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African Americans in mass media
African Americans in mass media
African Americans in mass media
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Targeting African American Consumers
Introduction
African Americans are a core group that influence trends in music, fashion, and television. Corporations are using Mainstream Agencies to target African American consumers by using African American superstars like Michael Jordan, Tyra Banks and Bill Cosby through television. Although Blacks may be reached by mainstream media, many of them respond more favorably to culturally-based communications that acknowledge their heritage and respect their culture (Armstrong, 1999). Corporations receive less results when they fail to hire African American agencies, get feed-back from the African American community, and advertise through African American owned media like radio and print. Media placement is important when influencing targeted consumers (Green, 1999). Research reported in Mediaweek stated, " Strong evidence shows the benefits of using ethnic media to reach African Americans" (Cunningham, 1999).
This research focuses on how corporations use Mainstream agencies (General Markets) to target African American consumers. Mainstream and General markets are defined as ad-speak for "White" as in general market agencies (Brandweek, 12/06/99). Also defined in Brandweek (12/06/99) is the word targeted which is ad-speak for "Ethnic/Urban" examples being Blacks, Latinos, and Asians. A majority of corporations have two main problems when targeting the African American community. First, most corporations use Mainstream agencies instead of hiring African American-owned agencies or hiring people who specialize in African American marketing. The African-American market is served by its own specialized media, and national studeis have shown that black consumers are more suscep...
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The requirement for a particular look and sound that is in conjunction with the white, upwardly mobile consumer base of corporate America, is pitted as a significant attempt at creating ‘new normals’ by mainstream mass media. In the process of casting diversity, aspects of constructing minorities and ethnicities as normal are brought to the foreground, with several instances pinpointing towards issues of ethnic stereotyping, miscegenation and racial naturalization. Even with increasing visibility of Asian Americans as consumers, talent and corporate professionals, their scope and representation, both linguistic and visual, are deeply coded by what would be understood as natural by economically mobile, middle class, white American standards. The concluding section of the book reflects upon the significance of sites of advertisement placements from broadcast media to digital and social media platforms, factoring in issues of audience testing and reactions, to indicate the shifting dynamics of creative power and knowledge production between Asian American and general market
Dines, Gail, and Jean McMahon Humez. Gender, Race, and Class in Media: A Text-reader. Thousand Oaks, CA: Sage, 1995. Print.
39 Wilson, Clint and Felix Gutierrez. Race, Multiculturalism, and the Media: From Mass to Class Communication. Thousand Oaks: Sage Publications, 1995: 45.
Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded. During the 1950s and 1960s, 97% of the families were Caucasian. In the first five years of the 1990s, nearly 14% of the television families were African-American (Bryant 2001). These statistics obviously show the substantial impact our American culture has had on African-American television families.
The mass media being one of the greatest influencers of public perceptions, their false portrayal of black males significantly impacts how the public perceives and behaves toward them, how black males see themselves as well as their the opportunities and achievements. But the mass media canbe part of the solution. Of course, the responsibility is not the media’s alone. But the media, as the public looking glass, can and should show the full spectrum of the lives of black men and boys.
Marlon T. Riggs’ video, Color Adjustment, offers the viewer an exciting trip though the history of television, focusing on the representation, or lack thereof, of African-Americans. A perfectly chosen combination of television producers, actors, sociologists, and cultural critics join forces to offer insight and professional opinion about the status of African-Americans in television since the inception of television itself. As Color Adjustment traces the history of television shows from Amos n’ Andy and Julia to "ghetto sitcoms" and The Cosby Show, the cast of television professionals and cultural critics discuss the impacts those representations have on both the African-American community and our society as a whole. Color Adjustment continually asks the question: "Are these images positive?" This video raises the viewer’s awareness about issues of positive images for African-Americans on television.
During the semester, race is a big part of the lectures. In class, we talk about how race is distinguishing physical characteristics used to place people in different racial categories (Jensen). The biggest concern with race is racial inequality. Racial inequality is the inadequate or unfair treatment of minorities in areas like income, education, employment, health, the criminal justice system, and media. The article written by Rebecca Keegan from the Los Angeles Times newspaper discusses the inequality of race in media specifically movies. This article relates to the unfairness in films because minorities are poorly portrayed in the majority of films. More often than not, minorities are the “bad guys” in films. They are caught up in criminal activity and live in poorer neighborhoods than the majority. The article gives numerous statistics proving and exploiting that there is indeed racial inequality depicted in films. Also the Keegan touches on how minorities are underrepresented in films in the way that they usually do not have as many speaking lines compared to the white actor/actress.
"Race and Ethnicity in Entertainment." Issues & Controversies On File: n. pag. Issues & Controversies.
Investigating the Relationship Between Television Portrayal of African Americans and Behavior Responses Toward African Americans
Woll, Allen L and Randall M Miller. Ethnic and Racial Images in American Film and Television: Historical Essays and Bibliography. n.d. Print.
Racism and discrimination continue to be a prevalent problem in American society. Although minorities have made significant strides toward autonomy and equality, the images in media, specifically television, continue to misrepresent and manipulate the public opinion of blacks. It is no longer a blatant practice upheld by the law and celebrated with hangings and beatings, but instead it is a subtle practice that is perceived in the entertainment and media industries. Whether it’s appearing in disparaging roles or being negatively portrayed in newscasts, blacks continue to be the victims of an industry that relies on old ideas to appeal to the majority. The viscous cycle that is the unconscious racism of the media continues to not only be detrimental to the white consumers, who base what they know about blacks by what is represented in television, but also the black consumers, who grow up with a false sense of identity.
Vanessa Hazell and Juanne Clarke. “Race and Gender in the Media: A Content Analysis of Advertisements in Two Mainstream Black Magazines.” Journal of Black Studies, Vol. 39, No. 1 (Sep., 2008), pp. 5-21
“The media serve as a tool that people use to define, measure, and understand American society” (Deo et al., 149). Thinking of the media as a tool for the American people also extends into the realm of race and ethnicity. The United States has had a long and difficult history pertaining to the racial and ethnic identities of the many different people that reside within and outside of it’s borders. That history is still being created and this country still struggles with many of the same problems that have plagued this area since before the founding of the U.S. As stated above, the popular media has a large impact on the way that race and ethnicity are understood by people, especially when considering the prevalence of segregation in the U.S.
Journal of Public Policy and Marketing 18 (1999): 270. Communication & Mass Media Complete. EBSCO. DePaul Library. 7 Mar. 2008.
Racism is a repulsive issue that is becoming more and more evident to the people living in America. It is not something that is taken lightly in society today, and it can be extremely offensive to many. Even though everyone reacts differently to it, it is important for all people to make an honest effort to respect others regardless of their racial and ethnic backgrounds. People must change their stereotypical thoughts about others and help decrease or end racism by addressing any issues in which racism is concerned. Results in response to different approaches to confront the situation have occurred, but it still remains very real within our world today. Although some changes have been seen, racism in advertising is still tremendously evident due to very weak, offensive comical attempts, the unawareness of advertisers, and the depiction of society’s ideal person.