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An essay about hypocrisy
Tartuffe character analysis
An essay about hypocrisy
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According to the Merriam-Webster dictionary, a hypocrite is: "a person who puts on a false appearance of virtue or religion." To me, this definition describes Tartuffe to a tee, and on purpose. I believe Moliere meant Tartuffe to be a satire on hypocrisy and not a satire on religion. In the Preface Moliere states: "...I have used all the art and skill that I could to distinguish clearly the character of a hypocrite from that of the truly devout man." (p. 13) Tartuffe is a hypocrite because he leads a false appearance of himself, especially towards Orgon and Madame Pernelle. He is marked as a hypocrite from the very beginning from Damis and Dorine. Damis says: "Good God! Do you expect me to submit to the tyranny of that carping hypocrite?" (p. …show more content…
20) Tartuffe pretends to be such a godly man; however, it is obvious to the reader that he is most definitely not.
During the play, Orgon's wife Elmire appears and Tartuffe, believing them to be alone, makes a proclamation of love towards her and suggests them to become lovers. Damis, Orgon's son, who witnessed such acts overhears and tells his father; however, Orgon denies such a thing could ever happen. He is so blinded by his outlook on Tartuffe that he believes his own son to be evil and disinherits him, leaving Tartuffe the soul heir and land …show more content…
holder. Another example is in the beginning of the play, Madame Pernelle states, on the subject of Tartuffe; "And practises precisely what he preaches.
He's a fine man, and should be listened to. I will not hear him mocked by fools like you." (p. 20) (Speaking to her own grandchildren) Tartuffe has fooled her greatly. Even towards the end, after Madame Pernelle heard from her son, Orgon, about what Tartuffe has done to Elmire in which Orgon witnessed with his own eyes, she still claims him to be a saint. She states: "No, no, a man of such surpassing piety could not do such a thing. You cannot shake me. I don't believe it, and you shall not make me." (p. 61) It is only until after Madame Pernelle learns of him evicting them from their own house that she believes her family. "I'm thunderstruck. I'm utterly aghast." stated Madame Pernelle. (p. 64) Tartuffe shows his true hypocrisy ways when his actions intentionally led him to do such a horrid thing to Orgon and his family and then his words state "...But my first duty is to serve my King. That obligation is so paramount that other claims, beside it, do not count; And for it I would sacrifice my wife, my family, my friend, or my own life." (p. 65) Even Elmire screams "Hypocrite!" after he says
it.
Tartuffe's advantage is the fact that he can analyze peoples weaknesses and then exploit them for his own advantage. He is a malicious and skillful hypocrite who uses every means to bring about his success.
Refrences:
"Hypocrite." Merriam-Webster.com. Merriam-Webster, n.d. Web. 31 Aug. 2014.
From the very beginning of Tartuffe, the reader learns that Tartuffe is held in great religious standing by Orgon’s mother:” Whatever he reproves deserves reproof. He’s out to save
Jean-Baptiste Poquelin Moliere wrote Tartuffe during the beginning of the Age of Enlightenment. One of the main characteristics of the Age of Enlightenment was a push towards using reason over emotions to make decisions. The leaders of the enlightenment truly believed that the world could be made a better place if people did this. In Tartuffe, when the characters use their emotions to make their decisions they find themselves in undesirable situations. While those who let their emotions rule them find their lives spinning out of control, there are other characters in the play who try to approach them with reason and logic. Out of these characters the lady’s maid Dorine stands out as the voice of reason.
Moliere’s Tartuffe assumed set of social conventions were shaped by all the characters within the play, however the authoritative figure was established depicted by the father, Oregon. Oregon’s character assumed the role of king or lord of his household. He believed that as the head of household, he had the right to rule over his kingdom as he saw fit. His kingdom had to run smoothly in order for it to be effective. No matter how harsh, unfair and painful it was for his, wife daughter or servants.
In the reading, Tartuffe is a con artist who uses religious hypocrisy as a deceit to trick Orgon and gain access to Orgon’s family and legal documents of the house. Tartuffe’s deceit is blatantly apparent to the readers and several characters in the story like Cleante, Dorine, and Elmire. In one particular scene, Orgon learns about Tartuffe’s deceit with the help of Elmire, stating “What an abominable man! I can’t believe it! I’m overwhelmed!” (Moliere 82). This scene is significant because Tartuffe represents religious hypocrisy by using his fake piety as a method to manipulate others as a way to achieve his devious goals. Moliere attacks this idea of religious hypocrisy because he views it as a danger to French society. In the journal article titled “Tartuffe, Religion, and Courtly Culture,” the Emanuel S. Chill explains how the character Tartuffe is based on a group of religious people in France called the Cabale des Devots” (156). The Cabale des Devots was a fundamental Catholic group that persecuted the Huguenots, the protestants, in France by depriving them of their rights, leading to the mass emigration. Furthermore, the historical event is mirrored in Tartuffe when Orgon and his family are nearly evicted from their house. Moliere uses this part of the story to reinforce his idea that religious fanaticism is dangerous by inserting
Examining the difference between reality and appearance is strongly manifested in this story. The author has made an impressive account of what is really happening to families whether during the earlier days or the modern times. The story of Tartuffe is a great lesson for every person that people should not be easily deceived by first impressions and the story of the Monkey King showed outspokenness along with truthfulness in intentions.
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This was the age of reason. People at this time began to apply rational thoughts to figure out and understand nature and to guide their human existence. In Moliere’s Tartuffe, this ideal is expressed through the character of the king. In the end, Tartuffe has brought an officer of the king back to take Orgon away. However, in Tartuffe’s attempt to get Orgon arrested, the king saw through him and reasoned that Tartuffe was the one to be accused and put to trial.
It is in the duality of Orgon, the believing subject, and Tartuffe, the manipulating hypocrite (or impostor), that Moliere takes his digs at the extremes of enthusiastic belief. Tartuffe plays the role of a man whose greedy actions are cloaked by a mask of overwhelming piety, modesty and religious fervor. Orgon is the head of a household who has taken Tartuffe in. We laugh at Orgon because everyone else (except his mother) knows that Tartuffe is a fake. All of Orgon's relatives warn him of Tartuffe's gluttony and of the false nature of his pious proclamations. When Dorine tries to tell Orgon about Elmire's illness, all Orgon can say is,
Madame Pernelle shows the family trait that she shares with her son when she states: "He's a fine man, and should be listened to. " (I, i, 44), while speaking of Tartuffe. Although they share this trait throughout the play, Orgon's eyes are finally opened at the end of the play while his mother is still held by the farce of Tartuffe. Although Tartuffe is portrayed as the main character of the play, Orgon is the character who should really be paid attention to the most. As suggested in an essay on "Tartuffe" audiences who concentrate on the character who titles the work may miss the author's point: ".vitriol and spleen vented on one man suggests that Moliere's satire of Orgon, nevermind Tartuffe, was steeped in truth.
Candide: A Satire On The Enlightenment. Works Cited Missing Candide is an outlandishly humorous, far-fetched tale by Voltaire satirizing the optimism espoused by the philosophers of the Age of Enlightenment. It is the story of a young man’s adventures throughout the world, where he witnesses evil and disaster. Throughout his travels, he adheres to the teachings of his tutor, Pangloss, believing that "all is for the best in the best of all possible worlds. " Candide is Voltaire’s answer to what he saw as an absurd belief proposed by the Optimists – an easy way to rationalize evil and suffering.
Tartuffe is an excellent example of a neoclassical drama because of its close adherence to the guidelines set forth in Aristotle’s Poetics, its use of character structure, and its incorporation of the common neoclassical ideas involving: reason, rational thinking, as well as logical problem solving.
In a class lecture, the professor pointed out that the word/name Tartuffe means hypocrite, which can easily be seen as the drama unfolds. Early in the story, the audience learns that Tartuffe has a sleazy talent to receive piety in Orgon's household. In Act I, it is implied that Orgon has offered his daughter's hand in for marriage to Tartuffe, although Damis, Orgon's son, believes that Tartuffe does not wish to do so. Damis states, "I think Tartuffe's against it, and that he's been urging Father to withdraw his blessing" (Tartuffe 1.2.8-9). At this point, it is obvious to see that Orgon has a lot of respect for Tartuffe, although others may think differently. Cleante, Orgon's brother in law, is shown as the voice of reason and questions Orgon by saying,
Moliere rocked the 17th century French world with his comedy "Tartuffe" in 1664. Although, religious factions kept the play banned from theatres from 1664-1669, "Tartuffe" emerged from the controversy as one of the all-time great comedies. Tartuffe is a convincing religious hypocrite. He is a parasite who is sucking Orgon, the rich trusting father, for all he is worth. Orgon does not realize that Tartuffe is a phony, and caters to his every whim. For instance, he reneges on his promise to let his daughter Mariane, marry Valere. Instead he demands that she wed Tartuffe, whom she despises. He also banishes his own son, Damis, from his house for speaking out against Tartuffe and all of his son's inheritance is promised to Tartuffe.
Throughout the play, many characters can see that Tartuffe is a fraud and that he does not practice what he preaches. He says “I’ve certain pious duties to attend to.” (Molière Act 4, Scene 1, 84). Yet in reality, he’s flirting with Elmire but he does not admit to his actions when Damis exposes him. He says “Yes, my dear son, speak out now: call me the thief/Of sinners, a wretch, a murderer, a thief/ Load me with all the names men most abhor/ I’ll not complain; I’ve earned them all, and more/ I’ll kneel here while you pour them on my head as a just punishment for the life I’ve led.” (Molière Act 3, Scene 4, 29-34). Within these line, Tartuffe pretends to be hurt because Damis accuses him of flirting with Elmire. Of course, Orgon is distracted by his actions and does not believe Damis. Therefore, Tartuffe indirectly does not admit or deny to his mistakes but he takes full responsibility of what Damis thinks he did. So, he apologizes for his unspecified sins which Orgon thinks it is highly impressive of him. Then again, it will take a lot more than the truth to reveal
Elmire pretends that she loves Tartuffe, having hidden Orgon beneath the table in the room. Because Orgon cannot envision Tartuffe to be the man everyone claims he is, his wife must demonstrate the truth of Tartuffe's character by allowing Orgon to hear from the charlatan's own mouth what kind of fraud he truly is. Because Orgon is unable to see beyond Tartuffe's pretend saintliness, it is only after hearing the man not only make advances toward his wife, but also dismiss his religious beliefs that Orgon is able to step back, distance himself from the pretense Tartuffe has surrounded himself with, and call Tartuffe out as a scoundrel. Elmire lays the trap for Tartuffe about his faith—how can he contemplate seducing her, when he says he is devoted to Heaven? ELMIRE: “ But how can I consent to what you wish, Without offending Heaven you talk so much of?” TARTUFFE: “If Heaven is all that stands now in my way, I'll easily remove that little hindrance; Your heart need not hold back for such a trifle.” In perhaps the most entertaining scene of the play, Elmire convinces her husband to hide under the table to listen to this discussion. Only after witnessing Tartuffe's licentious behavior can Orgon understand for himself what almost everyone around him has been saying since he brought Tartuffe home. ORGON: