Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Themes in the tempest
Both of these novels the Tempest and Frankenstein demonstrate an extreme violation of nature and a use of powers outside our natural world that cause unnecessary destruction to themselves and the lives of others also. The authors of these books use the creatures’ appearance and manner to emphasize that they are outcasts and must therefore serve as slaves for those who do fit into society. The superiors in the relationship display greedy and immoral actions throughout by challenging nature and mankind, the subordinates experience the horrific effects of this. However the duplicity between them of selfishness and revenge helps us to understand how reliant they are of one another and as the novels progress the hierarchy between them begins to subvert.
Mary Shelley experienced a difficult upbringing, emotionally watching her parents pass; she uses these feelings in the creature to express social isolation throughout. For example the creature says
“I ought to be thy Adam, but I am rather the fallen angel”.
The fact the creature refers to a Biblical story teaches us that what Victor has done is not ethical or morally right as the bible connotes truth and wellbeing, the creature feels he is not treated as Adam because he is rejected like the fallen angel is from heaven; the philosophy is that one should absolve themselves of all sin, leaving the creature feeling like his is owed something from Victor. Furthermore during the romantic period it was said that ‘All man is born good’ however this contradicts the creatures life as he is sinned against, hated by Victor and feared by society from the day he was created although he did no wrong. The creature is given no chance in life like Adam was; he is simply a creation who is isolated fr...
... middle of paper ...
...ng us to understand Caliban’s fright.
These two works successfully illustrate the master slave relationship as both books revolve around hierarchy and desire for power. Even though these two novels portray different journeys, the destination is virtually the same. Neither man ended feeling any sense of satisfaction or contentment as they may have predicted prior to their experiments with nature. The initial intention behind each mistreatment of nature was to gain power in order to control a life to which was not their own. Victor was determined to have control of forming a being, whereas Prospero was set on controlling those who surrounded him already and reconciling their actions and thoughts for his sole benefit. Both novels make us aware of the dangers that can happen when Nature is desecrated and that when human beings abuse it, Mother Nature will always win.
As a romantic, archetype and gothic novel, Victor is responsible for the monsters actions because Victor abandons his creation meaning the creature is dejected and ends up hideous and fiendish. It is unfair to create someone into this world and then just abandon it and not teach it how to survive. The quote from the creature “Why did you make such a hideous creature like me just to leave me in disgust” demonstrates how much agony the creature is in. He is neglected because of his creator. The monster says “The hateful day when I received life! I accurse my creator. Why did you form a monster so hideous that even you turned from me in disgust?” Victor is wholly at fault for his actions, image and evil.
...e all the evil things they have done. When he goes to Victor's coffin, the creature does the opposite of what a evil being would do. He grieves over Victor despite all the horrible things the creature has done to Victor. The creature even feels guilt over the innocent people he has killed and the torment he put his creator through. Despite Victor's actions leading the creature to commit evil deeds, the creature finds in himself to feel regret in the end.
Although the Creature later went on to commit crimes, he was not instinctively bad. Victor’s Creature was brought into this world with a child-like innocence. He was abandoned at birth and left to learn about life on his own. After first seeing his creation, Victor “escaped and rushed downstairs.” (Frankenstein, 59) A Creator has the duty to teach his Creature about life, as well as to love and nurture him. However, Victor did not do any of these; he did not take responsibility for his creature. One of the first things that the creature speaks of is that he was a “poor, helpless, miserable wretch; I knew, and could distinguish, nothing; but feeling pain invade me on all sides, (he) sat ...
Throughout Mary Shelley’s classic novel Frankenstein, Victor Frankenstein pursues, with a passion lacking in other aspects of his life, his individual quest for knowledge and glory. He accepts the friendships and affections given him without reciprocating. The "creature," on the other hand, seems willing to return affections, bringing wood and clearing snow for the DeLaceys and desiring the love of others, but is unable to form human attachments. Neither the creature nor Victor fully understands the complex relationships between people and the expectations and responsibilities that accompany any relationship. The two "monsters" in this book, Victor Frankenstein and his creation, are the only characters without strong family ties; the creature because Frankenstein runs from him, and Victor because he runs from his family.
By the time of their death, both Victor and the creature has committed repugnant acts: Victor created a being out of corpses and then abandoned it and let it wreak havoc on the people he loved, the creature directly killed three people. But Victor tells Walton that, “During these last days I have been occupied in examining my past conduct; nor do I find it blamable […] nor do I know where this thirst for vengeance may end” (269). Victor is not able to see past the metaphorical clouds that seem to shroud his mind from seeing the truth. Furthermore, Victor is not able to let go of his hate for the creature. In contrast, the creature admits, “But it is true that I am a wretch. I have murdered the lovely and the helpless” (275). The creature is able to recognize that he has made mistakes and as a result he loathes himself. He tells Walton that, “You hate me, but your abhorrence cannot equal that with which I regard myself” (275). Although no amount of regret or sorrow can bring back the people that he has killed, the creature does acknowledge the evil of his actions, which in turn allow him to make come to peace. He is able to reconcile his vengeful feelings towards his creator and praises Victor by calling him, “worthy of love and admiration among men” (275). Both Victor and the creature have done committed actions against each
Each living being has the right to live and to be happy in this world – which is the simple philosophy of life. When the creature asks Victor to create somebody to love it gets heartless reply:” …Devil ... do you dare approach me? ... Be gone, vile insect! Or rather, stay that I may trample you to dust! ... Abhorred monster! Fiend that thou art! The tortures of hell are too mild a vengeance for thy crimes. Wretched devil! You reproach me with your creation; come on then, that I may extinguish the spark which I so negligently bestowed” [p.68]. For him the life on this creature is nothing, just another caprice, just something used to want and does not need anymore. He, considering himself to be “God”, does not care about what the creature feels and how lonely it is. Whom to blame? Analysis shows that Victor is the victim of the mistakes his parents did, and the Creature is a victim of Victor’s ill perception of reality. The answer says to itself!
The article “Moral Ignorance and Blameworthiness” states “There are less easily explained cases of ignorant wrongdoers: apparently ordinary people who knowingly cause suffering in pursuit of power or profit” (Mason). No one in their right mind would ever think that it is socially acceptable to create this creature, neglect it to the point where it runs away, and then not take responsibility for the actions of the creature that he created. There is a complete disconnect between Victor and the society that he lives in. For example, the reason that Victor neglects his creature is the fact that it is physically ugly.
Acting as a hypocrite Victor explains how parents should be there to teach you to become great ,“ The innocent and helpless creature bestowed on them by heaven, whom to bring up to good, and whose future lot it was in their hands to direct to happiness or misery, according as the fulfilled heir duties towards me” (Shelley 16) Victor says that his parents are a big role on how their child turns out; if the parents treat you bad then the child will come out bad but if he learns from good then he will come out to be a perfect little angel. Not taking his own advice, Victor abandon the creature to suffer life for himself. After months of looking for Victor, the creature in need of companionship says ”I, the miserable and the abandoned, am an abortion, to be spuned at, and kicked, and trampled on.”(Shelley 165) He journeyed on his own looking for companionship, no one liked him and to top it off reading Victor’s journal just made him feel even as bad as before. So he then looks for victor and asks if he can create another but victor thought to himself and says “I thought with a sensation of madness on my promise of creating another like to him, and trembling with passion, torn to pieces the thing on which I was engaged.” (Shelley 124 )Victor making the decision to not make another made the creature furious but Victor had his reasons like what if the creatures create more what if he doesn’t leave him alone just what ifs. He worries about making another creature because he wonders if the female would be as bad as the creature he first created. Victor does not make the second creature and tore it apart. Abandoning the creature caused him to learn for himself. This turns out horrible and makes the creature need a companion and goes on a
The Creature, after learning what it is to love, requests that Victor creates a companion for him. Victor rejects the creature’s proposition, as Victor now understands the consequences of animating what shouldn't be alive, the Creature wants nothing more than for Victor to suffer, to feel the pain that he, as a wretch, faces. The Creature does so by devoting his life to the destruction of Victor’s. In chapter 24, the Creature states “But it is even so; the fallen angel becomes the malignant devil.” The creature is viewed as entirely evil by the characters of the novel, despite the scenes in which his benevolent nature is shown. It is ironic that Victor and his creature are foils of one another, yet they suffer a similar fate: their desire to destroy one another led to their ultimate
good intentions. However, Victor’s ego in his search for god-like capabilities overpowers his humanity. The creature
Unlike the Romantic who revered and honored nature, Victor wants to use it for his own gain. He expects “happy” and “excellent natures” to obey him, and he doesn’t dwell upon the consequences of his actions. His outlook changes after the creature comes to life. As Victor stares into the watery, lifeless eyes of his creature, he finally realizes his mistake in trying to disrupt the natural order of the world. Scared by the outcome of his actions, Victor attempts to run away and find comfort in nature.
In the beginning Victor creates the creature to decipher his identity and gain a sense of power within the family circle. He struggles for a flame of power that is masked by the enclosed "domestic circle" that he has been accustomed to. This is demonstrated by the passage "Such was our domestic circle, from which care and pain seemed for ever banished" (24); the circle bounded Victor in a safe and secure domain. His carefully structured and secure reality was enclosed in a reciprocal nature prohibiting Victor from exploring the sublime qualities of life. His personal identity became hidden and could not be separated fr...
I believe that Victor and the creature are both right about what they want and yet monstrous in their reactions. Victor is right about what he wants; one reason is because he is very committed to his work and in creating life for his creature. On the other hand he is evil because he abandoned the creature and left him on his own: "I escaped and rushed downstairs. I took refuge in the courtyard belonging to the house which I inhabited" (Shelley 57). Shelley shows Victor's monstrous reaction to the creature in the way that he abandoned the creature to his own luck and he shows no responsibility for him.
Gender inequality will always affect the way women are portrayed in society, the weaker, unnecessary, and other sex. It is not just a subject of the past, but still holds a name in society, however in the olden eras the way women were treated and are looked at, in a much more harsh condition. In Shakespeare’s Othello and Shelley’s Frankenstein women’s roles in the books are solely based on the way they are treated in their time period. The way women are portrayed in these books, demonstrate that they can never be in the same standing as men, considered the second option, and therefore will never have the same respect as men. In both Othello and Frankenstein women are treated as property, used to better men’s social standards, and lack a voice,
In discussing Derrida's view of Western literature, Geoffrey Hartman writes that "Western tradition has been marked . . . by a metaphysics of light, by the violence of light itself, from Apollonian cults to Cartesian philosophies. In the light of this emphatic light everything else appears obscure; especially the Hebraic development of aniconic writing and self-effacing commentary of textuality" (xix). This point is well illustrated by the nature of Prospero's power in The Tempest for his control of natural and supernatural forces is achieved through book-learning the bringing to life of Logos. That which Prospero does not control completely is the vilified character of Caliban. The denigrated and unwilling servant seems to represent Prospero's shadow, and in light of the above statement, perhaps Caliban represents the shadow of our light-infused Greco-Roman style of domination of the material world. The text tells us that when Prospero first arrives on the island Caliban willingly reveals its secrets to him. Only when Caliban threatens the chastity of Prospero's daughter, Miranda, does the relationship turn into one of master and slave. Prospero thus draws the line between the shadow realm and purity. His action suggests that sexuality, too, must be kept in a role of servitude if one is to retain control of one's kingdom. In affirming this schism, Prospero simply enforces the dualistic nature of the Western tradition. In heaping scorn upon Caliban, Prospero embodies the West's extreme dualistic nature vis-a-vis its perceived schisms existent between light and dark, mortal and immortal, good and evil.