Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Character development introduction
Character development introduction
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Raymond Carver, the author of “Cathedral” uses characterization to describe the main character, the narrator’s development in the story upon meeting a blind man. This blind man, Robert, unintentionally changes the narrator’s perspective on life and on himself. The narrator first starts off as an arrogant, close minded individual who later opens his mind and is introduced to new perspectives of life. The most important element used in this writing is characterization because it makes the reader change perspectives on how the narrator develops throughout the story and deeply goes into a lot of detail to support the narrator’s development. good thesis, but the wording is a little bland and lifeless
One example that shows that the husband is "blind" is shown in the beginning of the story before Robert arrives to his home. When the husband and wife talk about Robert, the husband usually refers to him as "This blind man..." (Carver 237). The narrator never uses Robert’s name when referring to him. This shows that the husband does not really see Robert as a person, but just as a blind man who is different because of his disability to physically see. When Robert arrives to the house, the husband does not know what to say to him. The husband asks questions that would normally be unacceptable to ask a blind person about the view from the train. “Which side of the train did you sit on?” (240). The husband knows that Robert cannot see the view, but he asks him rude questions anyway. The husband also thinks to himself, "I didn’t know what to say to that,” (242). This is a clear indication that the narrator does not know how to relate to Robert. Both of these quotations show that the husband does not know what to talk about with Robert becau...
... middle of paper ...
...ry there are many instances in which the narrator seems to dislike Robert, in which case it is because he is “blind”. Not only is he blinded in the way that he cannot understand Robert, but it leads him to believe that Robert is not human at all because of his disability that he possess. The narrator develops with the aid of Robert, to see Robert as an actual human being. Raymond Carver gives the narrator a transformation through characterization as well as the aid of Robert to show his development and progression throughout the story.
Nice job on this, Alex. I like the thesis, and it is developed well, but it isn’t that terribly complex. It didn’t flow that well in the beginning, but it got better. Very clear, but style and higher-level thinking will help you get to the A zone. clarity: A-, thesis development: B, evidence: B+, style: B-, convention: B. overall: B
Characterization is an essential component in a short story. Characterization is based on two things , indirect or direct characterization. Indirect Characterization shows the audience what the personality of the character is , and Direct tells the audience what the personality of the character is. Authors make characters be presented by means of description,through their actions,speech,thoughts and interactions with other characters. Authors frequently apply characterization to their stories to develop a theme or moral to the stories. Practically every novel that was made in the history of literature has a theme.This means any kind of short story like The Whistle by Anne Estevis and Marigold by Eugenia Collier has characterization.
Carver provides an easy, visual outlook of the protagonist throughout the short story, which helps keep a better understanding during the simple yet intense experience. As the story continues, the protagonist enhances his mood as he aids Robert to visualizing a cathedral. This experience creates an impact on others because it is a great reason to why one should never judge someone of something beyond their controls. Also, helping someone, as Robert does for Bub can be a life changing experience. Despite the blind man being physically blind, the husband is the one with the disability to see from someone else’s perspective. This is proven through his epiphany during his portrayal of being blind. Although Bub is not physically blind, he interprets a shortage of observations. This shows that in many ways he is blinder than Robert. Robert is more open minded and willing to experience things, in contrast to Bub, who is narrow minded and has problems opening up his mind throughout the short story. Because the protagonist does not fully try to understand his wife, it makes him look like the blind person ironically though he can visually recognize her, proving that he does not truly know her inside and out. Knowing her personally is more of reality and the husband is blind to reality. Carver definitely analyzes the protagonist’s emotions through diction and visual aid throughout the story, providing great understanding of the meaning as a
The close outside friendship between the narrator’s wife and Robert, the blind man, provokes the narrator’s insecurities. This friendship has lasted for ten long years. During those years, they have exchanged countless voice tapes wherein they both tell each other what has happened in their respective lives. Because of this, the narrator feels that his wife has told Robert more than Robert needs to know. The narrator laments, "she told him everything or so it seemed to me" (1054). The narrator’s fear is somehow confirmed when Robert arrives and says that he feels like they have already met (1055). The narrator is left wondering what his wife has disclosed. This murky situation leaves the narrator feeling insecure, especially when he sees the warm interaction between his wife and Robert.
The narrator's insensitivity reveals itself early in the story when his wife's blind friend, Robert, comes for a visit after the death of his wife. Almost immediately in the beginning of the story the narrator admits "A blind man in my house was not something I looked forward to." [Carver 2368] He even goes so far as to suggest to his wife that he take the man bowling. He hears the story of Robert's dead wife and can not even imagine " what a pitiful life this woman must have led." [Carver 2370] The narrator is superficial, only recognizing the external part of people and not recognizing the value of a person on the inside.
The narrator is biased against the blind from the beginning. For instance, he stereotypes all blind people thinking they ...
The usage of first person point of view traps the reader within the mind of a character who is closed off and narrow-minded for the duration of the story in such a way that it “tell 's nothing, but shows everything (Messer)” at the same time. In this way, the reader goes through the series of realizations with the narrator which convey the message of blindness in correlation with true sight and a spiritual awakening. For instance, the narrator can only feel pity for Robert’s wife, Beulah, because he was never able to see her. He imagined that Robert 's wife “could, if she wanted, wear green eye-shadow around one eye, a straight pin in her nostril, yellow slacks, and purple shoes” (Mays). However, none of this really matted to Robert, and the narrator finds it utterly pathetic. Yet, the narrator never really understands the fact that he does not really know his own wife, regardless of the fact that he can physically see her. Additionally, within the first paragraph, Carver uses demonstratives and possessives to draw the reader close to the Narrator of the story while also constructing a psychological distance between the narrator and other characters in the story (Peterson). In this paragraph, Carver uses the demonstrative “this” as a word to indicate distance, metaphorically, between the narrator and Robert (Peterson). In particular the sentence, “This blind man, an old friend of my wife 's, he was on his way to spend the night (Mays 33)” demonstrates the use of this as a specific person while showing the distance and dislike the narrator has of Robert. As a result, the narrators prejudice is presented to the reader in a way that shows his blindness as
In Raymond Carver's "Cathedral," the husband's view of blind men is changed when he encounters his wife's long time friend, Robert. His narrow minded views and prejudice thoughts of one stereotype are altered by a single experience he has with Robert. The husband is changed when he thinks he personally sees the blind man's world. Somehow, the blind man breaks through all of the husband's jealousy, incompetence for discernment, and prejudgments in a single moment of understanding.
His, "idea of blindness came from the movies", where, "...the blind move slowly and never laughed" (Carver 98). These misconceptions of blindness form barriers between the blind and the sighted. Carver breaks down these barriers as he brings the vastly different lives of these two men together. Those of us with sight find it difficult to identify with the blind. This man, like most of us, can only try to imagine what life is like for Robert.
The physical description of Robert obviously helps to visualize him and how he might carry himself. “This blind man was late forties, a heavy-set, balding man with stooped shoulders, as if he carried a great weight there. He wore brown slacks, brown shoes, a light-brown shirt, a tie, a sports coat” (Carver 107). Carver also gives us details of Roberts booming voice and friendly demeanor. These descriptions along with certain mannerisms help to create a mental image of the way Robert behaves. “He lifted his beard, sniffed it, and let it fall” (Carver 109). These subtle details makes a huge difference when reading. Just that little mannerism of Robert playing with his beard few times throughout the story better allows the reader to picture how he moves and interacts with the narrator while conversing. The way Robert continues to call the narrator “bub” is another unique detail of his character. Somehow, it fits his big friendly demeanor so well. This seems to be such a simple but effective way to create a unique characteristic for the reader. His calmness and ability to cope with the narrators sarcastic remarks successfully displays Robert as the compassionate and patient man that Carver intended to
He constantly complains that “a blind man in my house was not something [he looked] forward to” (362). The close friendship between the narrator’s wife and Robert provokes his insecurities. This friendship has lasted for ten years and during those years, they have exchanged countless tapes regarding experiences they have gone through. Because of this, her husband feels “she [has] told him everything or it seems” (363) about their relationship. Upon the arrival of his wife’s friend, the husband is ultimately uncomfortable around Robert because he does not know how to communicate with or act around him.
Throughout the majority of the story Carver uses a variety of devices to portray the narrator negatively. One reason is that he lacks compassion. At the beginning of the story he says, "I wasn?t enthusiastic about his [the blind man?s] visit. He [the blind man] was no one I knew. And his [the blind man] being blind bothered me."
The narrator is uneasy with the thought of Robert staying in his house and believes that he is superior to the blind man. Even before an introduction is satisfied between the narrator and Robert, the narrator is a bit disturbed to have Robert staying in his house. Within the first paragraph of the story, the narrator’s agitation towards Robert is made apparent. “I wasn’t enthusiastic about his visit. He was no one I knew. And his being blind bothered me” (Carver 33). The narrator assumes from Robert’s blindness that he is going to just be a nuisance to have to host because
Unfortunately, these terms describe the narrator very accurately, but what we don't know is, why does he act this way with his wife, when it concerns Robert? It is the opinion of the writer of this essay, that the Narrator is only insecure. The relationship that his wife shares with another man is uncommon, regardless of whether or not he is blind. Although, the wife sees her communication with Robert as being harmless, and a means of expressing herself. However, on the other hand, the Narrator sees, hears and understand, that his wife has an intimate relationship with Robert. Although she will never admit it.
Raymond Carver, in his short story Cathedral uses a first-person narrator, whose point of view is very much limited and flawed. The narrator in Cathedral has full use of all his senses, unlike the blind man, Robert, who is introduced very early in the story. When comparing the two again, however, Robert is the character that is open to new ideas and willing to experience the joys of life, while the narrator limits himself due to his close-minded thinking. It brings up the question, who is truly blind in the story? Is it a physical ailment or a mental block? The narrator is never given a name in the story, making him the most impersonal character in the story. This also adds to the fact that the narrator is highly ignorant about his surroundings and has a one-sided, self-absorbed view of the world. The perception of the narrator leaves much to be inferred in many points in the story, and at first, it seems pointless to have such a closed off character and the one telling his point of view. I would like to hear the story from the wife’s point of view or Robert’s. Ultimately, however, the limited point of view of the narrator shows where the true ignorance in the world lies.
Characterization has been established as an important part of literature as it allows authors to fully develop characters’ personalities, allowing readers to understand the characters and their actions. In the poem Judith, the author uses adjective phrases to describe Judith and Holofernes’ personalities. The diverse contrast in their nature highlights the heroic qualities in Judith, which teach the reader to have faith in God, as that is where her courage and strength stems from. Therefore, characterization can further be used as a technique to establish major themes in a work of