In the short story “Cathedral” by Raymond Carver, the seemingly judgmental narrator is faced with meeting a blind man, named Robert. The narrator sees himself as superior to others and in this instance especially to the blind. Due to the narrator’s pretentious attitude, tension between the blind and himself is revealed when the narrator says, “[m]y idea of blindness came from the movies” (279). In Carver’s short story “Cathedral”, the tension between literal and metaphorical blindness is most evident through the narrator’s insensitivity and bitterness towards the blind man. The character of the narrator progresses from a closed minded individual, to someone who can look outside of his own perspective.
The feelings and assumptions the narrator
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has towards the blind are insensitivity and bitterness. Without even meeting the blind man, the narrator displays a negative view towards him. When the narrator hears that Robert was once married, he starts to feel bad for the woman, And then I found myself thinking what a pitiful life this woman must have led. Imagine a woman who could never see herself as she was seen in the eyes of her loved one. A woman who could go on day after day and never receive the smallest compliment from her beloved. A woman whose husband could never read the expression on her face, be it misery or something better. Someone who could wear makeup or not—what difference to him? She could if she wanted, wear green eye- shadow around one eye, a straight pin in her nostril, yellow slacks, and purple shoes, no matter. (282) The man assumes that a blind man can not love. To him, love is physical, and without Robert being able to see Beulah, his wife, the narrator believes they are not able to have a true relationship and he feels bad for them. When the narrator meets Robert, he is unsure of what to say to him and asks insensitive things, “’Which side of the train did you sit on, by the way?’” (283). Earlier, the narrator states that sitting on the right hand side of the train is more scenic. Robert is blind, so to him the side that he sits on would not matter. The perception the narrator has creates a mental tension between himself and the blind. The narrator is blind to the fact that Robert’s blindness does not change the fact that he is human. As the story continues, the reader gets a sense that the blind man is metaphorically able to see more than expected, whereas the narrator is blind to beliefs that are not his own.
A new type of tension is created because the narrator starts to recognize that he is possibly more blind than Robert. The narrator realizes that the tension is solely in his head, and the reason why he feels uncomfortable with Robert is not only because Robert is literally blind, but also because he is metaphorically blind. The narrator thinks, “it’s like nothing else in my life up to now” (291). The narrator is coming to know that he is blind and insensitive to things outside of his way of viewing life. The narrator slowly becomes more comfortable with blindness and tries to look at his surroundings in the way that Robert sees them, “But I had my eyes closed. I thought I’d keep them that way for a little longer. I thought it was something I ought to do” (291). This is the first moment the narrator shows that he has “sight”. He has always been able to literally see; yet he was blind. Now he is able to metaphorically see and the reader hopes that he no longer views the world with the cynical eyes that he had before. Although it seems most of the tension is totally resolved, it is unclear whether or not it has been, as the story ends before the readers find …show more content…
out. The tension that is present in this story begins to settle as the narrator starts to truly see.
At the beginning, the narrator is metaphorically blind in the way that he observes the world and others, whereas Robert is literally blind but can see in a way that the narrator cannot. In the story, the narrator is a foil character of Robert. The narrator and Robert are opposites, and because of that, Robert plays an essential role in changing the narrator from a “blind” character to a character that can see both literally and metaphorically. By using this technique, Carver allows for the tension to dissipate. The point in the story where the most tension is relieved is when the narrator and Robert sketch a cathedral together. As they are coming to the end of the drawing, Robert says, “’take a look. What do you think?’” and the narrator replies with his eyes shut, “’It’s really something’” (291). Instead of opening his eyes to see the cathedral, the narrator keeps them closed. The narrator has an epiphany; he realizes that he is metaphorically blind, and now he is able to see in a new way. He does not think of the drawing in a worthless manner as he may have in the beginning, instead he leaves his eyes closed and appreciates the true beauty and meaning of the
picture. Through Raymond Craver’s short story “Cathedral”, there is an evident tension between the narrator and Robert which is formed by the lack of care the narrator has for others. Before the narrator met the blind man he was judgmental and critical towards him. As the story continues, the tension, which is only found in the narrator’s head, starts to resolve as he sees more. It took the narrator drawing a cathedral and putting himself in a blind man’s shoes to be able to have “sight”.
Carver provides an easy, visual outlook of the protagonist throughout the short story, which helps keep a better understanding during the simple yet intense experience. As the story continues, the protagonist enhances his mood as he aids Robert to visualizing a cathedral. This experience creates an impact on others because it is a great reason to why one should never judge someone of something beyond their controls. Also, helping someone, as Robert does for Bub can be a life changing experience. Despite the blind man being physically blind, the husband is the one with the disability to see from someone else’s perspective. This is proven through his epiphany during his portrayal of being blind. Although Bub is not physically blind, he interprets a shortage of observations. This shows that in many ways he is blinder than Robert. Robert is more open minded and willing to experience things, in contrast to Bub, who is narrow minded and has problems opening up his mind throughout the short story. Because the protagonist does not fully try to understand his wife, it makes him look like the blind person ironically though he can visually recognize her, proving that he does not truly know her inside and out. Knowing her personally is more of reality and the husband is blind to reality. Carver definitely analyzes the protagonist’s emotions through diction and visual aid throughout the story, providing great understanding of the meaning as a
The short story, “Cathedral,” by Raymond Carver, is about a blind man who changes the way the narrator views life by giving him some insight on how he sees things. The characters in this short story are constantly developing into better versions of themselves by sharing their insights with one another.
In the short story “Cathedral” by Raymond Carver, the narrator, Bub, is as metaphorically blind as his guest, Robert, is literally blind. Bub has many unwarranted misconceptions about life, blind people in particular. He also has many insecurities that prevent him from getting too close to people. Through his interaction with Robert, Bub is able to open his mind and let go of his self-doubt for a moment and see the world in a different light.
In the story "Cathedral" by Raymond Carver, the main character, goes through a major personal transformation. At the beginning of the story, his opinions of others are filled with stereotypes, discrimination and prejudice. Through interaction with his wife's blind friend Robert, his attitude and outlook on life changes. Although at first he seemed afraid to associate with a blind man, Robert's outgoing personality left him with virtually no choice. During Robert's visit, he proved to be a normal man, and showed the speaker that by closing his eyes, he could open his mind.
The narrator in Raymond Carver’s "Cathedral" is not a particularly sensitive man. I might describe him as self-centered, superficial, and egotistical. And while his actions certainly speak to these points, it is his misunderstanding of the people and the relationships presented to him in this story which show most clearly his tragic flaw: while Robert is physically blind, it is the narrator who cannot clearly see the world around him.
“Cathedral,” a short story written by Raymond Carver, presents an intriguing story of an ignorant man 's lesson. During this story, Carver 's working class characters are crushed by broken marriages, financial issues, and fulfilling jobs, but they are frequently unable to understand or communicate their own sufferings. However, the main story consists of the narrator, known as “Bub,” facing an internal conflict about a blind man named Robert staying the night in his home. Regardless of the fact that this blind man is his wife 's long time friend, the narrator cannot find himself comfortable with such an idea because of his extreme prejudices. Although, despite the narrator’s conflict he finds himself connecting to Robert on a more personal
In Raymond Carver's "Cathedral," the husband's view of blind men is changed when he encounters his wife's long time friend, Robert. His narrow minded views and prejudice thoughts of one stereotype are altered by a single experience he has with Robert. The husband is changed when he thinks he personally sees the blind man's world. Somehow, the blind man breaks through all of the husband's jealousy, incompetence for discernment, and prejudgments in a single moment of understanding.
Blindness in Raymond Carver's Cathedral Blindness creates a world of obscurity only to be overcome with guidance from someone willing to become intimate with the blind. Equally true, the perceptions of blindness can only be overcome when the blind allow intimacy with the sighted. Raymond Carver, with his short story Cathedral, illustrates this point through the eyes of a man who will be spending an evening with a blind man, Robert, for the first time. Not only does this man not know Robert, but his being blind, "bothered" (Carver 98) him.
Don’t judge a book by its cover. We have all heard this cliché at least once in our lifetime. But how many times have we ever followed through with this expression? The author Raymond Carver writes about an experience where a couple is visited by the wife’s acquaintance Robert, whose wife has recently passed. The fact that Robert is blind belittles him in the eyes of the narrator, causing tension and misjudgment. In “Cathedral”, Carver uses irony, point of view, and symbolism to show the difference between looking and truly seeing.
In Raymond Carver’s story, “Cathedral,” the story tells of how a close outside relationship can threaten a marriage by provoking insecurities, aggravating communication barriers, and creating feelings of invasion of privacy. The husband in the story is given the gift of seeing the cathedral through a blind man’s eyes. Although the title suggests that the story is about a cathedral, it is really about two men who come together and share a vision and realize it is he who is blind. As the story begins, the character of the husband has a negative personality. He lacks compassion, is narrow-minded, and is jealous of his wife’s friendship with a blind man named Robert.
The narrator in Raymond Carver's "Cathedral" has two fully functional eyes, in which he chooses never to use to their full potential. The eyes of the narrator are biased, insecure, jealous, and very limited in what they choose to see. This inability to see is made apparent when he is forced to meet and converse with a blind man. The narrator's perception of the world around him, and blurred vision, is resolved by a great irony in the story when Roger helps the narrator see past his prejudice outlook on life. The blind man teaches the narrator how to see.
...rs, leaving the narrator and Rob to smoke a joint and watch television. The narrator tells Robert what’s going on in the show and asks him if he knows what a cathedral is, since the show is all about cathedrals. Although the narrator isn’t religious, he draws a cathedral for Robert, allowing his hand to be over his. This would allow him to understand what a cathedral looks like. However, when the wife wakes up and asks what they’re doing, she’s confused when the narrator says they’re drawing a cathedral. Robert asks the narrator to open his eyes, and he never does, claiming he feels weightless, suggesting to himself that he’s reached an epiphany. The narrator’s drawing allows him to see beyond “visibility.” He doesn’t understand exactly what he felt, but he knows it was a meaningful experience. Robert demonstrated that seeing involves a lot more than just looking.
...ry there are many instances in which the narrator seems to dislike Robert, in which case it is because he is “blind”. Not only is he blinded in the way that he cannot understand Robert, but it leads him to believe that Robert is not human at all because of his disability that he possess. The narrator develops with the aid of Robert, to see Robert as an actual human being. Raymond Carver gives the narrator a transformation through characterization as well as the aid of Robert to show his development and progression throughout the story.
The husband in Raymond Carvers “Cathedral” wasn’t enthusiastic about his wife’s old friend, whom was a blind man coming over to spend the night with them. His wife had kept in touch with the blind man since she worked for him in Seattle years ago. He didn’t know the blind man; he only heard tapes and stories about him. The man being blind bothered him, “My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed. Sometimes they were led by seeing-eye dogs. A blind man in my house was not something I looked forward to. (Carver 137)” The husband doesn’t suspect his ideas of blind people to be anything else. The husband is already judging what the blind man will be like without even getting to actually know him. It seems he has judged too soon as his ideas of the blind man change and he gets a better understanding of not only the blind man, but his self as well.
Raymond Carver, in his short story Cathedral uses a first-person narrator, whose point of view is very much limited and flawed. The narrator in Cathedral has full use of all his senses, unlike the blind man, Robert, who is introduced very early in the story. When comparing the two again, however, Robert is the character that is open to new ideas and willing to experience the joys of life, while the narrator limits himself due to his close-minded thinking. It brings up the question, who is truly blind in the story? Is it a physical ailment or a mental block? The narrator is never given a name in the story, making him the most impersonal character in the story. This also adds to the fact that the narrator is highly ignorant about his surroundings and has a one-sided, self-absorbed view of the world. The perception of the narrator leaves much to be inferred in many points in the story, and at first, it seems pointless to have such a closed off character and the one telling his point of view. I would like to hear the story from the wife’s point of view or Robert’s. Ultimately, however, the limited point of view of the narrator shows where the true ignorance in the world lies.