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Ballet history quiz
The history of ballet topics
Ballet history quiz
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Text A is a biographical account of Meryl Streep by the Magazine Marie Claire in which the writer explores how this famous actress got her career started. The piece which is intended for a female audience who enjoy Fashion and Living and know of/enjoy Meryl Streep’s work holds a tone resembling one of awe and reverence for the actress. Text B is a quite favourable review of the Australian Ballet’s Cinderella which is intended for those interested in Ballet or those going to the Adelaide Festival Theatre. It is attempting to get potential viewers to watch the shower and is trying to change the opinions of those who have already watched it. There are multiple complex sentences in Text B as the writer attempts to create this vivid and specific image of the opera within the mind of the reader. The use of different clauses within a sentence helps to let the authors idea’s flow more fluently and lets him talk in more depth about his experiences. Also it lets him link the different topics he is talking about together. An example of one of these complex sentences is found in the fifth paragraph. The first clause “Wendall K Harrington’s projection design is at times overbearing” shows that author is still a fair reviewer and is not biased, he is capable of finding faults in the piece. The …show more content…
There are multiple superlatives such as “unparalleled”, “rousing” and “star power” all of which show how highly the author thinks of Meryl Streep and how highly they want the reader to think of her. This constant use of superlatives with no negative qualities also shows off a bias the writer may have, though it is only a magazine piece so there is no expectation by for very deep articles. Meryl Streep is also described as being “the greatest actress of all time” which is intended to make a casual reader of the magazine more interested in her and how she obtained this
...xt of femininity on screen, we pay to see these women because they are truly lovely in every sense, “and to experience an inner radiance that may find its form in outward grace” (Entertainment Weekly 65).
James Cameron’s motion picture Titanic blew the crowds away when it was first released in 1997, and its success has echoed into contemporary film society. Due to this movie actress Kate Winslet got her huge breakthrough, which allowed her to become one of the most celebrated film stars of our time. Winslets character, Rose DeWitt Bukater, a beautiful upper-class girl who is unimpressed with the luxuries she is surrounded with, becomes the love interest of the penniless Jack Dawson during the maiden voyage of the Titanic. Among the many plotlines of Titanic, it is their impossible love story that is the most central, a conflict that is based on her being of higher social stature. This essay focuses on examining how the way women are portrayed as being unattainable may reinforce their objectification and further fuel a desire to possess them. The sequence I have chosen is that when the audience is first acquainted with Rose, as, while it is aligned with a classical presentation of a female character, it also demonstrates her role as an unachievable standard.
For example, Detective Shannon Mullins, is crude, loud and abrasive, and we all love her for it. Not only does McCarthy not once wear makeup in The Heat, she also dresses in baggy attire. She’s one of the boys. Hollywood’s beauty standards can not touch an unruly woman, nor can the constant pressure to be seen as the ultimate sexual symbol. Mulvey pointed out that, “in Hollywood films, a woman’s power is associated with her ability to use her sexual allure to arrest the narrative action” (237).
When a care-free late 30’s woman crosses over the 40 year old threshold, she experiences radical changes which are force her to question herself. Society forces these women to feel insecure and anxious. Men and the unique exception of Kate Moss’, on the other hand, have to endure no such feelings when passing the very same barrier. “Shocking news! Kate Moss is 40 and ‘still looks good’”, an article written by Deborah Ross and published by The Times, tackles this issue. Kate Moss, an English model who rose to fame in the early 1990s, is one of England most desirable women. Just recently, Kate turned forty; and like every woman in almost every society, Kate is being scrutinized upon complete 40 years. Kate, however, differs from most women. While society pins down most women upon turning 40 and shreds their self-esteem, society has ‘accepted’ Kate and is surprised at how good she still looks. She ‘simply defies nature’, Deborah Ross claims. This article is intended for women who are either nearing or pass 40. Throughout this ‘conversational’ article, Deborah Ross highlights the adversity most women have to face upon turning forty; an adversity men and Kate Moss don’t have to endure. She does this by writing the article in a personal narrative and by comparing the lives of most women with men and Kate Moss as they reach the same 40 year old barrier.
From 1467 to 1471 one of Hans Memling’s masterpieces, The Last Judgment, was being created. The Last Judgment included the ideal pieces of material to be considered the optimal Renaissance painting. Memling was able to incorporate the style of other painters in all of his paintings while focusing on his own style of realism. Memling formed almost all of his artwork with a realism Renaissance touch. Memling was born in Seligenstadt, Germany in 1440, and was later raised in Cologne where he served an apprenticeship with an unknown master.
Polly is always relying upon the movies to proclaim the qualities of excellence. “She was never able, after her education in the movies to look at a face and not assign it some category in the scale of absolute beauty…. (Morrison 122)”. Pauline depends on the movies to manage to her who is beautiful, and who is not, as well as individuals do so in today’s society.