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Lack of Vision in Cathedral The narrator in Raymond Carver’s "Cathedral" is not a particularly sensitive man. I might describe him as self-centered, superficial, and egotistical. And while his actions certainly speak to these points, it is his misunderstanding of the people and the relationships presented to him in this story which show most clearly his tragic flaw: while Robert is physically blind, it is the narrator who cannot clearly see the world around him. In the eyes of the narrator, Robert’s blindness is his defining characteristic. The opening line of "Cathedral" reads, "This blind man, an old friend of my wife’s, he was on his way to spend the night" (1052). Clearly, the narrator cannot see past Robert’s disability; he dismisses him in the same way a white racist might dismiss a black person. In reality, any prejudice—be it based on gender, race, or disability—involves a person’s inability to look past a superficial quality. People who judge a person based on such a characteristic are only seeing the particular aspect of the person that makes them uncomfortable. They are not seeing the whole person. The narrator has unconsciously placed Robert in a category that he labels abnormal, which stops him from seeing the blind man as an individual. The narrator’s reaction to Robert’s individuality shows his stereotypical views. The narrator assumed Robert did not do certain things, just because he was blind. When he first saw Robert his reaction was simple: "This blind man, feature this, he was wearing a full beard! A beard on a blind man! Too much, I say" (Carver 1055). When Robert smokes a cigarette, the narrator thinks, "I . . . read somewhere that the blind didn’t smoke because, as speculation had it, they c... ... middle of paper ... ...nd optimistic" (Watson 114). The few critics who have written specifically about "Cathedral" tend concentrate on that optimism, seen at the end of the story with the narrator’s "esthetic experience [and] realization" (Robinson 35). In concentrating on the final "realization" experienced by the narrator, the literary community has overlooked his deep-rooted misunderstanding of everything consequential in life. The narrator’s prejudice makes him emotionally blind. His inability to see past Robert’s disability stops him from seeing the reality of any relationship or person in the story. And while he admits some things are simply beyond his understanding, he is unaware he is so completely blind to the reality of the world. Works Cited Carver, Raymond. "Cathedral." The Harper Anthology of Fiction. Ed. Sylvan Barnet. New York: HarperCollins, 1991. 1052-1062.
The significance of the final scene in Raymond Carver’s “Cathedral” is important because illustrates how people with a negative demeanor can develop into a person with a positive attitude towards others. In the story, Bub not only falsely assumes bad things about blind people, but also about others as well. For example, he assumes that Roberts wife is a “negro” woman because her name was Beulah. The things that Bub assumes about Robert and Beulah resemble Bub’s negative attitude and personality toward the blind man and Beulah. Towards the end of the story, as Bub and Robert were watching television, the show featured a particular Cathedral. Robert asked Bub to describe the Cathedral when Robert says, “I wish you’d do it. I’d like that. If you
Upon reading Raymond Carver's short story of the Cathedral one will notice the literary devices used in the short story. When analyzing the story completely, one then understands the themes, motifs, metaphors, and the overall point of the piece. This leaves the reader with an appreciation of the story and a feeling of complete satisfaction.
Blindness in Raymond Carver's Cathedral Blindness creates a world of obscurity only to be overcome with guidance from someone willing to become intimate with the blind. Equally true, the perceptions of blindness can only be overcome when the blind allow intimacy with the sighted. Raymond Carver, with his short story Cathedral, illustrates this point through the eyes of a man who will be spending an evening with a blind man, Robert, for the first time. Not only does this man not know Robert, but his being blind, "bothered" (Carver 98) him.
The fact that Robert is blind is stated quite frequently in this story. Even though we know he has a visual handicap, he is very open minded. The narrator however, can see just fine, but is very close minded. The close mindedness seems to be more of a problem for the narrator than Robert’s blindness. The narrator has no friends, and a life of no significance. In drawing the cathedral, the narrator finds not being able to see can be liberating. and seems to help him let go of his prejudices, and come to accept a new way of seeing. This story shows us that we can prevent ourselves from seeing what is really there by blinding ourselves, but that we have the ability to open our minds and seeing what is really
He didn’t like the fact that his wife had a new friend that was going to stay with them and he felt threatened by their closeness. He selfishly says, “ I wasn’t enthusiastic about his visit. He was no one I knew. And his being blind bothered me” (Cathedral 86). He clearly didn’t have compassion for that fact that Robert was disabled and that his wife had just died. All he cared about was his own feelings and his own relationship with his wife. He also had the nerve to go on and say, “ My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed. Some times they were led by Seeing Eye dogs. A blind man in my house was not something I looked forward to” (Cathedral 86). He was clearly uninformed and biases when it came to people with disabilities or people that were different from him. He didn’t look at the situation as an opportunity to get to see something different and learn but to complain for pretty much the entire short
Inspired by the life of the demented, cannibalistic Wisconsin killer Ed Gein (whose heinous acts would also inspire THE TEXAS CHAINSAW MASSACRE, 1974 and DERANGED, 1974), PSYCHO is probably Hitchcock's most gruesome and dark film. Its importance to its genre cannot be overestimated. PSYCHO's enduring influence comes not only from the Norman Bates character (who has since been reincarnated in a staggering variety of forms), but also from the psychological themes Hitchcock develops.
Caldwell, Tracey. "Raymond Carver's 'Cathedral'." Literary Contents in Short Stories (2006): 1-8. Literary Reference Center. Web. 5 Nov. 2010
In the world of cinema, there’s almost always a discussion regarding what scenes would be suitable for the grasping imagination of any audience, young or old. Alfred Hitchcock’s 1960 film, Psycho, sparked a plug for the movie industry as it was the first movie of its kind to display such graphic scenes of sex and violence to a worldwide audience.
Carver, Raymond. "Cathedral." The Harper Anthology of Fiction Ed. Sylvan Barnet. New York: Harper Collins Publishers, 1991.
The unnamed narrator of Raymond Carver’s “Cathedral” poses as an unreliable narrator for his unaccepting nature towards blind people along with his ignorant perception of many realities in his life that Carver presents for the reader to take into question. The narrator holds prejudice against Robert, a blind man whom the narrator’s wife worked with ten years earlier and eventually befriends. Unperceptive to many of the actualities in his own life, the narrator paints an inaccurate picture of Robert that he will soon find to be far from the truth.
Cathedral was a very interesting short story. It was something that seemed to be personal to the narrator as if he had lived this situation himself. The story did not seem overstated or made up. This story could reflect anybody, because who know when one might get a long lost visitor or learning something new from a complete stranger. The narrator, a man being very prejudice against people who are different then him, especially the narrators wife’s friend Robert who is blind. In the words of John F. Kennedy, “Change is the law of life. And those who look only to the past or present are certain to miss the future” (Quotations about Change). The very thing that most people attempt to avoid, often at high costs to themselves, actually can become one of the most rewarding experiences and defining moments in someone’s life. His hatefulness and judgmental statue is four fold in the beginning of the story and changes by the end. With each new step in the story, the narrator learns more of the blind man and realizes more about himself.
The narrator's insensitivity reveals itself early in the story when his wife's blind friend, Robert, comes for a visit after the death of his wife. Almost immediately in the beginning of the story the narrator admits "A blind man in my house was not something I looked forward to." [Carver 2368] He even goes so far as to suggest to his wife that he take the man bowling. He hears the story of Robert's dead wife and can not even imagine " what a pitiful life this woman must have led." [Carver 2370] The narrator is superficial, only recognizing the external part of people and not recognizing the value of a person on the inside.
Overall, the cathedral that the narrator draws with Robert represents true sight, the ability to see beyond the surface to the true meaning that lies within. The husband’s insecurities makes him emotionally blind. His inability to see past Robert’s disability ultimately prevents him from seeing the reality of any relationship or person in the story. The husband becomes more sensitive and accepts the moment of being blind has allowed him to become a better man. Finally, the cathedral drawing ironically reveals blindness to be an important factor. As a result, Carver gives interesting lessons to powerfully assess how we can find beauty and free ourselves from prejudgments and see the real world with our minds, not only our eyes.
Raymond Carver's "Cathedral" depicted the interaction between a narrow minded husband, with a limited understanding of the world around him, and a blind visitor, named Robert, that proved to be the catalyst that dramatically changed the husband's view on the world, while they went from being strangers to becoming friends. In the beginning of the story, the husband disliked the concept of his wife bringing her blind friend over to stay since he never had met a blind person before and did not understand it. However, as the story progresses, the husband, through interaction and observation, begins to dispel his fears and misconceptions of Robert and his blindness. With the help of Robert, the husband gains a revelation that changed his view and opened his eyes to the world.
Psycho by Alfred Hitchcock is a horror film that debuted in 1960, starring Anthony Perkins and Janet Leigh. (IMDb) This horror film changed the horror movie genre, helping to develop it into what it is today. This film tells the story of a woman who runs off with $40,000 stolen from her boss. On the run, she checks into an abandoned motel for the night where she dines with the owner, a young man with an overbearing and controlling mother. She never checks out. Her family and friends embark on searches for her, and come across the abandoned hotel where she checked in, under a false name. The movie ends with the revelation that the hotel owner’s mother died, and he suffers from multiple personality disorder. Both he and his mother share his body, with the mother personality becoming more dominant. When he dined with the lady who checked in, the mother became jealous and kill her, leaving the son to clean up the mess left behind.