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Tartuffe character analysis
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The term deceit is defined as an inclination or practice of misleading other people through lies or trickery. The word deceit has garnered a negative connotation in many people’s minds as it is commonly associated with ill intention and reserved for the antagonists of the story. However, the theme of deceit can take on a positive connotation because the authors can use deceit as a way to convey a critique of society during their time period. The author Molière, regarded as one of the greatest writers in the French language, published a comedy stage play titled Tartuffe in 1664 during the reign of Louis XIV. Tartuffe was a significant work because it criticized religious fanaticism in French society by using a form of deceit called hypocrisy, …show more content…
at a time when the Catholic Church was a major influence on French culture and politics. On a similar note, the author and playwright Honoré de Balzac, known for his literary works about French society following the reign of Napoleon Bonaparte, published a novella in 1832 called Colonel Chabert. Colonel Chabert was significant because it focused on the drastic changes in society during the Post-Napoleonic era as well as the struggle of Napoleonic Wars veterans to adapt to a changing environment without any assistance. In both literary works, Tartuffe and Colonel Chabert utilize the theme of deceit as a way for shedding light upon the injustice in society through the characters, their dialogues, and actions. Moliere cleverly presents the theme of deceit by using the character Tartuffe as a way to criticize religious hypocrisy in French society.
In the reading, Tartuffe is a con artist who uses religious hypocrisy as a deceit to trick Orgon and gain access to Orgon’s family and legal documents of the house. Tartuffe’s deceit is blatantly apparent to the readers and several characters in the story like Cleante, Dorine, and Elmire. In one particular scene, Orgon learns about Tartuffe’s deceit with the help of Elmire, stating “What an abominable man! I can’t believe it! I’m overwhelmed!” (Moliere 82). This scene is significant because Tartuffe represents religious hypocrisy by using his fake piety as a method to manipulate others as a way to achieve his devious goals. Moliere attacks this idea of religious hypocrisy because he views it as a danger to French society. In the journal article titled “Tartuffe, Religion, and Courtly Culture,” the Emanuel S. Chill explains how the character Tartuffe is based on a group of religious people in France called the Cabale des Devots” (156). The Cabale des Devots was a fundamental Catholic group that persecuted the Huguenots, the protestants, in France by depriving them of their rights, leading to the mass emigration. Furthermore, the historical event is mirrored in Tartuffe when Orgon and his family are nearly evicted from their house. Moliere uses this part of the story to reinforce his idea that religious fanaticism is dangerous by inserting …show more content…
his experiences with religious hypocrisy. Moliere’s criticism proved to be true when the Cabale des Volt pressured Louis XIV to discourage the public showing of Tartuffe (Chill 155). Fortunately, public opinion turned against the Devots, and the group was phased out of popularity in 1660 (Chill 152). To conclude, the character Tartuffe embodies the idea of religious hypocrisy through his actions and dialogue with other characters, similar to the charlatans during Moliere's time period. In a similar fashion, the character Cleante plays a crucial role in pointing out Tartuffe’s deceit through dialogue while serving as Moliere’s response to the critics.
In the plot, Cleante is Orgon’s brother-in-law and his main characteristic is being the person who plays the voice of reason in the chaotic situation. To prove this, the journal article titled “The Explicator,” describes Cleante as having the “‘ability to see things clearly is reflected in his ironic comments to Tartuffe’” (Saur 10). Because of this characteristic, Cleante can be viewed as the character who channels Moliere’s thoughts regarding religion. In the journal article, Saur discusses the extent to which Cleante is a “‘mouthpiece of the author’” (9). Saur’s comment can be proven true with relative ease. For example, Cleante discusses with Orgon about Tartuffe, stating “I’m talking about those sanctimonious fellows who use religious zeal to fatten their bank accounts, who attach themselves to the Court while preaching austerity, who adjust their piety to fit their vices. (Moliere 18). In this excerpt, Cleante refers to Tartuffe as a deceptive person who manipulate others by using religion as an excuse. As discussed previously, Moliere makes reference to the real life counterpart, the Cabale des Devots, who uses Christianity as an excuse to carry out their devious plans. In addition, The author inserts himself indirectly into the story by utilizing Cleante as a way to address his opponents’ criticism.
The primary criticism that Moliere’s detractors charge him is that he harbors anti-religious thoughts. In response, Moliere indirectly addresses this condemnation through Cleante by stating that he knows the difference between genuine piety and religious falsehood, and that his opponents are the latter of the situation. Therefore, the author charges that his detractors are the ones compromising religion, abusing religion to fit their selfishness. In brief, Moliere successfully defends his stance against the critics and accuses them of violating religion for their greedy desires. In Colonel Chabert, Balzac criticizes french society for their deceitful treatment of Napoleonic War veterans. The theme of deceit plays a more subtle role in Colonel Chabert when compared to Tartuffe. For starter, The lawyer Derville describes Chabert as “pale face, ghostly, knifelike-if I may use such an odd expression-seemed almost dead” (Balzac 17). This passage is significant because it establishes that Chabert represents the countless dead and surviving veterans who fought for France. These veterans gave their blood, limbs, and lives for their country, only to have their sacrifices be forgotten by society and the french government. Society wishes to forget about this part of history as evident by Chabert being buried alive underneath his dead comrades in arms. In addition, Chabert is unable to prove his identity and overcome the legal documents that state he is dead, reinforcing the idea that society does not want him. The journal article titled “From Balzac to Iraq: soldiers, veterans, and military adaptation,” corroborates this sentiment, stating that Chabert is described as “‘pale, livid," "disfigured," and "seemingly dead’” (Martin 73), and “‘Having died for France, Chabert returns from the dead to a wife, king, and country that do not appreciate his sacrifices and are unwilling to accord him the honors he deserves" (Martin 71). In short, Balzac criticizes french society for forgetting about the sacrifices of these veterans as society moves forward. Balzac continues his argument by using the character Countess Ferraud to illustrate the flaws in society. In the story, Countess Ferraud is Chabert’s former wife who remarried after his supposed death at the Battle of Eylau. Her character is deceptive and exploitative. For example, Countess Ferraud refuses to acknowledge that her former husband is alive because she wants to keep the money and property that she got from his “death.” By this action alone, Countess Ferraud is an immoral person who values material gain above the life of a human. Moreover, Countess Ferraud has the legal backing of the Restoration government behind her, with both parties refusing to acknowledge the presence of Chabert. Both sides benefit greatly from Chabert’s death because Ferraud would keep his belongings while the State would not have to compensate him for his military service. In the journal titled “Who's Who: Non-Characters in Le Colonel Chabert,” Sivert describes Ferraud’s actions against Chabert as “evidence of a moral failing.” (217). In addition, Sivert says that Ferraud embodies “the modern,” or french society (217). These passages are significant because the readers see juxtaposition. Chabert represents the old regime, a government signifying tradition whereas the Restoration government represents wealth. Translation can be a difficult task because there are words or phrases that lose their original meaning when translated over into a different language. Tartuffe is no exception to this rule. For this example, a copy of Tartuffe in French is founded on the web and will be compared to the translated version by Steiner. A conversation between Cleante and Dorine demonstrates this differences of meaning. In the french text, Cleante calls Madame Pernelle “cette bonne femme” in the first act (Nancy). Upon looking up the definition, cette translates to “this,” bonne to “good” or “great,” and femme to “woman.” Cleante refers to Madame Pernelle in a respectful manner in the french translation. However, this meaning does not translate well in the English version as it is translated to “that old lady” (Moliere 8). The English translation has a negative or disrespectful tone compared to the original text. This is significant because the translation by Steiner does not fully capture the essence of Moliere, meaning readers must take the translation with a grain of salt as what the readers comprehend may not be the idea that Moliere is advocating. Literature can be an influential source for advocating reforms in society. Novels like The Jungle and 1984 greatly affected the 20th century in numerous way, leading to the creation of the FDA and skepticism against unchecked government. Similarly, Tartuffe and Colonel Chabert served as a social criticism for each of their respective time period. Tartuffe tackles religious hypocrisy by getting readers to examine the deceitful nature of Tartuffe. In Colonel Chabert, readers witness the cruel treatments that Chabert goes through at the hands of his former wife and the Restoration government. Even more, the lessons in these two story can still be applied to today’s world. Overall, Tartuffe and Colonel Chabert are books that people should pick up and read.
From the very beginning of Tartuffe, the reader learns that Tartuffe is held in great religious standing by Orgon’s mother:” Whatever he reproves deserves reproof. He’s out to save
Jean-Baptiste Poquelin Moliere wrote Tartuffe during the beginning of the Age of Enlightenment. One of the main characteristics of the Age of Enlightenment was a push towards using reason over emotions to make decisions. The leaders of the enlightenment truly believed that the world could be made a better place if people did this. In Tartuffe, when the characters use their emotions to make their decisions they find themselves in undesirable situations. While those who let their emotions rule them find their lives spinning out of control, there are other characters in the play who try to approach them with reason and logic. Out of these characters the lady’s maid Dorine stands out as the voice of reason.
A man will only see what he wants to see. In "Tartuffe", by Moliere, we are introduced to Orgon, a man so blinded by his obsession with Tartuffe that he falls subject to his deception. Tartuffe pretends to be a devout, pious, and humble man, while in reality is a religious hypocrite. Throughout the play we are presented with many characters who try in vain to "open" Orgon's eyes to Tartuffe's lies. He refuses to accept the fact that Tartuffe is an imposter and is more of a hypocrite than a reverent man. "My mother, children, brother and wife could die, And I'd not feel a single moments pain...oh, had you'd seen Tartuffe as I first know him, your heart, like mine, would have surrendered to him". Orgon makes this completely irrational declaration regarding Tartuffe. This nonsensical statement proves just how deeply fixated he was with believing that Tartuffe was a righteous and honest individual. Only in the end does Orgon come to the realization that he's been fooled all along, and finally comes to accept the fact that Tartuffe is a lying, scheming fraud.
Moliere’s Tartuffe assumed set of social conventions were shaped by all the characters within the play, however the authoritative figure was established depicted by the father, Oregon. Oregon’s character assumed the role of king or lord of his household. He believed that as the head of household, he had the right to rule over his kingdom as he saw fit. His kingdom had to run smoothly in order for it to be effective. No matter how harsh, unfair and painful it was for his, wife daughter or servants. In the social arena there is always a central powerful family, or first family that everyone in the community aspires to be, or in more recent term “keeping up with the Jones”, “or the one with swag”. The title, position and authority was so entrenched in their social community, that it came down to even choosing one’s mate through arranged marriages. We see in Moliere’s Tartuffe, that authoritative power was as precious as gold, in the realms or patriarchal power that was prevalent in the 17th Century, political and economic power, and also religious power (in which Oregon) wanted association
This was the age of reason. People at this time began to apply rational thoughts to figure out and understand nature and to guide their human existence. In Moliere’s Tartuffe, this ideal is expressed through the character of the king. In the end, Tartuffe has brought an officer of the king back to take Orgon away. However, in Tartuffe’s attempt to get Orgon arrested, the king saw through him and reasoned that Tartuffe was the one to be accused and put to trial.
It is in the duality of Orgon, the believing subject, and Tartuffe, the manipulating hypocrite (or impostor), that Moliere takes his digs at the extremes of enthusiastic belief. Tartuffe plays the role of a man whose greedy actions are cloaked by a mask of overwhelming piety, modesty and religious fervor. Orgon is the head of a household who has taken Tartuffe in. We laugh at Orgon because everyone else (except his mother) knows that Tartuffe is a fake. All of Orgon's relatives warn him of Tartuffe's gluttony and of the false nature of his pious proclamations.
The most obvious weakness shared between Orgon and Madame Pernelle is gullibility. The trait of gullibility can be seen as a family trait as suggested in an essay on "Tartuffe" : "His mother shares his capacity for self-delusion even after Tartuffe has been found out ("We cannot always judge by what we see")" (Weals). Orgon believes because Tartuffe claims to be a man of God, he should put everything he has into Tartuffe's hands. He proves how much he believes this after Damis tells him that Tartuffe was flirting with Elmire. From this accusation Orgon replies to Damis: "I disinherit you; an empty purse /
Madame Pernelle shows the family trait that she shares with her son when she states: "He's a fine man, and should be listened to. " (I, i, 44), while speaking of Tartuffe. Although they share this trait throughout the play, Orgon's eyes are finally opened at the end of the play while his mother is still held by the farce of Tartuffe. Although Tartuffe is portrayed as the main character of the play, Orgon is the character who should really be paid attention to the most. As suggested in an essay on "Tartuffe" audiences who concentrate on the character who titles the work may miss the author's point: ".vitriol and spleen vented on one man suggests that Moliere's satire of Orgon, nevermind Tartuffe, was steeped in truth.
It is no surprise there is truth and deception in Hamlet, considering Shakespeare’s other plays. Truth and deception are two words that mean different things to many people with each having great importance. Both terms being opposite of each other peak anyone’s curiosity. The words said together make you think about if the statement or situation wondering if it is true or is it false? Truth and deception is one of 18 easily identifiable themes, which help create the play Hamlet. In one of the first scenes, Hamlet starts betraying his feelings about his father’s death.
Shortly before Orgon saw his true nature, Tartuffe began to make statements condemning people and offering his personal ideas of what God’s will should be as if they were the genuine judgements of God. Insinuating that anybody that opposed him opposed God, Tartuffe told Cleante, “Heaven’s best interests will have been served, / When wrongdoers have got what they deserved” (Moliere 49). Tartuffe had just manipulated Orgon into disowning Damis and then claimed to have had no part, because it was the will of God. After Cleante called him out on it, he responded by saying of Damis, “Heavens does not ordain that he live here” (Moliere 49). When he later tried to seduce Elmire and she told him she feared the punishment the sin would bring, he said he “knew how to exorcise those fears” and that heaven would approve because he had “pure intention” (Moliere 55). He said, “To sin in private is not to sin at all,” and that he could take her sins and punishment upon himself (Moliere 56). It is well established in the Christian beliefs that France followed that only God could forgive sins and that it did not matter where they were committed; everything he had just said was blasphemous (Mark 2:7). By claiming that he could accept the punishment for her sin, he claimed the ability to perform a feat only Jesus himself had done (1 Peter 2:24). Tartuffe praised and elevated himself to a godlike
Tartuffe is nothing more than a traveling confidence man who veils his true wickedness with a mask of piety. Orgon and his mother Madame Pernelle are completely taken in by this charade. On the other hand, Cleante, Elmire, and Dorine see Tartuffe for the fake that he really is. Cleante is Orgon's wise brother who speaks elegantly about Tartuffe's hypocrisy. Through Cleante, Moliere most plainly reveals his theme.
While Molière satirically criticized and warned against certain aspects of absolutism, divine right, and the patriarchal family, it was also evident that he supported them and did not believe in alternative ways that matters should be handled. He simply recognizes that in order for the kingdom to be conducted under these policies, rulers (both the King and heads of the household) had to be careful and wise in their decision-making to avoid corruption. Molière definitely makes some good points, and even though it was banned for a period of time, Tartuffe remains one of his most famous works.
She believes that their distaste for Tartuffe stems from his ability to condemn their sins and point out their moral flaws. At Dorines’ intimation that Madame only spends her time so harshly criticizing the world around her due to her fear of abandonment, Madame Pernelle takes her leave, reminding them that they should count themselves fortunate to have such a holy and blessed man such as Tartuffe present among them. Upon her departure, the remaining family puzzles at how their grandmother, as well as their father, could be so blind to Tartuffe’s insincerity, recounting the many instances in which Tartuffe deceived Orgon and Madame Pernelle with his charms. As Cleante leaves to rest, Damis asks her if she would inquire as to the status of Mariane’s marriage to Valere because, should they not wed, Damis would then not be able to marry Valere’s
Orgon is deceived because he cannot or refuses to see Tartuffe for the con artist he is. Tartuffe is hugely successful for most of the play because he is so good at wearing a mask of piety to cover his deception. Orgon regards Tartuffe as his religious guide and is blind to the fact that Tartuffe is deceiving him.
Tartuffe is a satirical comedic play written by Molière in 1664. It is focused around the family of Orgon and the character of Tartuffe, who has become Orgon’s personal holy man. Before being brought into Orgon’s home, Tartuffe was nothing more than a common beggar who learned how to act pious. Throughout this play, we see Orgon give everything he owns to Tartuffe: his love, his money, his daughter, and even the deed to his house. While everyone else in the household sees Tartuffe for who he really is, Orgon remains blind to it throughout most of the play. Orgon is warned many times by different members of the household, including his own son, yet he only chooses to lash out against those speaking. From early on in the play we as readers are able to recognize that Tartuffe is no more than a hypocrite and Orgon is a blind fool. In the play Tartuffe by Molière there are several different important themes that impact this work,