An unsung anthem of the twentieth century adolescent, The Bell Jar since its original publication under Sylvia Plath’s pseudonym, Victoria Lucas in 1963 has become an iconic symbol of teen angst. The novel focuses on the protagonist, Esther Greenwood, and the emotional struggle she faces while finding her way in the world as a sheltered college student. The novel traces the expedition of her mental breakdown from the budding signs of depression to the denouement of her recovery. Throughout The Bell Jar, the stages of Esther Greenwood’s despondency, and the nuances in the protagonist’s mental and emotional journey are clearly documented through the evolution of her perspective. Sylvia Plath makes many parallels to other iconic novels, and to her own experiences, breathing life into the development of Esther Greenwood’s dynamic character.
The Bell Jar opens up with the introduction of the main character and her ambivalent attitude towards the hustle and bustle of New York City. Immediately her disorientation and cynicism is discernable. Esther is serving as an intern at a prestigious fashion magazine in New York City paid for entirely by her generous benefactor, Philomena Guinea. During her time in the city, she starts to feel detached from reality as if she were a spectator on the side-lines watching all the excitement she should be experiencing herself. In the first few chapters, Esther expresses her insecurities about feeling small and inexperienced in a big world. The New York internship had been the first time she had ever been anywhere outside the Boston suburbs she called home. Coincidentally, Plath also hailed from the Bostonian Jamaica Plain suburbs and served as an intern in 1953 at Mademoiselle, a reputable fashion magaz...
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...t. I am, I am, I am” (243).
The Bell Jar, a novel whose legacy has shone on for decades serves as homage to those in crisis, especially those dealing with the apprehension of adolescence or even clinical depression. Sylvia Plath uses a plethora of bona fide incidents and sentiments neatly chiseled from her own life constructing a quasi-autobiography. This is done while simultaneously drawing similarities to other influential masterpieces in history. Esther Greenwood’s emotional odyssey of the stages of her depression is exhibited throughout the novel. The Bell Jar is a beautiful tribute to the internal emotional struggles during Plath’s lifetime, expressed through the evolution of the protagonist’s character. 51 years and over three million copies later, The Bell Jar is evermore potent in the literary world today and carries irrefutable, international significance.
---------------------------------------------------------------------- This essay will compare the ways in which the novels "The Bell Jar" by Sylvia Plath and "Quicksand" by Nella Larsen deal with relationships, paying particular attention to how this aids the characterisation of Esther Greenwood and Helga Crane, the central characters respectively. It will explore their relationships with other characters in the novel, especially how the authors use relationships to fulfil their writing aims. It will also discuss the relationship between the protagonist and the reader, and how successfully this is achieved through the novel's language. Finally, it will attempt to compare the ways in which they relate to the world around them, which is particularly fascinating as although both novels could pass as fiction, they are largely autobiographical, raising the question of why the author's chose to tell their own life stories in this relatively detached way.
Plath uses metaphors to describe the protagonists entrapment, suffocation and torture. Bill Gibson (2000) clearly defines the purpose of the metaphorical bell jar, stating that the “bell jar is a entrapment, and a way of placing one on a display of sorts, behind a glass”. Hence, Plath uses the bell jar to describe how she feels- an object, to be stared and looked upon. - mom low ideas of mental illness- So plath uses the imagery of the bell jar to convey the suffocation and isolation that is felt by all women. Also, the unlimited expectations that society creates for women and esther’s failure to achieve the expectations leads to her sorrow and disillusionment. Hence, esther
Sylvia Plath's renowned autobiographical legend "The Bell Jar" and Margaret Atwood's fictional masterpiece "The handmaid's tale" are the two emotional feminist stories, which basically involve the women's struggle. Narrated with a touching tone and filled with an intense feminist voice, both novels explore the conflict of their respective protagonists in a male dominated society. In spite of several extraordinary similarities in terms of influential characterization and emotive themes, both novels are diverse as far as their respective style, structure and setting is concerned. While Plath's preference of frequent flashback is admirable and absorbing, Atwood's choice of presenting her novel in terms of headed chapters that alternate between her peaceful past and chaotic present is, indeed, fascinating. On the contrary, although Atwood's symbolic style enriched with biblical metaphors is ironical and inspiring, Plath's touching use of meaningful motifs and descriptive imagery suits its admiration as one of the best autobiographical fiction.
Adolescence is filled with confusion, struggle, existential crises and questions; a time of transition that defines our future identity. Published in the 1950s and 1960s respectively, The Catcher in the Rye and The Bell Jar sparked controversy with their themes of sexuality, mental illness, commentary on culture, and their reflection of adolescence. Their protagonists seventeen year-old Holden Caulfield and nineteen year-old Esther Greenwood both undergo severe breakdowns in adolescence, causing them to question the moral values of the society they live in. Metaphors, characterisation, symbolism, repetition and structure are utilised by J. D. Salinger and Sylvia Plath to emphasise the inner conflict adolescents undergo to relate to their peers
...which were dead in mothers’ belly, were placed in the bottle. To Esther, this image always linked to abnormal growth, suffocation and death: “The air of the bell jar wadded round me and I couldn’t sir” (p.178). The latter part in the novel, Esther experienced a serious of symbolic events, and she began all over again and was ready to new life. However, what waited for her was still the contradiction that the society put on women, and the value of women could not be totally reflected as before. It could be predicted that in such society-value was distorted like the bell jar, Esther would be probable to fall into the “crisis of roles” and lost the courage for living again. The novel did not describe Esther’s “new born”, anyhow, the “new born” of the author-Sylvia Plath did not last for a long time.
Sylvia Plath wrote the semi autobiographical novel, The Bell Jar, in which the main character, Esther, struggles with depression as she attempts to make herself known as a writer in the 1950’s. She is getting the opportunity to apprentice under a well-known fashion magazine editor, but still cannot find true happiness. She crumbles under her depression due to feeling that she doesn’t fit in, and eventually ends up being put into a mental hospital undergoing electroshock therapy. Still, she describes the depth of her depression as “Wherever I sat - on the deck of a ship or at a street a cafe in Paris or Bangkok - I would be sitting under the same glass bell jar, stewing in my own sour air” (Plath 178). The pressure to assimilate to society’s standards from her mother, friends, and romantic interests, almost pushes her over the edge and causes her to attempt suicide multiple times throughout her life. Buddy Willard, Esther’s boyfriend at a time, asks her to marry him repeatedly in which she declines. Her mother tries to get her to marry and makes her go to therapy eventually, which leads to the mental hospital. Esther resents the way of settling down and making a family, as well as going out and partying all night. She just wants to work to become a journalist or publisher. Though, part of her longs for these other lives that she imagines livings, if she were a different person or if different things happened in her life. That’s how Elly Higgenbottom came about. Elly is Esther when Esther doesn’t want to be herself to new people. Esther’s story portrays the role of women in society in the 1950’s through Esther’s family and friends pushing her to conform to the gender roles of the time.
Sylvia Plath’s novel, “The Bell Jar”, tells a story of a young woman’s descent into mental illness. Esther Greenwood, a 19 year old girl, struggles to find meaning within her life as she sees a distorted version of the world. In Plath’s novel, different elements and themes of symbolism are used to explain the mental downfall of the book’s main character and narrator such as cutting her off from others, forcing her to delve further into her own mind, and casting an air of negativity around her. Plath uses images of rotting fig trees and veils of mist to convey the desperation she feels when confronted with issues of her future. Esther Greenwood feels that she is trapped under a bell jar, which distorts her view of the world around her.
One’s identity is the most important lesson to be learned. It is vital part of life knowing who you are in order to live a fulfilled life. Without knowing your identity, and the way you perceive life, it is difficult for others to understand you, along with a struggle to live a happy life. In Sylvia Plath’s “The Bell Jar,” Esther Greenwood struggles to find her own identity, and in the process, she develops a mental illness which helps her discover the person she is on the inside.
What is in the spring of your life if the spring of a life refers to your first twenty years in your life? The Bell Jar, a semi-autobiographical novel by Silvia Plath, describes Esther Greenwood’s harsh spring of her life. Narrating in the first person, Esther tells her experience of a mental breakdown in a descriptive language, helping the readers visualize what she sees and feel her emotions. The novel takes place in New York City and Boston during the early 1950s when women’s roles were limited to domesticity. The repression of women’s roles in the American society during the 1950s and other influences such as her lack of confidence, her hesitance, her mother, and her feminist point of view seem to affect her mental breakdown.
One is often enticed to read a novel because of the way in which the characters are viewed and the way in which characters view their surroundings. In the novel The Bell Jar by Sylvia Plath, Esther Greenwood is a character whose "heightened and highly emotional response to events, actions and sentiments" (Assignment sheet) intrigue the reader. One of her character traits is extreme paranoia that is shown in different situations throughout the novel. As a result of this, she allows herself to be easily let down, as she believes that all events that are unsatisfactory are directed towards her. Finally, it is clear that she attempts to escape this notion by imagining an idyllic yet impossible life that she envisions in remote circumstances. It is clear that Plath's creation is a Novel of Sensibility as her writing not only possesses all of the qualities associated with this genre, it also effectively takes the reader into the story with the protagonist.
The Bell Jar, written by Sylvia Plath, starts of in the summer of the mid-1950s. Esther Greenwood, the main character, is a 19 year full of ambition and creativity that works at a popular magazine company. Esther mainly has two “best friends”, Betsy and Doreen. Having a pretty decent life in New York she feels as though she is missing something and that she isn’t experiencing life as some of the other ladies her age are. Esther is faced with the thought of not being what she should be. Which is, what the other women of her age are expected to be, by society’s views. The night before Esther is supposed to go back to her mother, who lives in the suburbs outside of Boston, she goes to a country club dance with Doreen and Doreen’s boyfriend and
The glass of which a bell jar is constructed is thick and suffocating, intending to preserve its ornamental contents but instead traps in it stale air. The thickness of the bell jar glass prevents the prisoner from clearly seeing through distortion. Sylvia Plath writes with extreme conviction, as The Bell Jar is essentially her autobiography. The fitting title symbolizes not only her suffocation and mental illness, but also the internal struggle of Plath's alter ego and novel protagonist Esther Greenwood. The novel illustrates the theme confinement by highlighting the weaknesses of both Esther and Plath.
Life is full of endless amounts of beautiful encounters for every character in the novel The Bell Jar by Sylvia Plath, except for Esther. She suffers from a severe and complex mental illness that impacts her life greatly. Although it is clear that Esther suffers strongly from depression in the novel, Sylvia Plath chooses to tell her life abstractly through countless symbols and ironies to prove that Esther depression completely consumes her. Everything that Esther sees is through a lens of depression, which scewed her outlook on life. An irony that is carried throughout the entire novel is the fact that Esther works in a prestigious fashion world, yet she sees everything gruesomely and cynically.
Esther’s psychological transformation from a perfectly healthy person ends up suffering from depression. Her influences around her have negatively shown Esther a negative path to take. The events during the 1950s such as the Rosenbergs executions have only made the transformation even powerful. Sylvia Plath’s life could be compared to the Bell Jar because she was in the same situation as Esther. Freud’s theory of psychoanalysis and psycho dynamic has addressed depression through the main character Esther.
Throughout The Bell Jar, Sylvia Plath explores a number of themes, particularly regarding the gender roles, and subsequently, the mental health care system for women. Her 19-year-old protagonist, Esther Greenwood, is the vessel through which Plath poses many probing questions about these topics to the reader. In the 1950s when the novel was set, women were held to a high standard: to be attractive but pure, intelligent but submissive, and to generally accept the notion of bettering oneself only in order to make life more comfortable for the significant male in her life. Esther not only deals with the typical problems faced by women in her time, but she has to experience those things through the lens of mental illness though it is up for debate whether or not it was those same issues that caused her “madness” in the first place. In particular, Esther finds herself both struggling against and succumbing to the 1950s feminine ideal- a conflict made evident in her judgments of other women, her relationships with Buddy Willard, and her tenuous goals for the future.