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The portrayal of women in 19th century literature
The life of oliver twist charles dickens
Feminist thought in the Victorian period Jane Eyre
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Charles Dickens uses a respectful and humble tone, sarcasm, and imagery in Oliver Twist to challenge the idea of a “perfect” woman as described in Nancy and Rose. Although Rose and Nancy have significantly different backgrounds, the two are awfully similar characters. During the Victorian Era, Rose is looked as the sweetest, loveliest, and most virtuous young lady (a typical Victorian heroine). Nancy on the other hand, is one of the scandalous people working for Bill Sikes and Fagin. Her turning point is after Oliver was taken from Mr. Brownlow’s house. Looking at Oliver, Nancy seemed to have been reminded of her own lost innocence. According to the standards during the Victorian Era, both of these characters are thought to be “ideal” because …show more content…
Nancy was the source of the information about the plot between Monks and Fagin to trap Oliver in a criminal life. Because Nancy was so overly emotional, men who need her (like Bill Sikes and Fagin) find her difficult to work with. This is easily recognized in Fagin’s complaint about Nancy as a woman; “It’s the worst of having to do with women,…but they’re clever and we can’t get on , in our line, without ‘em.’” (Purple 125; Chapter 16). Here, Dickens cleverly uses sarcasm to describe how hard Nancy is to work with because of how emotional she is. Because a horrible person dislikes Nancy as a woman, it turns the whole idea around so that any good person would think that she is an overall good person. Unlike most people of the Victorian society, Nancy is not Coventry Patmore’s “Angel of the House” {“the popular Victorian image of the ideal wife/woman that is expected to be devoted and submissive to her husband” (excerpt from the description of the poem)}, nor she was formally educated. Instead, she learn from the reality of the streets; “’It is my living; and the cold, wet dirty streets are my home…’” (Purple 125; Chapter 16). This is a trait that Dickens likes the most out of Nancy. She is real and does not follow any model and/or image to make her “ideal” to any man. Towards the end of the book, Nancy reflects on her sins, and accepts the consequences; “’How many times do you read of such as I who spring into the tide, and leave no living thing to care for or bewail them. It may be years hence, or it may be only months but I shall come to that at last.’” (Purple 377; Chapter 46). Dickens uses sarcasm and a respectful tone to show that she will die for her sins as that it could have been worst if she did not change her malicious deeds. Her violent and harsh fate reminds the reader of how their society does not accept an exceptionally strong
She wants to conform, she wants to belong. This strong desire to be like the rest of the totalitarian society is evident to the reader, and it is why it is not surprising that she turned the Harlequin in. When personality “had [been] filtered out of the system many decades ago,” it is hard to form lasting meaningful relationships (1). If everyone acts the same it is hard to care about someone specific; it becomes easy to turn on a person when they become unpleasing. The Harlequin was affecting pretty Alice’s life and she had had enough.
Moving on from old habits is impossible when the very ideas have been ingrained into one’s identity. In Great Expectations by Charles Dickens, Miss Havisham is an old and wealthy lady who isolates herself in an ominous mansion. Her house serves as a condemnation for her crooked fiance Compeyson who jilted her of her money and love decades ago. Miss Havisham copes with her heartbreak by creating a heartless girl named Estella to exact revenge on all men such as the protagonist Pip. In the midst of her sins, Miss Havisham is lost and infatuated in hatred, preventing her from growing as a person. Miss Havisham is a static character whose negative traits are permanent roots in her identity.
Dickens is very effective at presenting Miss Havisham to the reader in Chapter 8. He makes use of Gothic techniques to create the evil impression of Miss Havisham on the reader. She is the mad, vengeful Miss Havisham, a wealthy dowager who lives in a rotting mansion and wears an old wedding dress every day of her life; her character and the house she lives in represent the element of Gothic literature in the novel. Miss Havisham is an example of single-minded vengeance pursued destructively.
Women and property is one of the central themes in Charles Dickens' Great Expectations. Dickens wrote this novel during the mid-nineteenth century, a period when women's property rights were being intensely debated in England. His depiction of propertied women in the novel reflects Victorian England's beliefs about women's inability to responsibly own and manage their own property. Miss Havisham is presented as the embodiment of women's failure to properly manage wealth and property. Mr. Havisham's settlement of the bulk of his estate on his daughter, despite the existence of a male heir, is unconventional, as the property system operated on a patrilineal basis. Estella's economic tragedy illustrates consequences of disposing property onto women who will inevitably marry. She suffers the loss of her property at the hands of an unscrupulous husband who misuses her fortune. The most recent analysis of the chronology of Great Expectations shows that the main action spans between 1812 and 1829 (Carlisle 5). Dickens clearly gives attention to wealthy women who own property and are susceptible to abuse. The social and historical context of the penning of the novel, and the period during which it is set, suggests a criticism of women's property rights.
Women in the time of Jane Austen dedicated their lives to being good-looking (seen in the vanity of Lydia and Kitty especially) and accomplished to ensure they were marriage material, just as the maiden tried to be enchanting and desirable for The Prince. Both texts illustrate an imbalance and struggle for equality within the oppressive rules and expectations that revolve around women’s lives, and so, their relationships.
A recurrent theme in the narrative of Bleak House is the failings of mothers to their natural born daughters. In the narrative many mothers are both unintentionally and intentionally uncaring to the physical, mental, and emotional state of their daughters. The cruelty that mothers can and will subject their daughters to can be clearly shown in many of the relationships of some of the important characters in the story, such as, Mrs. Jellyby and Caddy Jellyby. We are shown that many women succeed in finding the maternal support the need and crave in their friendships to other women. Although Esther is essentially Dickens design of what traits women should want to embody, she manages to become a surrogate mother to many of the females characters
...n her dream state showing her mature ideals that should have been accepted by her sister or Lewis Carroll because it exhibits her adult intentions and growth. Oliver is also pushed between two distinct world of good and evil without participating or being fully aware of his surroundings. He allows himself to exist in the limbo between the two opposite principles because he behaves as a submissive child. Significantly, these children behave as pawns in the adult world.
Charles Dickens was a man of many talents, he could perform, he could write, and he could charm; all very valuable attributes. However, it would seem that Charles Dickens had become quite the misogynist, and he used those attributes to accentuate this woman demeaning characteristic. As a misogynist, Dickens had a very clear view on what he expected a woman to look like, act like, and do, and he reflected this in most of his writing. “Dickens wrote as if he believed a woman’s place was mostly in the home, doing domestic things and supporting her husband” (Scheckner. 240.) It would be logical to say that this is how most people thought in the Victorian Era. However, Dickens ideas begin to get a little odd. Scheckner continues saying, “Mrs. Joe
There had been a girl some six years before… such a child was merely a piece of base coin that couldn't be invested—a bad Boy—nothing more” (Dickens, Chapter 1), to a father who could speak his daughter’s name with heartfelt tenderness? Dickens doesn’t argue that it is possible – he shows it happening, so we are forced to acknowledge that such change is
He describes her as nothing but a common thief that steels money from children. The care she gives is described by Dickens sounds more like abuse as he lists cases of infants dying from hunger or sheer neglect. His criticism extends from the actual carer to the authorities that are supposed to keep check on how the new law is implemented , but their reports amount to nothing. Dickens also describes Mr Bumble with apparent glee as this pompous, fat and self important man who is literally living off the poor. The significance of Oliver?s characterisation is important because he is described as ?
In the novel ‘Great Expectations’ there are three women who Dickens portrays differently to his contemporary’s, writers such as Austen and Bronté, and to the typical 19th century woman. These three women go by the name of Mrs Joe (Pips sister), Miss Havisham, and Estella. Mrs Joe who is Pips sister and Mr Joe’s wife is very controlling and aggressive towards Pip and Mr Joe. ‘In knowing her to have a hard and heavy hand’. This shows Dickens has given Mrs Joe very masculine qualities, which is very unusual for a 19th century woman. Mr Joe has a very contrasting appearance and personality to Mrs Joe. ‘Joe was a fair man, with curls of flaxen hair on each side of his smooth face, and with eyes of such a very undecided blue that they seemed to have somehow got mixed with their own whites.’ In many ways Dickens has swapped the stereo type appearances and personalities of 19th century men and women. Dickens portrays Miss Havisham to be rich but lonely women. ‘I should acquit myself under that lady’s roof’. This shows Miss Havisham owns her own property which is Satis House. This woul...
hence, exposing her inaccuracies. See Nancy fall. Her fleeing of the dilemma, could be the very
can be seen in Oliver Twist, a novel about an orphan, brought up in a workhouse and poverty to demonstrate the hypocrisy of the upper class people. Oliver Twist shows Dickens' perspective of society in a realistic, original manner, which hope to change society's views by "combining a survey of the actual social scene with a metaphoric fiction designed to reveal the nature of such a society when exposed to a moral overview" (Gold 26). Dickens uses satire, humorous and biting, through pathos, and stock characters in Oliver Twist to pr...
...pe from the filth and crime that she was pushed into as a child. Dickens develops Nancys character to show that people in poverty can not always help their situations. They might live a life of crime, but do they have any other choices? Nancys development as a character gives the reader an interesting perspective on the lower class and their situations.
Because Oliver appealed to Victorian readers' sentiments, his story may have stood a better chance of effectively challenging their prejudices. Nancy - A major concern of Oliver Twist is the question of whether or not a bad environment can irrevocably poison someone's character and soul. As the novel progresses, the character who best illustrates the contradictory issues brought up by that question is Nancy. As a child of the streets, Nancy has been a thief and drinks to excess. The narrator's reference to her free and agreeable .