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The impact of technological advancement on literature
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A recurring theme in Bram Stoker’s Dracula is that technological advancements hinder progression; Stoker’s novel threatens that a focus on new technology without reverence for the ways of the past leads to delayed progress. Only one character in Stoker’s novel recognizes the need for “outdated” practices, which is why the character’s encounters with vampires do not improve until they receive help from Dr. Van Helsing. In Bram Stoker’s Dracula, Dr. Van Helsing is the only character not infatuated with new technology, which allows him to help vanquish Count Dracula once and for all. Dracula follows Jonathan Harking, a young, technologically savvy lawyer as he travels to Transylvania to make a real estate deal with Count Dracula. Harking …show more content…
He keeps all his notes and his personal diary on his phonograph. He chooses to travel across Europe by way of a steam engine, which was much slower that by ship because of frequent stops and the slow speed of the primitive engine. Nonetheless, Harker never strays from his technology. When trapped in Castle Dracula, he turns to his phonograph to keep him company, and assures himself that being from the modern western world would be able to escape from an ancient eastern castle. Harker tries to escape and then attempts to murder Count Dracula, but the Count escapes on a boat to England. Harker followed Dracula back to England; soon his fiancée’s friend Lucy Westenra is struck ill and believed to have been bitten by a vampire. Harker is unable to believe that such a barbaric act could happen “here in London in the nineteenth century…” (197), showing that Harker thinks his modern nineteenth century England is too civilized for the infiltration of …show more content…
Lucy utilizes a typewriter, and Doctor Van Helsing practices many modern medicinal practices. When Lucy is struck ill, Dr. Van Helsing performs a blood transfusion to help Lucy regain her health. A blood transfusion was a very new method that worked wonderfully for Lucy, until Count Dracula gave her another visit. Van Helsing had to give Lucy two more transfusions, but Lucy eventually met her demise. Lucy then joined Count Dracula as a vampire and wreaked havoc among little children of the town who called her the “bloofer lady” (174) and returned home with strange markings on their neck. Unlike Harker, Van Helsing maintained respect for the folklore of the time. He suggested the possibility of Lucy having become a vampire, and he was the one who knew to kill her with a wooden
Dracula is the scientist character who uses technology as a tool for control in the novel. What enables him to have control is through the power of sound and can be seen in the novel, “Somewhere high overhead, probably on the tower, I heard the voice of the Count calling in his harsh, metallic whisper. His call seemed to be answered from far and wide by the howling of wolves.”(Stoker 61). The words “harsh” and “metallic” stand out from this passage due to the machine like characteristics given to Dracula. This gives an image that Dracula itself is a technological remediation. From the quote the power can be seen in various manners, such as the ability to communicate long distance through mediums or to experience what the mediums are going through, which can be done at any time. Jonathan Harker description of Dracula’s voice presents him as a tool of technology. Stoker portrays Dracula as a metallic machine similar to the phonograph to indicate the possible manipulation that could be done by humans who possess advance technology. One can make a comparison between Dracula, if seen as a machine, and the Phonograph. The purpose of phonograph is to aid humanity while Dracula’s is the complete opposite since it wants to manipulate its human counterpart. Their similarity lies in their ultimate objective, the preservation of their immortality. The way
Throughout ‘Dracula’, Stoker presents the idea of ‘foreigner’ through the characterisation of Count Dracula and Professor Van Helsing, who are the two main outsiders in the novel. Dracula, being a supernatural creature, is of Transylvanian descent which makes him such a poignant character. On the other hand, Van Helsing is a Roman Catholic, and is of a Dutch background, which also highlights him as a foreigner within ‘Dracula.’ In this essay I will explore how these two characters are represented and the intention behind the idea of ‘foreigner.’
The story begins at status quo. Jonathan Harker lived a normal Victorian lifestyle. His fiancé was a virtuous school mistress named Mina Murray. Harkers occupation as a solicitor was how he was called to his adventure. His firm sent him to Transylvania where he was to conclude on a real estate transaction with the foreign client Count Dracula. During his visit to Dracula's castle, Jonathan was made prisoner to the ruthless vampire. He received
The diary entries or notes used in ‘Dracula’ are fragmented and have an epistolary structure ‘Jonathon Harker’s Journal’. This emphasises each of the character’s feelings of isolation and loneliness, adding to the appeal of the reader. During the entries, Stok...
Bram Stoker’s Dracula includes themes of death, love, and sex. Stoker’s use of empiricism utilizes the idea that everything is happening “now”. The book offers clear insight into who is evil without explicitly saying it. Stoker’s interest in empiricism uses British womanhood as a way to distinguish between good and evil.
Once Jonathan arrives at the castle, he is met by the mysterious Count Dracula, a man described as strong and pale, with bright ruby lips and sharp white teeth. Although Jonathan is unaware of what Dracula truly is, he can already sense that something is amiss, and he gets worr...
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
Through the gothic writing of Stoker, there was a huge intimidation of Dracula coming forth from it. “Stoker spared no effort to present his demonic vampire as dramatically as possible” (Leatherdale 105-17). With this sinister presence of death, people start to panic. As a vampire hunter, it was Helsing’s job to help notify people on how to rid themselves of this demon. Stoker portrays survival in the form of teamwork between the men and women of the novel. These characters soon take survival into their own hands. “‘We must trace each of those boxes; and when we are ready, we must either capture or kill this monster in his lair; or we must, so to speak, sterilize the earth, so that no more he can seek safety in it’” (Stoker 373). At this point in the novel, the characters know about the existence of vampires. The consequences are also put on top priority. The men know of the consequences, yet still want to go after this demon. “By chasing Dracula, the men risk being sentenced to an immortal life as a vampire. This immortality is endless time lived in physical form” (Poquette 35). Knowing the risks of hunting a vampire, the characters ignore them to protect their loved ones. A vampire hunter is an important factor in the novel because without one, the other characters wouldn’t know what to do. Stoker chose right in including
Carol A. Senf uses a critical theory lens when she picks apart Bram Stoker’s Dracula. The majority of literary critics interpret this popular myth to be the opposition of good and evil, they turn a blind eye to the more specifically literary matters such as method of narration, characterization, and style. Carol Senf’s critical essay “Dracula: the Unseen Face in the Mirror” she believes that Stokers novel “revolves, not around the conquest of Evil by Good, but on the similarities between the two” (Senf 421). Her argument is as follows:
The version that I focused on for the sake of this essay was the book. I did watch eleven of the thirty-three Dracula movies that I own, so some references will be made to the movies. The book is told from the perspective of Jonathan Harker’s journal, with some letters to and from his girlfriend Mina. The purpose of his visit with Count Dracula is that Harker is selling a building to Dracula. Carfax Abby was in England where Dracula wanted to move. Harker went to Transylvania to assist Count Dracula in his move to England.
Another example of language defeating Dracula is Dr. Van Helsing himself. Van Helsing was educated through books and folklore, and was thus empowered with the knowledge of how to defeat the count and his minions. The doctor's knowledge of medicine allowed him to provide the transfusions to prolong Lucy's life. Through his knowledge of vampire lore, he knew to place garlic cloves to ward off the dæmon, how to use the holy wafers to "purify" that which was infected with the Vampire's curse, and the necessary ritual to destroy a vampire.
Count Dracula, a hermit who lives on a cliff, detached from society, strikes at night to find anyone alone--whom he considers easy prey. A prime example of one of these victims is Lucy Westenra, who ends up outside in the middle of the night after she sleeps walks to the town square. When Mina Murray finds her, she describes the discovery, “There was undoubtedly something, long and black, bending over the half-reclining white figure.” and follows with, “...I could see a white face and red, gleaming eyes.”(Stoker 98), the reader can immediately tell that Lucy was the “half-reclining white figure” and the one bent over her was Dracula. He has already turned her into a vampire, but it will take a while for her full transformation to occur. In the movie, the setting is the Australian Outback, and there is an ongoing competition for the best rock band in the region. The Yowie Yahoo is a vampire who is just a hologram, a set up by one of the malicious bands. They do this in order to scare people away from the area so they will ultimately win without any opposition. The Yowie Yahoo does have a few “victims” as well. These were mostly the performing bands who were unwelcome in the Vampire Rock Contest. Whenever the bands perform, which is always at night, the Yowie Yahoo seizes the opportunity to kidnap them in a cloud of smoke. Since he is not a
When Van Helsing figured out what was happening to Lucy he told Dr. Seward and after Lucy passed away the men went to where she was buried and it had been weeks and her body. The sight they saw was “more radiant and beautiful than ever; and I could not believe that she was dead. The lips were red maybe redder than before” (Stoker 171). This line should that Lucy turned into a vampire because Dracula had been sucking her blood. Jonathan Harker was also a victim of Dracula’s games but he fought through his mental trauma with the help of his Wife, Mina. The rein of Dracula’s evil ways came to an end and although Lucy lost her future, all of her friends were finally safe from
From the whispers of townsfolk spreading legends and tales of what goes bump in the night to the successful novels, plays and film adaptations, the story of the vampire has remained timeless and admired. One of the main writers responsible for this fame and glory is Bram Stoker with his rendition Dracula, written in 1897. Dracula follows the accounts of Jonathan Harker, Mina Murray, Dr. John Seward, Lucy Westenra, and Dr. Van Helsing, through their journal entries and letters, newspaper articles, and memos. Bram’s vision for Dracula is both terrifying and captivating as the reader follows a small group of men and women led by Dr. Van Helsing through their attempt to retaliate against Count Dracula’s efforts to spread his undead chaos and blood
It is precisely the point that Hollywood distorts and corrupts serious literature for the entertainment pleasures of a mass audience. In the task of comparing and contrasting the novel of "Dracula" to film extracts of "Bram Stoker’s Dracula", values, meaning and context discovered lie between discrepancy and similarity. The change from differing mediums, novel and film, reveal characteristics and possibilities of narratives. Through the advancement of technology, modern writers have gained a cinematic approach to their writing. However Dracula, written in 1987 by Abraham Stoker, where the introduction of technology was gradual, forging inventions such as the typewriter and phonograph, made reference to in the novel, had no anticipation of what technology would have an effect on such writings. With society’s fascination with the supernatural, and love of technology, Dracula’s many adaptations, film, stage, have ensured its survival through the passage of time.