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War poetry as a subject
War poetry as a subject
War poetry as a subject
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The simple definition of war is a state of armed competition, conflict, or hostility between different nations or groups; however war differs drastically in the eyes of naive children or experienced soldiers. Whether one is a young boy or a soldier, war is never as easy to understand as the definition. comprehend. There will inevitably be an event or circumstance where one is befuddled by the horror of war. For a young boy, it may occur when war first breaks out in his country, such as in “Song of Becoming.” Yet, in “Dulce et Decorum Est” it took a man dying in front of a soldier's face for the soldier to realize how awful war truly is. Both “Song of Becoming” and “Dulce et Decorum Est” are poems about people experiencing the monstrosity of war for the first time. One is told from the perspective of young boys who were stripped of their joyful innocence and forced to experience war first hand. The other is from the perspective of a soldier, reflecting on the death of one of his fellow soldiers and realizing that there is nothing he can do to save him. While “Song of Becoming” and “Dulce et Decorum Est” both focus on the theme of the loss of innocence, “Song of Becoming” illustrates how war affects the lives of young boys, whereas “Dulce et Decorum Est” depicts the affect on an experienced soldier.
In “Song of Becoming,” Fadwa Tuqan displays the path of young boys forced to deviate from their innocence far too young. The poem begins with a portrayal of young boys' typical behavior, “they're only boys/who used to frolic and play” (Tuqan 1-2). Images of their “blue green red kites” (4) imply their carefree and childlike manor. The speaker then casually references war, explaining that the boys' playing consists of “fencing with branc...
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...turning back. Once they have been robbed of their innocence, they are unable to revert to their previous selves. War and facing the inevitable reality of death can change a person and disturb them for the rest of their lifetime. Many soldiers are naïve when they decide to serve their country; they plan on becoming a hero like their role models of the past. But when one truly experiences war for themselves, they find it unimaginable how people continue to declare war and urge young men to fight and honor their nation and family. One will remain innocent until he experiences the genuine emotional trauma of war.
Works Cited
Owen, Wilfred. “Dulce et Decorum Est.” The Bedford Anthology of World Literature. Boston: Bedford/St. Martin's. 2009. Print.
Tuqan, Fadwa. “Song of Becoming.” The Bedford Anthology of World Literature. Boston: Bedford/St. Martin's. 2009. Print.
The three narratives “Home Soil” by Irene Zabytko, “Song of Napalm” by Bruce Weigl, and “Dulce et Decorum Est” by Wilfred Owen all have the same feelings of war and memory, although not everyone experiences the same war. Zabytko, Weigl, and Owen used shifting beats, dramatic descriptions, and intense, painful images, to convince us that the horror of war far outweighs the devoted awareness of those who fantasize war and the memories that support it.
These men are transformed into guilt-laden soldiers in less than a day, as they all grapple for a way to come to terms with the pain of losing a comrade. In an isolated situation, removed from the stressors, anxieties, and uncertainties of war, perhaps they may have come to a more rational conclusion as to who is deserving of blame. But tragically, they cannot come to forgive themselves for something for which they are not even guilty. As Norman Bowker so insightfully put it prior to his unfortunate demise, war is “Nobody’s fault, everybody’s” (197).
Because of that, they switch between imagination and reality. The two poems emphasize the boys’ childhoods through their interest in playing war, and show their immaturity in trying to be proud and aggressive. However, their naivety is holding them back from developing their senses of awareness and consciousness to become a grown-up man. However, with war imagination, boys are creating their boundaries rather than moving on.
War always seems to have no end. A war between countries can cross the world, whether it is considered a world war or not. No one can be saved from the reaches of a violent war, not even those locked in a safe haven. War looms over all who recognize it. For some, knowing the war will be their future provides a reason for living, but for others the war represents the snatching of their lives without their consent. Every reaction to war in A Separate Peace is different, as in life. In the novel, about boys coming of age during World War II, John Knowles uses character development, negative diction, and setting to argue that war forever changes the way we see the world and forces us to mature rapidly.
In the novel All quiet on the western front by Erich Maria Remarque one of the major themes he illustrates is the effects of war on a soldier 's humanity. Paul the protagonist is a German soldier who is forced into war with his comrades that go through dehumanizing violence. War is a very horrid situation that causes soldiers like Paul to lose their innocence by stripping them from happiness and joy in life. The symbols Remarque uses to enhance this theme is Paul 's books and the potato pancakes to depict the great scar war has seared on him taking all his connections to life. Through these symbols they deepen the theme by visually depicting war’s impact on Paul. Paul’s books represent the shadow war that is casted upon Paul and his loss of innocence. This symbol helps the theme by depicting how the war locked his heart to old values by taking his innocence. The last symbol that helps the theme are the potato pancakes. The potato pancakes symbolize love and sacrifice by Paul’s mother that reveal Paul emotional state damaged by the war with his lack of happiness and gratitude.
In his memoir, A Long Way Gone, Ishmael Beah deals with his loss of innocence as he is forced to join the children army of Sierra Leone in the country's civil war after being conscripted to the army that once destroyed his town in order for Ishmael to survive. His memoir acts as a voice to show the many difficulties that the members of Sierra Leone's child army had to suffer through and their day to day struggle to survive in the worst of conditions. In order to escape the perils and trials of war, Ishmael loses his innocence as he transitions from a child who liked to rap with his friends to a cold blooded solider in the army during the civil war in Sierra Leone. Through his transition, Ishmael is forced to resort to the addiction of drugs such as cocaine, marijuana, and “brown-brown” just so that he, along with the other members of the child army can have the courage to be able to kill their fellow countrymen and slaughter entire towns who stand in their paths. In order to portray his struggles in the army, Ishmael uses the dramatic elements of memories explained using flashback, dialogue, and first-person narration in order to establish the theme of the memoir being how war causes for a child to lose its innocence. The transition shown in the memoir illustrates how the title of the novel, A Long Way Gone, was chosen because it demonstrates how he is a long way gone psychologically, emotionally, and physically, from the child that he was when the memoir begins to the soldier that he is forced to become.
Tim O’Brien states in his novel The Things They Carried, “The truths are contradictory. It can be argued, for instance, that war is grotesque. But in truth war is also beauty. For all its horror, you can’t help but gape at the awful majesty of combat” (77). This profound statement captures not only his perspective of war from his experience in Vietnam but a collective truth about war across the ages. It is not called the art of combat without reason: this truth transcends time and can be found in the art produced and poetry written during the years of World War I. George Trakl creates beautiful images of the war in his poem “Grodek” but juxtaposes them with the harsh realities of war. Paul Nash, a World War I artist, invokes similar images in his paintings We are Making a New World and The Ypres Salient at Night. Guilaume Apollinaire’s writes about the beautiful atrocity that is war in his poem “Gala.”
The physical effects of war overwhelm the naïve causing pain and suffering. Initially, war entangles the lives of youth, destroying the innocence that they experience as an aspect of their life. The girl “glid[ing] gracefully down the path” (1) and the boy “rid[ing] eagerly down the road” (9) have their enjoyable realities striped by the harshness of war. Likewise, war enters women’s lives creating turmoil. The woman who works “deftly in the fields” ( ) no longer is able to experience the offerings of life. The “wire cuts,” ( ) pushing her away from the normal flow of life. In addition, man undergoes tragic obstacles as a result of war. “A man walks nobly and alone” ( ) before the horrible effects of war set in on his life causing disruptions. War enters the life of man destroying the bond man shares with his beloved environment ( ).
To conclude this essay we have acknowledged that ‘The Charge of the Light Brigade’ and ‘Dulce Et Decorum Est’ are contrastable. However, in some points they are compatible as both involve war. Even though they mention war, it is shown in different ways. As ‘The Charge of the Light Brigade’ glorifies soldiers and the war, whereas, ‘Dulce Et decorum Est’ points out that war are not as heroic as it seems but instead is a horrifying brutal affair.
They enter the war fresh from school, knowing nothing except the environment of hopeful youth and they come to a premature maturity with the war, their only home. "We were eighteen and had begun to love life and the world; and we had to shoot it to pieces. We are not youth any longer" (page #). They have lost their innocence. Everything they are taught, the world of work, duty, culture, and progress, are not the slightest use to them because the only thing they need to know is how to survive.
From sunrise to sunset, day after day, war demolishes men, cities, and hope. War has an effect on soldiers like nothing else, and sticks with them for life. The damage to a generation of men on both sides of the war was inestimable. Both the novel All Quiet on the Western Front by Erich Maria Remarque, and the poem “I Have a Rendezvous with Death,” by Alan Seeger, demonstrate the theme of a lost generation of men, mentally and physically, in war through diction, repetition, and personification.
The Poem “Dulce et Decorum Est” attempts to make war seem as repulsive as possible. The author’s goal is to discourage people from joining the war or any future conflicts by shattering the romantic image people have of the fighting. The setting of this poem helps
It is hardly surprising that boys like Toby who dreamed of battle were unprepared for the reality of war, since the real problems of their parents’ generation were eclipsed by “nostalgic adulation” of myth-like heroes. In the words of Tobias Wolff, “I went into the army…. It seemed to me when I got there that this was where I had been going all along, and where I might still redeem myself. All I needed was a war. Careful what you pray for.” There may be times when war is necessary, but if we send soldiers into harm’s way, then ideally our youth should be under no illusions about what that means and that the repercussions are felt long after the fighting stops.
‘Poetry can challenge the reader to think about the world in new ways.’ It provokes the readers to consider events, issues and people with revised understanding and perspectives. The poems Dulce Et Decorum Est (Wilfred Owen, 1917) and Suicide in the Trenches (Siegfried Sassoon, 1917), were composed during World War One and represented the poets’ point of views in regards to the glorification of war and encouraged readers to challenge their perspectives and reflect upon the real consequences behind the fabrications of the glory and pride of fighting for one’s nation.
Wilfred Owen wrote about the distilled pity of war from his first-hand experience. Owen concisely features the carnage and destruction of war in both the poems, ‘Dulce et Decorum Est’ and ‘Strange Meeting’ Owen uses these poems document the psychological and physical debilitation of war. In ‘Dulce et Decorum est’, Owen uses a various amount of literary techniques to visually depict the cruel and grotesque death from the mustard gas whereas ‘Strange Meeting’, portrays the speaker in conversation with a dead soldier that he is presumably responsible for killing, symbolically which emphasises the effect of the wartime trauma. Wilfred Owen’s poetry effectively highlights the carnage and destruction of war to educate the audience on the disillusionment of war.