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Tamming of the shrew and its contemporary counterpart
Taming of the shrew play vs film
Tamming of the shrew and its contemporary counterpart
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The invention of cinema early last century has entertained film directors and screenwriters and intrigued contemporary audiences with their more modern adaptation of classical literature. Often by making changes to the original it can make it more enjoyable and easier to watch for most modern viewers. Through the inspiration of Shakespeare’s classic play, “The taming of the shrew” director Gil Junger attempted a more contemporary feel through his film “Ten things I hate about you.” To make sure this classic would be appealing to most modern audiences, Junger needed to make some extreme changes but with the same sort of storyline. The following essay will explore the contemporary film “Ten things I hate about you” to show how Junger has changed
This setting allows modern viewers to connect, as they are familiar with such a setting allowing immediate understanding of time, place and characters. In the 1500’s children were classified as their father’s property and had near to no choice in who they marry and what they do, whereas now in the modern world children are ruled by their parent by the state of the law until they are 18 and “Ten things I hate about you” has shown a clear understanding of the more modernised world. Bianca is only allowed to go to parties, movies, hanging with friends and many other things only if Kat is going or will be in the same area. In “Ten things I hate about you” Joey was paying Patrick to date Kat on several dates and take her to parties so that Joey could take Bianca out on a date as well because Bianca can
Lucentio agrees to marry Katharine sight unseen, he goes to Katharine’s house to meet her and they have an incredible duel of words. Despite how much Katharine insults Lucentio repeatedly, he still tells her he will marry her weather she approves or not. On the day on the wedding, Lucentio is remarkably late leaving Katharine to fear she will age an old maid. When Lucentio finally arrives he is dressed poorly in a rebellious outfit and rides on a broken-down horse. After the wedding Lucentio forces Katharine to leave with him to his country house will telling her now she is his property and that he may to as he pleases with her. As they reach his old country house he continues to “tame” Katharine by starving her and depriving her of sleep for several days, he tells her that he loves her so much and cannot let her eat this inferior food or to sleep in his poorly made bed. Whereas Cameron the character in “Ten things I hate about you” is a good natured, romantic, young gentlemen who generally cares about Bianca and has liked her for as long as he can remember. Cameron, a new student to Padua High School,
Braudy, Leo and Marshall Cohen, eds. Film Theory and Criticism: Introductory Readings, Fifth Edition. New York: Oxford UP, 1999.
Grainge, P., Jancovich, M., & Monteith, S. (2012). Film Histories; An introduction and reader. Edinburgh: Edinburgh University Press.
Good morning/ afternoon ladies and gentlemen I am Gil Junger and I am present here today to inform you on how I appropriated the Shakespearean play "The Taming of the Shrew" into the modern day teen flick "10 Things I Hate About You" , whilst still being able to keep the key themes and values evident throughout the film.
“The most filmed of all plays, ‘Romeo and Juliet’, with its universal themes… remains uniquely adaptable for any time period,” (Botnick, 2002). Directors Franco Zeffirelli (1968) and Baz Luhrman (1996) provide examples of the plays adaption to suit the teenage generation of their time. Identifying the key elements of each version: the directors intentions, time/place, pace, symbols, language and human context is one way to clearly show how each director clearly reaches their target audience. Overall however Luhrman’s adaptation would be more effective for capturing the teenage audience.
For this assignment I have chosen to analyze a scene from the 2001 film The Royal Tenenbaums, directed by West Anderson, where Richie Tenembaum, portrayed by Luke Wilson, attempts to commit suicide. This scene provides a shift from the previously established editing style of the film, its mood, pace, and camera movement as the filmmaker presents the climax in this one character’s story. This is done through the use of a specific mise en scène and an editing style which conveys the emotion behind the character’s actions.
A long time ago, a drunken man fell asleep outside an alehouse. This man, Christopher Sly, was discovered by a mischievous lord who took him into his home. The witty lord then convinced Sly that he was a lord, as well. The lord then put on a play for him. The play, The Taming of the Shrew, was about the two young daughters of Baptista. The youngest daughter, Bianca, wished to wed but her father, Baptista, would not allow this until his eldest daughter, Katherina, was married. Under normal circumstances, it would be easy to find a husband for Katherina with all her beauty, but all her beauty was covered by her shrewd personality. By this time Bianca's suitors were growing very impatient, so they decide to team up and find a husband for Katherina. In jest they mentioned their plan to a friend, Petruchio, who surprisingly agreed to marry Katherina. All her beauty and wealth were enough for him. Katherina reluctantly was wed to Petruchio and she was taken to his home to be tamed. With Katherina out of the way, Bianca was now allowed to marry Lucentio, who offered her father the highest dowry for her. In the final scenes of the play, Katherina proves that she is tamed by winning an obedience contest at a dinner party. Katherina is now even more in accordance with her wifely duties than Bianca. A fare is a type of comedy based on a ridiculous situation. The Taming of the Shrew, an eminent example of a farce, is the first of three farces written by Shakespeare.
The Taming of the Shrew is a comedy written by William Shakespeare between 1590-1594. In many ways, it can be likened to a romantic comedy film, and in a romantic comedy, many things can be expected. Usually, films in this genre center on ideals like the power of true love. The audience can also expect a romantic comedy to involve funny plot-lines, a resolution between the two main characters and sometimes, another love match. In this essay, I will explain how Act Five, Scene Two is an appropriate ending for Shakespeare's The Taming of the Shrew.
When Arthur Miller published “The Crucible” in 1953, the play’s audience was a nation of Americans seized in the grip of McCarthyism. The Communist “witch hunt” has long since ended, but the public’s fascination with this shameful piece of American history has not. The original play unfolded over the course of 4 acts that mainly consisted of dialogue. As a result, the creators of the 1996 movie adaptation had an ample degree of creative latitude to update the narrative for a modern audience. Director Nicholas Hytner utilized a host of cinematic techniques that enabled the moving images to tug the heartstrings of the audience just as effectively as the book had done before. Given the temporal limitations of a film, several scenes were rewritten in order to facilitate an easier delineation of the plot line. The director also used different camera techniques to control the pace of the movie, making it easier to tell which parts were important. Overall, Hytner’s scene modifications and unique camera shots resulted in an emotionally compelling film.
Arnheim’s body of theory suggests that the necessity of human intervention to implement plot, tropes, and culturally legible symbols raises a film to a higher level than a mere copy of reality, and that this interpretation and expression of meaning is “a question of feeling” or intuition on the part of the filmmaker. (“Film Theory and Criticism” 283) One consequence of effective directorial intervention is that differences in speed, stops and starts, and what would otherwise be jarring gaps in continuity can be accepted by viewers, because if the essentials of reality are present, th...
Introduction," from Braudy, Leo and Cohen, Marshall, eds. Film Theory and Criticism 5th. ed. (New York : Oxford University Press,1999)
Think about your favorite movie. When watching that movie, was there anything about the style of the movie that makes it your favorite? Have you ever thought about why that movie is just so darn good? The answer is because of the the Auteur. An Auteur is the artists behind the movie. They have and individual style and control over all elements of production, which make their movies exclusively unique. If you could put a finger on who the director of a movie is without even seeing the whole film, then the person that made the movie is most likely an auteur director. They have a unique stamp on each of their movies. This essay will be covering Martin Scorsese, you will soon find out that he is one of the best auteur directors in the film industry. This paper will include, but is not limited to two of his movies, Good Fellas, and The Wolf of Wall Street. We will also cover the details on what makes Martin Scorsese's movies unique, such as the common themes, recurring motifs, and filming practices found in their work. Then on
10 Things I Hate About You takes William Shakespeare’s classic play, The Taming of the Shrew and manages to make it relevant to a modern audience. The story remains the same with the younger sister, Bianca, not allowed to have a relationship until her older sister, Kat, does. They did maintain several original scenes and even used several direct quotes from the original play. The writers have eliminated some of Bianca’s suitors and changed the way Kat is tamed to appeal to a modern audience.
The Shakespeare play, The Taming of the Shrew, is romantic comedy written in the sixteenth entry. The play has been appropriated into many different films and musicals. Ten Things I hate about you, directed by Gil Junger, is a film, that the play has been transformed into. The film and play both use disguise as a comedic element. Both the play and film also have the main theme of money, gender roles and family relationships. The three main characters in the play and film, Katherine(Kat), Petruchio(Patrick) and Bianca(Bianca), have many similarities and differences. However Kate and Patrick's relationship is quite different to Katherine and Petruchio's relationship.
Called "cursed Kate" throughout the play, Katherine is openly jealous of the attention he sister is receiving, whereas she, because she speaks her mind, is being bypassed and even avoided in the wooing process. Katherine reveals this attitude in act 2 scene1, lines 31-35, "nay, now i see she is your treasure, she must have a husband; i must dance barefoot on my wedding day, and for your love to her, lead the apes to hell. Talk not to me i will sit and weep!...." This anger is not concealed, it serves to provide motivation as to why a rational person would rebuke petrucchio so rudely upon first encountering him. Katherine surely realizes that petruchio is interested in her for ulterior motives other than love. Be it purse that the dowry will bring or the actions of an...
Classic narrative cinema is what Bordwell, Staiger and Thompson (The classic Hollywood Cinema, Columbia University press 1985) 1, calls “an excessively obvious cinema”1 in which cinematic style serves to explain and not to obscure the narrative. In this way it is made up of motivated events that lead the spectator to its inevitable conclusion. It causes the spectator to have an emotional investment in this conclusion coming to pass which in turn makes the predictable the most desirable outcome. The films are structured to create an atmosphere of verisimilitude, which is to give a perception of reality. On closer inspection it they are often far from realistic in a social sense but possibly portray a realism desired by the patriarchal and family value orientated society of the time. I feel that it is often the black and white representation of good and evil that creates such an atmosphere of predic...