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Impact of technology on film industry
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When the medium of film begun over 100 years ago, the idea of synchronised sound was unthinkable. The concept of getting moving image to screens had only occurred and the demand for sound was not necessary. It was only in the second half of the 1920’s did the innovative key development of synchronised sound in cinema arrive which paved the way for what cinema has become today.
Before the use of synchronised sound, sound did play a part in cinema. However, this came from live bands or actors playing along to the film.
The first film to incorporate the innovative technology of synchronised sound was the 1927 Warner Brothers production of The Jazz Singer. While a large majority of the movie is a silent film, Warner Brothers were able to use
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When sound was wanted in the production often a live band would play music in the theatre or live actors would read the lines. There was no demand for synchronised dialogue within the film therefore film production companies did no feel the need to change it by looking for a way to include synchronised sound. It was only when the telephone company (AT&T) and the radio company (RCA) approached the production studios with the available technology did synchronised sound become integrated into film. The major production companies at the time chose to remain with what the audience enjoyed and chose to avoid developing the technology provided by AT&T and RCA. They were already extremely profitable and didn’t want to take the risk. Smaller companies, Warner Bros and Twentieth Century Fox chose to acquire the technology to include synchronised sound in order to gain an advantage over their larger …show more content…
The production studio had to look at whether adding this new technology would be economically beneficial to what they had already achieved when producing cinema.
Many people believed that adding sound could harm cinema instead of enhancing it. There was concern that the art would be taken out of it and it would become less visual.
Now that Warner brothers and 20 fox had taken the risk to use sound in there films it upped their rankings in the production company hierarchy. Although the technology was very expensive and increased the cost for studios to produce films, it made it hard for others to compete with them.
Another disadvantage of the innovative sound technology was the cost. In order to fund the productions with sound production companies had to find funding. Often looking to big banks to bank roll the films. However, this meant that they could have less creative control as the banks would not fund an idea they did not
. As soon as the film starts the sound is thrown right at the audience
Slapstick enables the beleaguered audience to stay here on earth and have the best good time; with a perfect sense of completeness, the clown’s martyrdom becomes the good time the audience is having. The significance of the silent era in film history cannot be overstated. During the first decades of the twentieth century, a truly commercial popular art emerged bound closely to the image of a modern America. Movie making luminaries such as Charlie Chaplin and Buster Keaton lead the way of comic cinema with their unforgettable films. Regardless of the development of synchronized sound, the era drew to a close, but the modes of production, distribution, exhibition, and consumption inaugurated during the silent film era persisted, creating the film industry, as we know it
From the silent era, I chose the movie, The Great Train Robbery, which was directed by Edwin S. Porter. It is a great example of a film that introduced new camera techniques, composite editing, and on-location shooting. As for the sound era, the movie I chose is Á bout de soufflé, also titled Breathless, which was directed by Jean-Luc Godard and was known for its visual style using its jump cuts. It also was the earliest and most influential examples of French New Wave
Sound is an incredibly relevant part of filmmaking. Although often misunderstood, it helps to generate a more realistic episode by recreating the sonic experience the scene needs. Its main goal is to enhance the emotions that each section is trying to convey by adding music and effects alongside moving images. Psycho (Hitchcock, 1960), is one of the most popular films of the XX Century (Thomson, 2009). Commonly recognised as a masterpiece for its cinematographic, editing and musical values, it changed cinema forever by “playing with darker prospects (…) of humanity such as sex and violence (Thomson, 2009)”. This paper will analyse the sound effects used in the shower scene and its repercussions
...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
The Jazz Singer created a new advancement by introducing the first talking film. The article 1920s Movies mentions “The production of The Jazz Singer in 1927 did much to change the industry’s perception of talking pictures. The technology had advanced little in the previous five years, but the production was the first feature length talking picture to feature a star singer and actor, Al Jolson, speaking and singing on screen.” The Jazz Singer was the first film to incorporate speaking techniques in a cinematic setting. “The Jazz Singer is a special historical landmark as the first Hollywood feature film in which spoken dialogue was used as part of the dramatic action” (Carringer 28). In addition, The Jazz Singer was the beginning of a new technique that is still used in today’s society. “They talk of it today with awe, because in 1927 it was as though men had landed on the moon. The shaky, abrasive voice of the movies had been heard for the first time. Talkies had been born” (Higham 72)....
We realised, we being the young filmmakers I used to hang around with, that sound is your special friend and does at least 50% of the job sharing with picture. (Coppola) (Thinking Sound, 2011)
The role of music in film can be critical to telling the story. The music is used by directors in various methods to help the viewer glimpse a full picture of trends and beliefs of a particular time, to understand the psychology behind a particular character, and to set a mood in a film. Competition in Amadeus (1984) and Saturday Night Fever (1977) are depicted in different ways using numerous musical techniques which are important to analyze in order to understand their role in the films. Although mutually united by having music as a core concept of these films, they are differentiated by the use to which music is put in each one. This paper will describe how music in film, as defined by Aaron Copland, is used in films such as Amadeus and Saturday Night Fever. I will discuss how Amadeus defines the rivalry between
Through sound-on-film, the flicks fully had a reliable accent and inferior, assorted to the accepted ensemble. Sound-on-film normalized movies and on the freelance movies, the age of the studio and on the golden age of Hollywood cinema.
Sound is what brings movies to life, but, not many viewers really notice. A film can be shot with mediocre quality, but, can be intriguing if it has the most effective foley, sound effects, underscore, etc. Sound in movies band together and unfold the meaning of the scenes. When actors are speaking, the dialogue can bring emotion to the audience, or, it can be used as the ambient sound. Music is one of the main things to have when filmmaking. The use of Claudia Gorbman’s Seven Principles of Composition, Mixing and Editing in Classical Film gives audiences a perspective of sound, and, how it can have an impact on them.
The sound in this movie should also be mentioned. With the action in this movie, sound is very important. The sound is very important in every movie, but especially in this movie, because of the punching, kicking, and so forth. None of this is discussed.
In 1927 the world had first debuted the first ever-sound movie, The Jazz Singer, however, just over a decade later in 1937, the infamous Charlie Chaplin still continued to create silent film as we can see in Modern Times (1936). In this essay I will discuss the advantages and weaknesses of Chaplin’s decision of not using sound besides music and sound effects. In particular I will discuss how he used these decisions to his benefit. Modern times was a risk to be taken for Chaplin as Sound film had started just a decade before it was released, yet as “ the most famous man in the world”
The introduction of sound to film started in the 1920’s. By the 1930’s a vast majority of films were now talkies. ‘If you put a sound consistent to visual image and specifically human voice you make a “talkie”’ (Braun 1985 pg. 97). In 1926 Warner Brothers introduced sound to film but, other competing studios such as FOX, didn’t find it necessary to incorporate sound to their motion pictures production, as they were making enough money through their silent movies. Warner Brothers decided to take what was considered a risky move by adding sound to their motion picture, a risk taken, as they weren’t as successful in the silent movie department. But this risk paid off with the hit release of ‘The Jazz Singer’ in 1927. Though sound in films was then acceptable and successful it wasn’t until the 1950’s that it became feasible to the public as sound was introduced to cinema by the invention of Cinerama by Fred Waller. The Cinerama used 35mm film strip and seven channels of audio.
A movie camera or video camera takes pictures very quickly, usually at 25 pictures (frames) every second.When a movie projector or a computer shows the pictures at that rate it looks like things are shown in a set of pictures that are really moving.Sound is recorded at the same time.In old movies like in 80s movie the sound is recorded after the movie is taken or later.The sound in the movie usually include people talking or music and sound effects.
Since music is such a big part of our culture, it most definitely finds a way into our cinema. A movie without background music is like eating food without being able to taste or smell it. Without music, there is a complete lack of essence thus making the product seem incomplete.