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Analysis of Romanticism
The Relevance of Romanticism
Romanticism victorian history
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Literary text is often used to convey messages to their audience, through art, play or poetry. Whether it is intentional or not, an author can not help to include some aspect of the political events that happened during that time period. Two movements discussed in this essay are “Enlightenment” (17th Century) and “Romanticism” (18th Century) and through literature, we come to acknowledge the presence and representation of evil and how they shape society. Enlightenment thinkers value reason, rationality and moderation, whereas Romanticism encouraged imagination, emotion and individual sensibility. “Tartuffe” by Richard Wilbur demonstrates all of the Enlightenment values in his play, whereas “Frankenstein” by Mary Shelley emphasizes on emotion, passion and the natural world. This essay will explore ways in which human reason and society can be evil and deceiving.
Evil has been exemplified in both “Tartuffe” and “Frankenstein”. Throughout the essay we will understand how each of the movements relate to each literary work. Religion played a big role during the Enlightenment. “Tartuffe”, written during that time, casts a shadow on religious virtue and religious hypocrisy. Moliere introduces several characters that displays a strong sense of reason to overcome irrationality and at the end of the story, he presents the King, which signifies a restore to aristocracy. Most notably, Cleante (Orgon’s brother in law) who highly demonstrates both reason and religious while explaining to Orgon that men like Tartuffe are “not so rare” in their display of virtue and that there might be other motives. Cleante tells Orgon that he has been a victim of deception, and has been confused “hypocrisy with deep devotion” (FIND QUOTE). In th...
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...e lake. He jumps in and save the girl, and gets shot, “On seeing me, he darted towards me, and tearing the girl from my arms…but when the man saw me draw near, he aimed a gun, which he carried, at my body and fired” (Shelley, 151).
All these events have taught the Creature that doing good, will not reap good rewards; it doesn’t matter how nice or kind he is, people judge him by his appearance. This shows that the Creature was not corrupted or “evil” from the start. Society has shaped him to be who he is and it is society that has corrupted him. The Creature explains his rage “inflamed by pain, I vowed eternal hatred and vengeance to all mankind” (Shelley, 152). The Creature asks Victor to create a companion for him, although Victor promises and begins creating a female companion, Victor ultimately decides not to and so the Creature continues his bloody revenge.
...society rejected; some may argue it was simply the creature’s bad decisions. The argument is that the decision to kill William and to blame the murder on Justine is an idea that never came from Victor and was the entire creature’s idea. This argument is invalid because Victor created the creature in his perception of “beautiful” during a time when he had secluded himself from society (60). After the creature introduces himself to de Lacy, the creature is expelled from the house due to his scary countenance. The reason that he killed William was because the creature had claimed “war against the species” because Victor had put him into “insupportable misery” (122). The reason that the creature made the bad decisions is because the creature was created as an ugly creature by Victor and was subsequently therefore rejected by society.
As a romantic, archetype and gothic novel, Victor is responsible for the monsters actions because Victor abandons his creation meaning the creature is dejected and ends up hideous and fiendish. It is unfair to create someone into this world and then just abandon it and not teach it how to survive. The quote from the creature “Why did you make such a hideous creature like me just to leave me in disgust” demonstrates how much agony the creature is in. He is neglected because of his creator. The monster says “The hateful day when I received life! I accurse my creator. Why did you form a monster so hideous that even you turned from me in disgust?” Victor is wholly at fault for his actions, image and evil.
This was the age of reason. People at this time began to apply rational thoughts to figure out and understand nature and to guide their human existence. In Moliere’s Tartuffe, this ideal is expressed through the character of the king. In the end, Tartuffe has brought an officer of the king back to take Orgon away. However, in Tartuffe’s attempt to get Orgon arrested, the king saw through him and reasoned that Tartuffe was the one to be accused and put to trial.
The creature seeks revenge for the misdeeds committed against him, but also feels immense remorse for the things he has done. This revenge seems monstrous because it is committed by someone “hideous.” If it was committed by any other human in the book, it would be viewed differently. It is a very human thing to seek revenge for being wronged. Often, humans commit acts against their own kind for lesser reasons and with less provocation than the creature. In some instances, like the case of Victor’s brother, William, the creature did not mean to harm him, he did not know his own
The fact the creature refers to a Biblical story teaches us that what Victor has done is not ethical or morally right as the bible connotes truth and wellbeing, the creature feels he is not treated as Adam because he is rejected like the fallen angel is from heaven; the philosophy is that one should absolve themselves of all sin, leaving the creature feeling like his is owed something from Victor. Furthermore during the romantic period it was said that ‘All man is born good’ however this contradicts the creatures life as he is sinned against, hated by Victor and feared by society from the day he was created although he did no wrong. The creature is given no chance in life like Adam was; he is simply a creation who is isolated fr...
It is in the duality of Orgon, the believing subject, and Tartuffe, the manipulating hypocrite (or impostor), that Moliere takes his digs at the extremes of enthusiastic belief. Tartuffe plays the role of a man whose greedy actions are cloaked by a mask of overwhelming piety, modesty and religious fervor. Orgon is the head of a household who has taken Tartuffe in. We laugh at Orgon because everyone else (except his mother) knows that Tartuffe is a fake. All of Orgon's relatives warn him of Tartuffe's gluttony and of the false nature of his pious proclamations.
The presentation of moral issues in Othello establishes that during the Renaissance period some writers challenged the traditional Elizabethan society. For instance, in Cinthio’s story Iago was a minor villain; however, Shakespeare transformed him into the Machiavellian that Is most memorable for his deception and downfall. Whereas, the presentation of moral issues in Frankenstein presents moral theory’s such as Unitarianism and the Theory of Natural Rights as inherent to which the characters face moral issues of their time. This is evident as the industrial revolution, scientific discoveries, traditional religious and metaphysical thought were topics in discussion in that time and had such an influential role in the novel. However, in Jane Eyre, the presentation of moral issues portrays a world where ethical choices overrule passion. This is evident when Jane decides it is morally right to be a “beggar” rather than a “mistress” when leaving Thornfield. Therefore, as readers, we sympathise with the characters; even if that means that, their actions are immoral of their time.
...e all the evil things they have done. When he goes to Victor's coffin, the creature does the opposite of what a evil being would do. He grieves over Victor despite all the horrible things the creature has done to Victor. The creature even feels guilt over the innocent people he has killed and the torment he put his creator through. Despite Victor's actions leading the creature to commit evil deeds, the creature finds in himself to feel regret in the end.
Although the Creature later went on to commit crimes, he was not instinctively bad. Victor’s Creature was brought into this world with a child-like innocence. He was abandoned at birth and left to learn about life on his own. After first seeing his creation, Victor “escaped and rushed downstairs.” (Frankenstein, 59) A Creator has the duty to teach his Creature about life, as well as to love and nurture him. However, Victor did not do any of these; he did not take responsibility for his creature. One of the first things that the creature speaks of is that he was a “poor, helpless, miserable wretch; I knew, and could distinguish, nothing; but feeling pain invade me on all sides, (he) sat ...
The Creature, after learning what it is to love, requests that Victor creates a companion for him. Victor rejects the creature’s proposition, as Victor now understands the consequences of animating what shouldn't be alive, the Creature wants nothing more than for Victor to suffer, to feel the pain that he, as a wretch, faces. The Creature does so by devoting his life to the destruction of Victor’s. In chapter 24, the Creature states “But it is even so; the fallen angel becomes the malignant devil.” The creature is viewed as entirely evil by the characters of the novel, despite the scenes in which his benevolent nature is shown. It is ironic that Victor and his creature are foils of one another, yet they suffer a similar fate: their desire to destroy one another led to their ultimate
For various decades’, raconteurs used a simple concept of good conquering bad to structure their stories. This topic is frequently utilized because it relates to several different aspects of authentic life. All religions address this opposition; despite of any cultural beliefs. This theme of good surmounting evil is evident in various varieties of art forms. Today’s society desires a fairy tale ending in movies instead of a dramatic ending. In addition to movies, many musicians enthrall the idea of the dark side against the world of good, and compose pieces incorporating the struggle between the two. Similar with writers, no matter what genre they are writing they all lean towards this struggle. This theme is reluctant in today’s movies, books, music, and in this case, a classic gothic novel. In the book Dracula, Abraham Stoker portrays the topic that true evil can never defeat pure good through the antithesis of light and dark, the characterization of Dracula and Lucy, and with Christian allegories.
Tartuffe is nothing more than a traveling confidence man who veils his true wickedness with a mask of piety. Orgon and his mother Madame Pernelle are completely taken in by this charade. On the other hand, Cleante, Elmire, and Dorine see Tartuffe for the fake that he really is. Cleante is Orgon's wise brother who speaks elegantly about Tartuffe's hypocrisy. Through Cleante, Moliere most plainly reveals his theme.
It is clearly shown that there were similarity and connection between them. The connection between them can be interpreted in different ways: light and shadow, master and slave, love and hate, father and son, innocence and evil. Undoubtedly, they were each other partner, they shared a similar experience of isolation, anger and were both rejected by the society under different circumstances, whereas Victor with his pursuit of knowledge and the monster with his inhuman appearance. The creature learns about life base on observing and experiencing. Through Victor’s notes, he understands more about himself and about Victor, the more he learned the more similar he becomes Victor. The tragedies that Victor created due to his selfishness was not only to himself but also to the creature. Ironically, the creature is a better person inside than Victor was. Victor made the creature to revenge as only through revenge gives him a “life” and a continued link to
The Age of Enlightenment emphasized reason over tradition in order to challenge religious views and to advance knowledge of scientific thinking. Reason is what differentiates humans from animals by allowing them to think about circumstances rationally rather than strictly by instinct. Jean-Jacques Rousseau embodies the enlightenment ideals of introducing reason into everyday lives in his book A Discourse on Inequality by saying that early humans’ creation and use of language shows how reason is used in a way to challenge ideas to imagine better solutions. This way of showing that early humans used reason is both extended from and challenged in Mary Shelley’s Frankenstein. This text also uses language as a way to utilize reason but does so in a way that shows the use of reason in a positive and negative light, supporting and contradicting the theory shown by Rousseau and that of the Age of Enlightenment.
I believe that Victor and the creature are both right about what they want and yet monstrous in their reactions. Victor is right about what he wants; one reason is because he is very committed to his work and in creating life for his creature. On the other hand he is evil because he abandoned the creature and left him on his own: "I escaped and rushed downstairs. I took refuge in the courtyard belonging to the house which I inhabited" (Shelley 57). Shelley shows Victor's monstrous reaction to the creature in the way that he abandoned the creature to his own luck and he shows no responsibility for him.