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Modern industry and movie
Modern industry and movie
Analysis of sound as a technique in films
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Comic Cinema has become more inept to show the visual comedy and instead rely on sound, particularly dialogue. Take the scene from comedy film Old School where Will Ferrell tries to explain to a group of college kids why he cannot drink. (Figure 1.9) In a cinematic standpoint the scene just seems is a simple shot reverse shot of a grown man and a couple of college kids who seem to disapprove of his decisions. The chunk of the humor lies solely in the dialogue and the way the characters in the scene react to the one speaking. Since the introduction of sound and cinema, audiences have been more drawn to the pleasures of the act of hearing and seeing that they need less and less from both instead of a masterpiece of both. Visual comedy will always …show more content…
Jackie has the ability to use any prop in his fighting scenes from ladders to dresses. He uses this to introduce comedy in his action with the coexistence of natural everyday objects into fighting mechanisms. This is similar to Keaton’s “Impossible gags” that he used in his early days of cinema before he joined MGM. (Figure 1.5) Not only has Jackie Chan been influenced by the stunt work of Buster Keaton but also in several of his films Jackie pays homage to several stunts Keaton is famously known for creating. Doing so reveals these scenes as sort of an artifact of the silent era’s movement. Specifically in the action movie Project A where a falling partition literally crashes on top of Jackie Chan. (Figure 1.6) This scene is an exact replica of Keaton’s film Steamboat Billy Jr. where a partition of a house literally comes crashing down on …show more content…
Slapstick enables the beleaguered audience to stay here on earth and have the best good time; with a perfect sense of completeness, the clown’s martyrdom becomes the good time the audience is having. The significance of the silent era in film history cannot be overstated. During the first decades of the twentieth century, a truly commercial popular art emerged bound closely to the image of a modern America. Movie making luminaries such as Charlie Chaplin and Buster Keaton lead the way of comic cinema with their unforgettable films. Regardless of the development of synchronized sound, the era drew to a close, but the modes of production, distribution, exhibition, and consumption inaugurated during the silent film era persisted, creating the film industry, as we know it
New and exciting technologies have always played a huge role in the culture of American people. When the motion picture came out it was no surprise that both consumers and producers were more than happy to get in on the action. Back in the 1920’s film was still pretty new and was only in black and white with no sound, but the films were always accompanied by orchestral pieces to help set the mood. The art of movie-making has come a long way since then with the addition of not only color and audio, but new techniques and new ideas. Both The Kid and Iron Jawed Angels are very popular films about the early 1900’s. Although they share some common thoughts, but because they were made in two completely different time periods their focuses are far off from one another and their ideas contrast for the most part.
Stanley, Robert H. The Movie Idiom: Film as a Popular Art Form. Illinois: Waveland Press, Inc. 2011. Print
Frank was at first an amateur with silent film-making, but working as an apprentice with producer Henry Cohn, he began more adept at it. He started with gags and comedy humor movies, but the emergence of fil...
The silent era in film occurred between 1895 through 1929. It had a a major impact on film history, cinematically and musically. In silent films, the dialogue was seen through muted gestures, mime, and title cards from the beginning of the film to the end. The pioneers of the silent era were directors such as, D. W. Griffith, Robert Wiene and Edwin S. Porter. These groundbreaking directors brought films like first horror movie and the first action and western movie. Due to lack of color, the silent films were either black and white or dyed by various shades and hues to signal a mood or represent a time of day. Now, we begin to enter towards the sound era and opposed to the silent era, synchronized sounds were introduced to movies. The classic movie, The Jazz Singer, which was directed by Alan Crosland, was the first feature length film to have synchronized dialogue. This was not only another major impact in film history, but it also played a major part in film technology and where film is right now.
Orson Welles’ Citizen Kane is one of the first modern sound films. However, it was innovative in more than just sound, it introduced various cinematography techniques and structural ideas. With the help of Barry Fesler and Jamos D. Stewart, Welles introduced subjects such as deep focus sound, the use of voice texture, and the “lighting mix.” Moreover, he explored different camera angles, deep focus photography, elaborated on fluid continuity, and experimented with structure. Citizen Kane was produced during a rather unusual time as many studios were having financial troubles due to war in Europe. France was being invaded by the Nazis, which caused a shift from movies being shot in sound stages. Nevertheless, this politically intense period, gave rise to America’s press lord, William Randolph Hearst, who build an immense newspaper chain and published over the top stories. His ruthless behavior and troubled personal life inspired Welles to write Citizen Kane.
Amongst the numerous great silent film directors, the three that are commonly mentioned surrounding that discussion are Buster Keaton, Harold Lloyd, and Charlie Chaplin. Having seeing a greater amount of Charlie Chaplin’s magnificent work than the others, Buster Keaton and Harold Lloyd most certainly still got my consideration. In spite of every one of the three delivering awesome pieces of visual artwork, they shared some comparable attributes, however they each had unique differences which contributed to their each distinct style of silent film production. From seeing films produced by all three of these directors, it is evident that comedy works magnificently well with the silent movie format.
How does it feel starting over in a completely new place? In the movie “The Karate Kid”, Daniel, the main character, and his mom moved to the California from New Jersey because of his mom’s new job offer. Daniel started going to school in California and met a girl named Ali, whom he started to like. He started going out with her. Daniel was getting beat up by some bullies; one of them was Ali’s ex-boyfriend. They knew karate very well, but Daniel did not. So Daniel decided to learn karate. Daniel and his mom were living in an apartment and one day he discovers that the handyman at his apartment, Mr.Miyagi, knows karate very well. He asked Mr.Miyagi to teach him karate, and Mr.Miyagi became his karate teacher. It was hard for him to make new friends in a new place and he believed that Mr.Miyagi would be the only best friend he ever met.
Brownlow, Kevin 1994, ‘Preface’, in Paolo, C, Burning Passions: an introduction to the study of silent film, British Film Institute, London: BFI, pp. 1-3.
From the Kinetophone to the Vitaphone, the sound-on-disc format dominated the pioneering stage of sound in movies. For the first time ever, people were able to hear sound synchronized with the images on the screen, and the revolution had begun-the talkies were here to stay. It was the sound-on-disc format that helped create many of Hollywood’s “talkie” classics, including The Jazz Singer and The Singing Fool. However, another format, sound-on-film, would soon take reign of the talking motion picture movement, as the audience and the exhibitors started to become more demanding as technology was slowly improving. Sound-on-disc was simply beleaguered with too many technical and economic problems to continue to stay relevant. Thus, the competing sound-on-film format eventually became widely-accepted in the motion picture industry and is used even to this day.
As stated by English professor and film historian, John Belton, “In the cinema, genre is a term used to designate various categories of motion picture production. Major movie genres include such types of films as musicals, comedies, action and adventure films, Westerns, crime and detective films, melodramas, science fiction and horror films, gangster films, and war films” (123). During the course of this class, we have studied a majority of these genres. Recently, we took a look at the development of silent film melodramas (a drama accompanied by music). In the late 1920s, the coming of sound took place and transformed melodramas into “talkies” (with speech and song).
Comics: A Better Means An Artistic End. If a line of symmetry were to be drawn down the center of the paper, it would seem that each character rests within his environment about to collide with the other. Even without words, a vivid story begins to formulate in my mind, and hopefully I share the artist's vision. Comic book art is the Pez dispenser of modernism.
In the last 70 years, many things about America have changed. Yet every week since the 1940s, Americans still run to their nearest comic book shop to buy stories about the characters that they love and look up to. Many superheroes have barely changed since mid-19th century, but the industry as a whole has changed us as Americans and as citizens across the globe. Comic book characters have provided a sense of comfort to us, giving us someone to root for and as an escape into a fantasyland of powers and abilities. They have been used as propaganda and also to advance movements amongst the people such as the Civil Rights and Feminist movements. Also, the shift in our real world has changed the tone of comics, such as terrorism becoming a main idea of many comics following 9/11. Now, the movie industry has brought comics to life and has made some of the highest grossing film franchises which pull in billions upon billions of dollars. But this industry has had its ups and downs. Many have subjected it to harsh criticisms about the unrealism they show and the way they depict certain groups. Regardless, comics have changed the course of American history and shaped our culture.
The first link I was truly fascinated with was a short video of Buster Keaton in “The Railrodder” because though the short film had no lines it had a funny story and I could understand everything that was going through the mind of and around the characters. Buster Keaton, who plays the main character, is known for his acting, directing, and doing nearly all of his own stunts. It is incredible the things he was able to do even as he got much older and continued to do stunts. He was mainly recognized for being a physical comedian though he always had a stony, expressionless face in all his films. Even in “The Railrodder,” Keaton’s last silent screen performance, he continued to be the deadpanned face that he was in his early years. He was an amazing
Among the highest-grossing movies of all time are numerous landmark films, such as Titanic, Avatar, and Star Wars: The Force Awakens. Taking their place alongside these cultural touchstones are mammoth blockbusters of a new breed: action-packed superhero epics. Each year, the number of superhero movies due for release seems to grow exponentially. One glance at a list of upcoming movies for this year reveals that the box office is absolutely saturated with superhero films. Some highly-anticipated installments feature heroes already well-acquainted with the big screen, such as Captain America and the X-Men, while others are introducing relatively unfamiliar characters to contemporary movie-going audiences, as in the cases of Doctor Strange and
The point of a storyline is to make people laugh. It does not have to