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Literary elements in oliver twist
Literary elements in oliver twist
Literary elements in oliver twist
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Throughout Oliver Twist (1838) Charles Dickens depicts Fagin as a cunning and occasionally depraved man. Fagin does not show fear or remorse as he manipulates the Artful Dodger, Oliver, and Nancy to thieve for him. When Fagin is shown as the respectable Old Gentleman on page 62 or when he is conspiring with Noah Claypole in “The Jew and Morris Bolter Begin to Understand Each Other” (Dickens 343) he appears confidant and completely in control. However, Fagin finds himself brought to justice for his misdeeds in chapter LII, he shows fear for the first time. George Cruikshank’s penultimate illustration “Fagin in the Condemned Cell” (431) accompanying Dickens’s text, presents a different Fagin, one who shows dismay and dread for the first time as he awaits hanging.
If the eyes are the windows to the soul, Dickens recognizes this in depicting Fagin as he faces his death. When he is in the courtroom Fagin finds that “inquisitive and eager eyes peered from every inch of space” (426) and he cannot escape their judgment. As Fagin listens to the judge his eyes “turned sharply” (427) on his jury in the hopes of finding even a single person who feels sympathy for him. However, such a friend is not to be found, and when the guilty verdict is brought down, Fagin is sent to prison to await his sentence, “to be hanged by the neck, till he was dead” (429). Once Fagin is brought to his cell, his eyes cease their wandering and “casting his blood-shot eyes upon the ground” (429) he attempts to gather together his thoughts.
In Cruikshank’s illustration, Fagin’s eyes dominate the entirety of the scene. They bulge out of Fagin’s face, and, in agreement with Dickens’s text, “shone with a terrible light” (433). Where in “Oliver Introduced” and “The Jew...
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...e last hours of his life in the gloom contemplating the death he deserves.
In this penultimate chapter, Dickens and Cruikshank have worked together to transform Fagin from the jolly, corrupt man that he is throughout Oliver Twist into a frightened, cowering creature who inspires the question from the turnkey, “Fagin! Are you a man?” (435) Fagin drearily answers, “I shan’t be one long” (435); he is finally being punished for his criminal transgressions. Dickens goes on to describe the black apparatus of death. Through this illustration Cruikshank brings us a Fagin contemplating his transgressions and fearing his fate in the hours before his death.
Works Cited
Dickens, Charles. Oliver Twist. New York: Oxford, 1978. Print.
Killian, Greg. "The Significance of The Number Seven." Watchman. N.p., n.d. Web. 25
Fed 2011. .
The dialogue of the Harlequin provides the reader with insight to the inner being of this “Robin Hood” (2); this man must die because he threatens everything — the totalitarian machine, the rigid structure of society, the time standard, the abusive restraint, the end of
What prompts Sarty to betray his own moral character is his fear of Abner, who he describes as the “black, flat, and bloodless . . . voice harsh like tin and without heat like tin”(279). Time and again, Sarty has witnesse...
Thomas, Deborah. ""Don't let the bastards grind you down": Echoes of hard times in the Handmaid's Tale." Dickens Quarterly. (2008): 90-96. Print.
Dickens used his great talent by describing the city London were he mostly spent his time. By doing this Dickens permits readers to experience the sights, sounds, and smells of the aged city, London. This ability to show the readers how it was then, how ...
Fagin is the mastermind among the criminals; he is described as an “Old Jew” he has an ugly appearance although he is described as “shrivelled” he is selfish and has been corrupted by poverty yet unknowingly shows sympathy towards Oliver, as it has shown in the novel when Oliver is told to make a robbery in Mr. Brownlow’s house, until Oliver gets shot and then Fagin shows his love towards him, this makes the reader feel that even criminals may do the unlawful work they still have some emotions and love for other humans, also in this scene Fagin reveals himself t...
9. Ashbury, M (2001) Representation of Industrialization in Dickens’ Hard Times [Online]. Available: http://www.colourpurple.com [Accessed 25th April 2005].
The activities that went on inside, left a dark stain in Dicken’s memory. He learned of, and saw a woman, “She was bent, they told me, on committing suicide. If anything could have strengthened her resolution, it would have been the insupportable monotony of such an existence (Dickens 222).” After the visit, he said “…but I never turned my back upon it (America) with feelings of such deep disgust and measureless contempt, as when I crossed the threshold of this mad-house on Long Island (Dickens 223).” His words, which are sometimes a bit over the top, are perfect at conveying the atrocities he witnessed.
The presentation of childhood is a theme that runs through two generations with the novel beginning to reveal the childhood of Catherine and Hindley Earnshaw, and with the arrival of the young Liverpudlian orphan, Heathcliff. In chapter four, Brontë presents Heathcliff’s bulling and abuse at the hands of Hindley as he grows increasingly jealous of Heathcliff for Mr. Earnshaw, his father, has favoured Heathcliff over his own son, “my arm, which is black to the shoulder” the pejorative modifier ‘black’ portrays dark and gothic associations but also shows the extent of the abuse that Heathcliff as a child suffered from his adopted brother. It is this abuse in childhood that shapes Heathcliff’s attitudes towards Hindley and his sadistic nature, as seen in chapter 17, “in rousing his rage a pitch above his malignity” there is hyperbole and melodrama as the cruelty that stemmed from his abuse in childhood has been passed onto Isabella in adulthood.
Dickens notes that in the midst of a revolution, heavy bloodshed must be made in order to achieve the vengeance that the peasants desire. Though the peasants were originally people of good faith, they were forced by the aristocratic government to take drastic actions. Poverty, the mother of all crimes, along with the aristocrats “crushing humanity out of shape once more” gave the peasants no choice.” Dickens conveys here that because of the negligence of the government, the people were forced to sacrifice their good nature and engage in the violent acts that caused a time of great animosity and dejection. Sacrifices are often made to strengthen bonds, and no other bond in the novel is stronger than the one that Lucie Mannette shares with her father, Dr. Manette.
Throughout the novel, Dickens employs imagery to make the readers pity the peasants, have compassion for the innocent nobles being punished, and even better understand the antagonist and her motives. His use of personified hunger and description of the poor’s straits made the reader pity them for the situation caused by the overlord nobles. However, Dickens then uses the same literary device to alight sympathy for the nobles, albeit the innocent ones! Then, he uses imagery to make the reader better understand and perhaps even feel empathy for Madame Defarge, the book’s murderous villainess. Through skillful but swaying use of imagery, Dickens truly affects the readers’ sympathies.
Readers of Charles Dickens' journalism will recognize many of the author's themes as common to his novels. Certainly, Dickens addresses his fascination with the criminal underground, his sympathy for the poor, especially children, and his interest in the penal system in both his novels and his essays. The two genres allow the author to address these matters with different approaches, though with similar ends in mind.
Although most would say Dickens is presenting the criminals as purely evil throughout the novel, characters such as Fagin and Sikes who are presented as dark creates of the criminal underworld, they do however on the very odd occasion redeem themselves with an act of good will, usually towards the boys. Fagin and Sikes, but more so Sikes are very dangerous and violent men, however Fagin is shown, along with Nancy, to have a good side within him and are given good images at parts of the novel, however Nancy’s good will proves to be her last move as her good will causes her to be brutally murdered by Sikes.
An orphan named Oliver Twist is forced into robbery, but with the help of kind friends, he escapes into a better future. Oliver Twist, another famous book from Charles Dickens, portrays a young boy named Oliver Twist is born in a workhouse, brought up in a child farm, and returns to the workhouse. There, he almost starves to death, but then he is brought to Mr. Sowerberry; but he escapes because he is mistreated, and walks to London, where he meets Fagin. Fagin gives him a place to stay and food, but he also teaches Oliver how to steal. When other people see Oliver running, they think he’s a thief and brings him to jail. Mr. Brownlow and Mrs. Bedwin notice that Oliver isn’t that kind of person, and house him kindly. When Oliver finally goes out with expensive books and clothing, Fagin takes him back, for fear that he will tell. Sikes, a burglary partner with Fagin, forces Oliver to go and help them steal, but the owner of the house shoots Oliver in the arm. Sikes runs away without him, so Oliver goes back to the house, and surprisingly, the owners of that house, Rose Maylie, her family, and others, treat him kindly because he did it against his will. With his new patrons, he again meets Mr. Brownlow, who had formed a bad opinion of Oliver after he left so abruptly. Later, Nancy, who works for Fagin, meets Rose and tells them what she knows about Oliver’s past. Later, she gets killed by Sikes for telling them, and he is haunted by this murder. Dialect and different types of characters make Oliver Twist all in all more interesting and striking to read.
can be seen in Oliver Twist, a novel about an orphan, brought up in a workhouse and poverty to demonstrate the hypocrisy of the upper class people. Oliver Twist shows Dickens' perspective of society in a realistic, original manner, which hope to change society's views by "combining a survey of the actual social scene with a metaphoric fiction designed to reveal the nature of such a society when exposed to a moral overview" (Gold 26). Dickens uses satire, humorous and biting, through pathos, and stock characters in Oliver Twist to pr...
but I shall come to that at last.’” (Purple 377; Chapter 46). Dickens uses sarcasm and a respectful tone to show that she will die for her sins as that it could have been worst if she did not change her malicious deeds. Her violent and harsh fate reminds the reader of how their society does not accept an exceptionally strong