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History and importance of the goddess Bastet
History and importance of the goddess Bastet
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Bastet [Earlier known as 'Bast'] was the ancient Egyptian God of Cats, protection,Joy, dance and love.She was also addressed by the title 'Lady of Flame' and 'The Eye of Ra'.She was one of the most recognised and longest worshipped Goddesses with Egyptian people worshipping Bastet since the third millennium B.C. She was originally known as 'Bast' in Lower Egypt and the Nile Delta region in the third millennium.
Bastet's father is Ra, the son God and her siblings are Tefnut, Shu, Serket,,Hathor,Ammut, Thoth and,according to some accounts, Horus, Anubis, Sekhmet. Bastet's children are said to be Maahes, Khonsu and, according to some accounts Nerfertum. She and her sister, Sekhmet were married to Ptah, the God of rebirth and creation.
Bastet was often depicted as a domestic Cat or a Woman with a head of a cat or a lioness holding a shield depicting a face of a cat in her left hand and a 'Sistrum', a sacred Egyptian musical instrument used in religious festivals and dancing in her right hand. Her depiction as a Domestic Cat relates to her role as the Goddess of domestic cats which were sacred in ancient Egypt. She is often depicted holding a Sistrum as it represents her role as the God of Joy, Music and Festivals. She is occasionally shown holding an Ankh, the Egyptian symbol of Breath, a Papyrus Wand
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representing lower Egypt and a Was-Sceptre, the Egyptian symbol for strength. Later on, she started to be depicted with kittens representing her role as the Goddess associated with pregnant woman. During the third millennium B.C, Bastet was depicted as a lioness or a woman with the head of a lioness which represented her fierceness as the Goddess of warfare in Lower Egypt. During the Middle Kingdom [2055 -1650 B.C], Bastet started to be depicted as a domestic cat after her role as the lioness war goddess in Lower Egypt diminished after the loss of Lower Egypt in the wars between Lower and Upper Egypt. During the New Kingdom[1550-712 B.C], Bastet started to be depicted as a woman with the head of a domestic cat. In the third millennium B.C, Bastet was the protector God of Lower Egypt and the pharaoh. She war also the Goddess of War in Lower Egypt. Originally, Bastet had an association with the beneficial light that the sun produces. Bastet also had an association with perfume as her name means 'she of the ointment jar'. Bastet was also considered the patron of motherhood in ancient Egypt. Her role as the War Goddess in Lower Egypt was diminished during the Middle Kingdom when she was replaced by Sekhmet for her incompetency in allowing Lower Egypt to win in the wars against Upper Egypt. During the 22nd century [945-715 B.C], Bastet became the Goddess of cats in ancient Egypt after Cats became popular in ancient Egypt.
Cats were sacred in ancient Egypt as they protected crops, hunted for the Egyptians and protected ancient Egyptians from diseases by eating infected vermin. Through this, Bastet indirectly became the protector God of ancient Egypt. Cats were considered holy and cats dressed in jewellery were worshipped in High Temples. Cats were Bastet's sacred animal and killing one was considered unfortunate in ancient Egypt. Cats were much loved pets in ancient Egypt so Bastet became popular amongst ancient
Egyptians. During the 1st millennium B.C, nearly every household in ancient Egypt owned a cat to honour and worship Bastet. When a cat died, the entire household would go into mourning as if a human relative had died and would shave their eyebrows off in tribute to the cat. Dead cats would be mummified and buried like royalty in elegant tombs. The things that were present when an offering was made to Bastet in a High temple include : sculpture of Bastet on the alter, lotus flowers in front of the alter and an incense burner held by the priest conducting the offering. A variety of things were offered to Bastet including spice, water, milk, meat, wine, bread and sometimes mummies of sacred cats worshipped in the temple. Ordinary Egyptian households worshipped Bastet in shrines in their house. During offerings in ordinary Egyptian households, a sculpture of Bastet was placed on an alter and the ancient Egyptians prayed and offered to Bastet while kneeling on a reed mat. Egyptian women who wanted children usually prayed to Bastet, who was also the Goddess of motherhood, holding an amulet showing Bastet with a number of kittens and that number represented how many children the woman wanted. The priestesses would also dance to Bastet as she was also the God of dancing. Worshippers would also offer diamonds and silver to Bastet. The priests also had great feasts at her temple. The Festival of Bastet occurred during April and May annually in Bubatis, the cult centre of Bastet. The festival had numerous names including 'The procession of Bastet' and 'Bastet protects two lands'. It was one of the most popular festivals in ancient Egypt with approximately 700,000 people from all over Egypt sailing down the Nile to Bubatis on a number of crowded vessels. Only women and men attended the festival. The women and men celebrated Bastet by dancing, singing and consuming more wine than they would for the rest of the year. During the journey to Bubatis on the Nile, women and men would sing, clap, shake their rattles and play their flutes. The High priests of Batet would start the festival by offering sacrifices to Bastet. The outside wall of the Temple of Bastet was decorated with pictures of animals during the festival. The high priests would plant a grove of trees around her alter. The worshippers offered a variety of things including bronze statues, mummified cats and amulets. Worshippers participated in music and dance for many days. They would dance in the streets of Bubatis while playing instruments. To conclude the festival, everybody would pray solemnly to Bastet while the priests carried a sacred candle around the city.
These two statues are famous to the Egyptian art era. They represent the woman’s position and the man’s position at that day and age. Traditionally, the rulers of Egypt were male. So, when Hatshepsut, Dynasty 18, ca. 1473-1458 B.C., assumed the titles and functions of king she was portrayed in royal male costumes. Such representations were more for a political statement, rather than a reflection of the way she actually looked. In this sculpture, she sits upon a throne and wears the royal kilt and the striped nemes (NEM-iss) headdress with the uraeus (cobra) and is bare chested like a man. However, she does not wear the royal beard, and the proportions of her body are delicate and feminine.
The Egyptians often included lions to symbolize strength, leadership, loyalty, and war. The top of the palette also includes a human face with bull horns. This was done in attempt to represent the gods the ancient Egyptians believed in. These gods are associated with power, masculinity, and fertility.
Mythological Details: My novel is fiction because it involves the Egyptian gods in a modern day world, and also the main characters pet cat had been an Egyptian god, named Bast, that had been ordered to protect them. A quote to support this is "So, yeah. Our cat was a goddess" (Riordan, 114).
The sphinx of Hatshepsut is 649/16 inches high and 1351/6 inches long and made of granite. Once more Hatshepsut is rendered wearing a nemes headdress and royal beard.1 However she has neither a male or female body but that of a lion. One author believe that the sphinx seen above, were originally displayed on the lower terrace of Hatshepsut’s temple at Deir el-Bahri. They wrote that they were six of these sphinxes “that were space evenly in two east-west rows flanking the scared route across the terrace to the ramp that ascended to the temple’s middle level.”3 Due to the positioning the sphinx it can be assumed that they were intended to depict guardianship of the temple and the religious processions into the temple. In this figure, it is apparent that the artist focused on showing the strength of the lion’s body more so than the facial features of Hatshepsut and the body is larger in comparison to the face. It can be hypothesized that this was done because the image would have been viewed from the side initially. Therefore so that the viewer would get the desired feeling or impression of strength and protection, the artists emphasize this in the body of the
Bastet was the goddess of warfare in lower Egypt, before the unification. She is the goddess of joy, the home and the warmth of the sun. In modern day she is portrayed as a woman with the head of a cat. Before the unification, Bastet was the lioness-goddess, but that role became diminished as Sekhmet, a similar deity became more dominant in the Two Lands (Upper and Lower Egypt). In the 1st millennium BC, during the 18th dynasty when domesticated cats were popularly kept as pets, Bastet started being represented as a woman with the head of a cat, and then ultimately by the end of the 22nd dynasty she became the cat-goddess. She was seen as a protective and gentle goddess, and she would appear with the head of a lioness in battle to protect the King. She was very important to the ancient Egyptians because she was the goddess of protection.
Amun-Re is often referred to as the most important and powerful god of Ancient Egypt. Amun-Re was the god of the sun. “Amun-Re is the main name of the sun god, but also has three different names in which describe the phases of life that Amun-Re goes through each day.”(Budge, Pg. 92) When examining the ancient Egyptian god Amun-Re, four main points must be understood, including: the origin of Amun-Re, the characteristics of Amun-Re, how Amun-Re was worshiped, and how Amun-Re impacted Egyptian life.
Remains one of the best known of the queens of Egypt. Nefertiti, which means a beautiful woman has come. "Ahenaton's own words describe Nefertiti: "The hereditary princess, great of favor, Mistress of happiness, gay with the two feathers, at hearing whose voice one rejoices, soothing the hart of the king at home, pleased at all that is said, the great and beloved wife of the king, lady of the two lands, Neferu-aton Nefertiti, living forever"(Spoore 2000). Nefertiti achieved a prominence unknown to other Egyptian queens. Her name is enclosed in a royal cartouche (Spoore 2000). The famous statue of Nefertiti, found in a sculptor's workshop in Akhetaten, is one of the most recognizable icons from that period of history. It has escaped the excesses of the Amarna artistic style, and survived the wholesale destruction of Akhenaten's monuments after his death. (Tyldesley 1999).
Many funerary motifs are virtually unchanged through Egypt’s history including the rectangular, flat-lidded shape of this sarcophagus with a horizontal inscription near the lid which dates back to the Sixth Dynasty (Robins. 24). Many of the decorations on the sarcophagus have a similarly long history. One such image are the wadjet eyes carved into one of its sides. Seen on false doors and sarcophagi alike, this image was vital to Egyptian funerary practice because it allowed the ka to move between the locations of its body and the offerings left in the tomb (Lecture). The images of the gods seen on the sarcophagus are linked to the afterlife as well. The jackal-headed Anubis can be found on two sides of the sarcophagus, while one end features Isis, crowned by a throne, the other shows Nephthys, who is distinguished by a house and basket over her own head (Lecture). These gods were seen repeatedly in depictions of the afterlife, signifying their importance in achieving a happy eternity. Originally meant for Hatshepsut, these images were what she thought to be a necessary part in her achievement of a happy afterlife. In moving her father’s mummy to this sarcophagus, she reinforces her role as Thutmose I’s heir because she ensures that he received the best afterlife possible, the type that she had
Martha and Julia, and a brother, Samuel. But he ended up with three more sisters,
The Egyptians were big lovers of all beauty and fashion. They were such lovers of beauty that some of their names were based on the word ‘nefer’, which means beautiful. Examples of such were Nefert, Nefertiti, and Nefertari. The goddess associated with adornment was “Hathor the Golden”, who is seen as the ideal of beauty in love and poetry of the time.
"The Role of Cats in Ancient Egypt." The Role of Cats in Ancient Egypt. N.p., 22 Mar. 1998. Web. 3 Aug. 2013.
Egyptians worshiped many gods and goddesses. Some of the gods they worshiped were Ra the sun god, Isis the god of nature and magic, Horus the god of war and Osiris the god of the dead. The act of worshiping many gods is called polytheism. The Egyptians had a god for almost everything.
The use of iconographic symbols in art began as early as 3000 BC, when the Neolithic civilizations of the Middle East used nonhuman or animal figures to represent their gods. Thus, the Egyptian mother goddess Hathor was associated with the cow and usually appeared in relief sculpture and wall paintings as a cow-headed woman. The sun god Ra had a hawk's head, and the creator Ptah appeared as a bull.
Egypt is one of the oldest and most complex civilizations of the world. Their religion and beliefs are fascinating and have been a mystery for centuries. Even today, there are some things that we still do not understand. In this research, I will investigate the basic concepts of Egyptian mythology and its gods.
thought that God had told him them to do it. The ancient Egyptians worshipped cats as