muriel Geldof, Luc Megens, Maarten van Bommel, C. Richard Johnson Jr, Don. H. Johnson. "A comparative study of Vincent van Gogh’s Bedroom series." .
As I enter the Gioconda and Joseph King Gallery at the Norton Museum of Art the first thing that Caught my attention was a painting measuring approximately at 4 ft. by 10 ft. on the side wall in a well- light area. As I further examine the painting the first thing I notice is that it has super realism. It also has color, texture, implied space, stopped time, and that it is a representational piece. The foreign man sitting on the chair next to a bed has a disturbed look on his face and is deep into his own thoughts. It’s as if someone he loved dearly just experienced a tragic and untimely death. He is in early depression. I could feel the pain depicted in his eyes. A book titled The Unquiet Grave lying open on the floor by the unmade bed suggesting something is left unresolved. The scattered photos and papers by the bedside cause redintegration. The picture of Medusa’s head screaming on the headboard is a silent scream filled with anger and pain, yet it cannot be heard. I feel as if I am in the one sitting in the chair and I can feel the anger, and regret.
“At Eternity’s Gate” was created by Vincent Van Gogh before he died in 1890. This painting is related to “The Golden Ass” and “The Inferno.” This painting represents the feelings of a man before death such as despair and loneliness. It can even be interpreted as the old man regretting events, or sins, in his past. In both of “The Golden Ass” and “The Inferno”, we see the theme of regret of our mistakes, or sin, and despair. In “The Golden Ass”, the mistake is practicing magic which led to a life of trouble. “The Inferno” each level of hell is a place of torment and despair of those you committed sin. Those people regret the mistakes that they made in their past.
The color is this painting ranged from brown, blue, black, white, light brown, gray, red, and dark green are used in the painting. These colors brought out the meaning of this photo, and many of the colors were cool. With the color being true to life, it had curved, straight, vertical, diagonal, and horizontal line throughout the painting, making it feel like it was an actual scene. The color and the lines create certain shapes; these shapes were shapes of a room and a meeting during the painting. Some of the shapes, like the people, are included many different time but with a couple of changes. When one would first look, their eyes would go straight to the man standing up and talking in the middle of the painting. This person leads one to the left of the painting because it seems that he is talking to someone over there. With all these characteristics, this painting makes one feel like he or she is standing up and talking. Also, it gives an embarrassed feeling like one is in front and talking to a