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In his short story, “The Prophet’s Hair,” Salman Rushdie make use of magic realism, symbolization and situational irony to comment on class, religion, and the fragility of human life. The story is brimming with ironic outcomes that add to the lighthearted and slightly fantastic tone. Rushdie’s use of the genre magic realism capitalizes on the absurdity of each situation but makes the events relevant to readers’ lives. In addition, the irony in the story serves as a way to further deepen Rushdie’s commentary on class and religion. Finally, his use of symbolization focuses on the concept of glass, and just how easily it can be broken. A story is classified as magic realism when surreal or fantastic events occur within a realistic narrative and setting. This type of writing is present throughout Salman Rushdie’s short story, “The Prophet’s Hair.” The story is set in the early 20th century in the Kashmir Valley in India. This setting is not only realistic, but it actually is a real location in India. In addition, all of the …show more content…
In the beginning of the short story, Hashim is not a religious. He claims that he’s “not a godly man,” but he sets great store by “living honorably in the world.” Although he isn’t religious, he feels that he holds himself morally accountable. However, by charging an outrageously high interest rate of 71 percent, Hashim is not what many would consider noble. He justifies this standard by saying he is teaching the poor “the value of money: let them only learn that, and they will be cured of this fever of borrowing, borrowing all the time.” Despite Hashim’s claim that he is helping the poor, what he is actually doing is pushing them further into debt. Although he claims that if his plans succeed, he will put himself out of business, I don’t think that as Hashim is sitting in his large house surrounded by signs of his wealth that he is very worried about losing his
People come from different backgrounds which mean they will celebrate holidays differently even though they might be of the same religion. The world is huge has a variety of people whom speak many different languages and have different styles, which is why it is a good reason to keep an open mind to learn something new. David Sedaris is a well-known comedian writer who by some calls him the funniest writer alive. He has also written many best sellers such as Naked and Talk pretty to me. Jesus Shaves is a short story by Sedaris in which cultures cross between students in a French class. The Students come from different backgrounds even though a lot of them share the same religion they practice it differently. There are a lot of elements in Jesus
Critics have already begun a heated debate over the success of the book that has addressed both its strengths and weaknesses. The debate may rage for a few years but it will eventually fizzle out as the success of the novel sustains. The characters, plot, emotional appeal, and easily relatable situations are too strong for this book to crumble. The internal characteristics have provided a strong base to withstand the petty attacks on underdeveloped metaphors and transparent descriptions. The novel does not need confrontations with the Middle East to remain a staple in modern reading, it can hold its own based on its life lessons that anyone can use.
Joyce, James. “Araby”. The Norton Anthology of Short Fiction. Eds. R.V. Cassill and Richard Bausch. Shorter Sixth Edition. New York: W.W. Norton and Company, 2000. 427 - 431.
“Culture belongs to the imagination; to judge it rationally is to misunderstand its function” (Wilson 79). In “The Butterfly Mosque” by G. Willow Wilson, she acknowledges culture and explains why cultures can differ so greatly. She emphasizes why its highly inconclusive to try to find a meaning behind ones culture. As a young American Muslim women she is faced with cross cultural ironies as she tries to find her identity and where she fits in. Her conversion to Islam brings into light her internalized prejudice and the different perspectives of Westerners towards the Middle East and vice versa. In her memoir, she depicts both positive and negative aspects of both cultures and, her struggle to find a common ground between the two.
In "Between Cult and Culture: Bamiyan, Islamic Iconoclasm, and the Museum," Finbarr Barry Flood expresses many ideas concerning Islamic iconoclasm. His focus was on the ."..iconoclastic practices of Muslims living in the eastern Islamic world, especially Afghanistan and India." Flood discusses issues with traditional patterns considering Islamic iconoclasm and the "many paradoxes" that "complicate" our understanding of Islamic iconoclasm. Throughout this essay we become familiar with "essentialist conceptions of Muslim iconoclasm" as well as "political aspects of what has largely been conceived of as a theological impulse." These points later provide a basis for analyzing the destruction of the Bamiyan Buddha by the Taliban in March 2001. "It will be argued that their obliteration indexed not a timeless response to figuration but a calculated engagement with a culturally specific discourse of images at a particular historical moment."
James Joyce's use of religious imagery and religious symbols in "Araby" is compelling. That the story is concerned somehow with religion is obvious, but the particulars are vague, and its message becomes all the more interesting when Joyce begins to mingle romantic attraction with divine love. "Araby" is a story about both wordly love and religious devotion, and its weird mix of symbols and images details the relationship--sometimes peaceful, sometimes tumultuos--between the two. In this essay, I will examine a few key moments in the story and argue that Joyce's narrator is ultimately unable to resolve the differences between them.
A mind provoking essay that embodies the fear and concerns of this new entertainment era, author Salman Rushdie highlights the defects within our society, the vain and egotistical side, using personal anecdotes, logos, and pathos to further illustrate his point.
When discussing the controversial authors of Indian literature, one name should come to mind before any other. Salman Rushdie, who is best known for writing the book “Midnights Children.” The first two chapters of “Midnights Children” are known as “The Perforated Sheet”. In “The Perforated Sheet” Rushdie utilizes magic realism as a literary device to link significant events and their effects on the lives of Saleem’s family to a changing India. In fact, it is in the beginning of the story that the reader is first exposed to Rushdie’s use of magic realism when being introduced to Saleem. “On the stroke of midnight/clocks joined palms” and “the instant of India’s arrival at independence. I tumbled forth into the world”(1711). Rushdie’s description of the clocks “joining palms” and explanation of India’s newfound independence is meant to make the reader understand the significance of Saleem’s birth. The supernatural action of the clocks joining palms is meant to instill wonder, while independence accentuates the significance of the beginning of a new era. Rushdie also utilizes magic realism as an unnatural narrative several times within the story to show the cultural significance of events that take place in the story in an abnormal way.
He is able to capture the realness of the time and setting through his words, and write for a purpose. As a result, it can be said that he uses this work of historical fiction less as a theatrical stage and more as a platform to introduce the audience to the inhumaneness of Afghanistan. He not only incorporates the Taliban’s grueling “beard lookout men,” who patrol the roads in their fancy Toyota trucks in hopes of finding “a smooth-shaven face to bloody,” but he also displays the horrific and bloodcurdling abuse of women that exists at the hands’ of men and the feelings of great despair and pain that these women face as a result. Living in a state of unbearable fear of the next beating, the next detonating bomb, and the next brutal attempt of the Taliban, the lives of these characters feel almost too real to not be true. Resultantly, the reader is left to wonder whether or not this added literary dimension of realness is actually an introspective study of individuals that Hosseini has long
Although “Araby” is a fairly short story, author James Joyce does a remarkable job of discussing some very deep issues within it. On the surface it appears to be a story of a boy's trip to the market to get a gift for the girl he has a crush on. Yet deeper down it is about a lonely boy who makes a pilgrimage to an eastern-styled bazaar in hopes that it will somehow alleviate his miserable life. James Joyce’s uses the boy in “Araby” to expose a story of isolation and lack of control. These themes of alienation and control are ultimately linked because it will be seen that the source of the boy's emotional distance is his lack of control over his life.
I have been somewhat critical of the author at times, but this is only because he opens the door for the reader to think. I would not be able to formulate opinions if he hadn’t questioned whether Muhammad was being a fair and effective leader. After all, he greatly changed the course of history as we know it. Cook’s objective way of looking at Muhammad’s life allows one to attain a clear view of just how deep of an impact he made.
My project emphasizes this spiritual tension by presenting a wineglass inscribed with Qur’anic verses. By examining the purpose and structure of this wineglass, the truth of Mahfouz’s philosophy emerges. Such glassware is designed specifically for the consumption of alcohol, a direct violation of Islamic law. However, despite its nature, this glass has the capacity to hold many other liquids, which reflects the versatility of spirituality. The clear base and stem symbolize the perfect clarity with which the Qur’an was revealed to Muh...
Iran’s society became more fundamentalist, which made Marji more disillusioned of her religion. At the beginning of the story, when the westernized dictator Shah governs Iran, Marji defines herself as a “very religious” (6) person, although she and her family think of themselves as being “very modern and Avant-Garde”(6). Religion, and its many stories and traditions perspectives allowed Marji to think of herself as “the last prophet”. Thinking of herself as a prophet somehow made her to escape to an imaginary religious glory where there were not violent atrocities. But, ironically, that religious imaginary boundary was only a façade that blocked her to see the violent reality. However, in the story “The Sheep” she began to see the cruel reality. In the story “The Sheep” Marji’s uncle Anoosh got executed by the so-called “Divine Justice”. Although the
Haddawy, Husain, Muhsin Mahdi, and Daniel Heller-Roazen. The Arabian Nights. New York: W. W. Norton, 2010. Print.
Perhaps the main reason I liked this book was the unfaltering courage of the author in the face of such torture as hurts one even to read, let alone have to experience first-hand. Where men give in, this woman perseveres, and, eventually, emerges a stronger person, if that is even possible. The book’s main appeal is emotional, although sound logical arguments are also used. This book is also interesting as it shows us another face of Nasir – the so-called “champion of Arab nationalism” – who is also the enemy of pan-Islamism. The book is also proof of history repeating itself in modern-day Egypt.